Photography by Larry Parsons

June 6 - September 15

Often I am asked how long I have been doing photography. The quick answer is about 40 years. To start, my wife, Jean, encouraged me to pursue photography since I already liked it. For a Christmas present she gave me a photo / darkroom course offered by Bob Denby at Princeton Day School. The bug bit me and I have been doing it ever since.

Working in the finance field for a career, I had little time to do as much photo work as I wanted. For many years, I still managed to stay up half the night printing images in my dark room. When the photo industry produced a photo printer that made prints as good as or better that I could do in the darkroom, I switched from film to digital.

When I retired from the world of investments in 2010, I was invited to join Gallery 14 as a member. At that point I could devote as much time to photography as I wanted. To create a show, I learned to think in portfolio concepts because as a member of the Gallery I had to hang shows at least once a year. That meant producing 20 to 30 images all on one subject or an artistic concept. The Images here were part of a Gallery 14 show in 2013.

Learn more at larryparsons.com.

More Exhibitions

All That You Leave Behind

All That You Leave Behind, a collaboration between textile artist Diana Weymar and photographer Nelson Hancock, explores narrative and artistic interpretations of personal, everyday objects. How many of us have shopped at estate sales, driven past dilapidated houses, or visited historical sites only to find ourselves creating stories about the former owners or occupants? The urge to tell stories about what is left behind satisfies our need and desire to infuse the materiality of objects with personal meaning.   Objects are a material evidence of

Taking Pause

Taking Pause is a documentary, collaborative portrait project that asks people to reflect on what in their lives feels most essential. With what do we identify and connect most deeply? What truly matters to us and why? The goal is to ask the same simple, thought-provoking question — what is irreplaceable to you — of the widest possible range of participants and to document the differences and commonalities of these reflections while engaging the spectrum of American diversity and disconnections, both political and economic. This

Donor Wheel

More than 2,000 donors are acknowledged in this one-of-a-kind sculpture by Joshua Kirsch

Neighborhood Portrait

The Neighborhood Portrait Quilt is part of a permanent exhibition that tells a story of important leaders and residents.