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Sunday, October 25

Monday, October 26

Tuesday, October 27

Wednesday, October 28

Thursday, October 29

Figure Drawing Night: Open Studio (In-person)


Join us for an in-person monitored, non-instructional workshop in which artists can work at their own pace in the medium of their choice from a clothed live model in short and sustained poses.

This class will be conducted using social distancing, and the number of students will be capped each week. Masks and a temperature check are required to enter the building.

Register for a single session or the seven week block.

Click here to register.

Figure Drawing Night: Open Studio (Virtual)


Join us for a weekly monitored, non-instructional workshop in which artists can work at their own pace in the medium of their choice from a clothed live model in short and sustained poses.

To gain access to the session each week, please pay by 5pm on Thursday. You will then be sent a Zoom meeting link by 6:00pm for the 6:30pm workshop start.

Each workshop is $11 to join.

Use this link to register and pay here: Pay Now

Tech Requirements: Wifi, a computer or other device with a built in camera, and a Zoom account. Students will receive a different email with a link for that week’s Zoom meeting by 6pm on the day of.

Virtual Art-Making Session with the Princeton University Art Museum: The Effects of Light


The Arts Council is partnering with the Princeton University Art Museum to provide free online art-making experiences. Weekly classes are taught by artist-instructor Barbara DiLorenzo over Zoom, so participants can join live from home. A variety of media and techniques will be explored, using materials readily available. Each week’s lesson features works from the Museum’s collections and is introduced by an Art Museum Student Tour Guide.

This live art-making class is inspired by Claude Monet’s Water Lilies and Japanese Bridge. This painting represents two of Monet’s greatest achievements: his gardens at Giverny and the series of paintings they inspired. Monet’s gardens were an Asian-inspired oasis of cool greens, exotic plants, and calm waters, enhanced by a Japanese footbridge. The serial approach embodied in this work was one of his great formal innovations. He was committed to painting directly from nature, sometimes working on eight or more canvases in the same day. Monet’s project to capture ever-shifting atmospheric conditions came to be a hallmark of the Impressionist style. In this class we will explore drawing the same subject at different times of day, in different weather conditions, or during different times of the year.

Free registration for the drawing class via Zoom here.  (when prompted, click to sign in as “attendee”)

This event will include live closed captions in both English and Spanish. English captions are available directly in the Zoom toolbar by clicking the “CC” icon. To access Spanish-language captioning, open Streamtext, where you can select “Spanish” to see the live captioning.

Para acceder a los subtítulos en varios idiomas, ingrese al seminario web de Zoom durante un evento en vivo, luego abra un navegador web separado para visitar esta página donde puede seleccionar “español” o el idioma de su elección.

Materials List for Drawing Classes

These materials are suggested by the instructor, but not required. Any pencil, eraser, and paper will work well.

Paper: For the demonstrations, I use Discount School Supply White Sulphite Paper (12″ x 18″, 50 lb.). My personal sketchbooks include Moleskine, Strathmore, and a variety of others that have different textures and thicknesses. Everyone has their own preference, so I recommend trying out different papers to see what you like!

Factis Mechanical Eraser: This eraser is helpful for pulling graphite and bringing highlights back into your drawing. It can also be used like a pencil, making long strokes of white (erasing the graphite) that add texture to a drawing.

Tombow MONO Zero Erasers: Round & Rectangular: I use the small, round eraser for the tiniest erasing details. It saves time to have such a small eraser on hand, and creates beautiful moments of light.

Faber-Castell Drawing Pencils: Although you can purchase a set of pencils in varying grades, for the drawing demo I’ll be using 6B so that people can see the dark marks better. I am not a fan of anything in the H grade, as the graphite is too hard and light for me to sketch comfortably. I love a 4B or 6B pencil, but that is entirely personal preference.

General’s Pure Woodless Graphite: These pure graphite pencils are a lot of fun to draw with. I usually add them to a pencil lengthener so that I can hold them like a paintbrush. Big, loose marks can be even more fun to draw—so if you have the ability, give this a try!

Koh-I-Noor Pencil Lengthener (I add the woodless graphite to this): This pencil lengthener was first introduced to me in art school. My drawing teacher would use compressed charcoal in the extender, and hold it like a paintbrush. It allows an artist to draw with a loose hand, moving the entire arm to create curves and gestures. Without it, sometimes a small nub can be harder to hold onto or can limit the range of motion.

LATE THURSDAYS! This event is part of the Museum’s Late Thursdays programming, made possible in part by Heather and Paul G. Haaga Jr., Class of 1970.

Spanish-language live closed-captioning for this program is made possible by the Rapid Response Magic Project of the Princeton University Humanities Council.

Image: Claude Monet, Water Lilies and Japanese Bridge, 1899. From the collection of William Church Osborn, Class of 1883, trustee of Princeton University (1914-51), president of the Metropolitan Museum of Art (1941-47); given by his family

Friday, October 30

Saturday, October 31