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DTSTART;TZID=America/New_York:20260621T160000
DTEND;TZID=America/New_York:20260621T170000
DTSTAMP:20260624T231819
CREATED:20260515T154835Z
LAST-MODIFIED:20260515T154835Z
UID:10002634-1782057600-1782061200@artscouncilofprinceton.org
SUMMARY:Stretto Youth Chamber Orchestra: Outdoor Juneteenth Performance
DESCRIPTION:Echoes in Our Bones  \nCurated by Judith K. Brodsky and Rhinold L. Ponder				\n				\n									On View: Saturday\, August 29 – Saturday\, October 3\, 2026Opening reception: Thursday\, September 10 from 5-7pm								\n				\n									ABOUT THE EXHIBITION:Echoes in Our Bones will explore how themes of identity\, history\, and cultural resilience have endured and transformed across generations. The exhibition examines how these artists have explored and expanded the ideals articulated in the Declaration of Independence\, “Life\, Liberty\, and the Pursuit of Happiness”\, using art as a powerful vehicle for expression\, resistance\, care\, and community. Pairings of artists from past and present generations will include Faith Ringgold and Bisa Butler\, Selma Burke and Allison Saar\, Mary Lovelace O’Neal and Julie Mehretu\, Betye Saar and Tschabalala Self\, Carrie Mae Weems and LaToya Ruby Frazier\, Laura Wheeler Waring and Jordan Casteel\, Elizabeth Catlett and Kara Walker\, and Howardena Pindell and Shinique Smith. Through these connections\, the exhibition will not only showcase individual artistic voices but also trace a lineage of creative expression that has contributed to shaping and defining American art. 								\n				\n							\n							\n					\n											\n														\n							\n					\n											\n														\n							\n					\n											\n														\n							\n					\n											\n														\n							\n					\n											\n														\n							\n					\n											\n														\n							\n					\n											\n														\n							\n					\n											\n														\n							\n					\n											\n														\n							\n					\n											\n														\n					\n					\n		\n		\n				\n									ABOUT THE CURATORS:Judith K. BrodskyActivist\, artist\, curator\, writer Judith K. Brodsky is Distinguished Professor Emerita\, Department of Art and Design\, Rutgers University. She is a works-on-paper artist with prints and drawings in many museum collections worldwide and the founder of the Rutgers Center for Innovative Print and Paper\, now the Brodsky Center at Pennsylvania Academy of Fine Arts. The Brodsky Center\, established in 1986\, is known for its activist pioneer mission to further opportunities for women-identified\, BIPOC\, and non-binary artists. An exhibition documenting the years it was at Rutgers was on view at the Zimmerli Art Museum\, Fall 2023. She was also co-founder of the Center for Women in the Arts and Humanities at Rutgers University in 2006. As a curator or co-curator\, she has organized many exhibitions including The Fertile Crescent: Gender\, Art\, and Society (2012) and the Philadelphia city-wide print festival\, Philagrafika (2010)\, three decades of exhibitions for the Rutgers Women Artists; Restoring the Art and Lives of a Circle of Five Forgotten Black Artists (2022); and (re)FOCUS: Philadelphia Focuses on Women in the Visual Arts\, 1974-2024 (2024). She is past national president of ArtTable\, College Art Association\, Women&#39;s Caucus for Art\, former board chair\, New York Foundation for the Arts\, current board member\, Print Center New York\, and a former dean and associate provost at Rutgers. Brodsky writes on women artists and printmaking. Her most recent book is Dismantling the Patriarchy Bit by Bit: Art\, Feminism and Digital Technology (Bloomsbury 2022). A book on the history of the United States Feminist Art Movement focusing on the activist art historians and curators rather than the artists is due out in early 2027 (Bloomsbury Academic). 								\n				\n									Rhinold L. PonderRhinold Lamar Ponder\, the Executive Director of Art Against Racism\, is an artist\, curator\, author\, activist and lawyer.  He is the founder and Executive Director of Art Against Racism\, a 501(c)(3)\, based in Princeton\, New Jersey. AAR’s mission is to educate others about racial injustice and to provide opportunities and encouragement for others to create an anti-racist society. An independent curator\, Rhinold has worked on several exhibitions and projects including those with Judith K. Brodsky.  Together they have curated Memorial\, Monument\, Movement (2020)\, a groundbreaking exhibition showcasing a unique archive of personal and communal art created during the pandemic in response to the cultural and political challenges of extrajudicial killings of people of color; Retrieving the Life and Art of James Wilcon Edwards and a Circle of Black Artists (Arts Council of Princeton\, 2022); Freedoms Reframed: Art on the Edges of the Constitution (Trent House Museum\, 2026); Echoes in Our Bones (Arts Council of Princeton\, 2026); and Voices in Print (Morven Museum and Garden\, 2026).  As Executive Director of Art Against Racism\, he has organized or curated the following exhibitions: Not Afraid with the West Windsor Arts Council (2025); Manifesting Beloved Community exhibitions in partnership with the West Windsor Arts Council (2020-2024 ); The Art of Black Joy (Monroe Township Library\, 2024);Earth Song Refrained (Princeton Public Library\, 2023 ); and Beyond Freedom (Morven Museum and Garden\, 2023). Rhinold’s writings have appeared in numerous publications including the New York Times\, the Trenton Times and the City Sun.  In 1997\, he co-edited\, with his wife\, Michele Tuck-Ponder\, two critically acclaimed compilations of sermons\, published by Crown\, entitled Wisdom of the Word: Faith and Wisdom of the Word: Love. 								\n				\n				\n		\n		\n														\n				\n		\n				\n									This project is supported in part by an award from the National Endowment for the Arts. 								\n		\n					\n\n				\n				\n																														\n				\n									Join us for the Re-visioning America Event Series – now through February 2027!Inspired by the 250th anniversary of the signing of the Declaration of Independence\, the Princeton community-based and collaborative initiative Re-visioning America invites contemplation of the past\, present\, and possible futures of the American nation through the lens of art. “America” refers to a specific geography\, but it also conjures a diverse and sometimes contradictory cohort of ideas\, myths\, debates\, experiences\, identities\, and aspirations. Re-visioning America showcases how artists from a range of backgrounds grapple with the complexity of America and its histories\, then and now\, and invites audiences to do the same through a series of exhibitions and accompanying programming\, including lectures\, artist conversations\, hands-on workshops\, film screenings\, and a gallery crawl. Explore the full program schedule Re-visioning America is collaboration between the Arts Council of Princeton\, Morven Museum & Garden\, Art Against Racism\, Princeton Public Library\, Historical Society of Princeton\, William Trent House Museum\, Garden Theatre\, Princeton University Art Museum\, and the Princeton University Humanities Initiative.
URL:https://artscouncilofprinceton.org/event/stretto-youth-chamber-orchestra-outdoor-juneteenth-performance/
LOCATION:300 Witherspoon Street\, 300 Witherspoon Street\, Princeton\, NJ\, 08542\, United States
CATEGORIES:Community,Events & Performances,Free or Low Cost
ATTACH;FMTTYPE=image/jpeg:https://artscouncilofprinceton.org/wp-content/uploads/2025/05/Stretto-2-2.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20260619T170000
DTEND;TZID=America/New_York:20260619T190000
DTSTAMP:20260624T231819
CREATED:20260512T152520Z
LAST-MODIFIED:20260512T152830Z
UID:10002630-1781888400-1781895600@artscouncilofprinceton.org
SUMMARY:Gallery Opening: Thomas George: A Last Chance Sale
DESCRIPTION:Echoes in Our Bones  \nCurated by Judith K. Brodsky and Rhinold L. Ponder				\n				\n									On View: Saturday\, August 29 – Saturday\, October 3\, 2026Opening reception: Thursday\, September 10 from 5-7pm								\n				\n									ABOUT THE EXHIBITION:Echoes in Our Bones will explore how themes of identity\, history\, and cultural resilience have endured and transformed across generations. The exhibition examines how these artists have explored and expanded the ideals articulated in the Declaration of Independence\, “Life\, Liberty\, and the Pursuit of Happiness”\, using art as a powerful vehicle for expression\, resistance\, care\, and community. Pairings of artists from past and present generations will include Faith Ringgold and Bisa Butler\, Selma Burke and Allison Saar\, Mary Lovelace O’Neal and Julie Mehretu\, Betye Saar and Tschabalala Self\, Carrie Mae Weems and LaToya Ruby Frazier\, Laura Wheeler Waring and Jordan Casteel\, Elizabeth Catlett and Kara Walker\, and Howardena Pindell and Shinique Smith. Through these connections\, the exhibition will not only showcase individual artistic voices but also trace a lineage of creative expression that has contributed to shaping and defining American art. 								\n				\n							\n							\n					\n											\n														\n							\n					\n											\n														\n							\n					\n											\n														\n							\n					\n											\n														\n							\n					\n											\n														\n							\n					\n											\n														\n							\n					\n											\n														\n							\n					\n											\n														\n							\n					\n											\n														\n							\n					\n											\n														\n					\n					\n		\n		\n				\n									ABOUT THE CURATORS:Judith K. BrodskyActivist\, artist\, curator\, writer Judith K. Brodsky is Distinguished Professor Emerita\, Department of Art and Design\, Rutgers University. She is a works-on-paper artist with prints and drawings in many museum collections worldwide and the founder of the Rutgers Center for Innovative Print and Paper\, now the Brodsky Center at Pennsylvania Academy of Fine Arts. The Brodsky Center\, established in 1986\, is known for its activist pioneer mission to further opportunities for women-identified\, BIPOC\, and non-binary artists. An exhibition documenting the years it was at Rutgers was on view at the Zimmerli Art Museum\, Fall 2023. She was also co-founder of the Center for Women in the Arts and Humanities at Rutgers University in 2006. As a curator or co-curator\, she has organized many exhibitions including The Fertile Crescent: Gender\, Art\, and Society (2012) and the Philadelphia city-wide print festival\, Philagrafika (2010)\, three decades of exhibitions for the Rutgers Women Artists; Restoring the Art and Lives of a Circle of Five Forgotten Black Artists (2022); and (re)FOCUS: Philadelphia Focuses on Women in the Visual Arts\, 1974-2024 (2024). She is past national president of ArtTable\, College Art Association\, Women&#39;s Caucus for Art\, former board chair\, New York Foundation for the Arts\, current board member\, Print Center New York\, and a former dean and associate provost at Rutgers. Brodsky writes on women artists and printmaking. Her most recent book is Dismantling the Patriarchy Bit by Bit: Art\, Feminism and Digital Technology (Bloomsbury 2022). A book on the history of the United States Feminist Art Movement focusing on the activist art historians and curators rather than the artists is due out in early 2027 (Bloomsbury Academic). 								\n				\n									Rhinold L. PonderRhinold Lamar Ponder\, the Executive Director of Art Against Racism\, is an artist\, curator\, author\, activist and lawyer.  He is the founder and Executive Director of Art Against Racism\, a 501(c)(3)\, based in Princeton\, New Jersey. AAR’s mission is to educate others about racial injustice and to provide opportunities and encouragement for others to create an anti-racist society. An independent curator\, Rhinold has worked on several exhibitions and projects including those with Judith K. Brodsky.  Together they have curated Memorial\, Monument\, Movement (2020)\, a groundbreaking exhibition showcasing a unique archive of personal and communal art created during the pandemic in response to the cultural and political challenges of extrajudicial killings of people of color; Retrieving the Life and Art of James Wilcon Edwards and a Circle of Black Artists (Arts Council of Princeton\, 2022); Freedoms Reframed: Art on the Edges of the Constitution (Trent House Museum\, 2026); Echoes in Our Bones (Arts Council of Princeton\, 2026); and Voices in Print (Morven Museum and Garden\, 2026).  As Executive Director of Art Against Racism\, he has organized or curated the following exhibitions: Not Afraid with the West Windsor Arts Council (2025); Manifesting Beloved Community exhibitions in partnership with the West Windsor Arts Council (2020-2024 ); The Art of Black Joy (Monroe Township Library\, 2024);Earth Song Refrained (Princeton Public Library\, 2023 ); and Beyond Freedom (Morven Museum and Garden\, 2023). Rhinold’s writings have appeared in numerous publications including the New York Times\, the Trenton Times and the City Sun.  In 1997\, he co-edited\, with his wife\, Michele Tuck-Ponder\, two critically acclaimed compilations of sermons\, published by Crown\, entitled Wisdom of the Word: Faith and Wisdom of the Word: Love. 								\n				\n				\n		\n		\n														\n				\n		\n				\n									This project is supported in part by an award from the National Endowment for the Arts. 								\n		\n					\n\n				\n				\n																														\n				\n									Join us for the Re-visioning America Event Series – now through February 2027!Inspired by the 250th anniversary of the signing of the Declaration of Independence\, the Princeton community-based and collaborative initiative Re-visioning America invites contemplation of the past\, present\, and possible futures of the American nation through the lens of art. “America” refers to a specific geography\, but it also conjures a diverse and sometimes contradictory cohort of ideas\, myths\, debates\, experiences\, identities\, and aspirations. Re-visioning America showcases how artists from a range of backgrounds grapple with the complexity of America and its histories\, then and now\, and invites audiences to do the same through a series of exhibitions and accompanying programming\, including lectures\, artist conversations\, hands-on workshops\, film screenings\, and a gallery crawl. Explore the full program schedule Re-visioning America is collaboration between the Arts Council of Princeton\, Morven Museum & Garden\, Art Against Racism\, Princeton Public Library\, Historical Society of Princeton\, William Trent House Museum\, Garden Theatre\, Princeton University Art Museum\, and the Princeton University Humanities Initiative.
URL:https://artscouncilofprinceton.org/event/gallery-opening-thomas-george-a-last-chance-sale/
LOCATION:Taplin Gallery – Arts Council of Princeton\, Princeton\, NJ
CATEGORIES:Events & Performances,Exhibitions,Free or Low Cost,Opening Receptions
ATTACH;FMTTYPE=image/webp:https://artscouncilofprinceton.org/wp-content/uploads/2026/05/thomas_george_header.webp
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20260619
DTEND;VALUE=DATE:20260622
DTSTAMP:20260624T231819
CREATED:20260512T153203Z
LAST-MODIFIED:20260622T173756Z
UID:10002631-1781827200-1782086399@artscouncilofprinceton.org
SUMMARY:Gallery Pop-up: Thomas George: A Last Chance Sale
DESCRIPTION:Echoes in Our Bones  \nCurated by Judith K. Brodsky and Rhinold L. Ponder				\n				\n									On View: Saturday\, August 29 – Saturday\, October 3\, 2026Opening reception: Thursday\, September 10 from 5-7pm								\n				\n									ABOUT THE EXHIBITION:Echoes in Our Bones will explore how themes of identity\, history\, and cultural resilience have endured and transformed across generations. The exhibition examines how these artists have explored and expanded the ideals articulated in the Declaration of Independence\, “Life\, Liberty\, and the Pursuit of Happiness”\, using art as a powerful vehicle for expression\, resistance\, care\, and community. Pairings of artists from past and present generations will include Faith Ringgold and Bisa Butler\, Selma Burke and Allison Saar\, Mary Lovelace O’Neal and Julie Mehretu\, Betye Saar and Tschabalala Self\, Carrie Mae Weems and LaToya Ruby Frazier\, Laura Wheeler Waring and Jordan Casteel\, Elizabeth Catlett and Kara Walker\, and Howardena Pindell and Shinique Smith. Through these connections\, the exhibition will not only showcase individual artistic voices but also trace a lineage of creative expression that has contributed to shaping and defining American art. 								\n				\n							\n							\n					\n											\n														\n							\n					\n											\n														\n							\n					\n											\n														\n							\n					\n											\n														\n							\n					\n											\n														\n							\n					\n											\n														\n							\n					\n											\n														\n							\n					\n											\n														\n							\n					\n											\n														\n							\n					\n											\n														\n					\n					\n		\n		\n				\n									ABOUT THE CURATORS:Judith K. BrodskyActivist\, artist\, curator\, writer Judith K. Brodsky is Distinguished Professor Emerita\, Department of Art and Design\, Rutgers University. She is a works-on-paper artist with prints and drawings in many museum collections worldwide and the founder of the Rutgers Center for Innovative Print and Paper\, now the Brodsky Center at Pennsylvania Academy of Fine Arts. The Brodsky Center\, established in 1986\, is known for its activist pioneer mission to further opportunities for women-identified\, BIPOC\, and non-binary artists. An exhibition documenting the years it was at Rutgers was on view at the Zimmerli Art Museum\, Fall 2023. She was also co-founder of the Center for Women in the Arts and Humanities at Rutgers University in 2006. As a curator or co-curator\, she has organized many exhibitions including The Fertile Crescent: Gender\, Art\, and Society (2012) and the Philadelphia city-wide print festival\, Philagrafika (2010)\, three decades of exhibitions for the Rutgers Women Artists; Restoring the Art and Lives of a Circle of Five Forgotten Black Artists (2022); and (re)FOCUS: Philadelphia Focuses on Women in the Visual Arts\, 1974-2024 (2024). She is past national president of ArtTable\, College Art Association\, Women&#39;s Caucus for Art\, former board chair\, New York Foundation for the Arts\, current board member\, Print Center New York\, and a former dean and associate provost at Rutgers. Brodsky writes on women artists and printmaking. Her most recent book is Dismantling the Patriarchy Bit by Bit: Art\, Feminism and Digital Technology (Bloomsbury 2022). A book on the history of the United States Feminist Art Movement focusing on the activist art historians and curators rather than the artists is due out in early 2027 (Bloomsbury Academic). 								\n				\n									Rhinold L. PonderRhinold Lamar Ponder\, the Executive Director of Art Against Racism\, is an artist\, curator\, author\, activist and lawyer.  He is the founder and Executive Director of Art Against Racism\, a 501(c)(3)\, based in Princeton\, New Jersey. AAR’s mission is to educate others about racial injustice and to provide opportunities and encouragement for others to create an anti-racist society. An independent curator\, Rhinold has worked on several exhibitions and projects including those with Judith K. Brodsky.  Together they have curated Memorial\, Monument\, Movement (2020)\, a groundbreaking exhibition showcasing a unique archive of personal and communal art created during the pandemic in response to the cultural and political challenges of extrajudicial killings of people of color; Retrieving the Life and Art of James Wilcon Edwards and a Circle of Black Artists (Arts Council of Princeton\, 2022); Freedoms Reframed: Art on the Edges of the Constitution (Trent House Museum\, 2026); Echoes in Our Bones (Arts Council of Princeton\, 2026); and Voices in Print (Morven Museum and Garden\, 2026).  As Executive Director of Art Against Racism\, he has organized or curated the following exhibitions: Not Afraid with the West Windsor Arts Council (2025); Manifesting Beloved Community exhibitions in partnership with the West Windsor Arts Council (2020-2024 ); The Art of Black Joy (Monroe Township Library\, 2024);Earth Song Refrained (Princeton Public Library\, 2023 ); and Beyond Freedom (Morven Museum and Garden\, 2023). Rhinold’s writings have appeared in numerous publications including the New York Times\, the Trenton Times and the City Sun.  In 1997\, he co-edited\, with his wife\, Michele Tuck-Ponder\, two critically acclaimed compilations of sermons\, published by Crown\, entitled Wisdom of the Word: Faith and Wisdom of the Word: Love. 								\n				\n				\n		\n		\n														\n				\n		\n				\n									This project is supported in part by an award from the National Endowment for the Arts. 								\n		\n					\n\n				\n				\n																														\n				\n									Join us for the Re-visioning America Event Series – now through February 2027!Inspired by the 250th anniversary of the signing of the Declaration of Independence\, the Princeton community-based and collaborative initiative Re-visioning America invites contemplation of the past\, present\, and possible futures of the American nation through the lens of art. “America” refers to a specific geography\, but it also conjures a diverse and sometimes contradictory cohort of ideas\, myths\, debates\, experiences\, identities\, and aspirations. Re-visioning America showcases how artists from a range of backgrounds grapple with the complexity of America and its histories\, then and now\, and invites audiences to do the same through a series of exhibitions and accompanying programming\, including lectures\, artist conversations\, hands-on workshops\, film screenings\, and a gallery crawl. Explore the full program schedule Re-visioning America is collaboration between the Arts Council of Princeton\, Morven Museum & Garden\, Art Against Racism\, Princeton Public Library\, Historical Society of Princeton\, William Trent House Museum\, Garden Theatre\, Princeton University Art Museum\, and the Princeton University Humanities Initiative.
URL:https://artscouncilofprinceton.org/event/gallery-pop-up-thomas-george-a-last-chance-sale/
LOCATION:Taplin Gallery – Arts Council of Princeton\, Princeton\, NJ
CATEGORIES:Events & Performances,Exhibitions,Free or Low Cost,Taplin Gallery
ATTACH;FMTTYPE=image/webp:https://artscouncilofprinceton.org/wp-content/uploads/2026/05/thomas_george_header.webp
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20260618T190000
DTEND;TZID=America/New_York:20260618T210000
DTSTAMP:20260624T231819
CREATED:20260515T194315Z
LAST-MODIFIED:20260515T194315Z
UID:10002635-1781809200-1781816400@artscouncilofprinceton.org
SUMMARY:Story & Verse: A Storytelling and Poetic Open Mic
DESCRIPTION:Echoes in Our Bones  \nCurated by Judith K. Brodsky and Rhinold L. Ponder				\n				\n									On View: Saturday\, August 29 – Saturday\, October 3\, 2026Opening reception: Thursday\, September 10 from 5-7pm								\n				\n									ABOUT THE EXHIBITION:Echoes in Our Bones will explore how themes of identity\, history\, and cultural resilience have endured and transformed across generations. The exhibition examines how these artists have explored and expanded the ideals articulated in the Declaration of Independence\, “Life\, Liberty\, and the Pursuit of Happiness”\, using art as a powerful vehicle for expression\, resistance\, care\, and community. Pairings of artists from past and present generations will include Faith Ringgold and Bisa Butler\, Selma Burke and Allison Saar\, Mary Lovelace O’Neal and Julie Mehretu\, Betye Saar and Tschabalala Self\, Carrie Mae Weems and LaToya Ruby Frazier\, Laura Wheeler Waring and Jordan Casteel\, Elizabeth Catlett and Kara Walker\, and Howardena Pindell and Shinique Smith. Through these connections\, the exhibition will not only showcase individual artistic voices but also trace a lineage of creative expression that has contributed to shaping and defining American art. 								\n				\n							\n							\n					\n											\n														\n							\n					\n											\n														\n							\n					\n											\n														\n							\n					\n											\n														\n							\n					\n											\n														\n							\n					\n											\n														\n							\n					\n											\n														\n							\n					\n											\n														\n							\n					\n											\n														\n							\n					\n											\n														\n					\n					\n		\n		\n				\n									ABOUT THE CURATORS:Judith K. BrodskyActivist\, artist\, curator\, writer Judith K. Brodsky is Distinguished Professor Emerita\, Department of Art and Design\, Rutgers University. She is a works-on-paper artist with prints and drawings in many museum collections worldwide and the founder of the Rutgers Center for Innovative Print and Paper\, now the Brodsky Center at Pennsylvania Academy of Fine Arts. The Brodsky Center\, established in 1986\, is known for its activist pioneer mission to further opportunities for women-identified\, BIPOC\, and non-binary artists. An exhibition documenting the years it was at Rutgers was on view at the Zimmerli Art Museum\, Fall 2023. She was also co-founder of the Center for Women in the Arts and Humanities at Rutgers University in 2006. As a curator or co-curator\, she has organized many exhibitions including The Fertile Crescent: Gender\, Art\, and Society (2012) and the Philadelphia city-wide print festival\, Philagrafika (2010)\, three decades of exhibitions for the Rutgers Women Artists; Restoring the Art and Lives of a Circle of Five Forgotten Black Artists (2022); and (re)FOCUS: Philadelphia Focuses on Women in the Visual Arts\, 1974-2024 (2024). She is past national president of ArtTable\, College Art Association\, Women&#39;s Caucus for Art\, former board chair\, New York Foundation for the Arts\, current board member\, Print Center New York\, and a former dean and associate provost at Rutgers. Brodsky writes on women artists and printmaking. Her most recent book is Dismantling the Patriarchy Bit by Bit: Art\, Feminism and Digital Technology (Bloomsbury 2022). A book on the history of the United States Feminist Art Movement focusing on the activist art historians and curators rather than the artists is due out in early 2027 (Bloomsbury Academic). 								\n				\n									Rhinold L. PonderRhinold Lamar Ponder\, the Executive Director of Art Against Racism\, is an artist\, curator\, author\, activist and lawyer.  He is the founder and Executive Director of Art Against Racism\, a 501(c)(3)\, based in Princeton\, New Jersey. AAR’s mission is to educate others about racial injustice and to provide opportunities and encouragement for others to create an anti-racist society. An independent curator\, Rhinold has worked on several exhibitions and projects including those with Judith K. Brodsky.  Together they have curated Memorial\, Monument\, Movement (2020)\, a groundbreaking exhibition showcasing a unique archive of personal and communal art created during the pandemic in response to the cultural and political challenges of extrajudicial killings of people of color; Retrieving the Life and Art of James Wilcon Edwards and a Circle of Black Artists (Arts Council of Princeton\, 2022); Freedoms Reframed: Art on the Edges of the Constitution (Trent House Museum\, 2026); Echoes in Our Bones (Arts Council of Princeton\, 2026); and Voices in Print (Morven Museum and Garden\, 2026).  As Executive Director of Art Against Racism\, he has organized or curated the following exhibitions: Not Afraid with the West Windsor Arts Council (2025); Manifesting Beloved Community exhibitions in partnership with the West Windsor Arts Council (2020-2024 ); The Art of Black Joy (Monroe Township Library\, 2024);Earth Song Refrained (Princeton Public Library\, 2023 ); and Beyond Freedom (Morven Museum and Garden\, 2023). Rhinold’s writings have appeared in numerous publications including the New York Times\, the Trenton Times and the City Sun.  In 1997\, he co-edited\, with his wife\, Michele Tuck-Ponder\, two critically acclaimed compilations of sermons\, published by Crown\, entitled Wisdom of the Word: Faith and Wisdom of the Word: Love. 								\n				\n				\n		\n		\n														\n				\n		\n				\n									This project is supported in part by an award from the National Endowment for the Arts. 								\n		\n					\n\n				\n				\n																														\n				\n									Join us for the Re-visioning America Event Series – now through February 2027!Inspired by the 250th anniversary of the signing of the Declaration of Independence\, the Princeton community-based and collaborative initiative Re-visioning America invites contemplation of the past\, present\, and possible futures of the American nation through the lens of art. “America” refers to a specific geography\, but it also conjures a diverse and sometimes contradictory cohort of ideas\, myths\, debates\, experiences\, identities\, and aspirations. Re-visioning America showcases how artists from a range of backgrounds grapple with the complexity of America and its histories\, then and now\, and invites audiences to do the same through a series of exhibitions and accompanying programming\, including lectures\, artist conversations\, hands-on workshops\, film screenings\, and a gallery crawl. Explore the full program schedule Re-visioning America is collaboration between the Arts Council of Princeton\, Morven Museum & Garden\, Art Against Racism\, Princeton Public Library\, Historical Society of Princeton\, William Trent House Museum\, Garden Theatre\, Princeton University Art Museum\, and the Princeton University Humanities Initiative.
URL:https://artscouncilofprinceton.org/event/story-verse-a-storytelling-and-poetic-open-mic-june26/
LOCATION:Solley Theater – Arts Council of Princeton\, Princeton\, NJ
CATEGORIES:Community,Events & Performances,Free or Low Cost
ATTACH;FMTTYPE=image/webp:https://artscouncilofprinceton.org/wp-content/uploads/2026/01/story-and-verse-web-banner.webp
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20260617T200000
DTEND;TZID=America/New_York:20260617T210000
DTSTAMP:20260624T231819
CREATED:20260507T182351Z
LAST-MODIFIED:20260507T182430Z
UID:10002570-1781726400-1781730000@artscouncilofprinceton.org
SUMMARY:Free Virtual Art Making with Princeton University: Watercolors
DESCRIPTION:Echoes in Our Bones  \nCurated by Judith K. Brodsky and Rhinold L. Ponder				\n				\n									On View: Saturday\, August 29 – Saturday\, October 3\, 2026Opening reception: Thursday\, September 10 from 5-7pm								\n				\n									ABOUT THE EXHIBITION:Echoes in Our Bones will explore how themes of identity\, history\, and cultural resilience have endured and transformed across generations. The exhibition examines how these artists have explored and expanded the ideals articulated in the Declaration of Independence\, “Life\, Liberty\, and the Pursuit of Happiness”\, using art as a powerful vehicle for expression\, resistance\, care\, and community. Pairings of artists from past and present generations will include Faith Ringgold and Bisa Butler\, Selma Burke and Allison Saar\, Mary Lovelace O’Neal and Julie Mehretu\, Betye Saar and Tschabalala Self\, Carrie Mae Weems and LaToya Ruby Frazier\, Laura Wheeler Waring and Jordan Casteel\, Elizabeth Catlett and Kara Walker\, and Howardena Pindell and Shinique Smith. Through these connections\, the exhibition will not only showcase individual artistic voices but also trace a lineage of creative expression that has contributed to shaping and defining American art. 								\n				\n							\n							\n					\n											\n														\n							\n					\n											\n														\n							\n					\n											\n														\n							\n					\n											\n														\n							\n					\n											\n														\n							\n					\n											\n														\n							\n					\n											\n														\n							\n					\n											\n														\n							\n					\n											\n														\n							\n					\n											\n														\n					\n					\n		\n		\n				\n									ABOUT THE CURATORS:Judith K. BrodskyActivist\, artist\, curator\, writer Judith K. Brodsky is Distinguished Professor Emerita\, Department of Art and Design\, Rutgers University. She is a works-on-paper artist with prints and drawings in many museum collections worldwide and the founder of the Rutgers Center for Innovative Print and Paper\, now the Brodsky Center at Pennsylvania Academy of Fine Arts. The Brodsky Center\, established in 1986\, is known for its activist pioneer mission to further opportunities for women-identified\, BIPOC\, and non-binary artists. An exhibition documenting the years it was at Rutgers was on view at the Zimmerli Art Museum\, Fall 2023. She was also co-founder of the Center for Women in the Arts and Humanities at Rutgers University in 2006. As a curator or co-curator\, she has organized many exhibitions including The Fertile Crescent: Gender\, Art\, and Society (2012) and the Philadelphia city-wide print festival\, Philagrafika (2010)\, three decades of exhibitions for the Rutgers Women Artists; Restoring the Art and Lives of a Circle of Five Forgotten Black Artists (2022); and (re)FOCUS: Philadelphia Focuses on Women in the Visual Arts\, 1974-2024 (2024). She is past national president of ArtTable\, College Art Association\, Women&#39;s Caucus for Art\, former board chair\, New York Foundation for the Arts\, current board member\, Print Center New York\, and a former dean and associate provost at Rutgers. Brodsky writes on women artists and printmaking. Her most recent book is Dismantling the Patriarchy Bit by Bit: Art\, Feminism and Digital Technology (Bloomsbury 2022). A book on the history of the United States Feminist Art Movement focusing on the activist art historians and curators rather than the artists is due out in early 2027 (Bloomsbury Academic). 								\n				\n									Rhinold L. PonderRhinold Lamar Ponder\, the Executive Director of Art Against Racism\, is an artist\, curator\, author\, activist and lawyer.  He is the founder and Executive Director of Art Against Racism\, a 501(c)(3)\, based in Princeton\, New Jersey. AAR’s mission is to educate others about racial injustice and to provide opportunities and encouragement for others to create an anti-racist society. An independent curator\, Rhinold has worked on several exhibitions and projects including those with Judith K. Brodsky.  Together they have curated Memorial\, Monument\, Movement (2020)\, a groundbreaking exhibition showcasing a unique archive of personal and communal art created during the pandemic in response to the cultural and political challenges of extrajudicial killings of people of color; Retrieving the Life and Art of James Wilcon Edwards and a Circle of Black Artists (Arts Council of Princeton\, 2022); Freedoms Reframed: Art on the Edges of the Constitution (Trent House Museum\, 2026); Echoes in Our Bones (Arts Council of Princeton\, 2026); and Voices in Print (Morven Museum and Garden\, 2026).  As Executive Director of Art Against Racism\, he has organized or curated the following exhibitions: Not Afraid with the West Windsor Arts Council (2025); Manifesting Beloved Community exhibitions in partnership with the West Windsor Arts Council (2020-2024 ); The Art of Black Joy (Monroe Township Library\, 2024);Earth Song Refrained (Princeton Public Library\, 2023 ); and Beyond Freedom (Morven Museum and Garden\, 2023). Rhinold’s writings have appeared in numerous publications including the New York Times\, the Trenton Times and the City Sun.  In 1997\, he co-edited\, with his wife\, Michele Tuck-Ponder\, two critically acclaimed compilations of sermons\, published by Crown\, entitled Wisdom of the Word: Faith and Wisdom of the Word: Love. 								\n				\n				\n		\n		\n														\n				\n		\n				\n									This project is supported in part by an award from the National Endowment for the Arts. 								\n		\n					\n\n				\n				\n																														\n				\n									Join us for the Re-visioning America Event Series – now through February 2027!Inspired by the 250th anniversary of the signing of the Declaration of Independence\, the Princeton community-based and collaborative initiative Re-visioning America invites contemplation of the past\, present\, and possible futures of the American nation through the lens of art. “America” refers to a specific geography\, but it also conjures a diverse and sometimes contradictory cohort of ideas\, myths\, debates\, experiences\, identities\, and aspirations. Re-visioning America showcases how artists from a range of backgrounds grapple with the complexity of America and its histories\, then and now\, and invites audiences to do the same through a series of exhibitions and accompanying programming\, including lectures\, artist conversations\, hands-on workshops\, film screenings\, and a gallery crawl. Explore the full program schedule Re-visioning America is collaboration between the Arts Council of Princeton\, Morven Museum & Garden\, Art Against Racism\, Princeton Public Library\, Historical Society of Princeton\, William Trent House Museum\, Garden Theatre\, Princeton University Art Museum\, and the Princeton University Humanities Initiative.
URL:https://artscouncilofprinceton.org/event/free-virtual-art-making-with-princeton-university-watercolors-session3/
LOCATION:Arts Council of Princeton\, Princeton\, NJ
CATEGORIES:Free or Low Cost,Workshops
ATTACH;FMTTYPE=image/webp:https://artscouncilofprinceton.org/wp-content/uploads/2026/05/default-2.webp
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20260616T190000
DTEND;TZID=America/New_York:20260616T200000
DTSTAMP:20260624T231819
CREATED:20260518T141948Z
LAST-MODIFIED:20260518T141948Z
UID:10002643-1781636400-1781640000@artscouncilofprinceton.org
SUMMARY:Pop-Up Choir Princeton
DESCRIPTION:Echoes in Our Bones  \nCurated by Judith K. Brodsky and Rhinold L. Ponder				\n				\n									On View: Saturday\, August 29 – Saturday\, October 3\, 2026Opening reception: Thursday\, September 10 from 5-7pm								\n				\n									ABOUT THE EXHIBITION:Echoes in Our Bones will explore how themes of identity\, history\, and cultural resilience have endured and transformed across generations. The exhibition examines how these artists have explored and expanded the ideals articulated in the Declaration of Independence\, “Life\, Liberty\, and the Pursuit of Happiness”\, using art as a powerful vehicle for expression\, resistance\, care\, and community. Pairings of artists from past and present generations will include Faith Ringgold and Bisa Butler\, Selma Burke and Allison Saar\, Mary Lovelace O’Neal and Julie Mehretu\, Betye Saar and Tschabalala Self\, Carrie Mae Weems and LaToya Ruby Frazier\, Laura Wheeler Waring and Jordan Casteel\, Elizabeth Catlett and Kara Walker\, and Howardena Pindell and Shinique Smith. Through these connections\, the exhibition will not only showcase individual artistic voices but also trace a lineage of creative expression that has contributed to shaping and defining American art. 								\n				\n							\n							\n					\n											\n														\n							\n					\n											\n														\n							\n					\n											\n														\n							\n					\n											\n														\n							\n					\n											\n														\n							\n					\n											\n														\n							\n					\n											\n														\n							\n					\n											\n														\n							\n					\n											\n														\n							\n					\n											\n														\n					\n					\n		\n		\n				\n									ABOUT THE CURATORS:Judith K. BrodskyActivist\, artist\, curator\, writer Judith K. Brodsky is Distinguished Professor Emerita\, Department of Art and Design\, Rutgers University. She is a works-on-paper artist with prints and drawings in many museum collections worldwide and the founder of the Rutgers Center for Innovative Print and Paper\, now the Brodsky Center at Pennsylvania Academy of Fine Arts. The Brodsky Center\, established in 1986\, is known for its activist pioneer mission to further opportunities for women-identified\, BIPOC\, and non-binary artists. An exhibition documenting the years it was at Rutgers was on view at the Zimmerli Art Museum\, Fall 2023. She was also co-founder of the Center for Women in the Arts and Humanities at Rutgers University in 2006. As a curator or co-curator\, she has organized many exhibitions including The Fertile Crescent: Gender\, Art\, and Society (2012) and the Philadelphia city-wide print festival\, Philagrafika (2010)\, three decades of exhibitions for the Rutgers Women Artists; Restoring the Art and Lives of a Circle of Five Forgotten Black Artists (2022); and (re)FOCUS: Philadelphia Focuses on Women in the Visual Arts\, 1974-2024 (2024). She is past national president of ArtTable\, College Art Association\, Women&#39;s Caucus for Art\, former board chair\, New York Foundation for the Arts\, current board member\, Print Center New York\, and a former dean and associate provost at Rutgers. Brodsky writes on women artists and printmaking. Her most recent book is Dismantling the Patriarchy Bit by Bit: Art\, Feminism and Digital Technology (Bloomsbury 2022). A book on the history of the United States Feminist Art Movement focusing on the activist art historians and curators rather than the artists is due out in early 2027 (Bloomsbury Academic). 								\n				\n									Rhinold L. PonderRhinold Lamar Ponder\, the Executive Director of Art Against Racism\, is an artist\, curator\, author\, activist and lawyer.  He is the founder and Executive Director of Art Against Racism\, a 501(c)(3)\, based in Princeton\, New Jersey. AAR’s mission is to educate others about racial injustice and to provide opportunities and encouragement for others to create an anti-racist society. An independent curator\, Rhinold has worked on several exhibitions and projects including those with Judith K. Brodsky.  Together they have curated Memorial\, Monument\, Movement (2020)\, a groundbreaking exhibition showcasing a unique archive of personal and communal art created during the pandemic in response to the cultural and political challenges of extrajudicial killings of people of color; Retrieving the Life and Art of James Wilcon Edwards and a Circle of Black Artists (Arts Council of Princeton\, 2022); Freedoms Reframed: Art on the Edges of the Constitution (Trent House Museum\, 2026); Echoes in Our Bones (Arts Council of Princeton\, 2026); and Voices in Print (Morven Museum and Garden\, 2026).  As Executive Director of Art Against Racism\, he has organized or curated the following exhibitions: Not Afraid with the West Windsor Arts Council (2025); Manifesting Beloved Community exhibitions in partnership with the West Windsor Arts Council (2020-2024 ); The Art of Black Joy (Monroe Township Library\, 2024);Earth Song Refrained (Princeton Public Library\, 2023 ); and Beyond Freedom (Morven Museum and Garden\, 2023). Rhinold’s writings have appeared in numerous publications including the New York Times\, the Trenton Times and the City Sun.  In 1997\, he co-edited\, with his wife\, Michele Tuck-Ponder\, two critically acclaimed compilations of sermons\, published by Crown\, entitled Wisdom of the Word: Faith and Wisdom of the Word: Love. 								\n				\n				\n		\n		\n														\n				\n		\n				\n									This project is supported in part by an award from the National Endowment for the Arts. 								\n		\n					\n\n				\n				\n																														\n				\n									Join us for the Re-visioning America Event Series – now through February 2027!Inspired by the 250th anniversary of the signing of the Declaration of Independence\, the Princeton community-based and collaborative initiative Re-visioning America invites contemplation of the past\, present\, and possible futures of the American nation through the lens of art. “America” refers to a specific geography\, but it also conjures a diverse and sometimes contradictory cohort of ideas\, myths\, debates\, experiences\, identities\, and aspirations. Re-visioning America showcases how artists from a range of backgrounds grapple with the complexity of America and its histories\, then and now\, and invites audiences to do the same through a series of exhibitions and accompanying programming\, including lectures\, artist conversations\, hands-on workshops\, film screenings\, and a gallery crawl. Explore the full program schedule Re-visioning America is collaboration between the Arts Council of Princeton\, Morven Museum & Garden\, Art Against Racism\, Princeton Public Library\, Historical Society of Princeton\, William Trent House Museum\, Garden Theatre\, Princeton University Art Museum\, and the Princeton University Humanities Initiative.
URL:https://artscouncilofprinceton.org/event/pop-up-choir-princeton-june26/
LOCATION:Arts Council of Princeton\, Princeton\, NJ
CATEGORIES:Community,Events & Performances,Free or Low Cost
ATTACH;FMTTYPE=image/webp:https://artscouncilofprinceton.org/wp-content/uploads/2026/05/popupchoir_header-scaled.webp
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20260616T180000
DTEND;TZID=America/New_York:20260616T203000
DTSTAMP:20260624T231819
CREATED:20260515T201626Z
LAST-MODIFIED:20260515T201711Z
UID:10002642-1781632800-1781641800@artscouncilofprinceton.org
SUMMARY:ACP BYOB: Linocut Printmaking
DESCRIPTION:Echoes in Our Bones  \nCurated by Judith K. Brodsky and Rhinold L. Ponder				\n				\n									On View: Saturday\, August 29 – Saturday\, October 3\, 2026Opening reception: Thursday\, September 10 from 5-7pm								\n				\n									ABOUT THE EXHIBITION:Echoes in Our Bones will explore how themes of identity\, history\, and cultural resilience have endured and transformed across generations. The exhibition examines how these artists have explored and expanded the ideals articulated in the Declaration of Independence\, “Life\, Liberty\, and the Pursuit of Happiness”\, using art as a powerful vehicle for expression\, resistance\, care\, and community. Pairings of artists from past and present generations will include Faith Ringgold and Bisa Butler\, Selma Burke and Allison Saar\, Mary Lovelace O’Neal and Julie Mehretu\, Betye Saar and Tschabalala Self\, Carrie Mae Weems and LaToya Ruby Frazier\, Laura Wheeler Waring and Jordan Casteel\, Elizabeth Catlett and Kara Walker\, and Howardena Pindell and Shinique Smith. Through these connections\, the exhibition will not only showcase individual artistic voices but also trace a lineage of creative expression that has contributed to shaping and defining American art. 								\n				\n							\n							\n					\n											\n														\n							\n					\n											\n														\n							\n					\n											\n														\n							\n					\n											\n														\n							\n					\n											\n														\n							\n					\n											\n														\n							\n					\n											\n														\n							\n					\n											\n														\n							\n					\n											\n														\n							\n					\n											\n														\n					\n					\n		\n		\n				\n									ABOUT THE CURATORS:Judith K. BrodskyActivist\, artist\, curator\, writer Judith K. Brodsky is Distinguished Professor Emerita\, Department of Art and Design\, Rutgers University. She is a works-on-paper artist with prints and drawings in many museum collections worldwide and the founder of the Rutgers Center for Innovative Print and Paper\, now the Brodsky Center at Pennsylvania Academy of Fine Arts. The Brodsky Center\, established in 1986\, is known for its activist pioneer mission to further opportunities for women-identified\, BIPOC\, and non-binary artists. An exhibition documenting the years it was at Rutgers was on view at the Zimmerli Art Museum\, Fall 2023. She was also co-founder of the Center for Women in the Arts and Humanities at Rutgers University in 2006. As a curator or co-curator\, she has organized many exhibitions including The Fertile Crescent: Gender\, Art\, and Society (2012) and the Philadelphia city-wide print festival\, Philagrafika (2010)\, three decades of exhibitions for the Rutgers Women Artists; Restoring the Art and Lives of a Circle of Five Forgotten Black Artists (2022); and (re)FOCUS: Philadelphia Focuses on Women in the Visual Arts\, 1974-2024 (2024). She is past national president of ArtTable\, College Art Association\, Women&#39;s Caucus for Art\, former board chair\, New York Foundation for the Arts\, current board member\, Print Center New York\, and a former dean and associate provost at Rutgers. Brodsky writes on women artists and printmaking. Her most recent book is Dismantling the Patriarchy Bit by Bit: Art\, Feminism and Digital Technology (Bloomsbury 2022). A book on the history of the United States Feminist Art Movement focusing on the activist art historians and curators rather than the artists is due out in early 2027 (Bloomsbury Academic). 								\n				\n									Rhinold L. PonderRhinold Lamar Ponder\, the Executive Director of Art Against Racism\, is an artist\, curator\, author\, activist and lawyer.  He is the founder and Executive Director of Art Against Racism\, a 501(c)(3)\, based in Princeton\, New Jersey. AAR’s mission is to educate others about racial injustice and to provide opportunities and encouragement for others to create an anti-racist society. An independent curator\, Rhinold has worked on several exhibitions and projects including those with Judith K. Brodsky.  Together they have curated Memorial\, Monument\, Movement (2020)\, a groundbreaking exhibition showcasing a unique archive of personal and communal art created during the pandemic in response to the cultural and political challenges of extrajudicial killings of people of color; Retrieving the Life and Art of James Wilcon Edwards and a Circle of Black Artists (Arts Council of Princeton\, 2022); Freedoms Reframed: Art on the Edges of the Constitution (Trent House Museum\, 2026); Echoes in Our Bones (Arts Council of Princeton\, 2026); and Voices in Print (Morven Museum and Garden\, 2026).  As Executive Director of Art Against Racism\, he has organized or curated the following exhibitions: Not Afraid with the West Windsor Arts Council (2025); Manifesting Beloved Community exhibitions in partnership with the West Windsor Arts Council (2020-2024 ); The Art of Black Joy (Monroe Township Library\, 2024);Earth Song Refrained (Princeton Public Library\, 2023 ); and Beyond Freedom (Morven Museum and Garden\, 2023). Rhinold’s writings have appeared in numerous publications including the New York Times\, the Trenton Times and the City Sun.  In 1997\, he co-edited\, with his wife\, Michele Tuck-Ponder\, two critically acclaimed compilations of sermons\, published by Crown\, entitled Wisdom of the Word: Faith and Wisdom of the Word: Love. 								\n				\n				\n		\n		\n														\n				\n		\n				\n									This project is supported in part by an award from the National Endowment for the Arts. 								\n		\n					\n\n				\n				\n																														\n				\n									Join us for the Re-visioning America Event Series – now through February 2027!Inspired by the 250th anniversary of the signing of the Declaration of Independence\, the Princeton community-based and collaborative initiative Re-visioning America invites contemplation of the past\, present\, and possible futures of the American nation through the lens of art. “America” refers to a specific geography\, but it also conjures a diverse and sometimes contradictory cohort of ideas\, myths\, debates\, experiences\, identities\, and aspirations. Re-visioning America showcases how artists from a range of backgrounds grapple with the complexity of America and its histories\, then and now\, and invites audiences to do the same through a series of exhibitions and accompanying programming\, including lectures\, artist conversations\, hands-on workshops\, film screenings\, and a gallery crawl. Explore the full program schedule Re-visioning America is collaboration between the Arts Council of Princeton\, Morven Museum & Garden\, Art Against Racism\, Princeton Public Library\, Historical Society of Princeton\, William Trent House Museum\, Garden Theatre\, Princeton University Art Museum\, and the Princeton University Humanities Initiative.
URL:https://artscouncilofprinceton.org/event/acp-byob-linocut-printmaking-jun26/
LOCATION:Arts Council of Princeton\, Princeton\, NJ
CATEGORIES:Workshops
ATTACH;FMTTYPE=image/webp:https://artscouncilofprinceton.org/wp-content/uploads/2025/12/linocut.webp
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20260615T170000
DTEND;TZID=America/New_York:20260615T180000
DTSTAMP:20260624T231819
CREATED:20260504T165258Z
LAST-MODIFIED:20260504T170356Z
UID:10002559-1781542800-1781546400@artscouncilofprinceton.org
SUMMARY:Annual Member Meeting 2026
DESCRIPTION:Echoes in Our Bones  \nCurated by Judith K. Brodsky and Rhinold L. Ponder				\n				\n									On View: Saturday\, August 29 – Saturday\, October 3\, 2026Opening reception: Thursday\, September 10 from 5-7pm								\n				\n									ABOUT THE EXHIBITION:Echoes in Our Bones will explore how themes of identity\, history\, and cultural resilience have endured and transformed across generations. The exhibition examines how these artists have explored and expanded the ideals articulated in the Declaration of Independence\, “Life\, Liberty\, and the Pursuit of Happiness”\, using art as a powerful vehicle for expression\, resistance\, care\, and community. Pairings of artists from past and present generations will include Faith Ringgold and Bisa Butler\, Selma Burke and Allison Saar\, Mary Lovelace O’Neal and Julie Mehretu\, Betye Saar and Tschabalala Self\, Carrie Mae Weems and LaToya Ruby Frazier\, Laura Wheeler Waring and Jordan Casteel\, Elizabeth Catlett and Kara Walker\, and Howardena Pindell and Shinique Smith. Through these connections\, the exhibition will not only showcase individual artistic voices but also trace a lineage of creative expression that has contributed to shaping and defining American art. 								\n				\n							\n							\n					\n											\n														\n							\n					\n											\n														\n							\n					\n											\n														\n							\n					\n											\n														\n							\n					\n											\n														\n							\n					\n											\n														\n							\n					\n											\n														\n							\n					\n											\n														\n							\n					\n											\n														\n							\n					\n											\n														\n					\n					\n		\n		\n				\n									ABOUT THE CURATORS:Judith K. BrodskyActivist\, artist\, curator\, writer Judith K. Brodsky is Distinguished Professor Emerita\, Department of Art and Design\, Rutgers University. She is a works-on-paper artist with prints and drawings in many museum collections worldwide and the founder of the Rutgers Center for Innovative Print and Paper\, now the Brodsky Center at Pennsylvania Academy of Fine Arts. The Brodsky Center\, established in 1986\, is known for its activist pioneer mission to further opportunities for women-identified\, BIPOC\, and non-binary artists. An exhibition documenting the years it was at Rutgers was on view at the Zimmerli Art Museum\, Fall 2023. She was also co-founder of the Center for Women in the Arts and Humanities at Rutgers University in 2006. As a curator or co-curator\, she has organized many exhibitions including The Fertile Crescent: Gender\, Art\, and Society (2012) and the Philadelphia city-wide print festival\, Philagrafika (2010)\, three decades of exhibitions for the Rutgers Women Artists; Restoring the Art and Lives of a Circle of Five Forgotten Black Artists (2022); and (re)FOCUS: Philadelphia Focuses on Women in the Visual Arts\, 1974-2024 (2024). She is past national president of ArtTable\, College Art Association\, Women&#39;s Caucus for Art\, former board chair\, New York Foundation for the Arts\, current board member\, Print Center New York\, and a former dean and associate provost at Rutgers. Brodsky writes on women artists and printmaking. Her most recent book is Dismantling the Patriarchy Bit by Bit: Art\, Feminism and Digital Technology (Bloomsbury 2022). A book on the history of the United States Feminist Art Movement focusing on the activist art historians and curators rather than the artists is due out in early 2027 (Bloomsbury Academic). 								\n				\n									Rhinold L. PonderRhinold Lamar Ponder\, the Executive Director of Art Against Racism\, is an artist\, curator\, author\, activist and lawyer.  He is the founder and Executive Director of Art Against Racism\, a 501(c)(3)\, based in Princeton\, New Jersey. AAR’s mission is to educate others about racial injustice and to provide opportunities and encouragement for others to create an anti-racist society. An independent curator\, Rhinold has worked on several exhibitions and projects including those with Judith K. Brodsky.  Together they have curated Memorial\, Monument\, Movement (2020)\, a groundbreaking exhibition showcasing a unique archive of personal and communal art created during the pandemic in response to the cultural and political challenges of extrajudicial killings of people of color; Retrieving the Life and Art of James Wilcon Edwards and a Circle of Black Artists (Arts Council of Princeton\, 2022); Freedoms Reframed: Art on the Edges of the Constitution (Trent House Museum\, 2026); Echoes in Our Bones (Arts Council of Princeton\, 2026); and Voices in Print (Morven Museum and Garden\, 2026).  As Executive Director of Art Against Racism\, he has organized or curated the following exhibitions: Not Afraid with the West Windsor Arts Council (2025); Manifesting Beloved Community exhibitions in partnership with the West Windsor Arts Council (2020-2024 ); The Art of Black Joy (Monroe Township Library\, 2024);Earth Song Refrained (Princeton Public Library\, 2023 ); and Beyond Freedom (Morven Museum and Garden\, 2023). Rhinold’s writings have appeared in numerous publications including the New York Times\, the Trenton Times and the City Sun.  In 1997\, he co-edited\, with his wife\, Michele Tuck-Ponder\, two critically acclaimed compilations of sermons\, published by Crown\, entitled Wisdom of the Word: Faith and Wisdom of the Word: Love. 								\n				\n				\n		\n		\n														\n				\n		\n				\n									This project is supported in part by an award from the National Endowment for the Arts. 								\n		\n					\n\n				\n				\n																														\n				\n									Join us for the Re-visioning America Event Series – now through February 2027!Inspired by the 250th anniversary of the signing of the Declaration of Independence\, the Princeton community-based and collaborative initiative Re-visioning America invites contemplation of the past\, present\, and possible futures of the American nation through the lens of art. “America” refers to a specific geography\, but it also conjures a diverse and sometimes contradictory cohort of ideas\, myths\, debates\, experiences\, identities\, and aspirations. Re-visioning America showcases how artists from a range of backgrounds grapple with the complexity of America and its histories\, then and now\, and invites audiences to do the same through a series of exhibitions and accompanying programming\, including lectures\, artist conversations\, hands-on workshops\, film screenings\, and a gallery crawl. Explore the full program schedule Re-visioning America is collaboration between the Arts Council of Princeton\, Morven Museum & Garden\, Art Against Racism\, Princeton Public Library\, Historical Society of Princeton\, William Trent House Museum\, Garden Theatre\, Princeton University Art Museum\, and the Princeton University Humanities Initiative.
URL:https://artscouncilofprinceton.org/event/annual-meeting-2026/
LOCATION:Virtual
CATEGORIES:Community,Free or Low Cost
ATTACH;FMTTYPE=image/png:https://artscouncilofprinceton.org/wp-content/uploads/2026/05/Annual-Member-Meeting-Princeton.png
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20260614T160000
DTEND;TZID=America/New_York:20260614T180000
DTSTAMP:20260624T231819
CREATED:20260609T181944Z
LAST-MODIFIED:20260609T181944Z
UID:10002720-1781452800-1781460000@artscouncilofprinceton.org
SUMMARY:Opening Reception: Plein Air Paint Out at Princeton Battlefield
DESCRIPTION:Echoes in Our Bones  \nCurated by Judith K. Brodsky and Rhinold L. Ponder				\n				\n									On View: Saturday\, August 29 – Saturday\, October 3\, 2026Opening reception: Thursday\, September 10 from 5-7pm								\n				\n									ABOUT THE EXHIBITION:Echoes in Our Bones will explore how themes of identity\, history\, and cultural resilience have endured and transformed across generations. The exhibition examines how these artists have explored and expanded the ideals articulated in the Declaration of Independence\, “Life\, Liberty\, and the Pursuit of Happiness”\, using art as a powerful vehicle for expression\, resistance\, care\, and community. Pairings of artists from past and present generations will include Faith Ringgold and Bisa Butler\, Selma Burke and Allison Saar\, Mary Lovelace O’Neal and Julie Mehretu\, Betye Saar and Tschabalala Self\, Carrie Mae Weems and LaToya Ruby Frazier\, Laura Wheeler Waring and Jordan Casteel\, Elizabeth Catlett and Kara Walker\, and Howardena Pindell and Shinique Smith. Through these connections\, the exhibition will not only showcase individual artistic voices but also trace a lineage of creative expression that has contributed to shaping and defining American art. 								\n				\n							\n							\n					\n											\n														\n							\n					\n											\n														\n							\n					\n											\n														\n							\n					\n											\n														\n							\n					\n											\n														\n							\n					\n											\n														\n							\n					\n											\n														\n							\n					\n											\n														\n							\n					\n											\n														\n							\n					\n											\n														\n					\n					\n		\n		\n				\n									ABOUT THE CURATORS:Judith K. BrodskyActivist\, artist\, curator\, writer Judith K. Brodsky is Distinguished Professor Emerita\, Department of Art and Design\, Rutgers University. She is a works-on-paper artist with prints and drawings in many museum collections worldwide and the founder of the Rutgers Center for Innovative Print and Paper\, now the Brodsky Center at Pennsylvania Academy of Fine Arts. The Brodsky Center\, established in 1986\, is known for its activist pioneer mission to further opportunities for women-identified\, BIPOC\, and non-binary artists. An exhibition documenting the years it was at Rutgers was on view at the Zimmerli Art Museum\, Fall 2023. She was also co-founder of the Center for Women in the Arts and Humanities at Rutgers University in 2006. As a curator or co-curator\, she has organized many exhibitions including The Fertile Crescent: Gender\, Art\, and Society (2012) and the Philadelphia city-wide print festival\, Philagrafika (2010)\, three decades of exhibitions for the Rutgers Women Artists; Restoring the Art and Lives of a Circle of Five Forgotten Black Artists (2022); and (re)FOCUS: Philadelphia Focuses on Women in the Visual Arts\, 1974-2024 (2024). She is past national president of ArtTable\, College Art Association\, Women&#39;s Caucus for Art\, former board chair\, New York Foundation for the Arts\, current board member\, Print Center New York\, and a former dean and associate provost at Rutgers. Brodsky writes on women artists and printmaking. Her most recent book is Dismantling the Patriarchy Bit by Bit: Art\, Feminism and Digital Technology (Bloomsbury 2022). A book on the history of the United States Feminist Art Movement focusing on the activist art historians and curators rather than the artists is due out in early 2027 (Bloomsbury Academic). 								\n				\n									Rhinold L. PonderRhinold Lamar Ponder\, the Executive Director of Art Against Racism\, is an artist\, curator\, author\, activist and lawyer.  He is the founder and Executive Director of Art Against Racism\, a 501(c)(3)\, based in Princeton\, New Jersey. AAR’s mission is to educate others about racial injustice and to provide opportunities and encouragement for others to create an anti-racist society. An independent curator\, Rhinold has worked on several exhibitions and projects including those with Judith K. Brodsky.  Together they have curated Memorial\, Monument\, Movement (2020)\, a groundbreaking exhibition showcasing a unique archive of personal and communal art created during the pandemic in response to the cultural and political challenges of extrajudicial killings of people of color; Retrieving the Life and Art of James Wilcon Edwards and a Circle of Black Artists (Arts Council of Princeton\, 2022); Freedoms Reframed: Art on the Edges of the Constitution (Trent House Museum\, 2026); Echoes in Our Bones (Arts Council of Princeton\, 2026); and Voices in Print (Morven Museum and Garden\, 2026).  As Executive Director of Art Against Racism\, he has organized or curated the following exhibitions: Not Afraid with the West Windsor Arts Council (2025); Manifesting Beloved Community exhibitions in partnership with the West Windsor Arts Council (2020-2024 ); The Art of Black Joy (Monroe Township Library\, 2024);Earth Song Refrained (Princeton Public Library\, 2023 ); and Beyond Freedom (Morven Museum and Garden\, 2023). Rhinold’s writings have appeared in numerous publications including the New York Times\, the Trenton Times and the City Sun.  In 1997\, he co-edited\, with his wife\, Michele Tuck-Ponder\, two critically acclaimed compilations of sermons\, published by Crown\, entitled Wisdom of the Word: Faith and Wisdom of the Word: Love. 								\n				\n				\n		\n		\n														\n				\n		\n				\n									This project is supported in part by an award from the National Endowment for the Arts. 								\n		\n					\n\n				\n				\n																														\n				\n									Join us for the Re-visioning America Event Series – now through February 2027!Inspired by the 250th anniversary of the signing of the Declaration of Independence\, the Princeton community-based and collaborative initiative Re-visioning America invites contemplation of the past\, present\, and possible futures of the American nation through the lens of art. “America” refers to a specific geography\, but it also conjures a diverse and sometimes contradictory cohort of ideas\, myths\, debates\, experiences\, identities\, and aspirations. Re-visioning America showcases how artists from a range of backgrounds grapple with the complexity of America and its histories\, then and now\, and invites audiences to do the same through a series of exhibitions and accompanying programming\, including lectures\, artist conversations\, hands-on workshops\, film screenings\, and a gallery crawl. Explore the full program schedule Re-visioning America is collaboration between the Arts Council of Princeton\, Morven Museum & Garden\, Art Against Racism\, Princeton Public Library\, Historical Society of Princeton\, William Trent House Museum\, Garden Theatre\, Princeton University Art Museum\, and the Princeton University Humanities Initiative.
URL:https://artscouncilofprinceton.org/event/opening-reception-plein-air-paint-out-at-princeton-battlefield/
LOCATION:Princeton Battlefield\, 500 Mercer Road\, Princeton\, NJ\, 08540\, United States
CATEGORIES:Community,Free or Low Cost
ATTACH;FMTTYPE=image/webp:https://artscouncilofprinceton.org/wp-content/uploads/2026/04/battlefield.webp
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20260614T090000
DTEND;TZID=America/New_York:20260614T180000
DTSTAMP:20260624T231819
CREATED:20260413T170634Z
LAST-MODIFIED:20260615T032929Z
UID:10002549-1781427600-1781460000@artscouncilofprinceton.org
SUMMARY:Plein Air Paint Out at Princeton Battlefield
DESCRIPTION:Echoes in Our Bones  \nCurated by Judith K. Brodsky and Rhinold L. Ponder				\n				\n									On View: Saturday\, August 29 – Saturday\, October 3\, 2026Opening reception: Thursday\, September 10 from 5-7pm								\n				\n									ABOUT THE EXHIBITION:Echoes in Our Bones will explore how themes of identity\, history\, and cultural resilience have endured and transformed across generations. The exhibition examines how these artists have explored and expanded the ideals articulated in the Declaration of Independence\, “Life\, Liberty\, and the Pursuit of Happiness”\, using art as a powerful vehicle for expression\, resistance\, care\, and community. Pairings of artists from past and present generations will include Faith Ringgold and Bisa Butler\, Selma Burke and Allison Saar\, Mary Lovelace O’Neal and Julie Mehretu\, Betye Saar and Tschabalala Self\, Carrie Mae Weems and LaToya Ruby Frazier\, Laura Wheeler Waring and Jordan Casteel\, Elizabeth Catlett and Kara Walker\, and Howardena Pindell and Shinique Smith. Through these connections\, the exhibition will not only showcase individual artistic voices but also trace a lineage of creative expression that has contributed to shaping and defining American art. 								\n				\n							\n							\n					\n											\n														\n							\n					\n											\n														\n							\n					\n											\n														\n							\n					\n											\n														\n							\n					\n											\n														\n							\n					\n											\n														\n							\n					\n											\n														\n							\n					\n											\n														\n							\n					\n											\n														\n							\n					\n											\n														\n					\n					\n		\n		\n				\n									ABOUT THE CURATORS:Judith K. BrodskyActivist\, artist\, curator\, writer Judith K. Brodsky is Distinguished Professor Emerita\, Department of Art and Design\, Rutgers University. She is a works-on-paper artist with prints and drawings in many museum collections worldwide and the founder of the Rutgers Center for Innovative Print and Paper\, now the Brodsky Center at Pennsylvania Academy of Fine Arts. The Brodsky Center\, established in 1986\, is known for its activist pioneer mission to further opportunities for women-identified\, BIPOC\, and non-binary artists. An exhibition documenting the years it was at Rutgers was on view at the Zimmerli Art Museum\, Fall 2023. She was also co-founder of the Center for Women in the Arts and Humanities at Rutgers University in 2006. As a curator or co-curator\, she has organized many exhibitions including The Fertile Crescent: Gender\, Art\, and Society (2012) and the Philadelphia city-wide print festival\, Philagrafika (2010)\, three decades of exhibitions for the Rutgers Women Artists; Restoring the Art and Lives of a Circle of Five Forgotten Black Artists (2022); and (re)FOCUS: Philadelphia Focuses on Women in the Visual Arts\, 1974-2024 (2024). She is past national president of ArtTable\, College Art Association\, Women&#39;s Caucus for Art\, former board chair\, New York Foundation for the Arts\, current board member\, Print Center New York\, and a former dean and associate provost at Rutgers. Brodsky writes on women artists and printmaking. Her most recent book is Dismantling the Patriarchy Bit by Bit: Art\, Feminism and Digital Technology (Bloomsbury 2022). A book on the history of the United States Feminist Art Movement focusing on the activist art historians and curators rather than the artists is due out in early 2027 (Bloomsbury Academic). 								\n				\n									Rhinold L. PonderRhinold Lamar Ponder\, the Executive Director of Art Against Racism\, is an artist\, curator\, author\, activist and lawyer.  He is the founder and Executive Director of Art Against Racism\, a 501(c)(3)\, based in Princeton\, New Jersey. AAR’s mission is to educate others about racial injustice and to provide opportunities and encouragement for others to create an anti-racist society. An independent curator\, Rhinold has worked on several exhibitions and projects including those with Judith K. Brodsky.  Together they have curated Memorial\, Monument\, Movement (2020)\, a groundbreaking exhibition showcasing a unique archive of personal and communal art created during the pandemic in response to the cultural and political challenges of extrajudicial killings of people of color; Retrieving the Life and Art of James Wilcon Edwards and a Circle of Black Artists (Arts Council of Princeton\, 2022); Freedoms Reframed: Art on the Edges of the Constitution (Trent House Museum\, 2026); Echoes in Our Bones (Arts Council of Princeton\, 2026); and Voices in Print (Morven Museum and Garden\, 2026).  As Executive Director of Art Against Racism\, he has organized or curated the following exhibitions: Not Afraid with the West Windsor Arts Council (2025); Manifesting Beloved Community exhibitions in partnership with the West Windsor Arts Council (2020-2024 ); The Art of Black Joy (Monroe Township Library\, 2024);Earth Song Refrained (Princeton Public Library\, 2023 ); and Beyond Freedom (Morven Museum and Garden\, 2023). Rhinold’s writings have appeared in numerous publications including the New York Times\, the Trenton Times and the City Sun.  In 1997\, he co-edited\, with his wife\, Michele Tuck-Ponder\, two critically acclaimed compilations of sermons\, published by Crown\, entitled Wisdom of the Word: Faith and Wisdom of the Word: Love. 								\n				\n				\n		\n		\n														\n				\n		\n				\n									This project is supported in part by an award from the National Endowment for the Arts. 								\n		\n					\n\n				\n				\n																														\n				\n									Join us for the Re-visioning America Event Series – now through February 2027!Inspired by the 250th anniversary of the signing of the Declaration of Independence\, the Princeton community-based and collaborative initiative Re-visioning America invites contemplation of the past\, present\, and possible futures of the American nation through the lens of art. “America” refers to a specific geography\, but it also conjures a diverse and sometimes contradictory cohort of ideas\, myths\, debates\, experiences\, identities\, and aspirations. Re-visioning America showcases how artists from a range of backgrounds grapple with the complexity of America and its histories\, then and now\, and invites audiences to do the same through a series of exhibitions and accompanying programming\, including lectures\, artist conversations\, hands-on workshops\, film screenings\, and a gallery crawl. Explore the full program schedule Re-visioning America is collaboration between the Arts Council of Princeton\, Morven Museum & Garden\, Art Against Racism\, Princeton Public Library\, Historical Society of Princeton\, William Trent House Museum\, Garden Theatre\, Princeton University Art Museum\, and the Princeton University Humanities Initiative.
URL:https://artscouncilofprinceton.org/event/battlefield-paint-out/
LOCATION:NJ
CATEGORIES:Community
ATTACH;FMTTYPE=image/webp:https://artscouncilofprinceton.org/wp-content/uploads/2026/04/battlefield.webp
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20260611T180000
DTEND;TZID=America/New_York:20260611T200000
DTSTAMP:20260624T231819
CREATED:20260512T000829Z
LAST-MODIFIED:20260512T001312Z
UID:10002575-1781200800-1781208000@artscouncilofprinceton.org
SUMMARY:Square After Sunset on Palmer Square
DESCRIPTION:Echoes in Our Bones  \nCurated by Judith K. Brodsky and Rhinold L. Ponder				\n				\n									On View: Saturday\, August 29 – Saturday\, October 3\, 2026Opening reception: Thursday\, September 10 from 5-7pm								\n				\n									ABOUT THE EXHIBITION:Echoes in Our Bones will explore how themes of identity\, history\, and cultural resilience have endured and transformed across generations. The exhibition examines how these artists have explored and expanded the ideals articulated in the Declaration of Independence\, “Life\, Liberty\, and the Pursuit of Happiness”\, using art as a powerful vehicle for expression\, resistance\, care\, and community. Pairings of artists from past and present generations will include Faith Ringgold and Bisa Butler\, Selma Burke and Allison Saar\, Mary Lovelace O’Neal and Julie Mehretu\, Betye Saar and Tschabalala Self\, Carrie Mae Weems and LaToya Ruby Frazier\, Laura Wheeler Waring and Jordan Casteel\, Elizabeth Catlett and Kara Walker\, and Howardena Pindell and Shinique Smith. Through these connections\, the exhibition will not only showcase individual artistic voices but also trace a lineage of creative expression that has contributed to shaping and defining American art. 								\n				\n							\n							\n					\n											\n														\n							\n					\n											\n														\n							\n					\n											\n														\n							\n					\n											\n														\n							\n					\n											\n														\n							\n					\n											\n														\n							\n					\n											\n														\n							\n					\n											\n														\n							\n					\n											\n														\n							\n					\n											\n														\n					\n					\n		\n		\n				\n									ABOUT THE CURATORS:Judith K. BrodskyActivist\, artist\, curator\, writer Judith K. Brodsky is Distinguished Professor Emerita\, Department of Art and Design\, Rutgers University. She is a works-on-paper artist with prints and drawings in many museum collections worldwide and the founder of the Rutgers Center for Innovative Print and Paper\, now the Brodsky Center at Pennsylvania Academy of Fine Arts. The Brodsky Center\, established in 1986\, is known for its activist pioneer mission to further opportunities for women-identified\, BIPOC\, and non-binary artists. An exhibition documenting the years it was at Rutgers was on view at the Zimmerli Art Museum\, Fall 2023. She was also co-founder of the Center for Women in the Arts and Humanities at Rutgers University in 2006. As a curator or co-curator\, she has organized many exhibitions including The Fertile Crescent: Gender\, Art\, and Society (2012) and the Philadelphia city-wide print festival\, Philagrafika (2010)\, three decades of exhibitions for the Rutgers Women Artists; Restoring the Art and Lives of a Circle of Five Forgotten Black Artists (2022); and (re)FOCUS: Philadelphia Focuses on Women in the Visual Arts\, 1974-2024 (2024). She is past national president of ArtTable\, College Art Association\, Women&#39;s Caucus for Art\, former board chair\, New York Foundation for the Arts\, current board member\, Print Center New York\, and a former dean and associate provost at Rutgers. Brodsky writes on women artists and printmaking. Her most recent book is Dismantling the Patriarchy Bit by Bit: Art\, Feminism and Digital Technology (Bloomsbury 2022). A book on the history of the United States Feminist Art Movement focusing on the activist art historians and curators rather than the artists is due out in early 2027 (Bloomsbury Academic). 								\n				\n									Rhinold L. PonderRhinold Lamar Ponder\, the Executive Director of Art Against Racism\, is an artist\, curator\, author\, activist and lawyer.  He is the founder and Executive Director of Art Against Racism\, a 501(c)(3)\, based in Princeton\, New Jersey. AAR’s mission is to educate others about racial injustice and to provide opportunities and encouragement for others to create an anti-racist society. An independent curator\, Rhinold has worked on several exhibitions and projects including those with Judith K. Brodsky.  Together they have curated Memorial\, Monument\, Movement (2020)\, a groundbreaking exhibition showcasing a unique archive of personal and communal art created during the pandemic in response to the cultural and political challenges of extrajudicial killings of people of color; Retrieving the Life and Art of James Wilcon Edwards and a Circle of Black Artists (Arts Council of Princeton\, 2022); Freedoms Reframed: Art on the Edges of the Constitution (Trent House Museum\, 2026); Echoes in Our Bones (Arts Council of Princeton\, 2026); and Voices in Print (Morven Museum and Garden\, 2026).  As Executive Director of Art Against Racism\, he has organized or curated the following exhibitions: Not Afraid with the West Windsor Arts Council (2025); Manifesting Beloved Community exhibitions in partnership with the West Windsor Arts Council (2020-2024 ); The Art of Black Joy (Monroe Township Library\, 2024);Earth Song Refrained (Princeton Public Library\, 2023 ); and Beyond Freedom (Morven Museum and Garden\, 2023). Rhinold’s writings have appeared in numerous publications including the New York Times\, the Trenton Times and the City Sun.  In 1997\, he co-edited\, with his wife\, Michele Tuck-Ponder\, two critically acclaimed compilations of sermons\, published by Crown\, entitled Wisdom of the Word: Faith and Wisdom of the Word: Love. 								\n				\n				\n		\n		\n														\n				\n		\n				\n									This project is supported in part by an award from the National Endowment for the Arts. 								\n		\n					\n\n				\n				\n																														\n				\n									Join us for the Re-visioning America Event Series – now through February 2027!Inspired by the 250th anniversary of the signing of the Declaration of Independence\, the Princeton community-based and collaborative initiative Re-visioning America invites contemplation of the past\, present\, and possible futures of the American nation through the lens of art. “America” refers to a specific geography\, but it also conjures a diverse and sometimes contradictory cohort of ideas\, myths\, debates\, experiences\, identities\, and aspirations. Re-visioning America showcases how artists from a range of backgrounds grapple with the complexity of America and its histories\, then and now\, and invites audiences to do the same through a series of exhibitions and accompanying programming\, including lectures\, artist conversations\, hands-on workshops\, film screenings\, and a gallery crawl. Explore the full program schedule Re-visioning America is collaboration between the Arts Council of Princeton\, Morven Museum & Garden\, Art Against Racism\, Princeton Public Library\, Historical Society of Princeton\, William Trent House Museum\, Garden Theatre\, Princeton University Art Museum\, and the Princeton University Humanities Initiative.
URL:https://artscouncilofprinceton.org/event/square-after-sunset/2026-06-11/
LOCATION:Palmer Square Green\, 10 Palmer Square\, Princeton\, NJ\, 08542\, United States
CATEGORIES:Community,Events & Performances
ATTACH;FMTTYPE=image/webp:https://artscouncilofprinceton.org/wp-content/uploads/2026/05/1000x667_web-cover-image_square-after-sunset.webp
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20260610T200000
DTEND;TZID=America/New_York:20260610T210000
DTSTAMP:20260624T231819
CREATED:20260507T182205Z
LAST-MODIFIED:20260507T182205Z
UID:10002569-1781121600-1781125200@artscouncilofprinceton.org
SUMMARY:Free Virtual Art Making with Princeton University: Watercolors
DESCRIPTION:Echoes in Our Bones  \nCurated by Judith K. Brodsky and Rhinold L. Ponder				\n				\n									On View: Saturday\, August 29 – Saturday\, October 3\, 2026Opening reception: Thursday\, September 10 from 5-7pm								\n				\n									ABOUT THE EXHIBITION:Echoes in Our Bones will explore how themes of identity\, history\, and cultural resilience have endured and transformed across generations. The exhibition examines how these artists have explored and expanded the ideals articulated in the Declaration of Independence\, “Life\, Liberty\, and the Pursuit of Happiness”\, using art as a powerful vehicle for expression\, resistance\, care\, and community. Pairings of artists from past and present generations will include Faith Ringgold and Bisa Butler\, Selma Burke and Allison Saar\, Mary Lovelace O’Neal and Julie Mehretu\, Betye Saar and Tschabalala Self\, Carrie Mae Weems and LaToya Ruby Frazier\, Laura Wheeler Waring and Jordan Casteel\, Elizabeth Catlett and Kara Walker\, and Howardena Pindell and Shinique Smith. Through these connections\, the exhibition will not only showcase individual artistic voices but also trace a lineage of creative expression that has contributed to shaping and defining American art. 								\n				\n							\n							\n					\n											\n														\n							\n					\n											\n														\n							\n					\n											\n														\n							\n					\n											\n														\n							\n					\n											\n														\n							\n					\n											\n														\n							\n					\n											\n														\n							\n					\n											\n														\n							\n					\n											\n														\n							\n					\n											\n														\n					\n					\n		\n		\n				\n									ABOUT THE CURATORS:Judith K. BrodskyActivist\, artist\, curator\, writer Judith K. Brodsky is Distinguished Professor Emerita\, Department of Art and Design\, Rutgers University. She is a works-on-paper artist with prints and drawings in many museum collections worldwide and the founder of the Rutgers Center for Innovative Print and Paper\, now the Brodsky Center at Pennsylvania Academy of Fine Arts. The Brodsky Center\, established in 1986\, is known for its activist pioneer mission to further opportunities for women-identified\, BIPOC\, and non-binary artists. An exhibition documenting the years it was at Rutgers was on view at the Zimmerli Art Museum\, Fall 2023. She was also co-founder of the Center for Women in the Arts and Humanities at Rutgers University in 2006. As a curator or co-curator\, she has organized many exhibitions including The Fertile Crescent: Gender\, Art\, and Society (2012) and the Philadelphia city-wide print festival\, Philagrafika (2010)\, three decades of exhibitions for the Rutgers Women Artists; Restoring the Art and Lives of a Circle of Five Forgotten Black Artists (2022); and (re)FOCUS: Philadelphia Focuses on Women in the Visual Arts\, 1974-2024 (2024). She is past national president of ArtTable\, College Art Association\, Women&#39;s Caucus for Art\, former board chair\, New York Foundation for the Arts\, current board member\, Print Center New York\, and a former dean and associate provost at Rutgers. Brodsky writes on women artists and printmaking. Her most recent book is Dismantling the Patriarchy Bit by Bit: Art\, Feminism and Digital Technology (Bloomsbury 2022). A book on the history of the United States Feminist Art Movement focusing on the activist art historians and curators rather than the artists is due out in early 2027 (Bloomsbury Academic). 								\n				\n									Rhinold L. PonderRhinold Lamar Ponder\, the Executive Director of Art Against Racism\, is an artist\, curator\, author\, activist and lawyer.  He is the founder and Executive Director of Art Against Racism\, a 501(c)(3)\, based in Princeton\, New Jersey. AAR’s mission is to educate others about racial injustice and to provide opportunities and encouragement for others to create an anti-racist society. An independent curator\, Rhinold has worked on several exhibitions and projects including those with Judith K. Brodsky.  Together they have curated Memorial\, Monument\, Movement (2020)\, a groundbreaking exhibition showcasing a unique archive of personal and communal art created during the pandemic in response to the cultural and political challenges of extrajudicial killings of people of color; Retrieving the Life and Art of James Wilcon Edwards and a Circle of Black Artists (Arts Council of Princeton\, 2022); Freedoms Reframed: Art on the Edges of the Constitution (Trent House Museum\, 2026); Echoes in Our Bones (Arts Council of Princeton\, 2026); and Voices in Print (Morven Museum and Garden\, 2026).  As Executive Director of Art Against Racism\, he has organized or curated the following exhibitions: Not Afraid with the West Windsor Arts Council (2025); Manifesting Beloved Community exhibitions in partnership with the West Windsor Arts Council (2020-2024 ); The Art of Black Joy (Monroe Township Library\, 2024);Earth Song Refrained (Princeton Public Library\, 2023 ); and Beyond Freedom (Morven Museum and Garden\, 2023). Rhinold’s writings have appeared in numerous publications including the New York Times\, the Trenton Times and the City Sun.  In 1997\, he co-edited\, with his wife\, Michele Tuck-Ponder\, two critically acclaimed compilations of sermons\, published by Crown\, entitled Wisdom of the Word: Faith and Wisdom of the Word: Love. 								\n				\n				\n		\n		\n														\n				\n		\n				\n									This project is supported in part by an award from the National Endowment for the Arts. 								\n		\n					\n\n				\n				\n																														\n				\n									Join us for the Re-visioning America Event Series – now through February 2027!Inspired by the 250th anniversary of the signing of the Declaration of Independence\, the Princeton community-based and collaborative initiative Re-visioning America invites contemplation of the past\, present\, and possible futures of the American nation through the lens of art. “America” refers to a specific geography\, but it also conjures a diverse and sometimes contradictory cohort of ideas\, myths\, debates\, experiences\, identities\, and aspirations. Re-visioning America showcases how artists from a range of backgrounds grapple with the complexity of America and its histories\, then and now\, and invites audiences to do the same through a series of exhibitions and accompanying programming\, including lectures\, artist conversations\, hands-on workshops\, film screenings\, and a gallery crawl. Explore the full program schedule Re-visioning America is collaboration between the Arts Council of Princeton\, Morven Museum & Garden\, Art Against Racism\, Princeton Public Library\, Historical Society of Princeton\, William Trent House Museum\, Garden Theatre\, Princeton University Art Museum\, and the Princeton University Humanities Initiative.
URL:https://artscouncilofprinceton.org/event/free-virtual-art-making-with-princeton-university-watercolors-session2/
LOCATION:Arts Council of Princeton\, Princeton\, NJ
CATEGORIES:Free or Low Cost,Workshops
ATTACH;FMTTYPE=image/webp:https://artscouncilofprinceton.org/wp-content/uploads/2026/05/default-1.webp
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20260610T190000
DTEND;TZID=America/New_York:20260610T210000
DTSTAMP:20260624T231819
CREATED:20240124T180146Z
LAST-MODIFIED:20260610T204643Z
UID:10001252-1781118000-1781125200@artscouncilofprinceton.org
SUMMARY:Jersey Art Meetup (JAM)
DESCRIPTION:Echoes in Our Bones  \nCurated by Judith K. Brodsky and Rhinold L. Ponder				\n				\n									On View: Saturday\, August 29 – Saturday\, October 3\, 2026Opening reception: Thursday\, September 10 from 5-7pm								\n				\n									ABOUT THE EXHIBITION:Echoes in Our Bones will explore how themes of identity\, history\, and cultural resilience have endured and transformed across generations. The exhibition examines how these artists have explored and expanded the ideals articulated in the Declaration of Independence\, “Life\, Liberty\, and the Pursuit of Happiness”\, using art as a powerful vehicle for expression\, resistance\, care\, and community. Pairings of artists from past and present generations will include Faith Ringgold and Bisa Butler\, Selma Burke and Allison Saar\, Mary Lovelace O’Neal and Julie Mehretu\, Betye Saar and Tschabalala Self\, Carrie Mae Weems and LaToya Ruby Frazier\, Laura Wheeler Waring and Jordan Casteel\, Elizabeth Catlett and Kara Walker\, and Howardena Pindell and Shinique Smith. Through these connections\, the exhibition will not only showcase individual artistic voices but also trace a lineage of creative expression that has contributed to shaping and defining American art. 								\n				\n							\n							\n					\n											\n														\n							\n					\n											\n														\n							\n					\n											\n														\n							\n					\n											\n														\n							\n					\n											\n														\n							\n					\n											\n														\n							\n					\n											\n														\n							\n					\n											\n														\n							\n					\n											\n														\n							\n					\n											\n														\n					\n					\n		\n		\n				\n									ABOUT THE CURATORS:Judith K. BrodskyActivist\, artist\, curator\, writer Judith K. Brodsky is Distinguished Professor Emerita\, Department of Art and Design\, Rutgers University. She is a works-on-paper artist with prints and drawings in many museum collections worldwide and the founder of the Rutgers Center for Innovative Print and Paper\, now the Brodsky Center at Pennsylvania Academy of Fine Arts. The Brodsky Center\, established in 1986\, is known for its activist pioneer mission to further opportunities for women-identified\, BIPOC\, and non-binary artists. An exhibition documenting the years it was at Rutgers was on view at the Zimmerli Art Museum\, Fall 2023. She was also co-founder of the Center for Women in the Arts and Humanities at Rutgers University in 2006. As a curator or co-curator\, she has organized many exhibitions including The Fertile Crescent: Gender\, Art\, and Society (2012) and the Philadelphia city-wide print festival\, Philagrafika (2010)\, three decades of exhibitions for the Rutgers Women Artists; Restoring the Art and Lives of a Circle of Five Forgotten Black Artists (2022); and (re)FOCUS: Philadelphia Focuses on Women in the Visual Arts\, 1974-2024 (2024). She is past national president of ArtTable\, College Art Association\, Women&#39;s Caucus for Art\, former board chair\, New York Foundation for the Arts\, current board member\, Print Center New York\, and a former dean and associate provost at Rutgers. Brodsky writes on women artists and printmaking. Her most recent book is Dismantling the Patriarchy Bit by Bit: Art\, Feminism and Digital Technology (Bloomsbury 2022). A book on the history of the United States Feminist Art Movement focusing on the activist art historians and curators rather than the artists is due out in early 2027 (Bloomsbury Academic). 								\n				\n									Rhinold L. PonderRhinold Lamar Ponder\, the Executive Director of Art Against Racism\, is an artist\, curator\, author\, activist and lawyer.  He is the founder and Executive Director of Art Against Racism\, a 501(c)(3)\, based in Princeton\, New Jersey. AAR’s mission is to educate others about racial injustice and to provide opportunities and encouragement for others to create an anti-racist society. An independent curator\, Rhinold has worked on several exhibitions and projects including those with Judith K. Brodsky.  Together they have curated Memorial\, Monument\, Movement (2020)\, a groundbreaking exhibition showcasing a unique archive of personal and communal art created during the pandemic in response to the cultural and political challenges of extrajudicial killings of people of color; Retrieving the Life and Art of James Wilcon Edwards and a Circle of Black Artists (Arts Council of Princeton\, 2022); Freedoms Reframed: Art on the Edges of the Constitution (Trent House Museum\, 2026); Echoes in Our Bones (Arts Council of Princeton\, 2026); and Voices in Print (Morven Museum and Garden\, 2026).  As Executive Director of Art Against Racism\, he has organized or curated the following exhibitions: Not Afraid with the West Windsor Arts Council (2025); Manifesting Beloved Community exhibitions in partnership with the West Windsor Arts Council (2020-2024 ); The Art of Black Joy (Monroe Township Library\, 2024);Earth Song Refrained (Princeton Public Library\, 2023 ); and Beyond Freedom (Morven Museum and Garden\, 2023). Rhinold’s writings have appeared in numerous publications including the New York Times\, the Trenton Times and the City Sun.  In 1997\, he co-edited\, with his wife\, Michele Tuck-Ponder\, two critically acclaimed compilations of sermons\, published by Crown\, entitled Wisdom of the Word: Faith and Wisdom of the Word: Love. 								\n				\n				\n		\n		\n														\n				\n		\n				\n									This project is supported in part by an award from the National Endowment for the Arts. 								\n		\n					\n\n				\n				\n																														\n				\n									Join us for the Re-visioning America Event Series – now through February 2027!Inspired by the 250th anniversary of the signing of the Declaration of Independence\, the Princeton community-based and collaborative initiative Re-visioning America invites contemplation of the past\, present\, and possible futures of the American nation through the lens of art. “America” refers to a specific geography\, but it also conjures a diverse and sometimes contradictory cohort of ideas\, myths\, debates\, experiences\, identities\, and aspirations. Re-visioning America showcases how artists from a range of backgrounds grapple with the complexity of America and its histories\, then and now\, and invites audiences to do the same through a series of exhibitions and accompanying programming\, including lectures\, artist conversations\, hands-on workshops\, film screenings\, and a gallery crawl. Explore the full program schedule Re-visioning America is collaboration between the Arts Council of Princeton\, Morven Museum & Garden\, Art Against Racism\, Princeton Public Library\, Historical Society of Princeton\, William Trent House Museum\, Garden Theatre\, Princeton University Art Museum\, and the Princeton University Humanities Initiative.
URL:https://artscouncilofprinceton.org/event/jam/2026-06-10/
LOCATION:Arts Council of Princeton\, Princeton\, NJ
CATEGORIES:Community,Free or Low Cost
ATTACH;FMTTYPE=image/webp:https://artscouncilofprinceton.org/wp-content/uploads/2024/01/COMICMAKERS_JAMBANNER-e1718819987740-copy.webp
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20260610T180000
DTEND;TZID=America/New_York:20260610T203000
DTSTAMP:20260624T231819
CREATED:20260518T165824Z
LAST-MODIFIED:20260518T165913Z
UID:10002646-1781114400-1781123400@artscouncilofprinceton.org
SUMMARY:ACP BYOB: Suminagashi
DESCRIPTION:Echoes in Our Bones  \nCurated by Judith K. Brodsky and Rhinold L. Ponder				\n				\n									On View: Saturday\, August 29 – Saturday\, October 3\, 2026Opening reception: Thursday\, September 10 from 5-7pm								\n				\n									ABOUT THE EXHIBITION:Echoes in Our Bones will explore how themes of identity\, history\, and cultural resilience have endured and transformed across generations. The exhibition examines how these artists have explored and expanded the ideals articulated in the Declaration of Independence\, “Life\, Liberty\, and the Pursuit of Happiness”\, using art as a powerful vehicle for expression\, resistance\, care\, and community. Pairings of artists from past and present generations will include Faith Ringgold and Bisa Butler\, Selma Burke and Allison Saar\, Mary Lovelace O’Neal and Julie Mehretu\, Betye Saar and Tschabalala Self\, Carrie Mae Weems and LaToya Ruby Frazier\, Laura Wheeler Waring and Jordan Casteel\, Elizabeth Catlett and Kara Walker\, and Howardena Pindell and Shinique Smith. Through these connections\, the exhibition will not only showcase individual artistic voices but also trace a lineage of creative expression that has contributed to shaping and defining American art. 								\n				\n							\n							\n					\n											\n														\n							\n					\n											\n														\n							\n					\n											\n														\n							\n					\n											\n														\n							\n					\n											\n														\n							\n					\n											\n														\n							\n					\n											\n														\n							\n					\n											\n														\n							\n					\n											\n														\n							\n					\n											\n														\n					\n					\n		\n		\n				\n									ABOUT THE CURATORS:Judith K. BrodskyActivist\, artist\, curator\, writer Judith K. Brodsky is Distinguished Professor Emerita\, Department of Art and Design\, Rutgers University. She is a works-on-paper artist with prints and drawings in many museum collections worldwide and the founder of the Rutgers Center for Innovative Print and Paper\, now the Brodsky Center at Pennsylvania Academy of Fine Arts. The Brodsky Center\, established in 1986\, is known for its activist pioneer mission to further opportunities for women-identified\, BIPOC\, and non-binary artists. An exhibition documenting the years it was at Rutgers was on view at the Zimmerli Art Museum\, Fall 2023. She was also co-founder of the Center for Women in the Arts and Humanities at Rutgers University in 2006. As a curator or co-curator\, she has organized many exhibitions including The Fertile Crescent: Gender\, Art\, and Society (2012) and the Philadelphia city-wide print festival\, Philagrafika (2010)\, three decades of exhibitions for the Rutgers Women Artists; Restoring the Art and Lives of a Circle of Five Forgotten Black Artists (2022); and (re)FOCUS: Philadelphia Focuses on Women in the Visual Arts\, 1974-2024 (2024). She is past national president of ArtTable\, College Art Association\, Women&#39;s Caucus for Art\, former board chair\, New York Foundation for the Arts\, current board member\, Print Center New York\, and a former dean and associate provost at Rutgers. Brodsky writes on women artists and printmaking. Her most recent book is Dismantling the Patriarchy Bit by Bit: Art\, Feminism and Digital Technology (Bloomsbury 2022). A book on the history of the United States Feminist Art Movement focusing on the activist art historians and curators rather than the artists is due out in early 2027 (Bloomsbury Academic). 								\n				\n									Rhinold L. PonderRhinold Lamar Ponder\, the Executive Director of Art Against Racism\, is an artist\, curator\, author\, activist and lawyer.  He is the founder and Executive Director of Art Against Racism\, a 501(c)(3)\, based in Princeton\, New Jersey. AAR’s mission is to educate others about racial injustice and to provide opportunities and encouragement for others to create an anti-racist society. An independent curator\, Rhinold has worked on several exhibitions and projects including those with Judith K. Brodsky.  Together they have curated Memorial\, Monument\, Movement (2020)\, a groundbreaking exhibition showcasing a unique archive of personal and communal art created during the pandemic in response to the cultural and political challenges of extrajudicial killings of people of color; Retrieving the Life and Art of James Wilcon Edwards and a Circle of Black Artists (Arts Council of Princeton\, 2022); Freedoms Reframed: Art on the Edges of the Constitution (Trent House Museum\, 2026); Echoes in Our Bones (Arts Council of Princeton\, 2026); and Voices in Print (Morven Museum and Garden\, 2026).  As Executive Director of Art Against Racism\, he has organized or curated the following exhibitions: Not Afraid with the West Windsor Arts Council (2025); Manifesting Beloved Community exhibitions in partnership with the West Windsor Arts Council (2020-2024 ); The Art of Black Joy (Monroe Township Library\, 2024);Earth Song Refrained (Princeton Public Library\, 2023 ); and Beyond Freedom (Morven Museum and Garden\, 2023). Rhinold’s writings have appeared in numerous publications including the New York Times\, the Trenton Times and the City Sun.  In 1997\, he co-edited\, with his wife\, Michele Tuck-Ponder\, two critically acclaimed compilations of sermons\, published by Crown\, entitled Wisdom of the Word: Faith and Wisdom of the Word: Love. 								\n				\n				\n		\n		\n														\n				\n		\n				\n									This project is supported in part by an award from the National Endowment for the Arts. 								\n		\n					\n\n				\n				\n																														\n				\n									Join us for the Re-visioning America Event Series – now through February 2027!Inspired by the 250th anniversary of the signing of the Declaration of Independence\, the Princeton community-based and collaborative initiative Re-visioning America invites contemplation of the past\, present\, and possible futures of the American nation through the lens of art. “America” refers to a specific geography\, but it also conjures a diverse and sometimes contradictory cohort of ideas\, myths\, debates\, experiences\, identities\, and aspirations. Re-visioning America showcases how artists from a range of backgrounds grapple with the complexity of America and its histories\, then and now\, and invites audiences to do the same through a series of exhibitions and accompanying programming\, including lectures\, artist conversations\, hands-on workshops\, film screenings\, and a gallery crawl. Explore the full program schedule Re-visioning America is collaboration between the Arts Council of Princeton\, Morven Museum & Garden\, Art Against Racism\, Princeton Public Library\, Historical Society of Princeton\, William Trent House Museum\, Garden Theatre\, Princeton University Art Museum\, and the Princeton University Humanities Initiative.
URL:https://artscouncilofprinceton.org/event/acp-byob-suminagashi/
LOCATION:Arts Council of Princeton\, Princeton\, NJ
CATEGORIES:Workshops
ATTACH;FMTTYPE=image/jpeg:https://artscouncilofprinceton.org/wp-content/uploads/2025/05/Sumi-Stars.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20260606T153000
DTEND;TZID=America/New_York:20260606T180000
DTSTAMP:20260624T231819
CREATED:20260526T210024Z
LAST-MODIFIED:20260527T221043Z
UID:10002712-1780759800-1780768800@artscouncilofprinceton.org
SUMMARY:From Africa to the Americas: Free Dance Workshops
DESCRIPTION:Echoes in Our Bones  \nCurated by Judith K. Brodsky and Rhinold L. Ponder				\n				\n									On View: Saturday\, August 29 – Saturday\, October 3\, 2026Opening reception: Thursday\, September 10 from 5-7pm								\n				\n									ABOUT THE EXHIBITION:Echoes in Our Bones will explore how themes of identity\, history\, and cultural resilience have endured and transformed across generations. The exhibition examines how these artists have explored and expanded the ideals articulated in the Declaration of Independence\, “Life\, Liberty\, and the Pursuit of Happiness”\, using art as a powerful vehicle for expression\, resistance\, care\, and community. Pairings of artists from past and present generations will include Faith Ringgold and Bisa Butler\, Selma Burke and Allison Saar\, Mary Lovelace O’Neal and Julie Mehretu\, Betye Saar and Tschabalala Self\, Carrie Mae Weems and LaToya Ruby Frazier\, Laura Wheeler Waring and Jordan Casteel\, Elizabeth Catlett and Kara Walker\, and Howardena Pindell and Shinique Smith. Through these connections\, the exhibition will not only showcase individual artistic voices but also trace a lineage of creative expression that has contributed to shaping and defining American art. 								\n				\n							\n							\n					\n											\n														\n							\n					\n											\n														\n							\n					\n											\n														\n							\n					\n											\n														\n							\n					\n											\n														\n							\n					\n											\n														\n							\n					\n											\n														\n							\n					\n											\n														\n							\n					\n											\n														\n							\n					\n											\n														\n					\n					\n		\n		\n				\n									ABOUT THE CURATORS:Judith K. BrodskyActivist\, artist\, curator\, writer Judith K. Brodsky is Distinguished Professor Emerita\, Department of Art and Design\, Rutgers University. She is a works-on-paper artist with prints and drawings in many museum collections worldwide and the founder of the Rutgers Center for Innovative Print and Paper\, now the Brodsky Center at Pennsylvania Academy of Fine Arts. The Brodsky Center\, established in 1986\, is known for its activist pioneer mission to further opportunities for women-identified\, BIPOC\, and non-binary artists. An exhibition documenting the years it was at Rutgers was on view at the Zimmerli Art Museum\, Fall 2023. She was also co-founder of the Center for Women in the Arts and Humanities at Rutgers University in 2006. As a curator or co-curator\, she has organized many exhibitions including The Fertile Crescent: Gender\, Art\, and Society (2012) and the Philadelphia city-wide print festival\, Philagrafika (2010)\, three decades of exhibitions for the Rutgers Women Artists; Restoring the Art and Lives of a Circle of Five Forgotten Black Artists (2022); and (re)FOCUS: Philadelphia Focuses on Women in the Visual Arts\, 1974-2024 (2024). She is past national president of ArtTable\, College Art Association\, Women&#39;s Caucus for Art\, former board chair\, New York Foundation for the Arts\, current board member\, Print Center New York\, and a former dean and associate provost at Rutgers. Brodsky writes on women artists and printmaking. Her most recent book is Dismantling the Patriarchy Bit by Bit: Art\, Feminism and Digital Technology (Bloomsbury 2022). A book on the history of the United States Feminist Art Movement focusing on the activist art historians and curators rather than the artists is due out in early 2027 (Bloomsbury Academic). 								\n				\n									Rhinold L. PonderRhinold Lamar Ponder\, the Executive Director of Art Against Racism\, is an artist\, curator\, author\, activist and lawyer.  He is the founder and Executive Director of Art Against Racism\, a 501(c)(3)\, based in Princeton\, New Jersey. AAR’s mission is to educate others about racial injustice and to provide opportunities and encouragement for others to create an anti-racist society. An independent curator\, Rhinold has worked on several exhibitions and projects including those with Judith K. Brodsky.  Together they have curated Memorial\, Monument\, Movement (2020)\, a groundbreaking exhibition showcasing a unique archive of personal and communal art created during the pandemic in response to the cultural and political challenges of extrajudicial killings of people of color; Retrieving the Life and Art of James Wilcon Edwards and a Circle of Black Artists (Arts Council of Princeton\, 2022); Freedoms Reframed: Art on the Edges of the Constitution (Trent House Museum\, 2026); Echoes in Our Bones (Arts Council of Princeton\, 2026); and Voices in Print (Morven Museum and Garden\, 2026).  As Executive Director of Art Against Racism\, he has organized or curated the following exhibitions: Not Afraid with the West Windsor Arts Council (2025); Manifesting Beloved Community exhibitions in partnership with the West Windsor Arts Council (2020-2024 ); The Art of Black Joy (Monroe Township Library\, 2024);Earth Song Refrained (Princeton Public Library\, 2023 ); and Beyond Freedom (Morven Museum and Garden\, 2023). Rhinold’s writings have appeared in numerous publications including the New York Times\, the Trenton Times and the City Sun.  In 1997\, he co-edited\, with his wife\, Michele Tuck-Ponder\, two critically acclaimed compilations of sermons\, published by Crown\, entitled Wisdom of the Word: Faith and Wisdom of the Word: Love. 								\n				\n				\n		\n		\n														\n				\n		\n				\n									This project is supported in part by an award from the National Endowment for the Arts. 								\n		\n					\n\n				\n				\n																														\n				\n									Join us for the Re-visioning America Event Series – now through February 2027!Inspired by the 250th anniversary of the signing of the Declaration of Independence\, the Princeton community-based and collaborative initiative Re-visioning America invites contemplation of the past\, present\, and possible futures of the American nation through the lens of art. “America” refers to a specific geography\, but it also conjures a diverse and sometimes contradictory cohort of ideas\, myths\, debates\, experiences\, identities\, and aspirations. Re-visioning America showcases how artists from a range of backgrounds grapple with the complexity of America and its histories\, then and now\, and invites audiences to do the same through a series of exhibitions and accompanying programming\, including lectures\, artist conversations\, hands-on workshops\, film screenings\, and a gallery crawl. Explore the full program schedule Re-visioning America is collaboration between the Arts Council of Princeton\, Morven Museum & Garden\, Art Against Racism\, Princeton Public Library\, Historical Society of Princeton\, William Trent House Museum\, Garden Theatre\, Princeton University Art Museum\, and the Princeton University Humanities Initiative.
URL:https://artscouncilofprinceton.org/event/africa-to-the-americas/
LOCATION:Solley Theater – Arts Council of Princeton\, Princeton\, NJ
CATEGORIES:Community,Events & Performances,Free or Low Cost
ATTACH;FMTTYPE=image/jpeg:https://artscouncilofprinceton.org/wp-content/uploads/2026/05/Africa-Americas-Princeton.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20260606T120000
DTEND;TZID=America/New_York:20260606T150000
DTSTAMP:20260624T231819
CREATED:20260415T152129Z
LAST-MODIFIED:20260607T064046Z
UID:10002551-1780747200-1780758000@artscouncilofprinceton.org
SUMMARY:THE BIG SIT: Not Your Average Picnic
DESCRIPTION:Echoes in Our Bones  \nCurated by Judith K. Brodsky and Rhinold L. Ponder				\n				\n									On View: Saturday\, August 29 – Saturday\, October 3\, 2026Opening reception: Thursday\, September 10 from 5-7pm								\n				\n									ABOUT THE EXHIBITION:Echoes in Our Bones will explore how themes of identity\, history\, and cultural resilience have endured and transformed across generations. The exhibition examines how these artists have explored and expanded the ideals articulated in the Declaration of Independence\, “Life\, Liberty\, and the Pursuit of Happiness”\, using art as a powerful vehicle for expression\, resistance\, care\, and community. Pairings of artists from past and present generations will include Faith Ringgold and Bisa Butler\, Selma Burke and Allison Saar\, Mary Lovelace O’Neal and Julie Mehretu\, Betye Saar and Tschabalala Self\, Carrie Mae Weems and LaToya Ruby Frazier\, Laura Wheeler Waring and Jordan Casteel\, Elizabeth Catlett and Kara Walker\, and Howardena Pindell and Shinique Smith. Through these connections\, the exhibition will not only showcase individual artistic voices but also trace a lineage of creative expression that has contributed to shaping and defining American art. 								\n				\n							\n							\n					\n											\n														\n							\n					\n											\n														\n							\n					\n											\n														\n							\n					\n											\n														\n							\n					\n											\n														\n							\n					\n											\n														\n							\n					\n											\n														\n							\n					\n											\n														\n							\n					\n											\n														\n							\n					\n											\n														\n					\n					\n		\n		\n				\n									ABOUT THE CURATORS:Judith K. BrodskyActivist\, artist\, curator\, writer Judith K. Brodsky is Distinguished Professor Emerita\, Department of Art and Design\, Rutgers University. She is a works-on-paper artist with prints and drawings in many museum collections worldwide and the founder of the Rutgers Center for Innovative Print and Paper\, now the Brodsky Center at Pennsylvania Academy of Fine Arts. The Brodsky Center\, established in 1986\, is known for its activist pioneer mission to further opportunities for women-identified\, BIPOC\, and non-binary artists. An exhibition documenting the years it was at Rutgers was on view at the Zimmerli Art Museum\, Fall 2023. She was also co-founder of the Center for Women in the Arts and Humanities at Rutgers University in 2006. As a curator or co-curator\, she has organized many exhibitions including The Fertile Crescent: Gender\, Art\, and Society (2012) and the Philadelphia city-wide print festival\, Philagrafika (2010)\, three decades of exhibitions for the Rutgers Women Artists; Restoring the Art and Lives of a Circle of Five Forgotten Black Artists (2022); and (re)FOCUS: Philadelphia Focuses on Women in the Visual Arts\, 1974-2024 (2024). She is past national president of ArtTable\, College Art Association\, Women&#39;s Caucus for Art\, former board chair\, New York Foundation for the Arts\, current board member\, Print Center New York\, and a former dean and associate provost at Rutgers. Brodsky writes on women artists and printmaking. Her most recent book is Dismantling the Patriarchy Bit by Bit: Art\, Feminism and Digital Technology (Bloomsbury 2022). A book on the history of the United States Feminist Art Movement focusing on the activist art historians and curators rather than the artists is due out in early 2027 (Bloomsbury Academic). 								\n				\n									Rhinold L. PonderRhinold Lamar Ponder\, the Executive Director of Art Against Racism\, is an artist\, curator\, author\, activist and lawyer.  He is the founder and Executive Director of Art Against Racism\, a 501(c)(3)\, based in Princeton\, New Jersey. AAR’s mission is to educate others about racial injustice and to provide opportunities and encouragement for others to create an anti-racist society. An independent curator\, Rhinold has worked on several exhibitions and projects including those with Judith K. Brodsky.  Together they have curated Memorial\, Monument\, Movement (2020)\, a groundbreaking exhibition showcasing a unique archive of personal and communal art created during the pandemic in response to the cultural and political challenges of extrajudicial killings of people of color; Retrieving the Life and Art of James Wilcon Edwards and a Circle of Black Artists (Arts Council of Princeton\, 2022); Freedoms Reframed: Art on the Edges of the Constitution (Trent House Museum\, 2026); Echoes in Our Bones (Arts Council of Princeton\, 2026); and Voices in Print (Morven Museum and Garden\, 2026).  As Executive Director of Art Against Racism\, he has organized or curated the following exhibitions: Not Afraid with the West Windsor Arts Council (2025); Manifesting Beloved Community exhibitions in partnership with the West Windsor Arts Council (2020-2024 ); The Art of Black Joy (Monroe Township Library\, 2024);Earth Song Refrained (Princeton Public Library\, 2023 ); and Beyond Freedom (Morven Museum and Garden\, 2023). Rhinold’s writings have appeared in numerous publications including the New York Times\, the Trenton Times and the City Sun.  In 1997\, he co-edited\, with his wife\, Michele Tuck-Ponder\, two critically acclaimed compilations of sermons\, published by Crown\, entitled Wisdom of the Word: Faith and Wisdom of the Word: Love. 								\n				\n				\n		\n		\n														\n				\n		\n				\n									This project is supported in part by an award from the National Endowment for the Arts. 								\n		\n					\n\n				\n				\n																														\n				\n									Join us for the Re-visioning America Event Series – now through February 2027!Inspired by the 250th anniversary of the signing of the Declaration of Independence\, the Princeton community-based and collaborative initiative Re-visioning America invites contemplation of the past\, present\, and possible futures of the American nation through the lens of art. “America” refers to a specific geography\, but it also conjures a diverse and sometimes contradictory cohort of ideas\, myths\, debates\, experiences\, identities\, and aspirations. Re-visioning America showcases how artists from a range of backgrounds grapple with the complexity of America and its histories\, then and now\, and invites audiences to do the same through a series of exhibitions and accompanying programming\, including lectures\, artist conversations\, hands-on workshops\, film screenings\, and a gallery crawl. Explore the full program schedule Re-visioning America is collaboration between the Arts Council of Princeton\, Morven Museum & Garden\, Art Against Racism\, Princeton Public Library\, Historical Society of Princeton\, William Trent House Museum\, Garden Theatre\, Princeton University Art Museum\, and the Princeton University Humanities Initiative.
URL:https://artscouncilofprinceton.org/event/the-big-sit/
LOCATION:Community Park South\, 380 Witherspoon St\, Princeton\, NJ\, 08542\, United States
CATEGORIES:Community,Free or Low Cost
ATTACH;FMTTYPE=image/png:https://artscouncilofprinceton.org/wp-content/uploads/2026/04/BIG-SIT-header.png
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20260605T183000
DTEND;TZID=America/New_York:20260605T210000
DTSTAMP:20260624T231819
CREATED:20260417T132320Z
LAST-MODIFIED:20260607T064113Z
UID:10002552-1780684200-1780693200@artscouncilofprinceton.org
SUMMARY:Pride on the Plaza
DESCRIPTION:Echoes in Our Bones  \nCurated by Judith K. Brodsky and Rhinold L. Ponder				\n				\n									On View: Saturday\, August 29 – Saturday\, October 3\, 2026Opening reception: Thursday\, September 10 from 5-7pm								\n				\n									ABOUT THE EXHIBITION:Echoes in Our Bones will explore how themes of identity\, history\, and cultural resilience have endured and transformed across generations. The exhibition examines how these artists have explored and expanded the ideals articulated in the Declaration of Independence\, “Life\, Liberty\, and the Pursuit of Happiness”\, using art as a powerful vehicle for expression\, resistance\, care\, and community. Pairings of artists from past and present generations will include Faith Ringgold and Bisa Butler\, Selma Burke and Allison Saar\, Mary Lovelace O’Neal and Julie Mehretu\, Betye Saar and Tschabalala Self\, Carrie Mae Weems and LaToya Ruby Frazier\, Laura Wheeler Waring and Jordan Casteel\, Elizabeth Catlett and Kara Walker\, and Howardena Pindell and Shinique Smith. Through these connections\, the exhibition will not only showcase individual artistic voices but also trace a lineage of creative expression that has contributed to shaping and defining American art. 								\n				\n							\n							\n					\n											\n														\n							\n					\n											\n														\n							\n					\n											\n														\n							\n					\n											\n														\n							\n					\n											\n														\n							\n					\n											\n														\n							\n					\n											\n														\n							\n					\n											\n														\n							\n					\n											\n														\n							\n					\n											\n														\n					\n					\n		\n		\n				\n									ABOUT THE CURATORS:Judith K. BrodskyActivist\, artist\, curator\, writer Judith K. Brodsky is Distinguished Professor Emerita\, Department of Art and Design\, Rutgers University. She is a works-on-paper artist with prints and drawings in many museum collections worldwide and the founder of the Rutgers Center for Innovative Print and Paper\, now the Brodsky Center at Pennsylvania Academy of Fine Arts. The Brodsky Center\, established in 1986\, is known for its activist pioneer mission to further opportunities for women-identified\, BIPOC\, and non-binary artists. An exhibition documenting the years it was at Rutgers was on view at the Zimmerli Art Museum\, Fall 2023. She was also co-founder of the Center for Women in the Arts and Humanities at Rutgers University in 2006. As a curator or co-curator\, she has organized many exhibitions including The Fertile Crescent: Gender\, Art\, and Society (2012) and the Philadelphia city-wide print festival\, Philagrafika (2010)\, three decades of exhibitions for the Rutgers Women Artists; Restoring the Art and Lives of a Circle of Five Forgotten Black Artists (2022); and (re)FOCUS: Philadelphia Focuses on Women in the Visual Arts\, 1974-2024 (2024). She is past national president of ArtTable\, College Art Association\, Women&#39;s Caucus for Art\, former board chair\, New York Foundation for the Arts\, current board member\, Print Center New York\, and a former dean and associate provost at Rutgers. Brodsky writes on women artists and printmaking. Her most recent book is Dismantling the Patriarchy Bit by Bit: Art\, Feminism and Digital Technology (Bloomsbury 2022). A book on the history of the United States Feminist Art Movement focusing on the activist art historians and curators rather than the artists is due out in early 2027 (Bloomsbury Academic). 								\n				\n									Rhinold L. PonderRhinold Lamar Ponder\, the Executive Director of Art Against Racism\, is an artist\, curator\, author\, activist and lawyer.  He is the founder and Executive Director of Art Against Racism\, a 501(c)(3)\, based in Princeton\, New Jersey. AAR’s mission is to educate others about racial injustice and to provide opportunities and encouragement for others to create an anti-racist society. An independent curator\, Rhinold has worked on several exhibitions and projects including those with Judith K. Brodsky.  Together they have curated Memorial\, Monument\, Movement (2020)\, a groundbreaking exhibition showcasing a unique archive of personal and communal art created during the pandemic in response to the cultural and political challenges of extrajudicial killings of people of color; Retrieving the Life and Art of James Wilcon Edwards and a Circle of Black Artists (Arts Council of Princeton\, 2022); Freedoms Reframed: Art on the Edges of the Constitution (Trent House Museum\, 2026); Echoes in Our Bones (Arts Council of Princeton\, 2026); and Voices in Print (Morven Museum and Garden\, 2026).  As Executive Director of Art Against Racism\, he has organized or curated the following exhibitions: Not Afraid with the West Windsor Arts Council (2025); Manifesting Beloved Community exhibitions in partnership with the West Windsor Arts Council (2020-2024 ); The Art of Black Joy (Monroe Township Library\, 2024);Earth Song Refrained (Princeton Public Library\, 2023 ); and Beyond Freedom (Morven Museum and Garden\, 2023). Rhinold’s writings have appeared in numerous publications including the New York Times\, the Trenton Times and the City Sun.  In 1997\, he co-edited\, with his wife\, Michele Tuck-Ponder\, two critically acclaimed compilations of sermons\, published by Crown\, entitled Wisdom of the Word: Faith and Wisdom of the Word: Love. 								\n				\n				\n		\n		\n														\n				\n		\n				\n									This project is supported in part by an award from the National Endowment for the Arts. 								\n		\n					\n\n				\n				\n																														\n				\n									Join us for the Re-visioning America Event Series – now through February 2027!Inspired by the 250th anniversary of the signing of the Declaration of Independence\, the Princeton community-based and collaborative initiative Re-visioning America invites contemplation of the past\, present\, and possible futures of the American nation through the lens of art. “America” refers to a specific geography\, but it also conjures a diverse and sometimes contradictory cohort of ideas\, myths\, debates\, experiences\, identities\, and aspirations. Re-visioning America showcases how artists from a range of backgrounds grapple with the complexity of America and its histories\, then and now\, and invites audiences to do the same through a series of exhibitions and accompanying programming\, including lectures\, artist conversations\, hands-on workshops\, film screenings\, and a gallery crawl. Explore the full program schedule Re-visioning America is collaboration between the Arts Council of Princeton\, Morven Museum & Garden\, Art Against Racism\, Princeton Public Library\, Historical Society of Princeton\, William Trent House Museum\, Garden Theatre\, Princeton University Art Museum\, and the Princeton University Humanities Initiative.
URL:https://artscouncilofprinceton.org/event/pride-on-the-plaza/
LOCATION:Princeton Public Library\, 65 Witherspoon Street\, Princeton\, 08542\, United States
CATEGORIES:Community,Free or Low Cost
ATTACH;FMTTYPE=image/png:https://artscouncilofprinceton.org/wp-content/uploads/2026/04/Pride-Princeton-Dance-Party.png
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20260605T170000
DTEND;TZID=America/New_York:20260605T190000
DTSTAMP:20260624T231819
CREATED:20260505T202411Z
LAST-MODIFIED:20260514T183411Z
UID:10002567-1780678800-1780686000@artscouncilofprinceton.org
SUMMARY:Gallery Opening: Life in Harmony: Mandalas by Anamika
DESCRIPTION:Echoes in Our Bones  \nCurated by Judith K. Brodsky and Rhinold L. Ponder				\n				\n									On View: Saturday\, August 29 – Saturday\, October 3\, 2026Opening reception: Thursday\, September 10 from 5-7pm								\n				\n									ABOUT THE EXHIBITION:Echoes in Our Bones will explore how themes of identity\, history\, and cultural resilience have endured and transformed across generations. The exhibition examines how these artists have explored and expanded the ideals articulated in the Declaration of Independence\, “Life\, Liberty\, and the Pursuit of Happiness”\, using art as a powerful vehicle for expression\, resistance\, care\, and community. Pairings of artists from past and present generations will include Faith Ringgold and Bisa Butler\, Selma Burke and Allison Saar\, Mary Lovelace O’Neal and Julie Mehretu\, Betye Saar and Tschabalala Self\, Carrie Mae Weems and LaToya Ruby Frazier\, Laura Wheeler Waring and Jordan Casteel\, Elizabeth Catlett and Kara Walker\, and Howardena Pindell and Shinique Smith. Through these connections\, the exhibition will not only showcase individual artistic voices but also trace a lineage of creative expression that has contributed to shaping and defining American art. 								\n				\n							\n							\n					\n											\n														\n							\n					\n											\n														\n							\n					\n											\n														\n							\n					\n											\n														\n							\n					\n											\n														\n							\n					\n											\n														\n							\n					\n											\n														\n							\n					\n											\n														\n							\n					\n											\n														\n							\n					\n											\n														\n					\n					\n		\n		\n				\n									ABOUT THE CURATORS:Judith K. BrodskyActivist\, artist\, curator\, writer Judith K. Brodsky is Distinguished Professor Emerita\, Department of Art and Design\, Rutgers University. She is a works-on-paper artist with prints and drawings in many museum collections worldwide and the founder of the Rutgers Center for Innovative Print and Paper\, now the Brodsky Center at Pennsylvania Academy of Fine Arts. The Brodsky Center\, established in 1986\, is known for its activist pioneer mission to further opportunities for women-identified\, BIPOC\, and non-binary artists. An exhibition documenting the years it was at Rutgers was on view at the Zimmerli Art Museum\, Fall 2023. She was also co-founder of the Center for Women in the Arts and Humanities at Rutgers University in 2006. As a curator or co-curator\, she has organized many exhibitions including The Fertile Crescent: Gender\, Art\, and Society (2012) and the Philadelphia city-wide print festival\, Philagrafika (2010)\, three decades of exhibitions for the Rutgers Women Artists; Restoring the Art and Lives of a Circle of Five Forgotten Black Artists (2022); and (re)FOCUS: Philadelphia Focuses on Women in the Visual Arts\, 1974-2024 (2024). She is past national president of ArtTable\, College Art Association\, Women&#39;s Caucus for Art\, former board chair\, New York Foundation for the Arts\, current board member\, Print Center New York\, and a former dean and associate provost at Rutgers. Brodsky writes on women artists and printmaking. Her most recent book is Dismantling the Patriarchy Bit by Bit: Art\, Feminism and Digital Technology (Bloomsbury 2022). A book on the history of the United States Feminist Art Movement focusing on the activist art historians and curators rather than the artists is due out in early 2027 (Bloomsbury Academic). 								\n				\n									Rhinold L. PonderRhinold Lamar Ponder\, the Executive Director of Art Against Racism\, is an artist\, curator\, author\, activist and lawyer.  He is the founder and Executive Director of Art Against Racism\, a 501(c)(3)\, based in Princeton\, New Jersey. AAR’s mission is to educate others about racial injustice and to provide opportunities and encouragement for others to create an anti-racist society. An independent curator\, Rhinold has worked on several exhibitions and projects including those with Judith K. Brodsky.  Together they have curated Memorial\, Monument\, Movement (2020)\, a groundbreaking exhibition showcasing a unique archive of personal and communal art created during the pandemic in response to the cultural and political challenges of extrajudicial killings of people of color; Retrieving the Life and Art of James Wilcon Edwards and a Circle of Black Artists (Arts Council of Princeton\, 2022); Freedoms Reframed: Art on the Edges of the Constitution (Trent House Museum\, 2026); Echoes in Our Bones (Arts Council of Princeton\, 2026); and Voices in Print (Morven Museum and Garden\, 2026).  As Executive Director of Art Against Racism\, he has organized or curated the following exhibitions: Not Afraid with the West Windsor Arts Council (2025); Manifesting Beloved Community exhibitions in partnership with the West Windsor Arts Council (2020-2024 ); The Art of Black Joy (Monroe Township Library\, 2024);Earth Song Refrained (Princeton Public Library\, 2023 ); and Beyond Freedom (Morven Museum and Garden\, 2023). Rhinold’s writings have appeared in numerous publications including the New York Times\, the Trenton Times and the City Sun.  In 1997\, he co-edited\, with his wife\, Michele Tuck-Ponder\, two critically acclaimed compilations of sermons\, published by Crown\, entitled Wisdom of the Word: Faith and Wisdom of the Word: Love. 								\n				\n				\n		\n		\n														\n				\n		\n				\n									This project is supported in part by an award from the National Endowment for the Arts. 								\n		\n					\n\n				\n				\n																														\n				\n									Join us for the Re-visioning America Event Series – now through February 2027!Inspired by the 250th anniversary of the signing of the Declaration of Independence\, the Princeton community-based and collaborative initiative Re-visioning America invites contemplation of the past\, present\, and possible futures of the American nation through the lens of art. “America” refers to a specific geography\, but it also conjures a diverse and sometimes contradictory cohort of ideas\, myths\, debates\, experiences\, identities\, and aspirations. Re-visioning America showcases how artists from a range of backgrounds grapple with the complexity of America and its histories\, then and now\, and invites audiences to do the same through a series of exhibitions and accompanying programming\, including lectures\, artist conversations\, hands-on workshops\, film screenings\, and a gallery crawl. Explore the full program schedule Re-visioning America is collaboration between the Arts Council of Princeton\, Morven Museum & Garden\, Art Against Racism\, Princeton Public Library\, Historical Society of Princeton\, William Trent House Museum\, Garden Theatre\, Princeton University Art Museum\, and the Princeton University Humanities Initiative.
URL:https://artscouncilofprinceton.org/event/gallery-opening-lifes-harmony-femininity-divinity-and-mandalas/
LOCATION:Arts Council of Princeton\, Princeton\, NJ
CATEGORIES:Exhibitions,Free or Low Cost,Opening Receptions
ATTACH;FMTTYPE=image/webp:https://artscouncilofprinceton.org/wp-content/uploads/2026/05/AnamikaSinha_header.webp
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20260605T170000
DTEND;TZID=America/New_York:20260605T190000
DTSTAMP:20260624T231819
CREATED:20260505T200022Z
LAST-MODIFIED:20260514T183908Z
UID:10002564-1780678800-1780686000@artscouncilofprinceton.org
SUMMARY:Gallery Opening: Commit to Memory: The Precipice of Extinction
DESCRIPTION:Echoes in Our Bones  \nCurated by Judith K. Brodsky and Rhinold L. Ponder				\n				\n									On View: Saturday\, August 29 – Saturday\, October 3\, 2026Opening reception: Thursday\, September 10 from 5-7pm								\n				\n									ABOUT THE EXHIBITION:Echoes in Our Bones will explore how themes of identity\, history\, and cultural resilience have endured and transformed across generations. The exhibition examines how these artists have explored and expanded the ideals articulated in the Declaration of Independence\, “Life\, Liberty\, and the Pursuit of Happiness”\, using art as a powerful vehicle for expression\, resistance\, care\, and community. Pairings of artists from past and present generations will include Faith Ringgold and Bisa Butler\, Selma Burke and Allison Saar\, Mary Lovelace O’Neal and Julie Mehretu\, Betye Saar and Tschabalala Self\, Carrie Mae Weems and LaToya Ruby Frazier\, Laura Wheeler Waring and Jordan Casteel\, Elizabeth Catlett and Kara Walker\, and Howardena Pindell and Shinique Smith. Through these connections\, the exhibition will not only showcase individual artistic voices but also trace a lineage of creative expression that has contributed to shaping and defining American art. 								\n				\n							\n							\n					\n											\n														\n							\n					\n											\n														\n							\n					\n											\n														\n							\n					\n											\n														\n							\n					\n											\n														\n							\n					\n											\n														\n							\n					\n											\n														\n							\n					\n											\n														\n							\n					\n											\n														\n							\n					\n											\n														\n					\n					\n		\n		\n				\n									ABOUT THE CURATORS:Judith K. BrodskyActivist\, artist\, curator\, writer Judith K. Brodsky is Distinguished Professor Emerita\, Department of Art and Design\, Rutgers University. She is a works-on-paper artist with prints and drawings in many museum collections worldwide and the founder of the Rutgers Center for Innovative Print and Paper\, now the Brodsky Center at Pennsylvania Academy of Fine Arts. The Brodsky Center\, established in 1986\, is known for its activist pioneer mission to further opportunities for women-identified\, BIPOC\, and non-binary artists. An exhibition documenting the years it was at Rutgers was on view at the Zimmerli Art Museum\, Fall 2023. She was also co-founder of the Center for Women in the Arts and Humanities at Rutgers University in 2006. As a curator or co-curator\, she has organized many exhibitions including The Fertile Crescent: Gender\, Art\, and Society (2012) and the Philadelphia city-wide print festival\, Philagrafika (2010)\, three decades of exhibitions for the Rutgers Women Artists; Restoring the Art and Lives of a Circle of Five Forgotten Black Artists (2022); and (re)FOCUS: Philadelphia Focuses on Women in the Visual Arts\, 1974-2024 (2024). She is past national president of ArtTable\, College Art Association\, Women&#39;s Caucus for Art\, former board chair\, New York Foundation for the Arts\, current board member\, Print Center New York\, and a former dean and associate provost at Rutgers. Brodsky writes on women artists and printmaking. Her most recent book is Dismantling the Patriarchy Bit by Bit: Art\, Feminism and Digital Technology (Bloomsbury 2022). A book on the history of the United States Feminist Art Movement focusing on the activist art historians and curators rather than the artists is due out in early 2027 (Bloomsbury Academic). 								\n				\n									Rhinold L. PonderRhinold Lamar Ponder\, the Executive Director of Art Against Racism\, is an artist\, curator\, author\, activist and lawyer.  He is the founder and Executive Director of Art Against Racism\, a 501(c)(3)\, based in Princeton\, New Jersey. AAR’s mission is to educate others about racial injustice and to provide opportunities and encouragement for others to create an anti-racist society. An independent curator\, Rhinold has worked on several exhibitions and projects including those with Judith K. Brodsky.  Together they have curated Memorial\, Monument\, Movement (2020)\, a groundbreaking exhibition showcasing a unique archive of personal and communal art created during the pandemic in response to the cultural and political challenges of extrajudicial killings of people of color; Retrieving the Life and Art of James Wilcon Edwards and a Circle of Black Artists (Arts Council of Princeton\, 2022); Freedoms Reframed: Art on the Edges of the Constitution (Trent House Museum\, 2026); Echoes in Our Bones (Arts Council of Princeton\, 2026); and Voices in Print (Morven Museum and Garden\, 2026).  As Executive Director of Art Against Racism\, he has organized or curated the following exhibitions: Not Afraid with the West Windsor Arts Council (2025); Manifesting Beloved Community exhibitions in partnership with the West Windsor Arts Council (2020-2024 ); The Art of Black Joy (Monroe Township Library\, 2024);Earth Song Refrained (Princeton Public Library\, 2023 ); and Beyond Freedom (Morven Museum and Garden\, 2023). Rhinold’s writings have appeared in numerous publications including the New York Times\, the Trenton Times and the City Sun.  In 1997\, he co-edited\, with his wife\, Michele Tuck-Ponder\, two critically acclaimed compilations of sermons\, published by Crown\, entitled Wisdom of the Word: Faith and Wisdom of the Word: Love. 								\n				\n				\n		\n		\n														\n				\n		\n				\n									This project is supported in part by an award from the National Endowment for the Arts. 								\n		\n					\n\n				\n				\n																														\n				\n									Join us for the Re-visioning America Event Series – now through February 2027!Inspired by the 250th anniversary of the signing of the Declaration of Independence\, the Princeton community-based and collaborative initiative Re-visioning America invites contemplation of the past\, present\, and possible futures of the American nation through the lens of art. “America” refers to a specific geography\, but it also conjures a diverse and sometimes contradictory cohort of ideas\, myths\, debates\, experiences\, identities\, and aspirations. Re-visioning America showcases how artists from a range of backgrounds grapple with the complexity of America and its histories\, then and now\, and invites audiences to do the same through a series of exhibitions and accompanying programming\, including lectures\, artist conversations\, hands-on workshops\, film screenings\, and a gallery crawl. Explore the full program schedule Re-visioning America is collaboration between the Arts Council of Princeton\, Morven Museum & Garden\, Art Against Racism\, Princeton Public Library\, Historical Society of Princeton\, William Trent House Museum\, Garden Theatre\, Princeton University Art Museum\, and the Princeton University Humanities Initiative.
URL:https://artscouncilofprinceton.org/event/gallery-opening-commit-to-memory-the-precipice-of-extinction/
LOCATION:Lower Level Gallery
CATEGORIES:Exhibitions,Free or Low Cost,Opening Receptions
ATTACH;FMTTYPE=image/webp:https://artscouncilofprinceton.org/wp-content/uploads/2026/05/cherylgross_header.webp
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20260605T170000
DTEND;TZID=America/New_York:20260605T190000
DTSTAMP:20260624T231819
CREATED:20260505T193255Z
LAST-MODIFIED:20260610T170501Z
UID:10002562-1780678800-1780686000@artscouncilofprinceton.org
SUMMARY:Gallery Opening: Paul Mordetsky is Moving to Miami
DESCRIPTION:Echoes in Our Bones  \nCurated by Judith K. Brodsky and Rhinold L. Ponder				\n				\n									On View: Saturday\, August 29 – Saturday\, October 3\, 2026Opening reception: Thursday\, September 10 from 5-7pm								\n				\n									ABOUT THE EXHIBITION:Echoes in Our Bones will explore how themes of identity\, history\, and cultural resilience have endured and transformed across generations. The exhibition examines how these artists have explored and expanded the ideals articulated in the Declaration of Independence\, “Life\, Liberty\, and the Pursuit of Happiness”\, using art as a powerful vehicle for expression\, resistance\, care\, and community. Pairings of artists from past and present generations will include Faith Ringgold and Bisa Butler\, Selma Burke and Allison Saar\, Mary Lovelace O’Neal and Julie Mehretu\, Betye Saar and Tschabalala Self\, Carrie Mae Weems and LaToya Ruby Frazier\, Laura Wheeler Waring and Jordan Casteel\, Elizabeth Catlett and Kara Walker\, and Howardena Pindell and Shinique Smith. Through these connections\, the exhibition will not only showcase individual artistic voices but also trace a lineage of creative expression that has contributed to shaping and defining American art. 								\n				\n							\n							\n					\n											\n														\n							\n					\n											\n														\n							\n					\n											\n														\n							\n					\n											\n														\n							\n					\n											\n														\n							\n					\n											\n														\n							\n					\n											\n														\n							\n					\n											\n														\n							\n					\n											\n														\n							\n					\n											\n														\n					\n					\n		\n		\n				\n									ABOUT THE CURATORS:Judith K. BrodskyActivist\, artist\, curator\, writer Judith K. Brodsky is Distinguished Professor Emerita\, Department of Art and Design\, Rutgers University. She is a works-on-paper artist with prints and drawings in many museum collections worldwide and the founder of the Rutgers Center for Innovative Print and Paper\, now the Brodsky Center at Pennsylvania Academy of Fine Arts. The Brodsky Center\, established in 1986\, is known for its activist pioneer mission to further opportunities for women-identified\, BIPOC\, and non-binary artists. An exhibition documenting the years it was at Rutgers was on view at the Zimmerli Art Museum\, Fall 2023. She was also co-founder of the Center for Women in the Arts and Humanities at Rutgers University in 2006. As a curator or co-curator\, she has organized many exhibitions including The Fertile Crescent: Gender\, Art\, and Society (2012) and the Philadelphia city-wide print festival\, Philagrafika (2010)\, three decades of exhibitions for the Rutgers Women Artists; Restoring the Art and Lives of a Circle of Five Forgotten Black Artists (2022); and (re)FOCUS: Philadelphia Focuses on Women in the Visual Arts\, 1974-2024 (2024). She is past national president of ArtTable\, College Art Association\, Women&#39;s Caucus for Art\, former board chair\, New York Foundation for the Arts\, current board member\, Print Center New York\, and a former dean and associate provost at Rutgers. Brodsky writes on women artists and printmaking. Her most recent book is Dismantling the Patriarchy Bit by Bit: Art\, Feminism and Digital Technology (Bloomsbury 2022). A book on the history of the United States Feminist Art Movement focusing on the activist art historians and curators rather than the artists is due out in early 2027 (Bloomsbury Academic). 								\n				\n									Rhinold L. PonderRhinold Lamar Ponder\, the Executive Director of Art Against Racism\, is an artist\, curator\, author\, activist and lawyer.  He is the founder and Executive Director of Art Against Racism\, a 501(c)(3)\, based in Princeton\, New Jersey. AAR’s mission is to educate others about racial injustice and to provide opportunities and encouragement for others to create an anti-racist society. An independent curator\, Rhinold has worked on several exhibitions and projects including those with Judith K. Brodsky.  Together they have curated Memorial\, Monument\, Movement (2020)\, a groundbreaking exhibition showcasing a unique archive of personal and communal art created during the pandemic in response to the cultural and political challenges of extrajudicial killings of people of color; Retrieving the Life and Art of James Wilcon Edwards and a Circle of Black Artists (Arts Council of Princeton\, 2022); Freedoms Reframed: Art on the Edges of the Constitution (Trent House Museum\, 2026); Echoes in Our Bones (Arts Council of Princeton\, 2026); and Voices in Print (Morven Museum and Garden\, 2026).  As Executive Director of Art Against Racism\, he has organized or curated the following exhibitions: Not Afraid with the West Windsor Arts Council (2025); Manifesting Beloved Community exhibitions in partnership with the West Windsor Arts Council (2020-2024 ); The Art of Black Joy (Monroe Township Library\, 2024);Earth Song Refrained (Princeton Public Library\, 2023 ); and Beyond Freedom (Morven Museum and Garden\, 2023). Rhinold’s writings have appeared in numerous publications including the New York Times\, the Trenton Times and the City Sun.  In 1997\, he co-edited\, with his wife\, Michele Tuck-Ponder\, two critically acclaimed compilations of sermons\, published by Crown\, entitled Wisdom of the Word: Faith and Wisdom of the Word: Love. 								\n				\n				\n		\n		\n														\n				\n		\n				\n									This project is supported in part by an award from the National Endowment for the Arts. 								\n		\n					\n\n				\n				\n																														\n				\n									Join us for the Re-visioning America Event Series – now through February 2027!Inspired by the 250th anniversary of the signing of the Declaration of Independence\, the Princeton community-based and collaborative initiative Re-visioning America invites contemplation of the past\, present\, and possible futures of the American nation through the lens of art. “America” refers to a specific geography\, but it also conjures a diverse and sometimes contradictory cohort of ideas\, myths\, debates\, experiences\, identities\, and aspirations. Re-visioning America showcases how artists from a range of backgrounds grapple with the complexity of America and its histories\, then and now\, and invites audiences to do the same through a series of exhibitions and accompanying programming\, including lectures\, artist conversations\, hands-on workshops\, film screenings\, and a gallery crawl. Explore the full program schedule Re-visioning America is collaboration between the Arts Council of Princeton\, Morven Museum & Garden\, Art Against Racism\, Princeton Public Library\, Historical Society of Princeton\, William Trent House Museum\, Garden Theatre\, Princeton University Art Museum\, and the Princeton University Humanities Initiative.
URL:https://artscouncilofprinceton.org/event/gallery-opening-up-paul-mordetsky-is-moving-to-miami/
LOCATION:Taplin Gallery – Arts Council of Princeton\, Princeton\, NJ
CATEGORIES:Events & Performances,Exhibitions,Free or Low Cost,Opening Receptions
ATTACH;FMTTYPE=image/webp:https://artscouncilofprinceton.org/wp-content/uploads/2026/05/paul_wordetsky_header.webp
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20260605
DTEND;VALUE=DATE:20260616
DTSTAMP:20260624T231819
CREATED:20260505T184835Z
LAST-MODIFIED:20260615T032956Z
UID:10002561-1780617600-1781567999@artscouncilofprinceton.org
SUMMARY:Gallery Pop-up: Paul Mordetsky is Moving to Miami
DESCRIPTION:Echoes in Our Bones  \nCurated by Judith K. Brodsky and Rhinold L. Ponder				\n				\n									On View: Saturday\, August 29 – Saturday\, October 3\, 2026Opening reception: Thursday\, September 10 from 5-7pm								\n				\n									ABOUT THE EXHIBITION:Echoes in Our Bones will explore how themes of identity\, history\, and cultural resilience have endured and transformed across generations. The exhibition examines how these artists have explored and expanded the ideals articulated in the Declaration of Independence\, “Life\, Liberty\, and the Pursuit of Happiness”\, using art as a powerful vehicle for expression\, resistance\, care\, and community. Pairings of artists from past and present generations will include Faith Ringgold and Bisa Butler\, Selma Burke and Allison Saar\, Mary Lovelace O’Neal and Julie Mehretu\, Betye Saar and Tschabalala Self\, Carrie Mae Weems and LaToya Ruby Frazier\, Laura Wheeler Waring and Jordan Casteel\, Elizabeth Catlett and Kara Walker\, and Howardena Pindell and Shinique Smith. Through these connections\, the exhibition will not only showcase individual artistic voices but also trace a lineage of creative expression that has contributed to shaping and defining American art. 								\n				\n							\n							\n					\n											\n														\n							\n					\n											\n														\n							\n					\n											\n														\n							\n					\n											\n														\n							\n					\n											\n														\n							\n					\n											\n														\n							\n					\n											\n														\n							\n					\n											\n														\n							\n					\n											\n														\n							\n					\n											\n														\n					\n					\n		\n		\n				\n									ABOUT THE CURATORS:Judith K. BrodskyActivist\, artist\, curator\, writer Judith K. Brodsky is Distinguished Professor Emerita\, Department of Art and Design\, Rutgers University. She is a works-on-paper artist with prints and drawings in many museum collections worldwide and the founder of the Rutgers Center for Innovative Print and Paper\, now the Brodsky Center at Pennsylvania Academy of Fine Arts. The Brodsky Center\, established in 1986\, is known for its activist pioneer mission to further opportunities for women-identified\, BIPOC\, and non-binary artists. An exhibition documenting the years it was at Rutgers was on view at the Zimmerli Art Museum\, Fall 2023. She was also co-founder of the Center for Women in the Arts and Humanities at Rutgers University in 2006. As a curator or co-curator\, she has organized many exhibitions including The Fertile Crescent: Gender\, Art\, and Society (2012) and the Philadelphia city-wide print festival\, Philagrafika (2010)\, three decades of exhibitions for the Rutgers Women Artists; Restoring the Art and Lives of a Circle of Five Forgotten Black Artists (2022); and (re)FOCUS: Philadelphia Focuses on Women in the Visual Arts\, 1974-2024 (2024). She is past national president of ArtTable\, College Art Association\, Women&#39;s Caucus for Art\, former board chair\, New York Foundation for the Arts\, current board member\, Print Center New York\, and a former dean and associate provost at Rutgers. Brodsky writes on women artists and printmaking. Her most recent book is Dismantling the Patriarchy Bit by Bit: Art\, Feminism and Digital Technology (Bloomsbury 2022). A book on the history of the United States Feminist Art Movement focusing on the activist art historians and curators rather than the artists is due out in early 2027 (Bloomsbury Academic). 								\n				\n									Rhinold L. PonderRhinold Lamar Ponder\, the Executive Director of Art Against Racism\, is an artist\, curator\, author\, activist and lawyer.  He is the founder and Executive Director of Art Against Racism\, a 501(c)(3)\, based in Princeton\, New Jersey. AAR’s mission is to educate others about racial injustice and to provide opportunities and encouragement for others to create an anti-racist society. An independent curator\, Rhinold has worked on several exhibitions and projects including those with Judith K. Brodsky.  Together they have curated Memorial\, Monument\, Movement (2020)\, a groundbreaking exhibition showcasing a unique archive of personal and communal art created during the pandemic in response to the cultural and political challenges of extrajudicial killings of people of color; Retrieving the Life and Art of James Wilcon Edwards and a Circle of Black Artists (Arts Council of Princeton\, 2022); Freedoms Reframed: Art on the Edges of the Constitution (Trent House Museum\, 2026); Echoes in Our Bones (Arts Council of Princeton\, 2026); and Voices in Print (Morven Museum and Garden\, 2026).  As Executive Director of Art Against Racism\, he has organized or curated the following exhibitions: Not Afraid with the West Windsor Arts Council (2025); Manifesting Beloved Community exhibitions in partnership with the West Windsor Arts Council (2020-2024 ); The Art of Black Joy (Monroe Township Library\, 2024);Earth Song Refrained (Princeton Public Library\, 2023 ); and Beyond Freedom (Morven Museum and Garden\, 2023). Rhinold’s writings have appeared in numerous publications including the New York Times\, the Trenton Times and the City Sun.  In 1997\, he co-edited\, with his wife\, Michele Tuck-Ponder\, two critically acclaimed compilations of sermons\, published by Crown\, entitled Wisdom of the Word: Faith and Wisdom of the Word: Love. 								\n				\n				\n		\n		\n														\n				\n		\n				\n									This project is supported in part by an award from the National Endowment for the Arts. 								\n		\n					\n\n				\n				\n																														\n				\n									Join us for the Re-visioning America Event Series – now through February 2027!Inspired by the 250th anniversary of the signing of the Declaration of Independence\, the Princeton community-based and collaborative initiative Re-visioning America invites contemplation of the past\, present\, and possible futures of the American nation through the lens of art. “America” refers to a specific geography\, but it also conjures a diverse and sometimes contradictory cohort of ideas\, myths\, debates\, experiences\, identities\, and aspirations. Re-visioning America showcases how artists from a range of backgrounds grapple with the complexity of America and its histories\, then and now\, and invites audiences to do the same through a series of exhibitions and accompanying programming\, including lectures\, artist conversations\, hands-on workshops\, film screenings\, and a gallery crawl. Explore the full program schedule Re-visioning America is collaboration between the Arts Council of Princeton\, Morven Museum & Garden\, Art Against Racism\, Princeton Public Library\, Historical Society of Princeton\, William Trent House Museum\, Garden Theatre\, Princeton University Art Museum\, and the Princeton University Humanities Initiative.
URL:https://artscouncilofprinceton.org/event/gallery-pop-up-paul-mordetsky-is-moving-to-miami/
LOCATION:Taplin Gallery – Arts Council of Princeton\, Princeton\, NJ
CATEGORIES:Events & Performances,Exhibitions,Free or Low Cost,Taplin Gallery
ATTACH;FMTTYPE=image/webp:https://artscouncilofprinceton.org/wp-content/uploads/2026/05/paul_wordetsky_header.webp
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20260604T180000
DTEND;TZID=America/New_York:20260604T200000
DTSTAMP:20260624T231819
CREATED:20260512T000829Z
LAST-MODIFIED:20260512T001312Z
UID:10002574-1780596000-1780603200@artscouncilofprinceton.org
SUMMARY:Square After Sunset on Palmer Square
DESCRIPTION:Echoes in Our Bones  \nCurated by Judith K. Brodsky and Rhinold L. Ponder				\n				\n									On View: Saturday\, August 29 – Saturday\, October 3\, 2026Opening reception: Thursday\, September 10 from 5-7pm								\n				\n									ABOUT THE EXHIBITION:Echoes in Our Bones will explore how themes of identity\, history\, and cultural resilience have endured and transformed across generations. The exhibition examines how these artists have explored and expanded the ideals articulated in the Declaration of Independence\, “Life\, Liberty\, and the Pursuit of Happiness”\, using art as a powerful vehicle for expression\, resistance\, care\, and community. Pairings of artists from past and present generations will include Faith Ringgold and Bisa Butler\, Selma Burke and Allison Saar\, Mary Lovelace O’Neal and Julie Mehretu\, Betye Saar and Tschabalala Self\, Carrie Mae Weems and LaToya Ruby Frazier\, Laura Wheeler Waring and Jordan Casteel\, Elizabeth Catlett and Kara Walker\, and Howardena Pindell and Shinique Smith. Through these connections\, the exhibition will not only showcase individual artistic voices but also trace a lineage of creative expression that has contributed to shaping and defining American art. 								\n				\n							\n							\n					\n											\n														\n							\n					\n											\n														\n							\n					\n											\n														\n							\n					\n											\n														\n							\n					\n											\n														\n							\n					\n											\n														\n							\n					\n											\n														\n							\n					\n											\n														\n							\n					\n											\n														\n							\n					\n											\n														\n					\n					\n		\n		\n				\n									ABOUT THE CURATORS:Judith K. BrodskyActivist\, artist\, curator\, writer Judith K. Brodsky is Distinguished Professor Emerita\, Department of Art and Design\, Rutgers University. She is a works-on-paper artist with prints and drawings in many museum collections worldwide and the founder of the Rutgers Center for Innovative Print and Paper\, now the Brodsky Center at Pennsylvania Academy of Fine Arts. The Brodsky Center\, established in 1986\, is known for its activist pioneer mission to further opportunities for women-identified\, BIPOC\, and non-binary artists. An exhibition documenting the years it was at Rutgers was on view at the Zimmerli Art Museum\, Fall 2023. She was also co-founder of the Center for Women in the Arts and Humanities at Rutgers University in 2006. As a curator or co-curator\, she has organized many exhibitions including The Fertile Crescent: Gender\, Art\, and Society (2012) and the Philadelphia city-wide print festival\, Philagrafika (2010)\, three decades of exhibitions for the Rutgers Women Artists; Restoring the Art and Lives of a Circle of Five Forgotten Black Artists (2022); and (re)FOCUS: Philadelphia Focuses on Women in the Visual Arts\, 1974-2024 (2024). She is past national president of ArtTable\, College Art Association\, Women&#39;s Caucus for Art\, former board chair\, New York Foundation for the Arts\, current board member\, Print Center New York\, and a former dean and associate provost at Rutgers. Brodsky writes on women artists and printmaking. Her most recent book is Dismantling the Patriarchy Bit by Bit: Art\, Feminism and Digital Technology (Bloomsbury 2022). A book on the history of the United States Feminist Art Movement focusing on the activist art historians and curators rather than the artists is due out in early 2027 (Bloomsbury Academic). 								\n				\n									Rhinold L. PonderRhinold Lamar Ponder\, the Executive Director of Art Against Racism\, is an artist\, curator\, author\, activist and lawyer.  He is the founder and Executive Director of Art Against Racism\, a 501(c)(3)\, based in Princeton\, New Jersey. AAR’s mission is to educate others about racial injustice and to provide opportunities and encouragement for others to create an anti-racist society. An independent curator\, Rhinold has worked on several exhibitions and projects including those with Judith K. Brodsky.  Together they have curated Memorial\, Monument\, Movement (2020)\, a groundbreaking exhibition showcasing a unique archive of personal and communal art created during the pandemic in response to the cultural and political challenges of extrajudicial killings of people of color; Retrieving the Life and Art of James Wilcon Edwards and a Circle of Black Artists (Arts Council of Princeton\, 2022); Freedoms Reframed: Art on the Edges of the Constitution (Trent House Museum\, 2026); Echoes in Our Bones (Arts Council of Princeton\, 2026); and Voices in Print (Morven Museum and Garden\, 2026).  As Executive Director of Art Against Racism\, he has organized or curated the following exhibitions: Not Afraid with the West Windsor Arts Council (2025); Manifesting Beloved Community exhibitions in partnership with the West Windsor Arts Council (2020-2024 ); The Art of Black Joy (Monroe Township Library\, 2024);Earth Song Refrained (Princeton Public Library\, 2023 ); and Beyond Freedom (Morven Museum and Garden\, 2023). Rhinold’s writings have appeared in numerous publications including the New York Times\, the Trenton Times and the City Sun.  In 1997\, he co-edited\, with his wife\, Michele Tuck-Ponder\, two critically acclaimed compilations of sermons\, published by Crown\, entitled Wisdom of the Word: Faith and Wisdom of the Word: Love. 								\n				\n				\n		\n		\n														\n				\n		\n				\n									This project is supported in part by an award from the National Endowment for the Arts. 								\n		\n					\n\n				\n				\n																														\n				\n									Join us for the Re-visioning America Event Series – now through February 2027!Inspired by the 250th anniversary of the signing of the Declaration of Independence\, the Princeton community-based and collaborative initiative Re-visioning America invites contemplation of the past\, present\, and possible futures of the American nation through the lens of art. “America” refers to a specific geography\, but it also conjures a diverse and sometimes contradictory cohort of ideas\, myths\, debates\, experiences\, identities\, and aspirations. Re-visioning America showcases how artists from a range of backgrounds grapple with the complexity of America and its histories\, then and now\, and invites audiences to do the same through a series of exhibitions and accompanying programming\, including lectures\, artist conversations\, hands-on workshops\, film screenings\, and a gallery crawl. Explore the full program schedule Re-visioning America is collaboration between the Arts Council of Princeton\, Morven Museum & Garden\, Art Against Racism\, Princeton Public Library\, Historical Society of Princeton\, William Trent House Museum\, Garden Theatre\, Princeton University Art Museum\, and the Princeton University Humanities Initiative.
URL:https://artscouncilofprinceton.org/event/square-after-sunset/2026-06-04/
LOCATION:Palmer Square Green\, 10 Palmer Square\, Princeton\, NJ\, 08542\, United States
CATEGORIES:Community,Events & Performances
ATTACH;FMTTYPE=image/webp:https://artscouncilofprinceton.org/wp-content/uploads/2026/05/1000x667_web-cover-image_square-after-sunset.webp
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20260603T200000
DTEND;TZID=America/New_York:20260603T210000
DTSTAMP:20260624T231819
CREATED:20260507T181757Z
LAST-MODIFIED:20260507T182010Z
UID:10002568-1780516800-1780520400@artscouncilofprinceton.org
SUMMARY:Free Virtual Art Making with Princeton University: Watercolors
DESCRIPTION:Echoes in Our Bones  \nCurated by Judith K. Brodsky and Rhinold L. Ponder				\n				\n									On View: Saturday\, August 29 – Saturday\, October 3\, 2026Opening reception: Thursday\, September 10 from 5-7pm								\n				\n									ABOUT THE EXHIBITION:Echoes in Our Bones will explore how themes of identity\, history\, and cultural resilience have endured and transformed across generations. The exhibition examines how these artists have explored and expanded the ideals articulated in the Declaration of Independence\, “Life\, Liberty\, and the Pursuit of Happiness”\, using art as a powerful vehicle for expression\, resistance\, care\, and community. Pairings of artists from past and present generations will include Faith Ringgold and Bisa Butler\, Selma Burke and Allison Saar\, Mary Lovelace O’Neal and Julie Mehretu\, Betye Saar and Tschabalala Self\, Carrie Mae Weems and LaToya Ruby Frazier\, Laura Wheeler Waring and Jordan Casteel\, Elizabeth Catlett and Kara Walker\, and Howardena Pindell and Shinique Smith. Through these connections\, the exhibition will not only showcase individual artistic voices but also trace a lineage of creative expression that has contributed to shaping and defining American art. 								\n				\n							\n							\n					\n											\n														\n							\n					\n											\n														\n							\n					\n											\n														\n							\n					\n											\n														\n							\n					\n											\n														\n							\n					\n											\n														\n							\n					\n											\n														\n							\n					\n											\n														\n							\n					\n											\n														\n							\n					\n											\n														\n					\n					\n		\n		\n				\n									ABOUT THE CURATORS:Judith K. BrodskyActivist\, artist\, curator\, writer Judith K. Brodsky is Distinguished Professor Emerita\, Department of Art and Design\, Rutgers University. She is a works-on-paper artist with prints and drawings in many museum collections worldwide and the founder of the Rutgers Center for Innovative Print and Paper\, now the Brodsky Center at Pennsylvania Academy of Fine Arts. The Brodsky Center\, established in 1986\, is known for its activist pioneer mission to further opportunities for women-identified\, BIPOC\, and non-binary artists. An exhibition documenting the years it was at Rutgers was on view at the Zimmerli Art Museum\, Fall 2023. She was also co-founder of the Center for Women in the Arts and Humanities at Rutgers University in 2006. As a curator or co-curator\, she has organized many exhibitions including The Fertile Crescent: Gender\, Art\, and Society (2012) and the Philadelphia city-wide print festival\, Philagrafika (2010)\, three decades of exhibitions for the Rutgers Women Artists; Restoring the Art and Lives of a Circle of Five Forgotten Black Artists (2022); and (re)FOCUS: Philadelphia Focuses on Women in the Visual Arts\, 1974-2024 (2024). She is past national president of ArtTable\, College Art Association\, Women&#39;s Caucus for Art\, former board chair\, New York Foundation for the Arts\, current board member\, Print Center New York\, and a former dean and associate provost at Rutgers. Brodsky writes on women artists and printmaking. Her most recent book is Dismantling the Patriarchy Bit by Bit: Art\, Feminism and Digital Technology (Bloomsbury 2022). A book on the history of the United States Feminist Art Movement focusing on the activist art historians and curators rather than the artists is due out in early 2027 (Bloomsbury Academic). 								\n				\n									Rhinold L. PonderRhinold Lamar Ponder\, the Executive Director of Art Against Racism\, is an artist\, curator\, author\, activist and lawyer.  He is the founder and Executive Director of Art Against Racism\, a 501(c)(3)\, based in Princeton\, New Jersey. AAR’s mission is to educate others about racial injustice and to provide opportunities and encouragement for others to create an anti-racist society. An independent curator\, Rhinold has worked on several exhibitions and projects including those with Judith K. Brodsky.  Together they have curated Memorial\, Monument\, Movement (2020)\, a groundbreaking exhibition showcasing a unique archive of personal and communal art created during the pandemic in response to the cultural and political challenges of extrajudicial killings of people of color; Retrieving the Life and Art of James Wilcon Edwards and a Circle of Black Artists (Arts Council of Princeton\, 2022); Freedoms Reframed: Art on the Edges of the Constitution (Trent House Museum\, 2026); Echoes in Our Bones (Arts Council of Princeton\, 2026); and Voices in Print (Morven Museum and Garden\, 2026).  As Executive Director of Art Against Racism\, he has organized or curated the following exhibitions: Not Afraid with the West Windsor Arts Council (2025); Manifesting Beloved Community exhibitions in partnership with the West Windsor Arts Council (2020-2024 ); The Art of Black Joy (Monroe Township Library\, 2024);Earth Song Refrained (Princeton Public Library\, 2023 ); and Beyond Freedom (Morven Museum and Garden\, 2023). Rhinold’s writings have appeared in numerous publications including the New York Times\, the Trenton Times and the City Sun.  In 1997\, he co-edited\, with his wife\, Michele Tuck-Ponder\, two critically acclaimed compilations of sermons\, published by Crown\, entitled Wisdom of the Word: Faith and Wisdom of the Word: Love. 								\n				\n				\n		\n		\n														\n				\n		\n				\n									This project is supported in part by an award from the National Endowment for the Arts. 								\n		\n					\n\n				\n				\n																														\n				\n									Join us for the Re-visioning America Event Series – now through February 2027!Inspired by the 250th anniversary of the signing of the Declaration of Independence\, the Princeton community-based and collaborative initiative Re-visioning America invites contemplation of the past\, present\, and possible futures of the American nation through the lens of art. “America” refers to a specific geography\, but it also conjures a diverse and sometimes contradictory cohort of ideas\, myths\, debates\, experiences\, identities\, and aspirations. Re-visioning America showcases how artists from a range of backgrounds grapple with the complexity of America and its histories\, then and now\, and invites audiences to do the same through a series of exhibitions and accompanying programming\, including lectures\, artist conversations\, hands-on workshops\, film screenings\, and a gallery crawl. Explore the full program schedule Re-visioning America is collaboration between the Arts Council of Princeton\, Morven Museum & Garden\, Art Against Racism\, Princeton Public Library\, Historical Society of Princeton\, William Trent House Museum\, Garden Theatre\, Princeton University Art Museum\, and the Princeton University Humanities Initiative.
URL:https://artscouncilofprinceton.org/event/free-virtual-art-making-with-princeton-university-watercolors-session1/
LOCATION:Arts Council of Princeton\, Princeton\, NJ
CATEGORIES:Free or Low Cost,Workshops
ATTACH;FMTTYPE=image/webp:https://artscouncilofprinceton.org/wp-content/uploads/2026/05/default.webp
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20260603T190000
DTEND;TZID=America/New_York:20260603T210000
DTSTAMP:20260624T231819
CREATED:20240124T180146Z
LAST-MODIFIED:20260610T204643Z
UID:10001251-1780513200-1780520400@artscouncilofprinceton.org
SUMMARY:Jersey Art Meetup (JAM)
DESCRIPTION:Echoes in Our Bones  \nCurated by Judith K. Brodsky and Rhinold L. Ponder				\n				\n									On View: Saturday\, August 29 – Saturday\, October 3\, 2026Opening reception: Thursday\, September 10 from 5-7pm								\n				\n									ABOUT THE EXHIBITION:Echoes in Our Bones will explore how themes of identity\, history\, and cultural resilience have endured and transformed across generations. The exhibition examines how these artists have explored and expanded the ideals articulated in the Declaration of Independence\, “Life\, Liberty\, and the Pursuit of Happiness”\, using art as a powerful vehicle for expression\, resistance\, care\, and community. Pairings of artists from past and present generations will include Faith Ringgold and Bisa Butler\, Selma Burke and Allison Saar\, Mary Lovelace O’Neal and Julie Mehretu\, Betye Saar and Tschabalala Self\, Carrie Mae Weems and LaToya Ruby Frazier\, Laura Wheeler Waring and Jordan Casteel\, Elizabeth Catlett and Kara Walker\, and Howardena Pindell and Shinique Smith. Through these connections\, the exhibition will not only showcase individual artistic voices but also trace a lineage of creative expression that has contributed to shaping and defining American art. 								\n				\n							\n							\n					\n											\n														\n							\n					\n											\n														\n							\n					\n											\n														\n							\n					\n											\n														\n							\n					\n											\n														\n							\n					\n											\n														\n							\n					\n											\n														\n							\n					\n											\n														\n							\n					\n											\n														\n							\n					\n											\n														\n					\n					\n		\n		\n				\n									ABOUT THE CURATORS:Judith K. BrodskyActivist\, artist\, curator\, writer Judith K. Brodsky is Distinguished Professor Emerita\, Department of Art and Design\, Rutgers University. She is a works-on-paper artist with prints and drawings in many museum collections worldwide and the founder of the Rutgers Center for Innovative Print and Paper\, now the Brodsky Center at Pennsylvania Academy of Fine Arts. The Brodsky Center\, established in 1986\, is known for its activist pioneer mission to further opportunities for women-identified\, BIPOC\, and non-binary artists. An exhibition documenting the years it was at Rutgers was on view at the Zimmerli Art Museum\, Fall 2023. She was also co-founder of the Center for Women in the Arts and Humanities at Rutgers University in 2006. As a curator or co-curator\, she has organized many exhibitions including The Fertile Crescent: Gender\, Art\, and Society (2012) and the Philadelphia city-wide print festival\, Philagrafika (2010)\, three decades of exhibitions for the Rutgers Women Artists; Restoring the Art and Lives of a Circle of Five Forgotten Black Artists (2022); and (re)FOCUS: Philadelphia Focuses on Women in the Visual Arts\, 1974-2024 (2024). She is past national president of ArtTable\, College Art Association\, Women&#39;s Caucus for Art\, former board chair\, New York Foundation for the Arts\, current board member\, Print Center New York\, and a former dean and associate provost at Rutgers. Brodsky writes on women artists and printmaking. Her most recent book is Dismantling the Patriarchy Bit by Bit: Art\, Feminism and Digital Technology (Bloomsbury 2022). A book on the history of the United States Feminist Art Movement focusing on the activist art historians and curators rather than the artists is due out in early 2027 (Bloomsbury Academic). 								\n				\n									Rhinold L. PonderRhinold Lamar Ponder\, the Executive Director of Art Against Racism\, is an artist\, curator\, author\, activist and lawyer.  He is the founder and Executive Director of Art Against Racism\, a 501(c)(3)\, based in Princeton\, New Jersey. AAR’s mission is to educate others about racial injustice and to provide opportunities and encouragement for others to create an anti-racist society. An independent curator\, Rhinold has worked on several exhibitions and projects including those with Judith K. Brodsky.  Together they have curated Memorial\, Monument\, Movement (2020)\, a groundbreaking exhibition showcasing a unique archive of personal and communal art created during the pandemic in response to the cultural and political challenges of extrajudicial killings of people of color; Retrieving the Life and Art of James Wilcon Edwards and a Circle of Black Artists (Arts Council of Princeton\, 2022); Freedoms Reframed: Art on the Edges of the Constitution (Trent House Museum\, 2026); Echoes in Our Bones (Arts Council of Princeton\, 2026); and Voices in Print (Morven Museum and Garden\, 2026).  As Executive Director of Art Against Racism\, he has organized or curated the following exhibitions: Not Afraid with the West Windsor Arts Council (2025); Manifesting Beloved Community exhibitions in partnership with the West Windsor Arts Council (2020-2024 ); The Art of Black Joy (Monroe Township Library\, 2024);Earth Song Refrained (Princeton Public Library\, 2023 ); and Beyond Freedom (Morven Museum and Garden\, 2023). Rhinold’s writings have appeared in numerous publications including the New York Times\, the Trenton Times and the City Sun.  In 1997\, he co-edited\, with his wife\, Michele Tuck-Ponder\, two critically acclaimed compilations of sermons\, published by Crown\, entitled Wisdom of the Word: Faith and Wisdom of the Word: Love. 								\n				\n				\n		\n		\n														\n				\n		\n				\n									This project is supported in part by an award from the National Endowment for the Arts. 								\n		\n					\n\n				\n				\n																														\n				\n									Join us for the Re-visioning America Event Series – now through February 2027!Inspired by the 250th anniversary of the signing of the Declaration of Independence\, the Princeton community-based and collaborative initiative Re-visioning America invites contemplation of the past\, present\, and possible futures of the American nation through the lens of art. “America” refers to a specific geography\, but it also conjures a diverse and sometimes contradictory cohort of ideas\, myths\, debates\, experiences\, identities\, and aspirations. Re-visioning America showcases how artists from a range of backgrounds grapple with the complexity of America and its histories\, then and now\, and invites audiences to do the same through a series of exhibitions and accompanying programming\, including lectures\, artist conversations\, hands-on workshops\, film screenings\, and a gallery crawl. Explore the full program schedule Re-visioning America is collaboration between the Arts Council of Princeton\, Morven Museum & Garden\, Art Against Racism\, Princeton Public Library\, Historical Society of Princeton\, William Trent House Museum\, Garden Theatre\, Princeton University Art Museum\, and the Princeton University Humanities Initiative.
URL:https://artscouncilofprinceton.org/event/jam/2026-06-03/
LOCATION:Arts Council of Princeton\, Princeton\, NJ
CATEGORIES:Community,Free or Low Cost
ATTACH;FMTTYPE=image/webp:https://artscouncilofprinceton.org/wp-content/uploads/2024/01/COMICMAKERS_JAMBANNER-e1718819987740-copy.webp
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20260603T173000
DTEND;TZID=America/New_York:20260603T183000
DTSTAMP:20260624T231819
CREATED:20260317T141931Z
LAST-MODIFIED:20260317T142813Z
UID:10002537-1780507800-1780511400@artscouncilofprinceton.org
SUMMARY:ART OF Living Lightly
DESCRIPTION:Echoes in Our Bones  \nCurated by Judith K. Brodsky and Rhinold L. Ponder				\n				\n									On View: Saturday\, August 29 – Saturday\, October 3\, 2026Opening reception: Thursday\, September 10 from 5-7pm								\n				\n									ABOUT THE EXHIBITION:Echoes in Our Bones will explore how themes of identity\, history\, and cultural resilience have endured and transformed across generations. The exhibition examines how these artists have explored and expanded the ideals articulated in the Declaration of Independence\, “Life\, Liberty\, and the Pursuit of Happiness”\, using art as a powerful vehicle for expression\, resistance\, care\, and community. Pairings of artists from past and present generations will include Faith Ringgold and Bisa Butler\, Selma Burke and Allison Saar\, Mary Lovelace O’Neal and Julie Mehretu\, Betye Saar and Tschabalala Self\, Carrie Mae Weems and LaToya Ruby Frazier\, Laura Wheeler Waring and Jordan Casteel\, Elizabeth Catlett and Kara Walker\, and Howardena Pindell and Shinique Smith. Through these connections\, the exhibition will not only showcase individual artistic voices but also trace a lineage of creative expression that has contributed to shaping and defining American art. 								\n				\n							\n							\n					\n											\n														\n							\n					\n											\n														\n							\n					\n											\n														\n							\n					\n											\n														\n							\n					\n											\n														\n							\n					\n											\n														\n							\n					\n											\n														\n							\n					\n											\n														\n							\n					\n											\n														\n							\n					\n											\n														\n					\n					\n		\n		\n				\n									ABOUT THE CURATORS:Judith K. BrodskyActivist\, artist\, curator\, writer Judith K. Brodsky is Distinguished Professor Emerita\, Department of Art and Design\, Rutgers University. She is a works-on-paper artist with prints and drawings in many museum collections worldwide and the founder of the Rutgers Center for Innovative Print and Paper\, now the Brodsky Center at Pennsylvania Academy of Fine Arts. The Brodsky Center\, established in 1986\, is known for its activist pioneer mission to further opportunities for women-identified\, BIPOC\, and non-binary artists. An exhibition documenting the years it was at Rutgers was on view at the Zimmerli Art Museum\, Fall 2023. She was also co-founder of the Center for Women in the Arts and Humanities at Rutgers University in 2006. As a curator or co-curator\, she has organized many exhibitions including The Fertile Crescent: Gender\, Art\, and Society (2012) and the Philadelphia city-wide print festival\, Philagrafika (2010)\, three decades of exhibitions for the Rutgers Women Artists; Restoring the Art and Lives of a Circle of Five Forgotten Black Artists (2022); and (re)FOCUS: Philadelphia Focuses on Women in the Visual Arts\, 1974-2024 (2024). She is past national president of ArtTable\, College Art Association\, Women&#39;s Caucus for Art\, former board chair\, New York Foundation for the Arts\, current board member\, Print Center New York\, and a former dean and associate provost at Rutgers. Brodsky writes on women artists and printmaking. Her most recent book is Dismantling the Patriarchy Bit by Bit: Art\, Feminism and Digital Technology (Bloomsbury 2022). A book on the history of the United States Feminist Art Movement focusing on the activist art historians and curators rather than the artists is due out in early 2027 (Bloomsbury Academic). 								\n				\n									Rhinold L. PonderRhinold Lamar Ponder\, the Executive Director of Art Against Racism\, is an artist\, curator\, author\, activist and lawyer.  He is the founder and Executive Director of Art Against Racism\, a 501(c)(3)\, based in Princeton\, New Jersey. AAR’s mission is to educate others about racial injustice and to provide opportunities and encouragement for others to create an anti-racist society. An independent curator\, Rhinold has worked on several exhibitions and projects including those with Judith K. Brodsky.  Together they have curated Memorial\, Monument\, Movement (2020)\, a groundbreaking exhibition showcasing a unique archive of personal and communal art created during the pandemic in response to the cultural and political challenges of extrajudicial killings of people of color; Retrieving the Life and Art of James Wilcon Edwards and a Circle of Black Artists (Arts Council of Princeton\, 2022); Freedoms Reframed: Art on the Edges of the Constitution (Trent House Museum\, 2026); Echoes in Our Bones (Arts Council of Princeton\, 2026); and Voices in Print (Morven Museum and Garden\, 2026).  As Executive Director of Art Against Racism\, he has organized or curated the following exhibitions: Not Afraid with the West Windsor Arts Council (2025); Manifesting Beloved Community exhibitions in partnership with the West Windsor Arts Council (2020-2024 ); The Art of Black Joy (Monroe Township Library\, 2024);Earth Song Refrained (Princeton Public Library\, 2023 ); and Beyond Freedom (Morven Museum and Garden\, 2023). Rhinold’s writings have appeared in numerous publications including the New York Times\, the Trenton Times and the City Sun.  In 1997\, he co-edited\, with his wife\, Michele Tuck-Ponder\, two critically acclaimed compilations of sermons\, published by Crown\, entitled Wisdom of the Word: Faith and Wisdom of the Word: Love. 								\n				\n				\n		\n		\n														\n				\n		\n				\n									This project is supported in part by an award from the National Endowment for the Arts. 								\n		\n					\n\n				\n				\n																														\n				\n									Join us for the Re-visioning America Event Series – now through February 2027!Inspired by the 250th anniversary of the signing of the Declaration of Independence\, the Princeton community-based and collaborative initiative Re-visioning America invites contemplation of the past\, present\, and possible futures of the American nation through the lens of art. “America” refers to a specific geography\, but it also conjures a diverse and sometimes contradictory cohort of ideas\, myths\, debates\, experiences\, identities\, and aspirations. Re-visioning America showcases how artists from a range of backgrounds grapple with the complexity of America and its histories\, then and now\, and invites audiences to do the same through a series of exhibitions and accompanying programming\, including lectures\, artist conversations\, hands-on workshops\, film screenings\, and a gallery crawl. Explore the full program schedule Re-visioning America is collaboration between the Arts Council of Princeton\, Morven Museum & Garden\, Art Against Racism\, Princeton Public Library\, Historical Society of Princeton\, William Trent House Museum\, Garden Theatre\, Princeton University Art Museum\, and the Princeton University Humanities Initiative.
URL:https://artscouncilofprinceton.org/event/art-of-living-lightly/
LOCATION:Arts Council of Princeton\, Princeton\, NJ
CATEGORIES:ART OF
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20260528T150000
DTEND;TZID=America/New_York:20260528T160000
DTSTAMP:20260624T231819
CREATED:20260411T162630Z
LAST-MODIFIED:20260411T162630Z
UID:10002548-1779980400-1779984000@artscouncilofprinceton.org
SUMMARY:OnStage Seniors: Lessons Learned and Unlearned
DESCRIPTION:Echoes in Our Bones  \nCurated by Judith K. Brodsky and Rhinold L. Ponder				\n				\n									On View: Saturday\, August 29 – Saturday\, October 3\, 2026Opening reception: Thursday\, September 10 from 5-7pm								\n				\n									ABOUT THE EXHIBITION:Echoes in Our Bones will explore how themes of identity\, history\, and cultural resilience have endured and transformed across generations. The exhibition examines how these artists have explored and expanded the ideals articulated in the Declaration of Independence\, “Life\, Liberty\, and the Pursuit of Happiness”\, using art as a powerful vehicle for expression\, resistance\, care\, and community. Pairings of artists from past and present generations will include Faith Ringgold and Bisa Butler\, Selma Burke and Allison Saar\, Mary Lovelace O’Neal and Julie Mehretu\, Betye Saar and Tschabalala Self\, Carrie Mae Weems and LaToya Ruby Frazier\, Laura Wheeler Waring and Jordan Casteel\, Elizabeth Catlett and Kara Walker\, and Howardena Pindell and Shinique Smith. Through these connections\, the exhibition will not only showcase individual artistic voices but also trace a lineage of creative expression that has contributed to shaping and defining American art. 								\n				\n							\n							\n					\n											\n														\n							\n					\n											\n														\n							\n					\n											\n														\n							\n					\n											\n														\n							\n					\n											\n														\n							\n					\n											\n														\n							\n					\n											\n														\n							\n					\n											\n														\n							\n					\n											\n														\n							\n					\n											\n														\n					\n					\n		\n		\n				\n									ABOUT THE CURATORS:Judith K. BrodskyActivist\, artist\, curator\, writer Judith K. Brodsky is Distinguished Professor Emerita\, Department of Art and Design\, Rutgers University. She is a works-on-paper artist with prints and drawings in many museum collections worldwide and the founder of the Rutgers Center for Innovative Print and Paper\, now the Brodsky Center at Pennsylvania Academy of Fine Arts. The Brodsky Center\, established in 1986\, is known for its activist pioneer mission to further opportunities for women-identified\, BIPOC\, and non-binary artists. An exhibition documenting the years it was at Rutgers was on view at the Zimmerli Art Museum\, Fall 2023. She was also co-founder of the Center for Women in the Arts and Humanities at Rutgers University in 2006. As a curator or co-curator\, she has organized many exhibitions including The Fertile Crescent: Gender\, Art\, and Society (2012) and the Philadelphia city-wide print festival\, Philagrafika (2010)\, three decades of exhibitions for the Rutgers Women Artists; Restoring the Art and Lives of a Circle of Five Forgotten Black Artists (2022); and (re)FOCUS: Philadelphia Focuses on Women in the Visual Arts\, 1974-2024 (2024). She is past national president of ArtTable\, College Art Association\, Women&#39;s Caucus for Art\, former board chair\, New York Foundation for the Arts\, current board member\, Print Center New York\, and a former dean and associate provost at Rutgers. Brodsky writes on women artists and printmaking. Her most recent book is Dismantling the Patriarchy Bit by Bit: Art\, Feminism and Digital Technology (Bloomsbury 2022). A book on the history of the United States Feminist Art Movement focusing on the activist art historians and curators rather than the artists is due out in early 2027 (Bloomsbury Academic). 								\n				\n									Rhinold L. PonderRhinold Lamar Ponder\, the Executive Director of Art Against Racism\, is an artist\, curator\, author\, activist and lawyer.  He is the founder and Executive Director of Art Against Racism\, a 501(c)(3)\, based in Princeton\, New Jersey. AAR’s mission is to educate others about racial injustice and to provide opportunities and encouragement for others to create an anti-racist society. An independent curator\, Rhinold has worked on several exhibitions and projects including those with Judith K. Brodsky.  Together they have curated Memorial\, Monument\, Movement (2020)\, a groundbreaking exhibition showcasing a unique archive of personal and communal art created during the pandemic in response to the cultural and political challenges of extrajudicial killings of people of color; Retrieving the Life and Art of James Wilcon Edwards and a Circle of Black Artists (Arts Council of Princeton\, 2022); Freedoms Reframed: Art on the Edges of the Constitution (Trent House Museum\, 2026); Echoes in Our Bones (Arts Council of Princeton\, 2026); and Voices in Print (Morven Museum and Garden\, 2026).  As Executive Director of Art Against Racism\, he has organized or curated the following exhibitions: Not Afraid with the West Windsor Arts Council (2025); Manifesting Beloved Community exhibitions in partnership with the West Windsor Arts Council (2020-2024 ); The Art of Black Joy (Monroe Township Library\, 2024);Earth Song Refrained (Princeton Public Library\, 2023 ); and Beyond Freedom (Morven Museum and Garden\, 2023). Rhinold’s writings have appeared in numerous publications including the New York Times\, the Trenton Times and the City Sun.  In 1997\, he co-edited\, with his wife\, Michele Tuck-Ponder\, two critically acclaimed compilations of sermons\, published by Crown\, entitled Wisdom of the Word: Faith and Wisdom of the Word: Love. 								\n				\n				\n		\n		\n														\n				\n		\n				\n									This project is supported in part by an award from the National Endowment for the Arts. 								\n		\n					\n\n				\n				\n																														\n				\n									Join us for the Re-visioning America Event Series – now through February 2027!Inspired by the 250th anniversary of the signing of the Declaration of Independence\, the Princeton community-based and collaborative initiative Re-visioning America invites contemplation of the past\, present\, and possible futures of the American nation through the lens of art. “America” refers to a specific geography\, but it also conjures a diverse and sometimes contradictory cohort of ideas\, myths\, debates\, experiences\, identities\, and aspirations. Re-visioning America showcases how artists from a range of backgrounds grapple with the complexity of America and its histories\, then and now\, and invites audiences to do the same through a series of exhibitions and accompanying programming\, including lectures\, artist conversations\, hands-on workshops\, film screenings\, and a gallery crawl. Explore the full program schedule Re-visioning America is collaboration between the Arts Council of Princeton\, Morven Museum & Garden\, Art Against Racism\, Princeton Public Library\, Historical Society of Princeton\, William Trent House Museum\, Garden Theatre\, Princeton University Art Museum\, and the Princeton University Humanities Initiative.
URL:https://artscouncilofprinceton.org/event/onstage-seniors-lessons-learned-and-unlearned/
LOCATION:Solley Theater – Arts Council of Princeton\, Princeton\, NJ
CATEGORIES:Community,Events & Performances,Free or Low Cost
ATTACH;FMTTYPE=image/png:https://artscouncilofprinceton.org/wp-content/uploads/2026/04/OnStage-Seniors-Storytelling.png
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20260527T190000
DTEND;TZID=America/New_York:20260527T210000
DTSTAMP:20260624T231819
CREATED:20240124T180146Z
LAST-MODIFIED:20260610T204643Z
UID:10001250-1779908400-1779915600@artscouncilofprinceton.org
SUMMARY:Jersey Art Meetup (JAM)
DESCRIPTION:Echoes in Our Bones  \nCurated by Judith K. Brodsky and Rhinold L. Ponder				\n				\n									On View: Saturday\, August 29 – Saturday\, October 3\, 2026Opening reception: Thursday\, September 10 from 5-7pm								\n				\n									ABOUT THE EXHIBITION:Echoes in Our Bones will explore how themes of identity\, history\, and cultural resilience have endured and transformed across generations. The exhibition examines how these artists have explored and expanded the ideals articulated in the Declaration of Independence\, “Life\, Liberty\, and the Pursuit of Happiness”\, using art as a powerful vehicle for expression\, resistance\, care\, and community. Pairings of artists from past and present generations will include Faith Ringgold and Bisa Butler\, Selma Burke and Allison Saar\, Mary Lovelace O’Neal and Julie Mehretu\, Betye Saar and Tschabalala Self\, Carrie Mae Weems and LaToya Ruby Frazier\, Laura Wheeler Waring and Jordan Casteel\, Elizabeth Catlett and Kara Walker\, and Howardena Pindell and Shinique Smith. Through these connections\, the exhibition will not only showcase individual artistic voices but also trace a lineage of creative expression that has contributed to shaping and defining American art. 								\n				\n							\n							\n					\n											\n														\n							\n					\n											\n														\n							\n					\n											\n														\n							\n					\n											\n														\n							\n					\n											\n														\n							\n					\n											\n														\n							\n					\n											\n														\n							\n					\n											\n														\n							\n					\n											\n														\n							\n					\n											\n														\n					\n					\n		\n		\n				\n									ABOUT THE CURATORS:Judith K. BrodskyActivist\, artist\, curator\, writer Judith K. Brodsky is Distinguished Professor Emerita\, Department of Art and Design\, Rutgers University. She is a works-on-paper artist with prints and drawings in many museum collections worldwide and the founder of the Rutgers Center for Innovative Print and Paper\, now the Brodsky Center at Pennsylvania Academy of Fine Arts. The Brodsky Center\, established in 1986\, is known for its activist pioneer mission to further opportunities for women-identified\, BIPOC\, and non-binary artists. An exhibition documenting the years it was at Rutgers was on view at the Zimmerli Art Museum\, Fall 2023. She was also co-founder of the Center for Women in the Arts and Humanities at Rutgers University in 2006. As a curator or co-curator\, she has organized many exhibitions including The Fertile Crescent: Gender\, Art\, and Society (2012) and the Philadelphia city-wide print festival\, Philagrafika (2010)\, three decades of exhibitions for the Rutgers Women Artists; Restoring the Art and Lives of a Circle of Five Forgotten Black Artists (2022); and (re)FOCUS: Philadelphia Focuses on Women in the Visual Arts\, 1974-2024 (2024). She is past national president of ArtTable\, College Art Association\, Women&#39;s Caucus for Art\, former board chair\, New York Foundation for the Arts\, current board member\, Print Center New York\, and a former dean and associate provost at Rutgers. Brodsky writes on women artists and printmaking. Her most recent book is Dismantling the Patriarchy Bit by Bit: Art\, Feminism and Digital Technology (Bloomsbury 2022). A book on the history of the United States Feminist Art Movement focusing on the activist art historians and curators rather than the artists is due out in early 2027 (Bloomsbury Academic). 								\n				\n									Rhinold L. PonderRhinold Lamar Ponder\, the Executive Director of Art Against Racism\, is an artist\, curator\, author\, activist and lawyer.  He is the founder and Executive Director of Art Against Racism\, a 501(c)(3)\, based in Princeton\, New Jersey. AAR’s mission is to educate others about racial injustice and to provide opportunities and encouragement for others to create an anti-racist society. An independent curator\, Rhinold has worked on several exhibitions and projects including those with Judith K. Brodsky.  Together they have curated Memorial\, Monument\, Movement (2020)\, a groundbreaking exhibition showcasing a unique archive of personal and communal art created during the pandemic in response to the cultural and political challenges of extrajudicial killings of people of color; Retrieving the Life and Art of James Wilcon Edwards and a Circle of Black Artists (Arts Council of Princeton\, 2022); Freedoms Reframed: Art on the Edges of the Constitution (Trent House Museum\, 2026); Echoes in Our Bones (Arts Council of Princeton\, 2026); and Voices in Print (Morven Museum and Garden\, 2026).  As Executive Director of Art Against Racism\, he has organized or curated the following exhibitions: Not Afraid with the West Windsor Arts Council (2025); Manifesting Beloved Community exhibitions in partnership with the West Windsor Arts Council (2020-2024 ); The Art of Black Joy (Monroe Township Library\, 2024);Earth Song Refrained (Princeton Public Library\, 2023 ); and Beyond Freedom (Morven Museum and Garden\, 2023). Rhinold’s writings have appeared in numerous publications including the New York Times\, the Trenton Times and the City Sun.  In 1997\, he co-edited\, with his wife\, Michele Tuck-Ponder\, two critically acclaimed compilations of sermons\, published by Crown\, entitled Wisdom of the Word: Faith and Wisdom of the Word: Love. 								\n				\n				\n		\n		\n														\n				\n		\n				\n									This project is supported in part by an award from the National Endowment for the Arts. 								\n		\n					\n\n				\n				\n																														\n				\n									Join us for the Re-visioning America Event Series – now through February 2027!Inspired by the 250th anniversary of the signing of the Declaration of Independence\, the Princeton community-based and collaborative initiative Re-visioning America invites contemplation of the past\, present\, and possible futures of the American nation through the lens of art. “America” refers to a specific geography\, but it also conjures a diverse and sometimes contradictory cohort of ideas\, myths\, debates\, experiences\, identities\, and aspirations. Re-visioning America showcases how artists from a range of backgrounds grapple with the complexity of America and its histories\, then and now\, and invites audiences to do the same through a series of exhibitions and accompanying programming\, including lectures\, artist conversations\, hands-on workshops\, film screenings\, and a gallery crawl. Explore the full program schedule Re-visioning America is collaboration between the Arts Council of Princeton\, Morven Museum & Garden\, Art Against Racism\, Princeton Public Library\, Historical Society of Princeton\, William Trent House Museum\, Garden Theatre\, Princeton University Art Museum\, and the Princeton University Humanities Initiative.
URL:https://artscouncilofprinceton.org/event/jam/2026-05-27/
LOCATION:Arts Council of Princeton\, Princeton\, NJ
CATEGORIES:Community,Free or Low Cost
ATTACH;FMTTYPE=image/webp:https://artscouncilofprinceton.org/wp-content/uploads/2024/01/COMICMAKERS_JAMBANNER-e1718819987740-copy.webp
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20260527T183000
DTEND;TZID=America/New_York:20260527T200000
DTSTAMP:20260624T231819
CREATED:20260209T174555Z
LAST-MODIFIED:20260209T174705Z
UID:10002518-1779906600-1779912000@artscouncilofprinceton.org
SUMMARY:Craft Corner
DESCRIPTION:Echoes in Our Bones  \nCurated by Judith K. Brodsky and Rhinold L. Ponder				\n				\n									On View: Saturday\, August 29 – Saturday\, October 3\, 2026Opening reception: Thursday\, September 10 from 5-7pm								\n				\n									ABOUT THE EXHIBITION:Echoes in Our Bones will explore how themes of identity\, history\, and cultural resilience have endured and transformed across generations. The exhibition examines how these artists have explored and expanded the ideals articulated in the Declaration of Independence\, “Life\, Liberty\, and the Pursuit of Happiness”\, using art as a powerful vehicle for expression\, resistance\, care\, and community. Pairings of artists from past and present generations will include Faith Ringgold and Bisa Butler\, Selma Burke and Allison Saar\, Mary Lovelace O’Neal and Julie Mehretu\, Betye Saar and Tschabalala Self\, Carrie Mae Weems and LaToya Ruby Frazier\, Laura Wheeler Waring and Jordan Casteel\, Elizabeth Catlett and Kara Walker\, and Howardena Pindell and Shinique Smith. Through these connections\, the exhibition will not only showcase individual artistic voices but also trace a lineage of creative expression that has contributed to shaping and defining American art. 								\n				\n							\n							\n					\n											\n														\n							\n					\n											\n														\n							\n					\n											\n														\n							\n					\n											\n														\n							\n					\n											\n														\n							\n					\n											\n														\n							\n					\n											\n														\n							\n					\n											\n														\n							\n					\n											\n														\n							\n					\n											\n														\n					\n					\n		\n		\n				\n									ABOUT THE CURATORS:Judith K. BrodskyActivist\, artist\, curator\, writer Judith K. Brodsky is Distinguished Professor Emerita\, Department of Art and Design\, Rutgers University. She is a works-on-paper artist with prints and drawings in many museum collections worldwide and the founder of the Rutgers Center for Innovative Print and Paper\, now the Brodsky Center at Pennsylvania Academy of Fine Arts. The Brodsky Center\, established in 1986\, is known for its activist pioneer mission to further opportunities for women-identified\, BIPOC\, and non-binary artists. An exhibition documenting the years it was at Rutgers was on view at the Zimmerli Art Museum\, Fall 2023. She was also co-founder of the Center for Women in the Arts and Humanities at Rutgers University in 2006. As a curator or co-curator\, she has organized many exhibitions including The Fertile Crescent: Gender\, Art\, and Society (2012) and the Philadelphia city-wide print festival\, Philagrafika (2010)\, three decades of exhibitions for the Rutgers Women Artists; Restoring the Art and Lives of a Circle of Five Forgotten Black Artists (2022); and (re)FOCUS: Philadelphia Focuses on Women in the Visual Arts\, 1974-2024 (2024). She is past national president of ArtTable\, College Art Association\, Women&#39;s Caucus for Art\, former board chair\, New York Foundation for the Arts\, current board member\, Print Center New York\, and a former dean and associate provost at Rutgers. Brodsky writes on women artists and printmaking. Her most recent book is Dismantling the Patriarchy Bit by Bit: Art\, Feminism and Digital Technology (Bloomsbury 2022). A book on the history of the United States Feminist Art Movement focusing on the activist art historians and curators rather than the artists is due out in early 2027 (Bloomsbury Academic). 								\n				\n									Rhinold L. PonderRhinold Lamar Ponder\, the Executive Director of Art Against Racism\, is an artist\, curator\, author\, activist and lawyer.  He is the founder and Executive Director of Art Against Racism\, a 501(c)(3)\, based in Princeton\, New Jersey. AAR’s mission is to educate others about racial injustice and to provide opportunities and encouragement for others to create an anti-racist society. An independent curator\, Rhinold has worked on several exhibitions and projects including those with Judith K. Brodsky.  Together they have curated Memorial\, Monument\, Movement (2020)\, a groundbreaking exhibition showcasing a unique archive of personal and communal art created during the pandemic in response to the cultural and political challenges of extrajudicial killings of people of color; Retrieving the Life and Art of James Wilcon Edwards and a Circle of Black Artists (Arts Council of Princeton\, 2022); Freedoms Reframed: Art on the Edges of the Constitution (Trent House Museum\, 2026); Echoes in Our Bones (Arts Council of Princeton\, 2026); and Voices in Print (Morven Museum and Garden\, 2026).  As Executive Director of Art Against Racism\, he has organized or curated the following exhibitions: Not Afraid with the West Windsor Arts Council (2025); Manifesting Beloved Community exhibitions in partnership with the West Windsor Arts Council (2020-2024 ); The Art of Black Joy (Monroe Township Library\, 2024);Earth Song Refrained (Princeton Public Library\, 2023 ); and Beyond Freedom (Morven Museum and Garden\, 2023). Rhinold’s writings have appeared in numerous publications including the New York Times\, the Trenton Times and the City Sun.  In 1997\, he co-edited\, with his wife\, Michele Tuck-Ponder\, two critically acclaimed compilations of sermons\, published by Crown\, entitled Wisdom of the Word: Faith and Wisdom of the Word: Love. 								\n				\n				\n		\n		\n														\n				\n		\n				\n									This project is supported in part by an award from the National Endowment for the Arts. 								\n		\n					\n\n				\n				\n																														\n				\n									Join us for the Re-visioning America Event Series – now through February 2027!Inspired by the 250th anniversary of the signing of the Declaration of Independence\, the Princeton community-based and collaborative initiative Re-visioning America invites contemplation of the past\, present\, and possible futures of the American nation through the lens of art. “America” refers to a specific geography\, but it also conjures a diverse and sometimes contradictory cohort of ideas\, myths\, debates\, experiences\, identities\, and aspirations. Re-visioning America showcases how artists from a range of backgrounds grapple with the complexity of America and its histories\, then and now\, and invites audiences to do the same through a series of exhibitions and accompanying programming\, including lectures\, artist conversations\, hands-on workshops\, film screenings\, and a gallery crawl. Explore the full program schedule Re-visioning America is collaboration between the Arts Council of Princeton\, Morven Museum & Garden\, Art Against Racism\, Princeton Public Library\, Historical Society of Princeton\, William Trent House Museum\, Garden Theatre\, Princeton University Art Museum\, and the Princeton University Humanities Initiative.
URL:https://artscouncilofprinceton.org/event/craft-corner-may26/
LOCATION:Arts Council of Princeton\, Princeton\, NJ
CATEGORIES:Community,Free or Low Cost,Workshops
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BEGIN:VEVENT
DTSTART;TZID=America/New_York:20260526T183000
DTEND;TZID=America/New_York:20260526T193000
DTSTAMP:20260624T231819
CREATED:20260508T194118Z
LAST-MODIFIED:20260519T152255Z
UID:10002572-1779820200-1779823800@artscouncilofprinceton.org
SUMMARY:Film Screening (Art21's Screening Society): Realms of the Real
DESCRIPTION:Echoes in Our Bones  \nCurated by Judith K. Brodsky and Rhinold L. Ponder				\n				\n									On View: Saturday\, August 29 – Saturday\, October 3\, 2026Opening reception: Thursday\, September 10 from 5-7pm								\n				\n									ABOUT THE EXHIBITION:Echoes in Our Bones will explore how themes of identity\, history\, and cultural resilience have endured and transformed across generations. The exhibition examines how these artists have explored and expanded the ideals articulated in the Declaration of Independence\, “Life\, Liberty\, and the Pursuit of Happiness”\, using art as a powerful vehicle for expression\, resistance\, care\, and community. Pairings of artists from past and present generations will include Faith Ringgold and Bisa Butler\, Selma Burke and Allison Saar\, Mary Lovelace O’Neal and Julie Mehretu\, Betye Saar and Tschabalala Self\, Carrie Mae Weems and LaToya Ruby Frazier\, Laura Wheeler Waring and Jordan Casteel\, Elizabeth Catlett and Kara Walker\, and Howardena Pindell and Shinique Smith. Through these connections\, the exhibition will not only showcase individual artistic voices but also trace a lineage of creative expression that has contributed to shaping and defining American art. 								\n				\n							\n							\n					\n											\n														\n							\n					\n											\n														\n							\n					\n											\n														\n							\n					\n											\n														\n							\n					\n											\n														\n							\n					\n											\n														\n							\n					\n											\n														\n							\n					\n											\n														\n							\n					\n											\n														\n							\n					\n											\n														\n					\n					\n		\n		\n				\n									ABOUT THE CURATORS:Judith K. BrodskyActivist\, artist\, curator\, writer Judith K. Brodsky is Distinguished Professor Emerita\, Department of Art and Design\, Rutgers University. She is a works-on-paper artist with prints and drawings in many museum collections worldwide and the founder of the Rutgers Center for Innovative Print and Paper\, now the Brodsky Center at Pennsylvania Academy of Fine Arts. The Brodsky Center\, established in 1986\, is known for its activist pioneer mission to further opportunities for women-identified\, BIPOC\, and non-binary artists. An exhibition documenting the years it was at Rutgers was on view at the Zimmerli Art Museum\, Fall 2023. She was also co-founder of the Center for Women in the Arts and Humanities at Rutgers University in 2006. As a curator or co-curator\, she has organized many exhibitions including The Fertile Crescent: Gender\, Art\, and Society (2012) and the Philadelphia city-wide print festival\, Philagrafika (2010)\, three decades of exhibitions for the Rutgers Women Artists; Restoring the Art and Lives of a Circle of Five Forgotten Black Artists (2022); and (re)FOCUS: Philadelphia Focuses on Women in the Visual Arts\, 1974-2024 (2024). She is past national president of ArtTable\, College Art Association\, Women&#39;s Caucus for Art\, former board chair\, New York Foundation for the Arts\, current board member\, Print Center New York\, and a former dean and associate provost at Rutgers. Brodsky writes on women artists and printmaking. Her most recent book is Dismantling the Patriarchy Bit by Bit: Art\, Feminism and Digital Technology (Bloomsbury 2022). A book on the history of the United States Feminist Art Movement focusing on the activist art historians and curators rather than the artists is due out in early 2027 (Bloomsbury Academic). 								\n				\n									Rhinold L. PonderRhinold Lamar Ponder\, the Executive Director of Art Against Racism\, is an artist\, curator\, author\, activist and lawyer.  He is the founder and Executive Director of Art Against Racism\, a 501(c)(3)\, based in Princeton\, New Jersey. AAR’s mission is to educate others about racial injustice and to provide opportunities and encouragement for others to create an anti-racist society. An independent curator\, Rhinold has worked on several exhibitions and projects including those with Judith K. Brodsky.  Together they have curated Memorial\, Monument\, Movement (2020)\, a groundbreaking exhibition showcasing a unique archive of personal and communal art created during the pandemic in response to the cultural and political challenges of extrajudicial killings of people of color; Retrieving the Life and Art of James Wilcon Edwards and a Circle of Black Artists (Arts Council of Princeton\, 2022); Freedoms Reframed: Art on the Edges of the Constitution (Trent House Museum\, 2026); Echoes in Our Bones (Arts Council of Princeton\, 2026); and Voices in Print (Morven Museum and Garden\, 2026).  As Executive Director of Art Against Racism\, he has organized or curated the following exhibitions: Not Afraid with the West Windsor Arts Council (2025); Manifesting Beloved Community exhibitions in partnership with the West Windsor Arts Council (2020-2024 ); The Art of Black Joy (Monroe Township Library\, 2024);Earth Song Refrained (Princeton Public Library\, 2023 ); and Beyond Freedom (Morven Museum and Garden\, 2023). Rhinold’s writings have appeared in numerous publications including the New York Times\, the Trenton Times and the City Sun.  In 1997\, he co-edited\, with his wife\, Michele Tuck-Ponder\, two critically acclaimed compilations of sermons\, published by Crown\, entitled Wisdom of the Word: Faith and Wisdom of the Word: Love. 								\n				\n				\n		\n		\n														\n				\n		\n				\n									This project is supported in part by an award from the National Endowment for the Arts. 								\n		\n					\n\n				\n				\n																														\n				\n									Join us for the Re-visioning America Event Series – now through February 2027!Inspired by the 250th anniversary of the signing of the Declaration of Independence\, the Princeton community-based and collaborative initiative Re-visioning America invites contemplation of the past\, present\, and possible futures of the American nation through the lens of art. “America” refers to a specific geography\, but it also conjures a diverse and sometimes contradictory cohort of ideas\, myths\, debates\, experiences\, identities\, and aspirations. Re-visioning America showcases how artists from a range of backgrounds grapple with the complexity of America and its histories\, then and now\, and invites audiences to do the same through a series of exhibitions and accompanying programming\, including lectures\, artist conversations\, hands-on workshops\, film screenings\, and a gallery crawl. Explore the full program schedule Re-visioning America is collaboration between the Arts Council of Princeton\, Morven Museum & Garden\, Art Against Racism\, Princeton Public Library\, Historical Society of Princeton\, William Trent House Museum\, Garden Theatre\, Princeton University Art Museum\, and the Princeton University Humanities Initiative.
URL:https://artscouncilofprinceton.org/event/film-screening-art21-screening-society-realms-of-the-real/
LOCATION:Arts Council of Princeton\, Princeton\, NJ
CATEGORIES:Community,Free or Low Cost
ATTACH;FMTTYPE=image/jpeg:https://artscouncilofprinceton.org/wp-content/uploads/2026/05/Art21_S12_EpTwo_Realms_of_the_Real_UHD_textless_H264.00_24_31_00-2048x1152-1.jpg
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BEGIN:VEVENT
DTSTART;TZID=America/New_York:20260523T190000
DTEND;TZID=America/New_York:20260523T220000
DTSTAMP:20260624T231819
CREATED:20260521T162127Z
LAST-MODIFIED:20260521T162326Z
UID:10002217-1779562800-1779573600@artscouncilofprinceton.org
SUMMARY:Café Improv
DESCRIPTION:Echoes in Our Bones  \nCurated by Judith K. Brodsky and Rhinold L. Ponder				\n				\n									On View: Saturday\, August 29 – Saturday\, October 3\, 2026Opening reception: Thursday\, September 10 from 5-7pm								\n				\n									ABOUT THE EXHIBITION:Echoes in Our Bones will explore how themes of identity\, history\, and cultural resilience have endured and transformed across generations. The exhibition examines how these artists have explored and expanded the ideals articulated in the Declaration of Independence\, “Life\, Liberty\, and the Pursuit of Happiness”\, using art as a powerful vehicle for expression\, resistance\, care\, and community. Pairings of artists from past and present generations will include Faith Ringgold and Bisa Butler\, Selma Burke and Allison Saar\, Mary Lovelace O’Neal and Julie Mehretu\, Betye Saar and Tschabalala Self\, Carrie Mae Weems and LaToya Ruby Frazier\, Laura Wheeler Waring and Jordan Casteel\, Elizabeth Catlett and Kara Walker\, and Howardena Pindell and Shinique Smith. Through these connections\, the exhibition will not only showcase individual artistic voices but also trace a lineage of creative expression that has contributed to shaping and defining American art. 								\n				\n							\n							\n					\n											\n														\n							\n					\n											\n														\n							\n					\n											\n														\n							\n					\n											\n														\n							\n					\n											\n														\n							\n					\n											\n														\n							\n					\n											\n														\n							\n					\n											\n														\n							\n					\n											\n														\n							\n					\n											\n														\n					\n					\n		\n		\n				\n									ABOUT THE CURATORS:Judith K. BrodskyActivist\, artist\, curator\, writer Judith K. Brodsky is Distinguished Professor Emerita\, Department of Art and Design\, Rutgers University. She is a works-on-paper artist with prints and drawings in many museum collections worldwide and the founder of the Rutgers Center for Innovative Print and Paper\, now the Brodsky Center at Pennsylvania Academy of Fine Arts. The Brodsky Center\, established in 1986\, is known for its activist pioneer mission to further opportunities for women-identified\, BIPOC\, and non-binary artists. An exhibition documenting the years it was at Rutgers was on view at the Zimmerli Art Museum\, Fall 2023. She was also co-founder of the Center for Women in the Arts and Humanities at Rutgers University in 2006. As a curator or co-curator\, she has organized many exhibitions including The Fertile Crescent: Gender\, Art\, and Society (2012) and the Philadelphia city-wide print festival\, Philagrafika (2010)\, three decades of exhibitions for the Rutgers Women Artists; Restoring the Art and Lives of a Circle of Five Forgotten Black Artists (2022); and (re)FOCUS: Philadelphia Focuses on Women in the Visual Arts\, 1974-2024 (2024). She is past national president of ArtTable\, College Art Association\, Women&#39;s Caucus for Art\, former board chair\, New York Foundation for the Arts\, current board member\, Print Center New York\, and a former dean and associate provost at Rutgers. Brodsky writes on women artists and printmaking. Her most recent book is Dismantling the Patriarchy Bit by Bit: Art\, Feminism and Digital Technology (Bloomsbury 2022). A book on the history of the United States Feminist Art Movement focusing on the activist art historians and curators rather than the artists is due out in early 2027 (Bloomsbury Academic). 								\n				\n									Rhinold L. PonderRhinold Lamar Ponder\, the Executive Director of Art Against Racism\, is an artist\, curator\, author\, activist and lawyer.  He is the founder and Executive Director of Art Against Racism\, a 501(c)(3)\, based in Princeton\, New Jersey. AAR’s mission is to educate others about racial injustice and to provide opportunities and encouragement for others to create an anti-racist society. An independent curator\, Rhinold has worked on several exhibitions and projects including those with Judith K. Brodsky.  Together they have curated Memorial\, Monument\, Movement (2020)\, a groundbreaking exhibition showcasing a unique archive of personal and communal art created during the pandemic in response to the cultural and political challenges of extrajudicial killings of people of color; Retrieving the Life and Art of James Wilcon Edwards and a Circle of Black Artists (Arts Council of Princeton\, 2022); Freedoms Reframed: Art on the Edges of the Constitution (Trent House Museum\, 2026); Echoes in Our Bones (Arts Council of Princeton\, 2026); and Voices in Print (Morven Museum and Garden\, 2026).  As Executive Director of Art Against Racism\, he has organized or curated the following exhibitions: Not Afraid with the West Windsor Arts Council (2025); Manifesting Beloved Community exhibitions in partnership with the West Windsor Arts Council (2020-2024 ); The Art of Black Joy (Monroe Township Library\, 2024);Earth Song Refrained (Princeton Public Library\, 2023 ); and Beyond Freedom (Morven Museum and Garden\, 2023). Rhinold’s writings have appeared in numerous publications including the New York Times\, the Trenton Times and the City Sun.  In 1997\, he co-edited\, with his wife\, Michele Tuck-Ponder\, two critically acclaimed compilations of sermons\, published by Crown\, entitled Wisdom of the Word: Faith and Wisdom of the Word: Love. 								\n				\n				\n		\n		\n														\n				\n		\n				\n									This project is supported in part by an award from the National Endowment for the Arts. 								\n		\n					\n\n				\n				\n																														\n				\n									Join us for the Re-visioning America Event Series – now through February 2027!Inspired by the 250th anniversary of the signing of the Declaration of Independence\, the Princeton community-based and collaborative initiative Re-visioning America invites contemplation of the past\, present\, and possible futures of the American nation through the lens of art. “America” refers to a specific geography\, but it also conjures a diverse and sometimes contradictory cohort of ideas\, myths\, debates\, experiences\, identities\, and aspirations. Re-visioning America showcases how artists from a range of backgrounds grapple with the complexity of America and its histories\, then and now\, and invites audiences to do the same through a series of exhibitions and accompanying programming\, including lectures\, artist conversations\, hands-on workshops\, film screenings\, and a gallery crawl. Explore the full program schedule Re-visioning America is collaboration between the Arts Council of Princeton\, Morven Museum & Garden\, Art Against Racism\, Princeton Public Library\, Historical Society of Princeton\, William Trent House Museum\, Garden Theatre\, Princeton University Art Museum\, and the Princeton University Humanities Initiative.
URL:https://artscouncilofprinceton.org/event/monthly-cafe-improv-open-mic-2/2026-05-23/
LOCATION:Solley Theater – Arts Council of Princeton\, Princeton\, NJ
CATEGORIES:Events & Performances,Free or Low Cost
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