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Thursday, July 18

Annual Waiters' Race of Princeton

- Free and Open to the Public!

On July 18, the 9th Annual Waiters’ Race of Princeton will take place at 4pm in the Princeton Shopping Center. This exclusive event presented by the Princeton Merchants Association is a true celebration of those who serve. Participating waiters compete for wonderful gift and cash prizes and local businesses are recognized for their support.

Summer Courtyard Concert Series: The Blue Meanies

- Free and Open to the Public!
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Join the Arts Council of Princeton in the Princeton Shopping Center Courtyard for the annual Summer Concert Series, featuring the best in local and regional rock, funk, folk, world, blues, and more!

 

The Blue Meanies are a Beatles tribute band based out of Mercer County, New Jersey. Ten year veterans of the Arts Council of Princeton’s Communiversity ArtsFest, the members consist of a group of friends, brought together by their love of the music of the Beatles. Their set list includes songs from every Beatles album. Fans of all ages love hearing live renditions of the music recorded by the greatest band in the history of rock. A splendid time is guaranteed for all!

This concert is sponsored by Chopt Princeton. Spin the wheel for free salads and Chopt swag!

Join us every Thursday, 6–8 pm, from June 27–August 29, at the Princeton Shopping Center, 301 N. Harrison Street, Princeton, NJ. To view a full lineup of performances, click here!

Constellations -- A Chimera Production

- $12-15

Constellations is a refreshing and powerful play by Nick Payne that instantly challenges the audience’s preconceptions of time, structure, relationships, physics . . . and pretty much everything. Roland is a beekeeper. Marianne is an astrophysicist. Both of them are navigating a complex journey through time and space to find out exactly what it means to be intimately involved with another human being. It’s a perfect recipe for Chimera Productions’ 14th season, loaded with crackling dialogue and insightful wit. The audience will join Marianne and Roland as they discover their reality in a way they never thought possible.

Doors at 7:30pm; Curtain at 8pm.

For tickets, please click here.

LUMINOUS MATTER

My work LUMINOUS MATTER channels the forces of fluid dynamics. I achieve this otherworldly look in my artwork by combining pigments, fluids, and additives to produce a physical reaction. Layering different densities of paint leads to the formation of cellular structures that echo natural processes. Some of my results are comparable to phenomena that can be observed in astronomy, such as the Rayleigh-Taylor instability seen in The Crab Nebula.

To create my paintings, I myself mimic the forces of nature by using multiple types of energy. I use the kinetic movement of my hands and body, generating the power needed to facilitate a chemical reaction in the paint and additives. This chemical reaction itself shapes the structure and design of my work, taking on a life of its own. Finally, I apply heat and fire to my paintings — additional forms of energy — to further induce movement and dynamic interest.

I experiment to discover new ways to generate surprising and exciting results. With this end in mind, my work uses multiple mixed media approaches. Some of the raw materials that I use include acrylic paint, alcohol inks, encaustic paint, pigments, and epoxy resin.

-Fran Eber

Our Universe - From Here to Infinity

“I became interested in astronomy and the nature and scope of our universe when I first started to learn about these things in elementary school. But then decades passed where I focused on other things in life.

In 1999, my interest in astronomy was rekindled by my friend/colleague Kirk Alexander who was at the time the Director of the Amateur Astronomers Association of Princeton (AAAP). I bought myself a telescope and a tracking mount and tried to have a visual look at things from the backyard at my home about 8 miles north of downtown Princeton. Our Moon and the planets in our Solar System were awesome but most other things were too faint to see without driving a few hours to a darker location. Even at these darker places, most of the faint nebulae did not look nearly as impressive as what I would see published in the various astronomy magazines I was reading on a regular basis.

So, in 2003 I bought myself a digital camera designed for taking long exposure astrophotographs and I began imaging the universe. The star clusters, nebulae, and galaxies that I’ve been able to image from my backyard are stunningly beautiful and it’s been extremely interesting to learn about these objects… what they are, how big and how far away they are, and how they came to be. It is all very interesting and truly humbling.”

-Robert Vanderbei

Friday, July 19

Constellations -- A Chimera Production

- $12-15

Constellations is a refreshing and powerful play by Nick Payne that instantly challenges the audience’s preconceptions of time, structure, relationships, physics . . . and pretty much everything. Roland is a beekeeper. Marianne is an astrophysicist. Both of them are navigating a complex journey through time and space to find out exactly what it means to be intimately involved with another human being. It’s a perfect recipe for Chimera Productions’ 14th season, loaded with crackling dialogue and insightful wit. The audience will join Marianne and Roland as they discover their reality in a way they never thought possible.

Doors at 7:30pm; Curtain at 8pm.

For tickets, please click here.

LUMINOUS MATTER

My work LUMINOUS MATTER channels the forces of fluid dynamics. I achieve this otherworldly look in my artwork by combining pigments, fluids, and additives to produce a physical reaction. Layering different densities of paint leads to the formation of cellular structures that echo natural processes. Some of my results are comparable to phenomena that can be observed in astronomy, such as the Rayleigh-Taylor instability seen in The Crab Nebula.

To create my paintings, I myself mimic the forces of nature by using multiple types of energy. I use the kinetic movement of my hands and body, generating the power needed to facilitate a chemical reaction in the paint and additives. This chemical reaction itself shapes the structure and design of my work, taking on a life of its own. Finally, I apply heat and fire to my paintings — additional forms of energy — to further induce movement and dynamic interest.

I experiment to discover new ways to generate surprising and exciting results. With this end in mind, my work uses multiple mixed media approaches. Some of the raw materials that I use include acrylic paint, alcohol inks, encaustic paint, pigments, and epoxy resin.

-Fran Eber

Our Universe - From Here to Infinity

“I became interested in astronomy and the nature and scope of our universe when I first started to learn about these things in elementary school. But then decades passed where I focused on other things in life.

In 1999, my interest in astronomy was rekindled by my friend/colleague Kirk Alexander who was at the time the Director of the Amateur Astronomers Association of Princeton (AAAP). I bought myself a telescope and a tracking mount and tried to have a visual look at things from the backyard at my home about 8 miles north of downtown Princeton. Our Moon and the planets in our Solar System were awesome but most other things were too faint to see without driving a few hours to a darker location. Even at these darker places, most of the faint nebulae did not look nearly as impressive as what I would see published in the various astronomy magazines I was reading on a regular basis.

So, in 2003 I bought myself a digital camera designed for taking long exposure astrophotographs and I began imaging the universe. The star clusters, nebulae, and galaxies that I’ve been able to image from my backyard are stunningly beautiful and it’s been extremely interesting to learn about these objects… what they are, how big and how far away they are, and how they came to be. It is all very interesting and truly humbling.”

-Robert Vanderbei

Saturday, July 20

Constellations -- A Chimera Production

- $12-15

Constellations is a refreshing and powerful play by Nick Payne that instantly challenges the audience’s preconceptions of time, structure, relationships, physics . . . and pretty much everything. Roland is a beekeeper. Marianne is an astrophysicist. Both of them are navigating a complex journey through time and space to find out exactly what it means to be intimately involved with another human being. It’s a perfect recipe for Chimera Productions’ 14th season, loaded with crackling dialogue and insightful wit. The audience will join Marianne and Roland as they discover their reality in a way they never thought possible.

Doors at 7:30pm; Curtain at 8pm.

For tickets, please click here.

LUMINOUS MATTER

My work LUMINOUS MATTER channels the forces of fluid dynamics. I achieve this otherworldly look in my artwork by combining pigments, fluids, and additives to produce a physical reaction. Layering different densities of paint leads to the formation of cellular structures that echo natural processes. Some of my results are comparable to phenomena that can be observed in astronomy, such as the Rayleigh-Taylor instability seen in The Crab Nebula.

To create my paintings, I myself mimic the forces of nature by using multiple types of energy. I use the kinetic movement of my hands and body, generating the power needed to facilitate a chemical reaction in the paint and additives. This chemical reaction itself shapes the structure and design of my work, taking on a life of its own. Finally, I apply heat and fire to my paintings — additional forms of energy — to further induce movement and dynamic interest.

I experiment to discover new ways to generate surprising and exciting results. With this end in mind, my work uses multiple mixed media approaches. Some of the raw materials that I use include acrylic paint, alcohol inks, encaustic paint, pigments, and epoxy resin.

-Fran Eber

Our Universe - From Here to Infinity

“I became interested in astronomy and the nature and scope of our universe when I first started to learn about these things in elementary school. But then decades passed where I focused on other things in life.

In 1999, my interest in astronomy was rekindled by my friend/colleague Kirk Alexander who was at the time the Director of the Amateur Astronomers Association of Princeton (AAAP). I bought myself a telescope and a tracking mount and tried to have a visual look at things from the backyard at my home about 8 miles north of downtown Princeton. Our Moon and the planets in our Solar System were awesome but most other things were too faint to see without driving a few hours to a darker location. Even at these darker places, most of the faint nebulae did not look nearly as impressive as what I would see published in the various astronomy magazines I was reading on a regular basis.

So, in 2003 I bought myself a digital camera designed for taking long exposure astrophotographs and I began imaging the universe. The star clusters, nebulae, and galaxies that I’ve been able to image from my backyard are stunningly beautiful and it’s been extremely interesting to learn about these objects… what they are, how big and how far away they are, and how they came to be. It is all very interesting and truly humbling.”

-Robert Vanderbei

Sunday, July 21

LUMINOUS MATTER

My work LUMINOUS MATTER channels the forces of fluid dynamics. I achieve this otherworldly look in my artwork by combining pigments, fluids, and additives to produce a physical reaction. Layering different densities of paint leads to the formation of cellular structures that echo natural processes. Some of my results are comparable to phenomena that can be observed in astronomy, such as the Rayleigh-Taylor instability seen in The Crab Nebula.

To create my paintings, I myself mimic the forces of nature by using multiple types of energy. I use the kinetic movement of my hands and body, generating the power needed to facilitate a chemical reaction in the paint and additives. This chemical reaction itself shapes the structure and design of my work, taking on a life of its own. Finally, I apply heat and fire to my paintings — additional forms of energy — to further induce movement and dynamic interest.

I experiment to discover new ways to generate surprising and exciting results. With this end in mind, my work uses multiple mixed media approaches. Some of the raw materials that I use include acrylic paint, alcohol inks, encaustic paint, pigments, and epoxy resin.

-Fran Eber

Our Universe - From Here to Infinity

“I became interested in astronomy and the nature and scope of our universe when I first started to learn about these things in elementary school. But then decades passed where I focused on other things in life.

In 1999, my interest in astronomy was rekindled by my friend/colleague Kirk Alexander who was at the time the Director of the Amateur Astronomers Association of Princeton (AAAP). I bought myself a telescope and a tracking mount and tried to have a visual look at things from the backyard at my home about 8 miles north of downtown Princeton. Our Moon and the planets in our Solar System were awesome but most other things were too faint to see without driving a few hours to a darker location. Even at these darker places, most of the faint nebulae did not look nearly as impressive as what I would see published in the various astronomy magazines I was reading on a regular basis.

So, in 2003 I bought myself a digital camera designed for taking long exposure astrophotographs and I began imaging the universe. The star clusters, nebulae, and galaxies that I’ve been able to image from my backyard are stunningly beautiful and it’s been extremely interesting to learn about these objects… what they are, how big and how far away they are, and how they came to be. It is all very interesting and truly humbling.”

-Robert Vanderbei

Monday, July 22

LUMINOUS MATTER

My work LUMINOUS MATTER channels the forces of fluid dynamics. I achieve this otherworldly look in my artwork by combining pigments, fluids, and additives to produce a physical reaction. Layering different densities of paint leads to the formation of cellular structures that echo natural processes. Some of my results are comparable to phenomena that can be observed in astronomy, such as the Rayleigh-Taylor instability seen in The Crab Nebula.

To create my paintings, I myself mimic the forces of nature by using multiple types of energy. I use the kinetic movement of my hands and body, generating the power needed to facilitate a chemical reaction in the paint and additives. This chemical reaction itself shapes the structure and design of my work, taking on a life of its own. Finally, I apply heat and fire to my paintings — additional forms of energy — to further induce movement and dynamic interest.

I experiment to discover new ways to generate surprising and exciting results. With this end in mind, my work uses multiple mixed media approaches. Some of the raw materials that I use include acrylic paint, alcohol inks, encaustic paint, pigments, and epoxy resin.

-Fran Eber

Our Universe - From Here to Infinity

“I became interested in astronomy and the nature and scope of our universe when I first started to learn about these things in elementary school. But then decades passed where I focused on other things in life.

In 1999, my interest in astronomy was rekindled by my friend/colleague Kirk Alexander who was at the time the Director of the Amateur Astronomers Association of Princeton (AAAP). I bought myself a telescope and a tracking mount and tried to have a visual look at things from the backyard at my home about 8 miles north of downtown Princeton. Our Moon and the planets in our Solar System were awesome but most other things were too faint to see without driving a few hours to a darker location. Even at these darker places, most of the faint nebulae did not look nearly as impressive as what I would see published in the various astronomy magazines I was reading on a regular basis.

So, in 2003 I bought myself a digital camera designed for taking long exposure astrophotographs and I began imaging the universe. The star clusters, nebulae, and galaxies that I’ve been able to image from my backyard are stunningly beautiful and it’s been extremely interesting to learn about these objects… what they are, how big and how far away they are, and how they came to be. It is all very interesting and truly humbling.”

-Robert Vanderbei

Tuesday, July 23

LUMINOUS MATTER

My work LUMINOUS MATTER channels the forces of fluid dynamics. I achieve this otherworldly look in my artwork by combining pigments, fluids, and additives to produce a physical reaction. Layering different densities of paint leads to the formation of cellular structures that echo natural processes. Some of my results are comparable to phenomena that can be observed in astronomy, such as the Rayleigh-Taylor instability seen in The Crab Nebula.

To create my paintings, I myself mimic the forces of nature by using multiple types of energy. I use the kinetic movement of my hands and body, generating the power needed to facilitate a chemical reaction in the paint and additives. This chemical reaction itself shapes the structure and design of my work, taking on a life of its own. Finally, I apply heat and fire to my paintings — additional forms of energy — to further induce movement and dynamic interest.

I experiment to discover new ways to generate surprising and exciting results. With this end in mind, my work uses multiple mixed media approaches. Some of the raw materials that I use include acrylic paint, alcohol inks, encaustic paint, pigments, and epoxy resin.

-Fran Eber

Our Universe - From Here to Infinity

“I became interested in astronomy and the nature and scope of our universe when I first started to learn about these things in elementary school. But then decades passed where I focused on other things in life.

In 1999, my interest in astronomy was rekindled by my friend/colleague Kirk Alexander who was at the time the Director of the Amateur Astronomers Association of Princeton (AAAP). I bought myself a telescope and a tracking mount and tried to have a visual look at things from the backyard at my home about 8 miles north of downtown Princeton. Our Moon and the planets in our Solar System were awesome but most other things were too faint to see without driving a few hours to a darker location. Even at these darker places, most of the faint nebulae did not look nearly as impressive as what I would see published in the various astronomy magazines I was reading on a regular basis.

So, in 2003 I bought myself a digital camera designed for taking long exposure astrophotographs and I began imaging the universe. The star clusters, nebulae, and galaxies that I’ve been able to image from my backyard are stunningly beautiful and it’s been extremely interesting to learn about these objects… what they are, how big and how far away they are, and how they came to be. It is all very interesting and truly humbling.”

-Robert Vanderbei

Wednesday, July 24

LUMINOUS MATTER

My work LUMINOUS MATTER channels the forces of fluid dynamics. I achieve this otherworldly look in my artwork by combining pigments, fluids, and additives to produce a physical reaction. Layering different densities of paint leads to the formation of cellular structures that echo natural processes. Some of my results are comparable to phenomena that can be observed in astronomy, such as the Rayleigh-Taylor instability seen in The Crab Nebula.

To create my paintings, I myself mimic the forces of nature by using multiple types of energy. I use the kinetic movement of my hands and body, generating the power needed to facilitate a chemical reaction in the paint and additives. This chemical reaction itself shapes the structure and design of my work, taking on a life of its own. Finally, I apply heat and fire to my paintings — additional forms of energy — to further induce movement and dynamic interest.

I experiment to discover new ways to generate surprising and exciting results. With this end in mind, my work uses multiple mixed media approaches. Some of the raw materials that I use include acrylic paint, alcohol inks, encaustic paint, pigments, and epoxy resin.

-Fran Eber

Our Universe - From Here to Infinity

“I became interested in astronomy and the nature and scope of our universe when I first started to learn about these things in elementary school. But then decades passed where I focused on other things in life.

In 1999, my interest in astronomy was rekindled by my friend/colleague Kirk Alexander who was at the time the Director of the Amateur Astronomers Association of Princeton (AAAP). I bought myself a telescope and a tracking mount and tried to have a visual look at things from the backyard at my home about 8 miles north of downtown Princeton. Our Moon and the planets in our Solar System were awesome but most other things were too faint to see without driving a few hours to a darker location. Even at these darker places, most of the faint nebulae did not look nearly as impressive as what I would see published in the various astronomy magazines I was reading on a regular basis.

So, in 2003 I bought myself a digital camera designed for taking long exposure astrophotographs and I began imaging the universe. The star clusters, nebulae, and galaxies that I’ve been able to image from my backyard are stunningly beautiful and it’s been extremely interesting to learn about these objects… what they are, how big and how far away they are, and how they came to be. It is all very interesting and truly humbling.”

-Robert Vanderbei