The Mask of Femininity: Feminist Portraits Andre Veloux
September 18 - January 5
“The focus of work is a feminist, gender equality and women’s rights project, which explores the way women are viewed and society’s expectations of them. A series of portraits of feminist icons, show strong, powerful and self-motivated women, some of whom have reached iconic status for their work and influence, and in themselves are agents of change in society. Female icons are at the very forefront of the women’s rights movement because of all the things that these women have achieved and the circumstances in which they achieved them. Women leaders in all fields, be it political, scientific, business, artistic or humanitarian are under intense and constant scrutiny.
All of the works are made with commercially available Lego bricks. Lego in all its various forms is, at the same time, limiting as well as limitless in its possibilities. The color palette is limited yet consistent, and the basic “pixel” size is also fixed. Yet at the same time, it is a hard, durable, tactile and lightweight material; it can be reused, replaced and altered at will, and provides a myriad of different possibilities due to the different available shaped bricks, tiles and plates, with the exciting opportunity to create the 3-dimensional and textural aspects of the art.”
British artist Andre Veloux resides in Princeton, NJ with his wife and daughter. He is represented by the Krause Gallery, New York City, with a solo show booked for June 2018. His feminist work is defined artistically within the parameters of modern feminism, standing up for women and their rights and empowerment. Standing against the patriarchal society and its male entitlement which causes discrimination, oppression and violence against women. His work, which is created entirely from Lego, is in private collections worldwide and has been shown in many group shows.
Travels: Domestic and aBroad
When artists Krysia Kolodziej and Libby Ramage met in the early 1990s, Krysia was editing for Princeton University Press and writing poetry; Libby was starting her work teaching art to very young children while making and exhibiting her own art. Both inveterate savers of ephemera, they have been supporting each other’s art-making ever since. Libby’s mixed media pieces–with painting and drawing using acrylics and charcoal–were created from a scrapbook originally compiled by her stepfather’s mother, Hilda, a formidable woman who reigned over her family …
UNTITLED 2017 (FEAR EATS THE SOUL) (WHITE FLAG)
On display from the roof of the Arts Council of Princeton’s Paul Robeson Center for the Arts, 102 Witherspoon Street, Princeton …