BEGIN:VCALENDAR
VERSION:2.0
PRODID:-//Arts Council of Princeton - ECPv6.15.20//NONSGML v1.0//EN
CALSCALE:GREGORIAN
METHOD:PUBLISH
X-WR-CALNAME:Arts Council of Princeton
X-ORIGINAL-URL:https://artscouncilofprinceton.org
X-WR-CALDESC:Events for Arts Council of Princeton
REFRESH-INTERVAL;VALUE=DURATION:PT1H
X-Robots-Tag:noindex
X-PUBLISHED-TTL:PT1H
BEGIN:VTIMEZONE
TZID:America/New_York
BEGIN:DAYLIGHT
TZOFFSETFROM:-0500
TZOFFSETTO:-0400
TZNAME:EDT
DTSTART:20260308T070000
END:DAYLIGHT
BEGIN:STANDARD
TZOFFSETFROM:-0400
TZOFFSETTO:-0500
TZNAME:EST
DTSTART:20261101T060000
END:STANDARD
BEGIN:DAYLIGHT
TZOFFSETFROM:-0500
TZOFFSETTO:-0400
TZNAME:EDT
DTSTART:20270314T070000
END:DAYLIGHT
BEGIN:STANDARD
TZOFFSETFROM:-0400
TZOFFSETTO:-0500
TZNAME:EST
DTSTART:20271107T060000
END:STANDARD
BEGIN:DAYLIGHT
TZOFFSETFROM:-0500
TZOFFSETTO:-0400
TZNAME:EDT
DTSTART:20280312T070000
END:DAYLIGHT
BEGIN:STANDARD
TZOFFSETFROM:-0400
TZOFFSETTO:-0500
TZNAME:EST
DTSTART:20281105T060000
END:STANDARD
END:VTIMEZONE
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20271127T190000
DTEND;TZID=America/New_York:20271127T220000
DTSTAMP:20260516T080815
CREATED:20250528T203820Z
LAST-MODIFIED:20250911T200912Z
UID:10002235-1827342000-1827352800@artscouncilofprinceton.org
SUMMARY:Café Improv
DESCRIPTION:Commit to Memory: The Precipice of ExtinctionBy Cheryl GrossOn view: June 5-July 3Opening: Fri\, June 5 | 5-7pmExhibition statement:Commit to Memory: The Precipice of Extinction is a multi-platform\, social commentary addressing the shifting and eventual disappearance of our culture using animals as metaphors with overall goal being socially relevant as well as visually compelling. Using animals on the endangered species list I have created a multi-media graphic audiovisual representation of society teetering on the verge of collapse. Artistic depictions of animal species as victims illustrate the decline of the American democratic system. Use of the word “extinction” throughout the narrative is the blueprint of this project. The Elephant alludes to the destruction of family and community. Scientists have long used footage of elephant rescues to measure humanities ability to feel empathy. This aspect of the project questions the impulse to kill animals that make us feel “love.” The Penguin explores the disappearance of societal structures. With the destruction of the artic certain penguins are left with nowhere to go except man-made exploitive habitats such as Sea World. What is life when our last option resembles a prison? The Frog alludes to complete extinction caused by disease through globalization. The African Bullfrog was brought to the Americas for one purpose—to be living pregnancy tests for humans. These creatures\, used to predict life\, eventually became the destruction of an entire species of frogs as they carried a fungus eradicating the indigenous golden frog. This is reminiscent of indigenous peoples succumbing to European diseases. The Tiger explores the emotional impact due to the fact of how home and territory is rapidly being diminished by development. By obliterating our environment\, we are left to somehow adjust to new social order and redefine the norm. The contributing factors such as war\, globalization\, gentrification and handouts\, continue to pave the way but it is not without consequence. A quote by Nicelle Davis explains my statement rather clearly: Death is a charmer; nothing makes us feel more alive than brushing shoulders with him at a bar\, in our cars\, or at 5\,000 feet in the air. Every time we risk and survive there is a thrill. We feel like we won more life because we are not the ones dying. There is something sexy about Death\, how when poachers take a machete to the face of an elephant\, how sex is always better once it’s gone\, or when whalers take a grenade harpoon to a whale—even more so when an entire species is gone\, how life looks for life even inside a zoo. But Death is a trickster. We can never win at his game. We might be living\, but our humanity is dying. Soon\, there will be nothing of our lives worth living for. About the artist:Brooklyn native Cheryl Gross is an illustrator\, painter\, writer and motion graphic artist living and working in the New York/ Jersey City area. She is a professor at Pratt Institute. Cheryl’s work has appeared in numerous films\, TV shows\, publications\, and graces the walls of many corporate and museum collections including: Zebra Poetry Film Festival\, Berlin\, New York Times\, Riverside Museum\, Riverside\, Ca.\, The Museum of The City of New York\, Mississippi Museum of Art\, Laforet Harajuku Museum\, Tokyo\, Japan\, Artist-In-Residency\, Kunstlerhaus\, Saarbruken\, Germany. Finalist Elizabeth Hulings Foundation\, 2014\, Artist-In-Residency Program\, Dilsberg\, Germany\, 2015\, four-time recipient Eileen Kaminsky Family Foundation Residency\, Jersey City\, 2018-2020\, Art fair 14c 2021-2023. 2023- Commit to Memory: The Precipice of Extinction\, Louis K. Redding Gallery\, Wilmington Delaware\, Curated by The Bridge Gallery\, 2023\, The Z Factor: The Hybrid Realms of Cheryl Gross\, MANA Contemporary\, Jersey City\, NJ\, Curated by Kristin DeAngelis\, Design: Kele McComsey\, 2025\, The Ethereal Realms of Mythology: Past & Present\, Art House Productions Gallery\, Jersey City\, NJ\, Curated & Design: Andrea Mckenna WebsiteInstagramFacebook
URL:https://artscouncilofprinceton.org/event/monthly-cafe-improv-open-mic/2027-11-27/
LOCATION:Solley Theater – Arts Council of Princeton\, Princeton\, NJ
CATEGORIES:Events & Performances,Free or Low Cost
ATTACH;FMTTYPE=image/jpeg:https://artscouncilofprinceton.org/wp-content/uploads/2025/05/9330769.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20271124T190000
DTEND;TZID=America/New_York:20271124T210000
DTSTAMP:20260516T080815
CREATED:20240124T180146Z
LAST-MODIFIED:20260121T152226Z
UID:10001328-1827082800-1827090000@artscouncilofprinceton.org
SUMMARY:Jersey Art Meetup (JAM)
DESCRIPTION:Commit to Memory: The Precipice of ExtinctionBy Cheryl GrossOn view: June 5-July 3Opening: Fri\, June 5 | 5-7pmExhibition statement:Commit to Memory: The Precipice of Extinction is a multi-platform\, social commentary addressing the shifting and eventual disappearance of our culture using animals as metaphors with overall goal being socially relevant as well as visually compelling. Using animals on the endangered species list I have created a multi-media graphic audiovisual representation of society teetering on the verge of collapse. Artistic depictions of animal species as victims illustrate the decline of the American democratic system. Use of the word “extinction” throughout the narrative is the blueprint of this project. The Elephant alludes to the destruction of family and community. Scientists have long used footage of elephant rescues to measure humanities ability to feel empathy. This aspect of the project questions the impulse to kill animals that make us feel “love.” The Penguin explores the disappearance of societal structures. With the destruction of the artic certain penguins are left with nowhere to go except man-made exploitive habitats such as Sea World. What is life when our last option resembles a prison? The Frog alludes to complete extinction caused by disease through globalization. The African Bullfrog was brought to the Americas for one purpose—to be living pregnancy tests for humans. These creatures\, used to predict life\, eventually became the destruction of an entire species of frogs as they carried a fungus eradicating the indigenous golden frog. This is reminiscent of indigenous peoples succumbing to European diseases. The Tiger explores the emotional impact due to the fact of how home and territory is rapidly being diminished by development. By obliterating our environment\, we are left to somehow adjust to new social order and redefine the norm. The contributing factors such as war\, globalization\, gentrification and handouts\, continue to pave the way but it is not without consequence. A quote by Nicelle Davis explains my statement rather clearly: Death is a charmer; nothing makes us feel more alive than brushing shoulders with him at a bar\, in our cars\, or at 5\,000 feet in the air. Every time we risk and survive there is a thrill. We feel like we won more life because we are not the ones dying. There is something sexy about Death\, how when poachers take a machete to the face of an elephant\, how sex is always better once it’s gone\, or when whalers take a grenade harpoon to a whale—even more so when an entire species is gone\, how life looks for life even inside a zoo. But Death is a trickster. We can never win at his game. We might be living\, but our humanity is dying. Soon\, there will be nothing of our lives worth living for. About the artist:Brooklyn native Cheryl Gross is an illustrator\, painter\, writer and motion graphic artist living and working in the New York/ Jersey City area. She is a professor at Pratt Institute. Cheryl’s work has appeared in numerous films\, TV shows\, publications\, and graces the walls of many corporate and museum collections including: Zebra Poetry Film Festival\, Berlin\, New York Times\, Riverside Museum\, Riverside\, Ca.\, The Museum of The City of New York\, Mississippi Museum of Art\, Laforet Harajuku Museum\, Tokyo\, Japan\, Artist-In-Residency\, Kunstlerhaus\, Saarbruken\, Germany. Finalist Elizabeth Hulings Foundation\, 2014\, Artist-In-Residency Program\, Dilsberg\, Germany\, 2015\, four-time recipient Eileen Kaminsky Family Foundation Residency\, Jersey City\, 2018-2020\, Art fair 14c 2021-2023. 2023- Commit to Memory: The Precipice of Extinction\, Louis K. Redding Gallery\, Wilmington Delaware\, Curated by The Bridge Gallery\, 2023\, The Z Factor: The Hybrid Realms of Cheryl Gross\, MANA Contemporary\, Jersey City\, NJ\, Curated by Kristin DeAngelis\, Design: Kele McComsey\, 2025\, The Ethereal Realms of Mythology: Past & Present\, Art House Productions Gallery\, Jersey City\, NJ\, Curated & Design: Andrea Mckenna WebsiteInstagramFacebook
URL:https://artscouncilofprinceton.org/event/jam/2027-11-24/
LOCATION:Arts Council of Princeton\, Princeton\, NJ
CATEGORIES:Community,Free or Low Cost
ATTACH;FMTTYPE=image/webp:https://artscouncilofprinceton.org/wp-content/uploads/2024/01/COMICMAKERS_JAMBANNER-e1718819987740-copy.webp
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20271117T190000
DTEND;TZID=America/New_York:20271117T210000
DTSTAMP:20260516T080815
CREATED:20240124T180146Z
LAST-MODIFIED:20260121T152226Z
UID:10001327-1826478000-1826485200@artscouncilofprinceton.org
SUMMARY:Jersey Art Meetup (JAM)
DESCRIPTION:Commit to Memory: The Precipice of ExtinctionBy Cheryl GrossOn view: June 5-July 3Opening: Fri\, June 5 | 5-7pmExhibition statement:Commit to Memory: The Precipice of Extinction is a multi-platform\, social commentary addressing the shifting and eventual disappearance of our culture using animals as metaphors with overall goal being socially relevant as well as visually compelling. Using animals on the endangered species list I have created a multi-media graphic audiovisual representation of society teetering on the verge of collapse. Artistic depictions of animal species as victims illustrate the decline of the American democratic system. Use of the word “extinction” throughout the narrative is the blueprint of this project. The Elephant alludes to the destruction of family and community. Scientists have long used footage of elephant rescues to measure humanities ability to feel empathy. This aspect of the project questions the impulse to kill animals that make us feel “love.” The Penguin explores the disappearance of societal structures. With the destruction of the artic certain penguins are left with nowhere to go except man-made exploitive habitats such as Sea World. What is life when our last option resembles a prison? The Frog alludes to complete extinction caused by disease through globalization. The African Bullfrog was brought to the Americas for one purpose—to be living pregnancy tests for humans. These creatures\, used to predict life\, eventually became the destruction of an entire species of frogs as they carried a fungus eradicating the indigenous golden frog. This is reminiscent of indigenous peoples succumbing to European diseases. The Tiger explores the emotional impact due to the fact of how home and territory is rapidly being diminished by development. By obliterating our environment\, we are left to somehow adjust to new social order and redefine the norm. The contributing factors such as war\, globalization\, gentrification and handouts\, continue to pave the way but it is not without consequence. A quote by Nicelle Davis explains my statement rather clearly: Death is a charmer; nothing makes us feel more alive than brushing shoulders with him at a bar\, in our cars\, or at 5\,000 feet in the air. Every time we risk and survive there is a thrill. We feel like we won more life because we are not the ones dying. There is something sexy about Death\, how when poachers take a machete to the face of an elephant\, how sex is always better once it’s gone\, or when whalers take a grenade harpoon to a whale—even more so when an entire species is gone\, how life looks for life even inside a zoo. But Death is a trickster. We can never win at his game. We might be living\, but our humanity is dying. Soon\, there will be nothing of our lives worth living for. About the artist:Brooklyn native Cheryl Gross is an illustrator\, painter\, writer and motion graphic artist living and working in the New York/ Jersey City area. She is a professor at Pratt Institute. Cheryl’s work has appeared in numerous films\, TV shows\, publications\, and graces the walls of many corporate and museum collections including: Zebra Poetry Film Festival\, Berlin\, New York Times\, Riverside Museum\, Riverside\, Ca.\, The Museum of The City of New York\, Mississippi Museum of Art\, Laforet Harajuku Museum\, Tokyo\, Japan\, Artist-In-Residency\, Kunstlerhaus\, Saarbruken\, Germany. Finalist Elizabeth Hulings Foundation\, 2014\, Artist-In-Residency Program\, Dilsberg\, Germany\, 2015\, four-time recipient Eileen Kaminsky Family Foundation Residency\, Jersey City\, 2018-2020\, Art fair 14c 2021-2023. 2023- Commit to Memory: The Precipice of Extinction\, Louis K. Redding Gallery\, Wilmington Delaware\, Curated by The Bridge Gallery\, 2023\, The Z Factor: The Hybrid Realms of Cheryl Gross\, MANA Contemporary\, Jersey City\, NJ\, Curated by Kristin DeAngelis\, Design: Kele McComsey\, 2025\, The Ethereal Realms of Mythology: Past & Present\, Art House Productions Gallery\, Jersey City\, NJ\, Curated & Design: Andrea Mckenna WebsiteInstagramFacebook
URL:https://artscouncilofprinceton.org/event/jam/2027-11-17/
LOCATION:Arts Council of Princeton\, Princeton\, NJ
CATEGORIES:Community,Free or Low Cost
ATTACH;FMTTYPE=image/webp:https://artscouncilofprinceton.org/wp-content/uploads/2024/01/COMICMAKERS_JAMBANNER-e1718819987740-copy.webp
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20271110T190000
DTEND;TZID=America/New_York:20271110T210000
DTSTAMP:20260516T080815
CREATED:20240124T180146Z
LAST-MODIFIED:20260121T152226Z
UID:10001326-1825873200-1825880400@artscouncilofprinceton.org
SUMMARY:Jersey Art Meetup (JAM)
DESCRIPTION:Commit to Memory: The Precipice of ExtinctionBy Cheryl GrossOn view: June 5-July 3Opening: Fri\, June 5 | 5-7pmExhibition statement:Commit to Memory: The Precipice of Extinction is a multi-platform\, social commentary addressing the shifting and eventual disappearance of our culture using animals as metaphors with overall goal being socially relevant as well as visually compelling. Using animals on the endangered species list I have created a multi-media graphic audiovisual representation of society teetering on the verge of collapse. Artistic depictions of animal species as victims illustrate the decline of the American democratic system. Use of the word “extinction” throughout the narrative is the blueprint of this project. The Elephant alludes to the destruction of family and community. Scientists have long used footage of elephant rescues to measure humanities ability to feel empathy. This aspect of the project questions the impulse to kill animals that make us feel “love.” The Penguin explores the disappearance of societal structures. With the destruction of the artic certain penguins are left with nowhere to go except man-made exploitive habitats such as Sea World. What is life when our last option resembles a prison? The Frog alludes to complete extinction caused by disease through globalization. The African Bullfrog was brought to the Americas for one purpose—to be living pregnancy tests for humans. These creatures\, used to predict life\, eventually became the destruction of an entire species of frogs as they carried a fungus eradicating the indigenous golden frog. This is reminiscent of indigenous peoples succumbing to European diseases. The Tiger explores the emotional impact due to the fact of how home and territory is rapidly being diminished by development. By obliterating our environment\, we are left to somehow adjust to new social order and redefine the norm. The contributing factors such as war\, globalization\, gentrification and handouts\, continue to pave the way but it is not without consequence. A quote by Nicelle Davis explains my statement rather clearly: Death is a charmer; nothing makes us feel more alive than brushing shoulders with him at a bar\, in our cars\, or at 5\,000 feet in the air. Every time we risk and survive there is a thrill. We feel like we won more life because we are not the ones dying. There is something sexy about Death\, how when poachers take a machete to the face of an elephant\, how sex is always better once it’s gone\, or when whalers take a grenade harpoon to a whale—even more so when an entire species is gone\, how life looks for life even inside a zoo. But Death is a trickster. We can never win at his game. We might be living\, but our humanity is dying. Soon\, there will be nothing of our lives worth living for. About the artist:Brooklyn native Cheryl Gross is an illustrator\, painter\, writer and motion graphic artist living and working in the New York/ Jersey City area. She is a professor at Pratt Institute. Cheryl’s work has appeared in numerous films\, TV shows\, publications\, and graces the walls of many corporate and museum collections including: Zebra Poetry Film Festival\, Berlin\, New York Times\, Riverside Museum\, Riverside\, Ca.\, The Museum of The City of New York\, Mississippi Museum of Art\, Laforet Harajuku Museum\, Tokyo\, Japan\, Artist-In-Residency\, Kunstlerhaus\, Saarbruken\, Germany. Finalist Elizabeth Hulings Foundation\, 2014\, Artist-In-Residency Program\, Dilsberg\, Germany\, 2015\, four-time recipient Eileen Kaminsky Family Foundation Residency\, Jersey City\, 2018-2020\, Art fair 14c 2021-2023. 2023- Commit to Memory: The Precipice of Extinction\, Louis K. Redding Gallery\, Wilmington Delaware\, Curated by The Bridge Gallery\, 2023\, The Z Factor: The Hybrid Realms of Cheryl Gross\, MANA Contemporary\, Jersey City\, NJ\, Curated by Kristin DeAngelis\, Design: Kele McComsey\, 2025\, The Ethereal Realms of Mythology: Past & Present\, Art House Productions Gallery\, Jersey City\, NJ\, Curated & Design: Andrea Mckenna WebsiteInstagramFacebook
URL:https://artscouncilofprinceton.org/event/jam/2027-11-10/
LOCATION:Arts Council of Princeton\, Princeton\, NJ
CATEGORIES:Community,Free or Low Cost
ATTACH;FMTTYPE=image/webp:https://artscouncilofprinceton.org/wp-content/uploads/2024/01/COMICMAKERS_JAMBANNER-e1718819987740-copy.webp
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20271103T190000
DTEND;TZID=America/New_York:20271103T210000
DTSTAMP:20260516T080815
CREATED:20240124T180146Z
LAST-MODIFIED:20260121T152226Z
UID:10001325-1825268400-1825275600@artscouncilofprinceton.org
SUMMARY:Jersey Art Meetup (JAM)
DESCRIPTION:Commit to Memory: The Precipice of ExtinctionBy Cheryl GrossOn view: June 5-July 3Opening: Fri\, June 5 | 5-7pmExhibition statement:Commit to Memory: The Precipice of Extinction is a multi-platform\, social commentary addressing the shifting and eventual disappearance of our culture using animals as metaphors with overall goal being socially relevant as well as visually compelling. Using animals on the endangered species list I have created a multi-media graphic audiovisual representation of society teetering on the verge of collapse. Artistic depictions of animal species as victims illustrate the decline of the American democratic system. Use of the word “extinction” throughout the narrative is the blueprint of this project. The Elephant alludes to the destruction of family and community. Scientists have long used footage of elephant rescues to measure humanities ability to feel empathy. This aspect of the project questions the impulse to kill animals that make us feel “love.” The Penguin explores the disappearance of societal structures. With the destruction of the artic certain penguins are left with nowhere to go except man-made exploitive habitats such as Sea World. What is life when our last option resembles a prison? The Frog alludes to complete extinction caused by disease through globalization. The African Bullfrog was brought to the Americas for one purpose—to be living pregnancy tests for humans. These creatures\, used to predict life\, eventually became the destruction of an entire species of frogs as they carried a fungus eradicating the indigenous golden frog. This is reminiscent of indigenous peoples succumbing to European diseases. The Tiger explores the emotional impact due to the fact of how home and territory is rapidly being diminished by development. By obliterating our environment\, we are left to somehow adjust to new social order and redefine the norm. The contributing factors such as war\, globalization\, gentrification and handouts\, continue to pave the way but it is not without consequence. A quote by Nicelle Davis explains my statement rather clearly: Death is a charmer; nothing makes us feel more alive than brushing shoulders with him at a bar\, in our cars\, or at 5\,000 feet in the air. Every time we risk and survive there is a thrill. We feel like we won more life because we are not the ones dying. There is something sexy about Death\, how when poachers take a machete to the face of an elephant\, how sex is always better once it’s gone\, or when whalers take a grenade harpoon to a whale—even more so when an entire species is gone\, how life looks for life even inside a zoo. But Death is a trickster. We can never win at his game. We might be living\, but our humanity is dying. Soon\, there will be nothing of our lives worth living for. About the artist:Brooklyn native Cheryl Gross is an illustrator\, painter\, writer and motion graphic artist living and working in the New York/ Jersey City area. She is a professor at Pratt Institute. Cheryl’s work has appeared in numerous films\, TV shows\, publications\, and graces the walls of many corporate and museum collections including: Zebra Poetry Film Festival\, Berlin\, New York Times\, Riverside Museum\, Riverside\, Ca.\, The Museum of The City of New York\, Mississippi Museum of Art\, Laforet Harajuku Museum\, Tokyo\, Japan\, Artist-In-Residency\, Kunstlerhaus\, Saarbruken\, Germany. Finalist Elizabeth Hulings Foundation\, 2014\, Artist-In-Residency Program\, Dilsberg\, Germany\, 2015\, four-time recipient Eileen Kaminsky Family Foundation Residency\, Jersey City\, 2018-2020\, Art fair 14c 2021-2023. 2023- Commit to Memory: The Precipice of Extinction\, Louis K. Redding Gallery\, Wilmington Delaware\, Curated by The Bridge Gallery\, 2023\, The Z Factor: The Hybrid Realms of Cheryl Gross\, MANA Contemporary\, Jersey City\, NJ\, Curated by Kristin DeAngelis\, Design: Kele McComsey\, 2025\, The Ethereal Realms of Mythology: Past & Present\, Art House Productions Gallery\, Jersey City\, NJ\, Curated & Design: Andrea Mckenna WebsiteInstagramFacebook
URL:https://artscouncilofprinceton.org/event/jam/2027-11-03/
LOCATION:Arts Council of Princeton\, Princeton\, NJ
CATEGORIES:Community,Free or Low Cost
ATTACH;FMTTYPE=image/webp:https://artscouncilofprinceton.org/wp-content/uploads/2024/01/COMICMAKERS_JAMBANNER-e1718819987740-copy.webp
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20271027T190000
DTEND;TZID=America/New_York:20271027T210000
DTSTAMP:20260516T080815
CREATED:20240124T180146Z
LAST-MODIFIED:20260121T152226Z
UID:10001324-1824663600-1824670800@artscouncilofprinceton.org
SUMMARY:Jersey Art Meetup (JAM)
DESCRIPTION:Commit to Memory: The Precipice of ExtinctionBy Cheryl GrossOn view: June 5-July 3Opening: Fri\, June 5 | 5-7pmExhibition statement:Commit to Memory: The Precipice of Extinction is a multi-platform\, social commentary addressing the shifting and eventual disappearance of our culture using animals as metaphors with overall goal being socially relevant as well as visually compelling. Using animals on the endangered species list I have created a multi-media graphic audiovisual representation of society teetering on the verge of collapse. Artistic depictions of animal species as victims illustrate the decline of the American democratic system. Use of the word “extinction” throughout the narrative is the blueprint of this project. The Elephant alludes to the destruction of family and community. Scientists have long used footage of elephant rescues to measure humanities ability to feel empathy. This aspect of the project questions the impulse to kill animals that make us feel “love.” The Penguin explores the disappearance of societal structures. With the destruction of the artic certain penguins are left with nowhere to go except man-made exploitive habitats such as Sea World. What is life when our last option resembles a prison? The Frog alludes to complete extinction caused by disease through globalization. The African Bullfrog was brought to the Americas for one purpose—to be living pregnancy tests for humans. These creatures\, used to predict life\, eventually became the destruction of an entire species of frogs as they carried a fungus eradicating the indigenous golden frog. This is reminiscent of indigenous peoples succumbing to European diseases. The Tiger explores the emotional impact due to the fact of how home and territory is rapidly being diminished by development. By obliterating our environment\, we are left to somehow adjust to new social order and redefine the norm. The contributing factors such as war\, globalization\, gentrification and handouts\, continue to pave the way but it is not without consequence. A quote by Nicelle Davis explains my statement rather clearly: Death is a charmer; nothing makes us feel more alive than brushing shoulders with him at a bar\, in our cars\, or at 5\,000 feet in the air. Every time we risk and survive there is a thrill. We feel like we won more life because we are not the ones dying. There is something sexy about Death\, how when poachers take a machete to the face of an elephant\, how sex is always better once it’s gone\, or when whalers take a grenade harpoon to a whale—even more so when an entire species is gone\, how life looks for life even inside a zoo. But Death is a trickster. We can never win at his game. We might be living\, but our humanity is dying. Soon\, there will be nothing of our lives worth living for. About the artist:Brooklyn native Cheryl Gross is an illustrator\, painter\, writer and motion graphic artist living and working in the New York/ Jersey City area. She is a professor at Pratt Institute. Cheryl’s work has appeared in numerous films\, TV shows\, publications\, and graces the walls of many corporate and museum collections including: Zebra Poetry Film Festival\, Berlin\, New York Times\, Riverside Museum\, Riverside\, Ca.\, The Museum of The City of New York\, Mississippi Museum of Art\, Laforet Harajuku Museum\, Tokyo\, Japan\, Artist-In-Residency\, Kunstlerhaus\, Saarbruken\, Germany. Finalist Elizabeth Hulings Foundation\, 2014\, Artist-In-Residency Program\, Dilsberg\, Germany\, 2015\, four-time recipient Eileen Kaminsky Family Foundation Residency\, Jersey City\, 2018-2020\, Art fair 14c 2021-2023. 2023- Commit to Memory: The Precipice of Extinction\, Louis K. Redding Gallery\, Wilmington Delaware\, Curated by The Bridge Gallery\, 2023\, The Z Factor: The Hybrid Realms of Cheryl Gross\, MANA Contemporary\, Jersey City\, NJ\, Curated by Kristin DeAngelis\, Design: Kele McComsey\, 2025\, The Ethereal Realms of Mythology: Past & Present\, Art House Productions Gallery\, Jersey City\, NJ\, Curated & Design: Andrea Mckenna WebsiteInstagramFacebook
URL:https://artscouncilofprinceton.org/event/jam/2027-10-27/
LOCATION:Arts Council of Princeton\, Princeton\, NJ
CATEGORIES:Community,Free or Low Cost
ATTACH;FMTTYPE=image/webp:https://artscouncilofprinceton.org/wp-content/uploads/2024/01/COMICMAKERS_JAMBANNER-e1718819987740-copy.webp
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20271023T190000
DTEND;TZID=America/New_York:20271023T220000
DTSTAMP:20260516T080815
CREATED:20250528T203820Z
LAST-MODIFIED:20250911T200912Z
UID:10002234-1824318000-1824328800@artscouncilofprinceton.org
SUMMARY:Café Improv
DESCRIPTION:Commit to Memory: The Precipice of ExtinctionBy Cheryl GrossOn view: June 5-July 3Opening: Fri\, June 5 | 5-7pmExhibition statement:Commit to Memory: The Precipice of Extinction is a multi-platform\, social commentary addressing the shifting and eventual disappearance of our culture using animals as metaphors with overall goal being socially relevant as well as visually compelling. Using animals on the endangered species list I have created a multi-media graphic audiovisual representation of society teetering on the verge of collapse. Artistic depictions of animal species as victims illustrate the decline of the American democratic system. Use of the word “extinction” throughout the narrative is the blueprint of this project. The Elephant alludes to the destruction of family and community. Scientists have long used footage of elephant rescues to measure humanities ability to feel empathy. This aspect of the project questions the impulse to kill animals that make us feel “love.” The Penguin explores the disappearance of societal structures. With the destruction of the artic certain penguins are left with nowhere to go except man-made exploitive habitats such as Sea World. What is life when our last option resembles a prison? The Frog alludes to complete extinction caused by disease through globalization. The African Bullfrog was brought to the Americas for one purpose—to be living pregnancy tests for humans. These creatures\, used to predict life\, eventually became the destruction of an entire species of frogs as they carried a fungus eradicating the indigenous golden frog. This is reminiscent of indigenous peoples succumbing to European diseases. The Tiger explores the emotional impact due to the fact of how home and territory is rapidly being diminished by development. By obliterating our environment\, we are left to somehow adjust to new social order and redefine the norm. The contributing factors such as war\, globalization\, gentrification and handouts\, continue to pave the way but it is not without consequence. A quote by Nicelle Davis explains my statement rather clearly: Death is a charmer; nothing makes us feel more alive than brushing shoulders with him at a bar\, in our cars\, or at 5\,000 feet in the air. Every time we risk and survive there is a thrill. We feel like we won more life because we are not the ones dying. There is something sexy about Death\, how when poachers take a machete to the face of an elephant\, how sex is always better once it’s gone\, or when whalers take a grenade harpoon to a whale—even more so when an entire species is gone\, how life looks for life even inside a zoo. But Death is a trickster. We can never win at his game. We might be living\, but our humanity is dying. Soon\, there will be nothing of our lives worth living for. About the artist:Brooklyn native Cheryl Gross is an illustrator\, painter\, writer and motion graphic artist living and working in the New York/ Jersey City area. She is a professor at Pratt Institute. Cheryl’s work has appeared in numerous films\, TV shows\, publications\, and graces the walls of many corporate and museum collections including: Zebra Poetry Film Festival\, Berlin\, New York Times\, Riverside Museum\, Riverside\, Ca.\, The Museum of The City of New York\, Mississippi Museum of Art\, Laforet Harajuku Museum\, Tokyo\, Japan\, Artist-In-Residency\, Kunstlerhaus\, Saarbruken\, Germany. Finalist Elizabeth Hulings Foundation\, 2014\, Artist-In-Residency Program\, Dilsberg\, Germany\, 2015\, four-time recipient Eileen Kaminsky Family Foundation Residency\, Jersey City\, 2018-2020\, Art fair 14c 2021-2023. 2023- Commit to Memory: The Precipice of Extinction\, Louis K. Redding Gallery\, Wilmington Delaware\, Curated by The Bridge Gallery\, 2023\, The Z Factor: The Hybrid Realms of Cheryl Gross\, MANA Contemporary\, Jersey City\, NJ\, Curated by Kristin DeAngelis\, Design: Kele McComsey\, 2025\, The Ethereal Realms of Mythology: Past & Present\, Art House Productions Gallery\, Jersey City\, NJ\, Curated & Design: Andrea Mckenna WebsiteInstagramFacebook
URL:https://artscouncilofprinceton.org/event/monthly-cafe-improv-open-mic/2027-10-23/
LOCATION:Solley Theater – Arts Council of Princeton\, Princeton\, NJ
CATEGORIES:Events & Performances,Free or Low Cost
ATTACH;FMTTYPE=image/jpeg:https://artscouncilofprinceton.org/wp-content/uploads/2025/05/9330769.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20271020T190000
DTEND;TZID=America/New_York:20271020T210000
DTSTAMP:20260516T080815
CREATED:20240124T180146Z
LAST-MODIFIED:20260121T152226Z
UID:10001323-1824058800-1824066000@artscouncilofprinceton.org
SUMMARY:Jersey Art Meetup (JAM)
DESCRIPTION:Commit to Memory: The Precipice of ExtinctionBy Cheryl GrossOn view: June 5-July 3Opening: Fri\, June 5 | 5-7pmExhibition statement:Commit to Memory: The Precipice of Extinction is a multi-platform\, social commentary addressing the shifting and eventual disappearance of our culture using animals as metaphors with overall goal being socially relevant as well as visually compelling. Using animals on the endangered species list I have created a multi-media graphic audiovisual representation of society teetering on the verge of collapse. Artistic depictions of animal species as victims illustrate the decline of the American democratic system. Use of the word “extinction” throughout the narrative is the blueprint of this project. The Elephant alludes to the destruction of family and community. Scientists have long used footage of elephant rescues to measure humanities ability to feel empathy. This aspect of the project questions the impulse to kill animals that make us feel “love.” The Penguin explores the disappearance of societal structures. With the destruction of the artic certain penguins are left with nowhere to go except man-made exploitive habitats such as Sea World. What is life when our last option resembles a prison? The Frog alludes to complete extinction caused by disease through globalization. The African Bullfrog was brought to the Americas for one purpose—to be living pregnancy tests for humans. These creatures\, used to predict life\, eventually became the destruction of an entire species of frogs as they carried a fungus eradicating the indigenous golden frog. This is reminiscent of indigenous peoples succumbing to European diseases. The Tiger explores the emotional impact due to the fact of how home and territory is rapidly being diminished by development. By obliterating our environment\, we are left to somehow adjust to new social order and redefine the norm. The contributing factors such as war\, globalization\, gentrification and handouts\, continue to pave the way but it is not without consequence. A quote by Nicelle Davis explains my statement rather clearly: Death is a charmer; nothing makes us feel more alive than brushing shoulders with him at a bar\, in our cars\, or at 5\,000 feet in the air. Every time we risk and survive there is a thrill. We feel like we won more life because we are not the ones dying. There is something sexy about Death\, how when poachers take a machete to the face of an elephant\, how sex is always better once it’s gone\, or when whalers take a grenade harpoon to a whale—even more so when an entire species is gone\, how life looks for life even inside a zoo. But Death is a trickster. We can never win at his game. We might be living\, but our humanity is dying. Soon\, there will be nothing of our lives worth living for. About the artist:Brooklyn native Cheryl Gross is an illustrator\, painter\, writer and motion graphic artist living and working in the New York/ Jersey City area. She is a professor at Pratt Institute. Cheryl’s work has appeared in numerous films\, TV shows\, publications\, and graces the walls of many corporate and museum collections including: Zebra Poetry Film Festival\, Berlin\, New York Times\, Riverside Museum\, Riverside\, Ca.\, The Museum of The City of New York\, Mississippi Museum of Art\, Laforet Harajuku Museum\, Tokyo\, Japan\, Artist-In-Residency\, Kunstlerhaus\, Saarbruken\, Germany. Finalist Elizabeth Hulings Foundation\, 2014\, Artist-In-Residency Program\, Dilsberg\, Germany\, 2015\, four-time recipient Eileen Kaminsky Family Foundation Residency\, Jersey City\, 2018-2020\, Art fair 14c 2021-2023. 2023- Commit to Memory: The Precipice of Extinction\, Louis K. Redding Gallery\, Wilmington Delaware\, Curated by The Bridge Gallery\, 2023\, The Z Factor: The Hybrid Realms of Cheryl Gross\, MANA Contemporary\, Jersey City\, NJ\, Curated by Kristin DeAngelis\, Design: Kele McComsey\, 2025\, The Ethereal Realms of Mythology: Past & Present\, Art House Productions Gallery\, Jersey City\, NJ\, Curated & Design: Andrea Mckenna WebsiteInstagramFacebook
URL:https://artscouncilofprinceton.org/event/jam/2027-10-20/
LOCATION:Arts Council of Princeton\, Princeton\, NJ
CATEGORIES:Community,Free or Low Cost
ATTACH;FMTTYPE=image/webp:https://artscouncilofprinceton.org/wp-content/uploads/2024/01/COMICMAKERS_JAMBANNER-e1718819987740-copy.webp
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20271013T190000
DTEND;TZID=America/New_York:20271013T210000
DTSTAMP:20260516T080815
CREATED:20240124T180146Z
LAST-MODIFIED:20260121T152226Z
UID:10001322-1823454000-1823461200@artscouncilofprinceton.org
SUMMARY:Jersey Art Meetup (JAM)
DESCRIPTION:Commit to Memory: The Precipice of ExtinctionBy Cheryl GrossOn view: June 5-July 3Opening: Fri\, June 5 | 5-7pmExhibition statement:Commit to Memory: The Precipice of Extinction is a multi-platform\, social commentary addressing the shifting and eventual disappearance of our culture using animals as metaphors with overall goal being socially relevant as well as visually compelling. Using animals on the endangered species list I have created a multi-media graphic audiovisual representation of society teetering on the verge of collapse. Artistic depictions of animal species as victims illustrate the decline of the American democratic system. Use of the word “extinction” throughout the narrative is the blueprint of this project. The Elephant alludes to the destruction of family and community. Scientists have long used footage of elephant rescues to measure humanities ability to feel empathy. This aspect of the project questions the impulse to kill animals that make us feel “love.” The Penguin explores the disappearance of societal structures. With the destruction of the artic certain penguins are left with nowhere to go except man-made exploitive habitats such as Sea World. What is life when our last option resembles a prison? The Frog alludes to complete extinction caused by disease through globalization. The African Bullfrog was brought to the Americas for one purpose—to be living pregnancy tests for humans. These creatures\, used to predict life\, eventually became the destruction of an entire species of frogs as they carried a fungus eradicating the indigenous golden frog. This is reminiscent of indigenous peoples succumbing to European diseases. The Tiger explores the emotional impact due to the fact of how home and territory is rapidly being diminished by development. By obliterating our environment\, we are left to somehow adjust to new social order and redefine the norm. The contributing factors such as war\, globalization\, gentrification and handouts\, continue to pave the way but it is not without consequence. A quote by Nicelle Davis explains my statement rather clearly: Death is a charmer; nothing makes us feel more alive than brushing shoulders with him at a bar\, in our cars\, or at 5\,000 feet in the air. Every time we risk and survive there is a thrill. We feel like we won more life because we are not the ones dying. There is something sexy about Death\, how when poachers take a machete to the face of an elephant\, how sex is always better once it’s gone\, or when whalers take a grenade harpoon to a whale—even more so when an entire species is gone\, how life looks for life even inside a zoo. But Death is a trickster. We can never win at his game. We might be living\, but our humanity is dying. Soon\, there will be nothing of our lives worth living for. About the artist:Brooklyn native Cheryl Gross is an illustrator\, painter\, writer and motion graphic artist living and working in the New York/ Jersey City area. She is a professor at Pratt Institute. Cheryl’s work has appeared in numerous films\, TV shows\, publications\, and graces the walls of many corporate and museum collections including: Zebra Poetry Film Festival\, Berlin\, New York Times\, Riverside Museum\, Riverside\, Ca.\, The Museum of The City of New York\, Mississippi Museum of Art\, Laforet Harajuku Museum\, Tokyo\, Japan\, Artist-In-Residency\, Kunstlerhaus\, Saarbruken\, Germany. Finalist Elizabeth Hulings Foundation\, 2014\, Artist-In-Residency Program\, Dilsberg\, Germany\, 2015\, four-time recipient Eileen Kaminsky Family Foundation Residency\, Jersey City\, 2018-2020\, Art fair 14c 2021-2023. 2023- Commit to Memory: The Precipice of Extinction\, Louis K. Redding Gallery\, Wilmington Delaware\, Curated by The Bridge Gallery\, 2023\, The Z Factor: The Hybrid Realms of Cheryl Gross\, MANA Contemporary\, Jersey City\, NJ\, Curated by Kristin DeAngelis\, Design: Kele McComsey\, 2025\, The Ethereal Realms of Mythology: Past & Present\, Art House Productions Gallery\, Jersey City\, NJ\, Curated & Design: Andrea Mckenna WebsiteInstagramFacebook
URL:https://artscouncilofprinceton.org/event/jam/2027-10-13/
LOCATION:Arts Council of Princeton\, Princeton\, NJ
CATEGORIES:Community,Free or Low Cost
ATTACH;FMTTYPE=image/webp:https://artscouncilofprinceton.org/wp-content/uploads/2024/01/COMICMAKERS_JAMBANNER-e1718819987740-copy.webp
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20271006T190000
DTEND;TZID=America/New_York:20271006T210000
DTSTAMP:20260516T080815
CREATED:20240124T180146Z
LAST-MODIFIED:20260121T152226Z
UID:10001321-1822849200-1822856400@artscouncilofprinceton.org
SUMMARY:Jersey Art Meetup (JAM)
DESCRIPTION:Commit to Memory: The Precipice of ExtinctionBy Cheryl GrossOn view: June 5-July 3Opening: Fri\, June 5 | 5-7pmExhibition statement:Commit to Memory: The Precipice of Extinction is a multi-platform\, social commentary addressing the shifting and eventual disappearance of our culture using animals as metaphors with overall goal being socially relevant as well as visually compelling. Using animals on the endangered species list I have created a multi-media graphic audiovisual representation of society teetering on the verge of collapse. Artistic depictions of animal species as victims illustrate the decline of the American democratic system. Use of the word “extinction” throughout the narrative is the blueprint of this project. The Elephant alludes to the destruction of family and community. Scientists have long used footage of elephant rescues to measure humanities ability to feel empathy. This aspect of the project questions the impulse to kill animals that make us feel “love.” The Penguin explores the disappearance of societal structures. With the destruction of the artic certain penguins are left with nowhere to go except man-made exploitive habitats such as Sea World. What is life when our last option resembles a prison? The Frog alludes to complete extinction caused by disease through globalization. The African Bullfrog was brought to the Americas for one purpose—to be living pregnancy tests for humans. These creatures\, used to predict life\, eventually became the destruction of an entire species of frogs as they carried a fungus eradicating the indigenous golden frog. This is reminiscent of indigenous peoples succumbing to European diseases. The Tiger explores the emotional impact due to the fact of how home and territory is rapidly being diminished by development. By obliterating our environment\, we are left to somehow adjust to new social order and redefine the norm. The contributing factors such as war\, globalization\, gentrification and handouts\, continue to pave the way but it is not without consequence. A quote by Nicelle Davis explains my statement rather clearly: Death is a charmer; nothing makes us feel more alive than brushing shoulders with him at a bar\, in our cars\, or at 5\,000 feet in the air. Every time we risk and survive there is a thrill. We feel like we won more life because we are not the ones dying. There is something sexy about Death\, how when poachers take a machete to the face of an elephant\, how sex is always better once it’s gone\, or when whalers take a grenade harpoon to a whale—even more so when an entire species is gone\, how life looks for life even inside a zoo. But Death is a trickster. We can never win at his game. We might be living\, but our humanity is dying. Soon\, there will be nothing of our lives worth living for. About the artist:Brooklyn native Cheryl Gross is an illustrator\, painter\, writer and motion graphic artist living and working in the New York/ Jersey City area. She is a professor at Pratt Institute. Cheryl’s work has appeared in numerous films\, TV shows\, publications\, and graces the walls of many corporate and museum collections including: Zebra Poetry Film Festival\, Berlin\, New York Times\, Riverside Museum\, Riverside\, Ca.\, The Museum of The City of New York\, Mississippi Museum of Art\, Laforet Harajuku Museum\, Tokyo\, Japan\, Artist-In-Residency\, Kunstlerhaus\, Saarbruken\, Germany. Finalist Elizabeth Hulings Foundation\, 2014\, Artist-In-Residency Program\, Dilsberg\, Germany\, 2015\, four-time recipient Eileen Kaminsky Family Foundation Residency\, Jersey City\, 2018-2020\, Art fair 14c 2021-2023. 2023- Commit to Memory: The Precipice of Extinction\, Louis K. Redding Gallery\, Wilmington Delaware\, Curated by The Bridge Gallery\, 2023\, The Z Factor: The Hybrid Realms of Cheryl Gross\, MANA Contemporary\, Jersey City\, NJ\, Curated by Kristin DeAngelis\, Design: Kele McComsey\, 2025\, The Ethereal Realms of Mythology: Past & Present\, Art House Productions Gallery\, Jersey City\, NJ\, Curated & Design: Andrea Mckenna WebsiteInstagramFacebook
URL:https://artscouncilofprinceton.org/event/jam/2027-10-06/
LOCATION:Arts Council of Princeton\, Princeton\, NJ
CATEGORIES:Community,Free or Low Cost
ATTACH;FMTTYPE=image/webp:https://artscouncilofprinceton.org/wp-content/uploads/2024/01/COMICMAKERS_JAMBANNER-e1718819987740-copy.webp
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20270929T190000
DTEND;TZID=America/New_York:20270929T210000
DTSTAMP:20260516T080815
CREATED:20240124T180146Z
LAST-MODIFIED:20260121T152226Z
UID:10001320-1822244400-1822251600@artscouncilofprinceton.org
SUMMARY:Jersey Art Meetup (JAM)
DESCRIPTION:Commit to Memory: The Precipice of ExtinctionBy Cheryl GrossOn view: June 5-July 3Opening: Fri\, June 5 | 5-7pmExhibition statement:Commit to Memory: The Precipice of Extinction is a multi-platform\, social commentary addressing the shifting and eventual disappearance of our culture using animals as metaphors with overall goal being socially relevant as well as visually compelling. Using animals on the endangered species list I have created a multi-media graphic audiovisual representation of society teetering on the verge of collapse. Artistic depictions of animal species as victims illustrate the decline of the American democratic system. Use of the word “extinction” throughout the narrative is the blueprint of this project. The Elephant alludes to the destruction of family and community. Scientists have long used footage of elephant rescues to measure humanities ability to feel empathy. This aspect of the project questions the impulse to kill animals that make us feel “love.” The Penguin explores the disappearance of societal structures. With the destruction of the artic certain penguins are left with nowhere to go except man-made exploitive habitats such as Sea World. What is life when our last option resembles a prison? The Frog alludes to complete extinction caused by disease through globalization. The African Bullfrog was brought to the Americas for one purpose—to be living pregnancy tests for humans. These creatures\, used to predict life\, eventually became the destruction of an entire species of frogs as they carried a fungus eradicating the indigenous golden frog. This is reminiscent of indigenous peoples succumbing to European diseases. The Tiger explores the emotional impact due to the fact of how home and territory is rapidly being diminished by development. By obliterating our environment\, we are left to somehow adjust to new social order and redefine the norm. The contributing factors such as war\, globalization\, gentrification and handouts\, continue to pave the way but it is not without consequence. A quote by Nicelle Davis explains my statement rather clearly: Death is a charmer; nothing makes us feel more alive than brushing shoulders with him at a bar\, in our cars\, or at 5\,000 feet in the air. Every time we risk and survive there is a thrill. We feel like we won more life because we are not the ones dying. There is something sexy about Death\, how when poachers take a machete to the face of an elephant\, how sex is always better once it’s gone\, or when whalers take a grenade harpoon to a whale—even more so when an entire species is gone\, how life looks for life even inside a zoo. But Death is a trickster. We can never win at his game. We might be living\, but our humanity is dying. Soon\, there will be nothing of our lives worth living for. About the artist:Brooklyn native Cheryl Gross is an illustrator\, painter\, writer and motion graphic artist living and working in the New York/ Jersey City area. She is a professor at Pratt Institute. Cheryl’s work has appeared in numerous films\, TV shows\, publications\, and graces the walls of many corporate and museum collections including: Zebra Poetry Film Festival\, Berlin\, New York Times\, Riverside Museum\, Riverside\, Ca.\, The Museum of The City of New York\, Mississippi Museum of Art\, Laforet Harajuku Museum\, Tokyo\, Japan\, Artist-In-Residency\, Kunstlerhaus\, Saarbruken\, Germany. Finalist Elizabeth Hulings Foundation\, 2014\, Artist-In-Residency Program\, Dilsberg\, Germany\, 2015\, four-time recipient Eileen Kaminsky Family Foundation Residency\, Jersey City\, 2018-2020\, Art fair 14c 2021-2023. 2023- Commit to Memory: The Precipice of Extinction\, Louis K. Redding Gallery\, Wilmington Delaware\, Curated by The Bridge Gallery\, 2023\, The Z Factor: The Hybrid Realms of Cheryl Gross\, MANA Contemporary\, Jersey City\, NJ\, Curated by Kristin DeAngelis\, Design: Kele McComsey\, 2025\, The Ethereal Realms of Mythology: Past & Present\, Art House Productions Gallery\, Jersey City\, NJ\, Curated & Design: Andrea Mckenna WebsiteInstagramFacebook
URL:https://artscouncilofprinceton.org/event/jam/2027-09-29/
LOCATION:Arts Council of Princeton\, Princeton\, NJ
CATEGORIES:Community,Free or Low Cost
ATTACH;FMTTYPE=image/webp:https://artscouncilofprinceton.org/wp-content/uploads/2024/01/COMICMAKERS_JAMBANNER-e1718819987740-copy.webp
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20270925T190000
DTEND;TZID=America/New_York:20270925T220000
DTSTAMP:20260516T080815
CREATED:20250528T203820Z
LAST-MODIFIED:20250911T200912Z
UID:10002233-1821898800-1821909600@artscouncilofprinceton.org
SUMMARY:Café Improv
DESCRIPTION:Commit to Memory: The Precipice of ExtinctionBy Cheryl GrossOn view: June 5-July 3Opening: Fri\, June 5 | 5-7pmExhibition statement:Commit to Memory: The Precipice of Extinction is a multi-platform\, social commentary addressing the shifting and eventual disappearance of our culture using animals as metaphors with overall goal being socially relevant as well as visually compelling. Using animals on the endangered species list I have created a multi-media graphic audiovisual representation of society teetering on the verge of collapse. Artistic depictions of animal species as victims illustrate the decline of the American democratic system. Use of the word “extinction” throughout the narrative is the blueprint of this project. The Elephant alludes to the destruction of family and community. Scientists have long used footage of elephant rescues to measure humanities ability to feel empathy. This aspect of the project questions the impulse to kill animals that make us feel “love.” The Penguin explores the disappearance of societal structures. With the destruction of the artic certain penguins are left with nowhere to go except man-made exploitive habitats such as Sea World. What is life when our last option resembles a prison? The Frog alludes to complete extinction caused by disease through globalization. The African Bullfrog was brought to the Americas for one purpose—to be living pregnancy tests for humans. These creatures\, used to predict life\, eventually became the destruction of an entire species of frogs as they carried a fungus eradicating the indigenous golden frog. This is reminiscent of indigenous peoples succumbing to European diseases. The Tiger explores the emotional impact due to the fact of how home and territory is rapidly being diminished by development. By obliterating our environment\, we are left to somehow adjust to new social order and redefine the norm. The contributing factors such as war\, globalization\, gentrification and handouts\, continue to pave the way but it is not without consequence. A quote by Nicelle Davis explains my statement rather clearly: Death is a charmer; nothing makes us feel more alive than brushing shoulders with him at a bar\, in our cars\, or at 5\,000 feet in the air. Every time we risk and survive there is a thrill. We feel like we won more life because we are not the ones dying. There is something sexy about Death\, how when poachers take a machete to the face of an elephant\, how sex is always better once it’s gone\, or when whalers take a grenade harpoon to a whale—even more so when an entire species is gone\, how life looks for life even inside a zoo. But Death is a trickster. We can never win at his game. We might be living\, but our humanity is dying. Soon\, there will be nothing of our lives worth living for. About the artist:Brooklyn native Cheryl Gross is an illustrator\, painter\, writer and motion graphic artist living and working in the New York/ Jersey City area. She is a professor at Pratt Institute. Cheryl’s work has appeared in numerous films\, TV shows\, publications\, and graces the walls of many corporate and museum collections including: Zebra Poetry Film Festival\, Berlin\, New York Times\, Riverside Museum\, Riverside\, Ca.\, The Museum of The City of New York\, Mississippi Museum of Art\, Laforet Harajuku Museum\, Tokyo\, Japan\, Artist-In-Residency\, Kunstlerhaus\, Saarbruken\, Germany. Finalist Elizabeth Hulings Foundation\, 2014\, Artist-In-Residency Program\, Dilsberg\, Germany\, 2015\, four-time recipient Eileen Kaminsky Family Foundation Residency\, Jersey City\, 2018-2020\, Art fair 14c 2021-2023. 2023- Commit to Memory: The Precipice of Extinction\, Louis K. Redding Gallery\, Wilmington Delaware\, Curated by The Bridge Gallery\, 2023\, The Z Factor: The Hybrid Realms of Cheryl Gross\, MANA Contemporary\, Jersey City\, NJ\, Curated by Kristin DeAngelis\, Design: Kele McComsey\, 2025\, The Ethereal Realms of Mythology: Past & Present\, Art House Productions Gallery\, Jersey City\, NJ\, Curated & Design: Andrea Mckenna WebsiteInstagramFacebook
URL:https://artscouncilofprinceton.org/event/monthly-cafe-improv-open-mic/2027-09-25/
LOCATION:Solley Theater – Arts Council of Princeton\, Princeton\, NJ
CATEGORIES:Events & Performances,Free or Low Cost
ATTACH;FMTTYPE=image/jpeg:https://artscouncilofprinceton.org/wp-content/uploads/2025/05/9330769.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20270922T190000
DTEND;TZID=America/New_York:20270922T210000
DTSTAMP:20260516T080815
CREATED:20240124T180146Z
LAST-MODIFIED:20260121T152226Z
UID:10001319-1821639600-1821646800@artscouncilofprinceton.org
SUMMARY:Jersey Art Meetup (JAM)
DESCRIPTION:Commit to Memory: The Precipice of ExtinctionBy Cheryl GrossOn view: June 5-July 3Opening: Fri\, June 5 | 5-7pmExhibition statement:Commit to Memory: The Precipice of Extinction is a multi-platform\, social commentary addressing the shifting and eventual disappearance of our culture using animals as metaphors with overall goal being socially relevant as well as visually compelling. Using animals on the endangered species list I have created a multi-media graphic audiovisual representation of society teetering on the verge of collapse. Artistic depictions of animal species as victims illustrate the decline of the American democratic system. Use of the word “extinction” throughout the narrative is the blueprint of this project. The Elephant alludes to the destruction of family and community. Scientists have long used footage of elephant rescues to measure humanities ability to feel empathy. This aspect of the project questions the impulse to kill animals that make us feel “love.” The Penguin explores the disappearance of societal structures. With the destruction of the artic certain penguins are left with nowhere to go except man-made exploitive habitats such as Sea World. What is life when our last option resembles a prison? The Frog alludes to complete extinction caused by disease through globalization. The African Bullfrog was brought to the Americas for one purpose—to be living pregnancy tests for humans. These creatures\, used to predict life\, eventually became the destruction of an entire species of frogs as they carried a fungus eradicating the indigenous golden frog. This is reminiscent of indigenous peoples succumbing to European diseases. The Tiger explores the emotional impact due to the fact of how home and territory is rapidly being diminished by development. By obliterating our environment\, we are left to somehow adjust to new social order and redefine the norm. The contributing factors such as war\, globalization\, gentrification and handouts\, continue to pave the way but it is not without consequence. A quote by Nicelle Davis explains my statement rather clearly: Death is a charmer; nothing makes us feel more alive than brushing shoulders with him at a bar\, in our cars\, or at 5\,000 feet in the air. Every time we risk and survive there is a thrill. We feel like we won more life because we are not the ones dying. There is something sexy about Death\, how when poachers take a machete to the face of an elephant\, how sex is always better once it’s gone\, or when whalers take a grenade harpoon to a whale—even more so when an entire species is gone\, how life looks for life even inside a zoo. But Death is a trickster. We can never win at his game. We might be living\, but our humanity is dying. Soon\, there will be nothing of our lives worth living for. About the artist:Brooklyn native Cheryl Gross is an illustrator\, painter\, writer and motion graphic artist living and working in the New York/ Jersey City area. She is a professor at Pratt Institute. Cheryl’s work has appeared in numerous films\, TV shows\, publications\, and graces the walls of many corporate and museum collections including: Zebra Poetry Film Festival\, Berlin\, New York Times\, Riverside Museum\, Riverside\, Ca.\, The Museum of The City of New York\, Mississippi Museum of Art\, Laforet Harajuku Museum\, Tokyo\, Japan\, Artist-In-Residency\, Kunstlerhaus\, Saarbruken\, Germany. Finalist Elizabeth Hulings Foundation\, 2014\, Artist-In-Residency Program\, Dilsberg\, Germany\, 2015\, four-time recipient Eileen Kaminsky Family Foundation Residency\, Jersey City\, 2018-2020\, Art fair 14c 2021-2023. 2023- Commit to Memory: The Precipice of Extinction\, Louis K. Redding Gallery\, Wilmington Delaware\, Curated by The Bridge Gallery\, 2023\, The Z Factor: The Hybrid Realms of Cheryl Gross\, MANA Contemporary\, Jersey City\, NJ\, Curated by Kristin DeAngelis\, Design: Kele McComsey\, 2025\, The Ethereal Realms of Mythology: Past & Present\, Art House Productions Gallery\, Jersey City\, NJ\, Curated & Design: Andrea Mckenna WebsiteInstagramFacebook
URL:https://artscouncilofprinceton.org/event/jam/2027-09-22/
LOCATION:Arts Council of Princeton\, Princeton\, NJ
CATEGORIES:Community,Free or Low Cost
ATTACH;FMTTYPE=image/webp:https://artscouncilofprinceton.org/wp-content/uploads/2024/01/COMICMAKERS_JAMBANNER-e1718819987740-copy.webp
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20270915T190000
DTEND;TZID=America/New_York:20270915T210000
DTSTAMP:20260516T080815
CREATED:20240124T180146Z
LAST-MODIFIED:20260121T152226Z
UID:10001318-1821034800-1821042000@artscouncilofprinceton.org
SUMMARY:Jersey Art Meetup (JAM)
DESCRIPTION:Commit to Memory: The Precipice of ExtinctionBy Cheryl GrossOn view: June 5-July 3Opening: Fri\, June 5 | 5-7pmExhibition statement:Commit to Memory: The Precipice of Extinction is a multi-platform\, social commentary addressing the shifting and eventual disappearance of our culture using animals as metaphors with overall goal being socially relevant as well as visually compelling. Using animals on the endangered species list I have created a multi-media graphic audiovisual representation of society teetering on the verge of collapse. Artistic depictions of animal species as victims illustrate the decline of the American democratic system. Use of the word “extinction” throughout the narrative is the blueprint of this project. The Elephant alludes to the destruction of family and community. Scientists have long used footage of elephant rescues to measure humanities ability to feel empathy. This aspect of the project questions the impulse to kill animals that make us feel “love.” The Penguin explores the disappearance of societal structures. With the destruction of the artic certain penguins are left with nowhere to go except man-made exploitive habitats such as Sea World. What is life when our last option resembles a prison? The Frog alludes to complete extinction caused by disease through globalization. The African Bullfrog was brought to the Americas for one purpose—to be living pregnancy tests for humans. These creatures\, used to predict life\, eventually became the destruction of an entire species of frogs as they carried a fungus eradicating the indigenous golden frog. This is reminiscent of indigenous peoples succumbing to European diseases. The Tiger explores the emotional impact due to the fact of how home and territory is rapidly being diminished by development. By obliterating our environment\, we are left to somehow adjust to new social order and redefine the norm. The contributing factors such as war\, globalization\, gentrification and handouts\, continue to pave the way but it is not without consequence. A quote by Nicelle Davis explains my statement rather clearly: Death is a charmer; nothing makes us feel more alive than brushing shoulders with him at a bar\, in our cars\, or at 5\,000 feet in the air. Every time we risk and survive there is a thrill. We feel like we won more life because we are not the ones dying. There is something sexy about Death\, how when poachers take a machete to the face of an elephant\, how sex is always better once it’s gone\, or when whalers take a grenade harpoon to a whale—even more so when an entire species is gone\, how life looks for life even inside a zoo. But Death is a trickster. We can never win at his game. We might be living\, but our humanity is dying. Soon\, there will be nothing of our lives worth living for. About the artist:Brooklyn native Cheryl Gross is an illustrator\, painter\, writer and motion graphic artist living and working in the New York/ Jersey City area. She is a professor at Pratt Institute. Cheryl’s work has appeared in numerous films\, TV shows\, publications\, and graces the walls of many corporate and museum collections including: Zebra Poetry Film Festival\, Berlin\, New York Times\, Riverside Museum\, Riverside\, Ca.\, The Museum of The City of New York\, Mississippi Museum of Art\, Laforet Harajuku Museum\, Tokyo\, Japan\, Artist-In-Residency\, Kunstlerhaus\, Saarbruken\, Germany. Finalist Elizabeth Hulings Foundation\, 2014\, Artist-In-Residency Program\, Dilsberg\, Germany\, 2015\, four-time recipient Eileen Kaminsky Family Foundation Residency\, Jersey City\, 2018-2020\, Art fair 14c 2021-2023. 2023- Commit to Memory: The Precipice of Extinction\, Louis K. Redding Gallery\, Wilmington Delaware\, Curated by The Bridge Gallery\, 2023\, The Z Factor: The Hybrid Realms of Cheryl Gross\, MANA Contemporary\, Jersey City\, NJ\, Curated by Kristin DeAngelis\, Design: Kele McComsey\, 2025\, The Ethereal Realms of Mythology: Past & Present\, Art House Productions Gallery\, Jersey City\, NJ\, Curated & Design: Andrea Mckenna WebsiteInstagramFacebook
URL:https://artscouncilofprinceton.org/event/jam/2027-09-15/
LOCATION:Arts Council of Princeton\, Princeton\, NJ
CATEGORIES:Community,Free or Low Cost
ATTACH;FMTTYPE=image/webp:https://artscouncilofprinceton.org/wp-content/uploads/2024/01/COMICMAKERS_JAMBANNER-e1718819987740-copy.webp
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20270908T190000
DTEND;TZID=America/New_York:20270908T210000
DTSTAMP:20260516T080815
CREATED:20240124T180146Z
LAST-MODIFIED:20260121T152226Z
UID:10001317-1820430000-1820437200@artscouncilofprinceton.org
SUMMARY:Jersey Art Meetup (JAM)
DESCRIPTION:Commit to Memory: The Precipice of ExtinctionBy Cheryl GrossOn view: June 5-July 3Opening: Fri\, June 5 | 5-7pmExhibition statement:Commit to Memory: The Precipice of Extinction is a multi-platform\, social commentary addressing the shifting and eventual disappearance of our culture using animals as metaphors with overall goal being socially relevant as well as visually compelling. Using animals on the endangered species list I have created a multi-media graphic audiovisual representation of society teetering on the verge of collapse. Artistic depictions of animal species as victims illustrate the decline of the American democratic system. Use of the word “extinction” throughout the narrative is the blueprint of this project. The Elephant alludes to the destruction of family and community. Scientists have long used footage of elephant rescues to measure humanities ability to feel empathy. This aspect of the project questions the impulse to kill animals that make us feel “love.” The Penguin explores the disappearance of societal structures. With the destruction of the artic certain penguins are left with nowhere to go except man-made exploitive habitats such as Sea World. What is life when our last option resembles a prison? The Frog alludes to complete extinction caused by disease through globalization. The African Bullfrog was brought to the Americas for one purpose—to be living pregnancy tests for humans. These creatures\, used to predict life\, eventually became the destruction of an entire species of frogs as they carried a fungus eradicating the indigenous golden frog. This is reminiscent of indigenous peoples succumbing to European diseases. The Tiger explores the emotional impact due to the fact of how home and territory is rapidly being diminished by development. By obliterating our environment\, we are left to somehow adjust to new social order and redefine the norm. The contributing factors such as war\, globalization\, gentrification and handouts\, continue to pave the way but it is not without consequence. A quote by Nicelle Davis explains my statement rather clearly: Death is a charmer; nothing makes us feel more alive than brushing shoulders with him at a bar\, in our cars\, or at 5\,000 feet in the air. Every time we risk and survive there is a thrill. We feel like we won more life because we are not the ones dying. There is something sexy about Death\, how when poachers take a machete to the face of an elephant\, how sex is always better once it’s gone\, or when whalers take a grenade harpoon to a whale—even more so when an entire species is gone\, how life looks for life even inside a zoo. But Death is a trickster. We can never win at his game. We might be living\, but our humanity is dying. Soon\, there will be nothing of our lives worth living for. About the artist:Brooklyn native Cheryl Gross is an illustrator\, painter\, writer and motion graphic artist living and working in the New York/ Jersey City area. She is a professor at Pratt Institute. Cheryl’s work has appeared in numerous films\, TV shows\, publications\, and graces the walls of many corporate and museum collections including: Zebra Poetry Film Festival\, Berlin\, New York Times\, Riverside Museum\, Riverside\, Ca.\, The Museum of The City of New York\, Mississippi Museum of Art\, Laforet Harajuku Museum\, Tokyo\, Japan\, Artist-In-Residency\, Kunstlerhaus\, Saarbruken\, Germany. Finalist Elizabeth Hulings Foundation\, 2014\, Artist-In-Residency Program\, Dilsberg\, Germany\, 2015\, four-time recipient Eileen Kaminsky Family Foundation Residency\, Jersey City\, 2018-2020\, Art fair 14c 2021-2023. 2023- Commit to Memory: The Precipice of Extinction\, Louis K. Redding Gallery\, Wilmington Delaware\, Curated by The Bridge Gallery\, 2023\, The Z Factor: The Hybrid Realms of Cheryl Gross\, MANA Contemporary\, Jersey City\, NJ\, Curated by Kristin DeAngelis\, Design: Kele McComsey\, 2025\, The Ethereal Realms of Mythology: Past & Present\, Art House Productions Gallery\, Jersey City\, NJ\, Curated & Design: Andrea Mckenna WebsiteInstagramFacebook
URL:https://artscouncilofprinceton.org/event/jam/2027-09-08/
LOCATION:Arts Council of Princeton\, Princeton\, NJ
CATEGORIES:Community,Free or Low Cost
ATTACH;FMTTYPE=image/webp:https://artscouncilofprinceton.org/wp-content/uploads/2024/01/COMICMAKERS_JAMBANNER-e1718819987740-copy.webp
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20270901T190000
DTEND;TZID=America/New_York:20270901T210000
DTSTAMP:20260516T080815
CREATED:20240124T180146Z
LAST-MODIFIED:20260121T152226Z
UID:10001316-1819825200-1819832400@artscouncilofprinceton.org
SUMMARY:Jersey Art Meetup (JAM)
DESCRIPTION:Commit to Memory: The Precipice of ExtinctionBy Cheryl GrossOn view: June 5-July 3Opening: Fri\, June 5 | 5-7pmExhibition statement:Commit to Memory: The Precipice of Extinction is a multi-platform\, social commentary addressing the shifting and eventual disappearance of our culture using animals as metaphors with overall goal being socially relevant as well as visually compelling. Using animals on the endangered species list I have created a multi-media graphic audiovisual representation of society teetering on the verge of collapse. Artistic depictions of animal species as victims illustrate the decline of the American democratic system. Use of the word “extinction” throughout the narrative is the blueprint of this project. The Elephant alludes to the destruction of family and community. Scientists have long used footage of elephant rescues to measure humanities ability to feel empathy. This aspect of the project questions the impulse to kill animals that make us feel “love.” The Penguin explores the disappearance of societal structures. With the destruction of the artic certain penguins are left with nowhere to go except man-made exploitive habitats such as Sea World. What is life when our last option resembles a prison? The Frog alludes to complete extinction caused by disease through globalization. The African Bullfrog was brought to the Americas for one purpose—to be living pregnancy tests for humans. These creatures\, used to predict life\, eventually became the destruction of an entire species of frogs as they carried a fungus eradicating the indigenous golden frog. This is reminiscent of indigenous peoples succumbing to European diseases. The Tiger explores the emotional impact due to the fact of how home and territory is rapidly being diminished by development. By obliterating our environment\, we are left to somehow adjust to new social order and redefine the norm. The contributing factors such as war\, globalization\, gentrification and handouts\, continue to pave the way but it is not without consequence. A quote by Nicelle Davis explains my statement rather clearly: Death is a charmer; nothing makes us feel more alive than brushing shoulders with him at a bar\, in our cars\, or at 5\,000 feet in the air. Every time we risk and survive there is a thrill. We feel like we won more life because we are not the ones dying. There is something sexy about Death\, how when poachers take a machete to the face of an elephant\, how sex is always better once it’s gone\, or when whalers take a grenade harpoon to a whale—even more so when an entire species is gone\, how life looks for life even inside a zoo. But Death is a trickster. We can never win at his game. We might be living\, but our humanity is dying. Soon\, there will be nothing of our lives worth living for. About the artist:Brooklyn native Cheryl Gross is an illustrator\, painter\, writer and motion graphic artist living and working in the New York/ Jersey City area. She is a professor at Pratt Institute. Cheryl’s work has appeared in numerous films\, TV shows\, publications\, and graces the walls of many corporate and museum collections including: Zebra Poetry Film Festival\, Berlin\, New York Times\, Riverside Museum\, Riverside\, Ca.\, The Museum of The City of New York\, Mississippi Museum of Art\, Laforet Harajuku Museum\, Tokyo\, Japan\, Artist-In-Residency\, Kunstlerhaus\, Saarbruken\, Germany. Finalist Elizabeth Hulings Foundation\, 2014\, Artist-In-Residency Program\, Dilsberg\, Germany\, 2015\, four-time recipient Eileen Kaminsky Family Foundation Residency\, Jersey City\, 2018-2020\, Art fair 14c 2021-2023. 2023- Commit to Memory: The Precipice of Extinction\, Louis K. Redding Gallery\, Wilmington Delaware\, Curated by The Bridge Gallery\, 2023\, The Z Factor: The Hybrid Realms of Cheryl Gross\, MANA Contemporary\, Jersey City\, NJ\, Curated by Kristin DeAngelis\, Design: Kele McComsey\, 2025\, The Ethereal Realms of Mythology: Past & Present\, Art House Productions Gallery\, Jersey City\, NJ\, Curated & Design: Andrea Mckenna WebsiteInstagramFacebook
URL:https://artscouncilofprinceton.org/event/jam/2027-09-01/
LOCATION:Arts Council of Princeton\, Princeton\, NJ
CATEGORIES:Community,Free or Low Cost
ATTACH;FMTTYPE=image/webp:https://artscouncilofprinceton.org/wp-content/uploads/2024/01/COMICMAKERS_JAMBANNER-e1718819987740-copy.webp
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20270828T190000
DTEND;TZID=America/New_York:20270828T220000
DTSTAMP:20260516T080815
CREATED:20250528T203820Z
LAST-MODIFIED:20250911T200912Z
UID:10002232-1819479600-1819490400@artscouncilofprinceton.org
SUMMARY:Café Improv
DESCRIPTION:Commit to Memory: The Precipice of ExtinctionBy Cheryl GrossOn view: June 5-July 3Opening: Fri\, June 5 | 5-7pmExhibition statement:Commit to Memory: The Precipice of Extinction is a multi-platform\, social commentary addressing the shifting and eventual disappearance of our culture using animals as metaphors with overall goal being socially relevant as well as visually compelling. Using animals on the endangered species list I have created a multi-media graphic audiovisual representation of society teetering on the verge of collapse. Artistic depictions of animal species as victims illustrate the decline of the American democratic system. Use of the word “extinction” throughout the narrative is the blueprint of this project. The Elephant alludes to the destruction of family and community. Scientists have long used footage of elephant rescues to measure humanities ability to feel empathy. This aspect of the project questions the impulse to kill animals that make us feel “love.” The Penguin explores the disappearance of societal structures. With the destruction of the artic certain penguins are left with nowhere to go except man-made exploitive habitats such as Sea World. What is life when our last option resembles a prison? The Frog alludes to complete extinction caused by disease through globalization. The African Bullfrog was brought to the Americas for one purpose—to be living pregnancy tests for humans. These creatures\, used to predict life\, eventually became the destruction of an entire species of frogs as they carried a fungus eradicating the indigenous golden frog. This is reminiscent of indigenous peoples succumbing to European diseases. The Tiger explores the emotional impact due to the fact of how home and territory is rapidly being diminished by development. By obliterating our environment\, we are left to somehow adjust to new social order and redefine the norm. The contributing factors such as war\, globalization\, gentrification and handouts\, continue to pave the way but it is not without consequence. A quote by Nicelle Davis explains my statement rather clearly: Death is a charmer; nothing makes us feel more alive than brushing shoulders with him at a bar\, in our cars\, or at 5\,000 feet in the air. Every time we risk and survive there is a thrill. We feel like we won more life because we are not the ones dying. There is something sexy about Death\, how when poachers take a machete to the face of an elephant\, how sex is always better once it’s gone\, or when whalers take a grenade harpoon to a whale—even more so when an entire species is gone\, how life looks for life even inside a zoo. But Death is a trickster. We can never win at his game. We might be living\, but our humanity is dying. Soon\, there will be nothing of our lives worth living for. About the artist:Brooklyn native Cheryl Gross is an illustrator\, painter\, writer and motion graphic artist living and working in the New York/ Jersey City area. She is a professor at Pratt Institute. Cheryl’s work has appeared in numerous films\, TV shows\, publications\, and graces the walls of many corporate and museum collections including: Zebra Poetry Film Festival\, Berlin\, New York Times\, Riverside Museum\, Riverside\, Ca.\, The Museum of The City of New York\, Mississippi Museum of Art\, Laforet Harajuku Museum\, Tokyo\, Japan\, Artist-In-Residency\, Kunstlerhaus\, Saarbruken\, Germany. Finalist Elizabeth Hulings Foundation\, 2014\, Artist-In-Residency Program\, Dilsberg\, Germany\, 2015\, four-time recipient Eileen Kaminsky Family Foundation Residency\, Jersey City\, 2018-2020\, Art fair 14c 2021-2023. 2023- Commit to Memory: The Precipice of Extinction\, Louis K. Redding Gallery\, Wilmington Delaware\, Curated by The Bridge Gallery\, 2023\, The Z Factor: The Hybrid Realms of Cheryl Gross\, MANA Contemporary\, Jersey City\, NJ\, Curated by Kristin DeAngelis\, Design: Kele McComsey\, 2025\, The Ethereal Realms of Mythology: Past & Present\, Art House Productions Gallery\, Jersey City\, NJ\, Curated & Design: Andrea Mckenna WebsiteInstagramFacebook
URL:https://artscouncilofprinceton.org/event/monthly-cafe-improv-open-mic/2027-08-28/
LOCATION:Solley Theater – Arts Council of Princeton\, Princeton\, NJ
CATEGORIES:Events & Performances,Free or Low Cost
ATTACH;FMTTYPE=image/jpeg:https://artscouncilofprinceton.org/wp-content/uploads/2025/05/9330769.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20270825T190000
DTEND;TZID=America/New_York:20270825T210000
DTSTAMP:20260516T080815
CREATED:20240124T180146Z
LAST-MODIFIED:20260121T152226Z
UID:10001315-1819220400-1819227600@artscouncilofprinceton.org
SUMMARY:Jersey Art Meetup (JAM)
DESCRIPTION:Commit to Memory: The Precipice of ExtinctionBy Cheryl GrossOn view: June 5-July 3Opening: Fri\, June 5 | 5-7pmExhibition statement:Commit to Memory: The Precipice of Extinction is a multi-platform\, social commentary addressing the shifting and eventual disappearance of our culture using animals as metaphors with overall goal being socially relevant as well as visually compelling. Using animals on the endangered species list I have created a multi-media graphic audiovisual representation of society teetering on the verge of collapse. Artistic depictions of animal species as victims illustrate the decline of the American democratic system. Use of the word “extinction” throughout the narrative is the blueprint of this project. The Elephant alludes to the destruction of family and community. Scientists have long used footage of elephant rescues to measure humanities ability to feel empathy. This aspect of the project questions the impulse to kill animals that make us feel “love.” The Penguin explores the disappearance of societal structures. With the destruction of the artic certain penguins are left with nowhere to go except man-made exploitive habitats such as Sea World. What is life when our last option resembles a prison? The Frog alludes to complete extinction caused by disease through globalization. The African Bullfrog was brought to the Americas for one purpose—to be living pregnancy tests for humans. These creatures\, used to predict life\, eventually became the destruction of an entire species of frogs as they carried a fungus eradicating the indigenous golden frog. This is reminiscent of indigenous peoples succumbing to European diseases. The Tiger explores the emotional impact due to the fact of how home and territory is rapidly being diminished by development. By obliterating our environment\, we are left to somehow adjust to new social order and redefine the norm. The contributing factors such as war\, globalization\, gentrification and handouts\, continue to pave the way but it is not without consequence. A quote by Nicelle Davis explains my statement rather clearly: Death is a charmer; nothing makes us feel more alive than brushing shoulders with him at a bar\, in our cars\, or at 5\,000 feet in the air. Every time we risk and survive there is a thrill. We feel like we won more life because we are not the ones dying. There is something sexy about Death\, how when poachers take a machete to the face of an elephant\, how sex is always better once it’s gone\, or when whalers take a grenade harpoon to a whale—even more so when an entire species is gone\, how life looks for life even inside a zoo. But Death is a trickster. We can never win at his game. We might be living\, but our humanity is dying. Soon\, there will be nothing of our lives worth living for. About the artist:Brooklyn native Cheryl Gross is an illustrator\, painter\, writer and motion graphic artist living and working in the New York/ Jersey City area. She is a professor at Pratt Institute. Cheryl’s work has appeared in numerous films\, TV shows\, publications\, and graces the walls of many corporate and museum collections including: Zebra Poetry Film Festival\, Berlin\, New York Times\, Riverside Museum\, Riverside\, Ca.\, The Museum of The City of New York\, Mississippi Museum of Art\, Laforet Harajuku Museum\, Tokyo\, Japan\, Artist-In-Residency\, Kunstlerhaus\, Saarbruken\, Germany. Finalist Elizabeth Hulings Foundation\, 2014\, Artist-In-Residency Program\, Dilsberg\, Germany\, 2015\, four-time recipient Eileen Kaminsky Family Foundation Residency\, Jersey City\, 2018-2020\, Art fair 14c 2021-2023. 2023- Commit to Memory: The Precipice of Extinction\, Louis K. Redding Gallery\, Wilmington Delaware\, Curated by The Bridge Gallery\, 2023\, The Z Factor: The Hybrid Realms of Cheryl Gross\, MANA Contemporary\, Jersey City\, NJ\, Curated by Kristin DeAngelis\, Design: Kele McComsey\, 2025\, The Ethereal Realms of Mythology: Past & Present\, Art House Productions Gallery\, Jersey City\, NJ\, Curated & Design: Andrea Mckenna WebsiteInstagramFacebook
URL:https://artscouncilofprinceton.org/event/jam/2027-08-25/
LOCATION:Arts Council of Princeton\, Princeton\, NJ
CATEGORIES:Community,Free or Low Cost
ATTACH;FMTTYPE=image/webp:https://artscouncilofprinceton.org/wp-content/uploads/2024/01/COMICMAKERS_JAMBANNER-e1718819987740-copy.webp
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20270818T190000
DTEND;TZID=America/New_York:20270818T210000
DTSTAMP:20260516T080815
CREATED:20240124T180146Z
LAST-MODIFIED:20260121T152226Z
UID:10001314-1818615600-1818622800@artscouncilofprinceton.org
SUMMARY:Jersey Art Meetup (JAM)
DESCRIPTION:Commit to Memory: The Precipice of ExtinctionBy Cheryl GrossOn view: June 5-July 3Opening: Fri\, June 5 | 5-7pmExhibition statement:Commit to Memory: The Precipice of Extinction is a multi-platform\, social commentary addressing the shifting and eventual disappearance of our culture using animals as metaphors with overall goal being socially relevant as well as visually compelling. Using animals on the endangered species list I have created a multi-media graphic audiovisual representation of society teetering on the verge of collapse. Artistic depictions of animal species as victims illustrate the decline of the American democratic system. Use of the word “extinction” throughout the narrative is the blueprint of this project. The Elephant alludes to the destruction of family and community. Scientists have long used footage of elephant rescues to measure humanities ability to feel empathy. This aspect of the project questions the impulse to kill animals that make us feel “love.” The Penguin explores the disappearance of societal structures. With the destruction of the artic certain penguins are left with nowhere to go except man-made exploitive habitats such as Sea World. What is life when our last option resembles a prison? The Frog alludes to complete extinction caused by disease through globalization. The African Bullfrog was brought to the Americas for one purpose—to be living pregnancy tests for humans. These creatures\, used to predict life\, eventually became the destruction of an entire species of frogs as they carried a fungus eradicating the indigenous golden frog. This is reminiscent of indigenous peoples succumbing to European diseases. The Tiger explores the emotional impact due to the fact of how home and territory is rapidly being diminished by development. By obliterating our environment\, we are left to somehow adjust to new social order and redefine the norm. The contributing factors such as war\, globalization\, gentrification and handouts\, continue to pave the way but it is not without consequence. A quote by Nicelle Davis explains my statement rather clearly: Death is a charmer; nothing makes us feel more alive than brushing shoulders with him at a bar\, in our cars\, or at 5\,000 feet in the air. Every time we risk and survive there is a thrill. We feel like we won more life because we are not the ones dying. There is something sexy about Death\, how when poachers take a machete to the face of an elephant\, how sex is always better once it’s gone\, or when whalers take a grenade harpoon to a whale—even more so when an entire species is gone\, how life looks for life even inside a zoo. But Death is a trickster. We can never win at his game. We might be living\, but our humanity is dying. Soon\, there will be nothing of our lives worth living for. About the artist:Brooklyn native Cheryl Gross is an illustrator\, painter\, writer and motion graphic artist living and working in the New York/ Jersey City area. She is a professor at Pratt Institute. Cheryl’s work has appeared in numerous films\, TV shows\, publications\, and graces the walls of many corporate and museum collections including: Zebra Poetry Film Festival\, Berlin\, New York Times\, Riverside Museum\, Riverside\, Ca.\, The Museum of The City of New York\, Mississippi Museum of Art\, Laforet Harajuku Museum\, Tokyo\, Japan\, Artist-In-Residency\, Kunstlerhaus\, Saarbruken\, Germany. Finalist Elizabeth Hulings Foundation\, 2014\, Artist-In-Residency Program\, Dilsberg\, Germany\, 2015\, four-time recipient Eileen Kaminsky Family Foundation Residency\, Jersey City\, 2018-2020\, Art fair 14c 2021-2023. 2023- Commit to Memory: The Precipice of Extinction\, Louis K. Redding Gallery\, Wilmington Delaware\, Curated by The Bridge Gallery\, 2023\, The Z Factor: The Hybrid Realms of Cheryl Gross\, MANA Contemporary\, Jersey City\, NJ\, Curated by Kristin DeAngelis\, Design: Kele McComsey\, 2025\, The Ethereal Realms of Mythology: Past & Present\, Art House Productions Gallery\, Jersey City\, NJ\, Curated & Design: Andrea Mckenna WebsiteInstagramFacebook
URL:https://artscouncilofprinceton.org/event/jam/2027-08-18/
LOCATION:Arts Council of Princeton\, Princeton\, NJ
CATEGORIES:Community,Free or Low Cost
ATTACH;FMTTYPE=image/webp:https://artscouncilofprinceton.org/wp-content/uploads/2024/01/COMICMAKERS_JAMBANNER-e1718819987740-copy.webp
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20270811T190000
DTEND;TZID=America/New_York:20270811T210000
DTSTAMP:20260516T080815
CREATED:20240124T180146Z
LAST-MODIFIED:20260121T152226Z
UID:10001313-1818010800-1818018000@artscouncilofprinceton.org
SUMMARY:Jersey Art Meetup (JAM)
DESCRIPTION:Commit to Memory: The Precipice of ExtinctionBy Cheryl GrossOn view: June 5-July 3Opening: Fri\, June 5 | 5-7pmExhibition statement:Commit to Memory: The Precipice of Extinction is a multi-platform\, social commentary addressing the shifting and eventual disappearance of our culture using animals as metaphors with overall goal being socially relevant as well as visually compelling. Using animals on the endangered species list I have created a multi-media graphic audiovisual representation of society teetering on the verge of collapse. Artistic depictions of animal species as victims illustrate the decline of the American democratic system. Use of the word “extinction” throughout the narrative is the blueprint of this project. The Elephant alludes to the destruction of family and community. Scientists have long used footage of elephant rescues to measure humanities ability to feel empathy. This aspect of the project questions the impulse to kill animals that make us feel “love.” The Penguin explores the disappearance of societal structures. With the destruction of the artic certain penguins are left with nowhere to go except man-made exploitive habitats such as Sea World. What is life when our last option resembles a prison? The Frog alludes to complete extinction caused by disease through globalization. The African Bullfrog was brought to the Americas for one purpose—to be living pregnancy tests for humans. These creatures\, used to predict life\, eventually became the destruction of an entire species of frogs as they carried a fungus eradicating the indigenous golden frog. This is reminiscent of indigenous peoples succumbing to European diseases. The Tiger explores the emotional impact due to the fact of how home and territory is rapidly being diminished by development. By obliterating our environment\, we are left to somehow adjust to new social order and redefine the norm. The contributing factors such as war\, globalization\, gentrification and handouts\, continue to pave the way but it is not without consequence. A quote by Nicelle Davis explains my statement rather clearly: Death is a charmer; nothing makes us feel more alive than brushing shoulders with him at a bar\, in our cars\, or at 5\,000 feet in the air. Every time we risk and survive there is a thrill. We feel like we won more life because we are not the ones dying. There is something sexy about Death\, how when poachers take a machete to the face of an elephant\, how sex is always better once it’s gone\, or when whalers take a grenade harpoon to a whale—even more so when an entire species is gone\, how life looks for life even inside a zoo. But Death is a trickster. We can never win at his game. We might be living\, but our humanity is dying. Soon\, there will be nothing of our lives worth living for. About the artist:Brooklyn native Cheryl Gross is an illustrator\, painter\, writer and motion graphic artist living and working in the New York/ Jersey City area. She is a professor at Pratt Institute. Cheryl’s work has appeared in numerous films\, TV shows\, publications\, and graces the walls of many corporate and museum collections including: Zebra Poetry Film Festival\, Berlin\, New York Times\, Riverside Museum\, Riverside\, Ca.\, The Museum of The City of New York\, Mississippi Museum of Art\, Laforet Harajuku Museum\, Tokyo\, Japan\, Artist-In-Residency\, Kunstlerhaus\, Saarbruken\, Germany. Finalist Elizabeth Hulings Foundation\, 2014\, Artist-In-Residency Program\, Dilsberg\, Germany\, 2015\, four-time recipient Eileen Kaminsky Family Foundation Residency\, Jersey City\, 2018-2020\, Art fair 14c 2021-2023. 2023- Commit to Memory: The Precipice of Extinction\, Louis K. Redding Gallery\, Wilmington Delaware\, Curated by The Bridge Gallery\, 2023\, The Z Factor: The Hybrid Realms of Cheryl Gross\, MANA Contemporary\, Jersey City\, NJ\, Curated by Kristin DeAngelis\, Design: Kele McComsey\, 2025\, The Ethereal Realms of Mythology: Past & Present\, Art House Productions Gallery\, Jersey City\, NJ\, Curated & Design: Andrea Mckenna WebsiteInstagramFacebook
URL:https://artscouncilofprinceton.org/event/jam/2027-08-11/
LOCATION:Arts Council of Princeton\, Princeton\, NJ
CATEGORIES:Community,Free or Low Cost
ATTACH;FMTTYPE=image/webp:https://artscouncilofprinceton.org/wp-content/uploads/2024/01/COMICMAKERS_JAMBANNER-e1718819987740-copy.webp
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20270804T190000
DTEND;TZID=America/New_York:20270804T210000
DTSTAMP:20260516T080815
CREATED:20240124T180146Z
LAST-MODIFIED:20260121T152226Z
UID:10001312-1817406000-1817413200@artscouncilofprinceton.org
SUMMARY:Jersey Art Meetup (JAM)
DESCRIPTION:Commit to Memory: The Precipice of ExtinctionBy Cheryl GrossOn view: June 5-July 3Opening: Fri\, June 5 | 5-7pmExhibition statement:Commit to Memory: The Precipice of Extinction is a multi-platform\, social commentary addressing the shifting and eventual disappearance of our culture using animals as metaphors with overall goal being socially relevant as well as visually compelling. Using animals on the endangered species list I have created a multi-media graphic audiovisual representation of society teetering on the verge of collapse. Artistic depictions of animal species as victims illustrate the decline of the American democratic system. Use of the word “extinction” throughout the narrative is the blueprint of this project. The Elephant alludes to the destruction of family and community. Scientists have long used footage of elephant rescues to measure humanities ability to feel empathy. This aspect of the project questions the impulse to kill animals that make us feel “love.” The Penguin explores the disappearance of societal structures. With the destruction of the artic certain penguins are left with nowhere to go except man-made exploitive habitats such as Sea World. What is life when our last option resembles a prison? The Frog alludes to complete extinction caused by disease through globalization. The African Bullfrog was brought to the Americas for one purpose—to be living pregnancy tests for humans. These creatures\, used to predict life\, eventually became the destruction of an entire species of frogs as they carried a fungus eradicating the indigenous golden frog. This is reminiscent of indigenous peoples succumbing to European diseases. The Tiger explores the emotional impact due to the fact of how home and territory is rapidly being diminished by development. By obliterating our environment\, we are left to somehow adjust to new social order and redefine the norm. The contributing factors such as war\, globalization\, gentrification and handouts\, continue to pave the way but it is not without consequence. A quote by Nicelle Davis explains my statement rather clearly: Death is a charmer; nothing makes us feel more alive than brushing shoulders with him at a bar\, in our cars\, or at 5\,000 feet in the air. Every time we risk and survive there is a thrill. We feel like we won more life because we are not the ones dying. There is something sexy about Death\, how when poachers take a machete to the face of an elephant\, how sex is always better once it’s gone\, or when whalers take a grenade harpoon to a whale—even more so when an entire species is gone\, how life looks for life even inside a zoo. But Death is a trickster. We can never win at his game. We might be living\, but our humanity is dying. Soon\, there will be nothing of our lives worth living for. About the artist:Brooklyn native Cheryl Gross is an illustrator\, painter\, writer and motion graphic artist living and working in the New York/ Jersey City area. She is a professor at Pratt Institute. Cheryl’s work has appeared in numerous films\, TV shows\, publications\, and graces the walls of many corporate and museum collections including: Zebra Poetry Film Festival\, Berlin\, New York Times\, Riverside Museum\, Riverside\, Ca.\, The Museum of The City of New York\, Mississippi Museum of Art\, Laforet Harajuku Museum\, Tokyo\, Japan\, Artist-In-Residency\, Kunstlerhaus\, Saarbruken\, Germany. Finalist Elizabeth Hulings Foundation\, 2014\, Artist-In-Residency Program\, Dilsberg\, Germany\, 2015\, four-time recipient Eileen Kaminsky Family Foundation Residency\, Jersey City\, 2018-2020\, Art fair 14c 2021-2023. 2023- Commit to Memory: The Precipice of Extinction\, Louis K. Redding Gallery\, Wilmington Delaware\, Curated by The Bridge Gallery\, 2023\, The Z Factor: The Hybrid Realms of Cheryl Gross\, MANA Contemporary\, Jersey City\, NJ\, Curated by Kristin DeAngelis\, Design: Kele McComsey\, 2025\, The Ethereal Realms of Mythology: Past & Present\, Art House Productions Gallery\, Jersey City\, NJ\, Curated & Design: Andrea Mckenna WebsiteInstagramFacebook
URL:https://artscouncilofprinceton.org/event/jam/2027-08-04/
LOCATION:Arts Council of Princeton\, Princeton\, NJ
CATEGORIES:Community,Free or Low Cost
ATTACH;FMTTYPE=image/webp:https://artscouncilofprinceton.org/wp-content/uploads/2024/01/COMICMAKERS_JAMBANNER-e1718819987740-copy.webp
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20270728T190000
DTEND;TZID=America/New_York:20270728T210000
DTSTAMP:20260516T080815
CREATED:20240124T180146Z
LAST-MODIFIED:20260121T152226Z
UID:10001311-1816801200-1816808400@artscouncilofprinceton.org
SUMMARY:Jersey Art Meetup (JAM)
DESCRIPTION:Commit to Memory: The Precipice of ExtinctionBy Cheryl GrossOn view: June 5-July 3Opening: Fri\, June 5 | 5-7pmExhibition statement:Commit to Memory: The Precipice of Extinction is a multi-platform\, social commentary addressing the shifting and eventual disappearance of our culture using animals as metaphors with overall goal being socially relevant as well as visually compelling. Using animals on the endangered species list I have created a multi-media graphic audiovisual representation of society teetering on the verge of collapse. Artistic depictions of animal species as victims illustrate the decline of the American democratic system. Use of the word “extinction” throughout the narrative is the blueprint of this project. The Elephant alludes to the destruction of family and community. Scientists have long used footage of elephant rescues to measure humanities ability to feel empathy. This aspect of the project questions the impulse to kill animals that make us feel “love.” The Penguin explores the disappearance of societal structures. With the destruction of the artic certain penguins are left with nowhere to go except man-made exploitive habitats such as Sea World. What is life when our last option resembles a prison? The Frog alludes to complete extinction caused by disease through globalization. The African Bullfrog was brought to the Americas for one purpose—to be living pregnancy tests for humans. These creatures\, used to predict life\, eventually became the destruction of an entire species of frogs as they carried a fungus eradicating the indigenous golden frog. This is reminiscent of indigenous peoples succumbing to European diseases. The Tiger explores the emotional impact due to the fact of how home and territory is rapidly being diminished by development. By obliterating our environment\, we are left to somehow adjust to new social order and redefine the norm. The contributing factors such as war\, globalization\, gentrification and handouts\, continue to pave the way but it is not without consequence. A quote by Nicelle Davis explains my statement rather clearly: Death is a charmer; nothing makes us feel more alive than brushing shoulders with him at a bar\, in our cars\, or at 5\,000 feet in the air. Every time we risk and survive there is a thrill. We feel like we won more life because we are not the ones dying. There is something sexy about Death\, how when poachers take a machete to the face of an elephant\, how sex is always better once it’s gone\, or when whalers take a grenade harpoon to a whale—even more so when an entire species is gone\, how life looks for life even inside a zoo. But Death is a trickster. We can never win at his game. We might be living\, but our humanity is dying. Soon\, there will be nothing of our lives worth living for. About the artist:Brooklyn native Cheryl Gross is an illustrator\, painter\, writer and motion graphic artist living and working in the New York/ Jersey City area. She is a professor at Pratt Institute. Cheryl’s work has appeared in numerous films\, TV shows\, publications\, and graces the walls of many corporate and museum collections including: Zebra Poetry Film Festival\, Berlin\, New York Times\, Riverside Museum\, Riverside\, Ca.\, The Museum of The City of New York\, Mississippi Museum of Art\, Laforet Harajuku Museum\, Tokyo\, Japan\, Artist-In-Residency\, Kunstlerhaus\, Saarbruken\, Germany. Finalist Elizabeth Hulings Foundation\, 2014\, Artist-In-Residency Program\, Dilsberg\, Germany\, 2015\, four-time recipient Eileen Kaminsky Family Foundation Residency\, Jersey City\, 2018-2020\, Art fair 14c 2021-2023. 2023- Commit to Memory: The Precipice of Extinction\, Louis K. Redding Gallery\, Wilmington Delaware\, Curated by The Bridge Gallery\, 2023\, The Z Factor: The Hybrid Realms of Cheryl Gross\, MANA Contemporary\, Jersey City\, NJ\, Curated by Kristin DeAngelis\, Design: Kele McComsey\, 2025\, The Ethereal Realms of Mythology: Past & Present\, Art House Productions Gallery\, Jersey City\, NJ\, Curated & Design: Andrea Mckenna WebsiteInstagramFacebook
URL:https://artscouncilofprinceton.org/event/jam/2027-07-28/
LOCATION:Arts Council of Princeton\, Princeton\, NJ
CATEGORIES:Community,Free or Low Cost
ATTACH;FMTTYPE=image/webp:https://artscouncilofprinceton.org/wp-content/uploads/2024/01/COMICMAKERS_JAMBANNER-e1718819987740-copy.webp
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20270724T190000
DTEND;TZID=America/New_York:20270724T220000
DTSTAMP:20260516T080815
CREATED:20250528T203820Z
LAST-MODIFIED:20250911T200912Z
UID:10002231-1816455600-1816466400@artscouncilofprinceton.org
SUMMARY:Café Improv
DESCRIPTION:Commit to Memory: The Precipice of ExtinctionBy Cheryl GrossOn view: June 5-July 3Opening: Fri\, June 5 | 5-7pmExhibition statement:Commit to Memory: The Precipice of Extinction is a multi-platform\, social commentary addressing the shifting and eventual disappearance of our culture using animals as metaphors with overall goal being socially relevant as well as visually compelling. Using animals on the endangered species list I have created a multi-media graphic audiovisual representation of society teetering on the verge of collapse. Artistic depictions of animal species as victims illustrate the decline of the American democratic system. Use of the word “extinction” throughout the narrative is the blueprint of this project. The Elephant alludes to the destruction of family and community. Scientists have long used footage of elephant rescues to measure humanities ability to feel empathy. This aspect of the project questions the impulse to kill animals that make us feel “love.” The Penguin explores the disappearance of societal structures. With the destruction of the artic certain penguins are left with nowhere to go except man-made exploitive habitats such as Sea World. What is life when our last option resembles a prison? The Frog alludes to complete extinction caused by disease through globalization. The African Bullfrog was brought to the Americas for one purpose—to be living pregnancy tests for humans. These creatures\, used to predict life\, eventually became the destruction of an entire species of frogs as they carried a fungus eradicating the indigenous golden frog. This is reminiscent of indigenous peoples succumbing to European diseases. The Tiger explores the emotional impact due to the fact of how home and territory is rapidly being diminished by development. By obliterating our environment\, we are left to somehow adjust to new social order and redefine the norm. The contributing factors such as war\, globalization\, gentrification and handouts\, continue to pave the way but it is not without consequence. A quote by Nicelle Davis explains my statement rather clearly: Death is a charmer; nothing makes us feel more alive than brushing shoulders with him at a bar\, in our cars\, or at 5\,000 feet in the air. Every time we risk and survive there is a thrill. We feel like we won more life because we are not the ones dying. There is something sexy about Death\, how when poachers take a machete to the face of an elephant\, how sex is always better once it’s gone\, or when whalers take a grenade harpoon to a whale—even more so when an entire species is gone\, how life looks for life even inside a zoo. But Death is a trickster. We can never win at his game. We might be living\, but our humanity is dying. Soon\, there will be nothing of our lives worth living for. About the artist:Brooklyn native Cheryl Gross is an illustrator\, painter\, writer and motion graphic artist living and working in the New York/ Jersey City area. She is a professor at Pratt Institute. Cheryl’s work has appeared in numerous films\, TV shows\, publications\, and graces the walls of many corporate and museum collections including: Zebra Poetry Film Festival\, Berlin\, New York Times\, Riverside Museum\, Riverside\, Ca.\, The Museum of The City of New York\, Mississippi Museum of Art\, Laforet Harajuku Museum\, Tokyo\, Japan\, Artist-In-Residency\, Kunstlerhaus\, Saarbruken\, Germany. Finalist Elizabeth Hulings Foundation\, 2014\, Artist-In-Residency Program\, Dilsberg\, Germany\, 2015\, four-time recipient Eileen Kaminsky Family Foundation Residency\, Jersey City\, 2018-2020\, Art fair 14c 2021-2023. 2023- Commit to Memory: The Precipice of Extinction\, Louis K. Redding Gallery\, Wilmington Delaware\, Curated by The Bridge Gallery\, 2023\, The Z Factor: The Hybrid Realms of Cheryl Gross\, MANA Contemporary\, Jersey City\, NJ\, Curated by Kristin DeAngelis\, Design: Kele McComsey\, 2025\, The Ethereal Realms of Mythology: Past & Present\, Art House Productions Gallery\, Jersey City\, NJ\, Curated & Design: Andrea Mckenna WebsiteInstagramFacebook
URL:https://artscouncilofprinceton.org/event/monthly-cafe-improv-open-mic/2027-07-24/
LOCATION:Solley Theater – Arts Council of Princeton\, Princeton\, NJ
CATEGORIES:Events & Performances,Free or Low Cost
ATTACH;FMTTYPE=image/jpeg:https://artscouncilofprinceton.org/wp-content/uploads/2025/05/9330769.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20270721T190000
DTEND;TZID=America/New_York:20270721T210000
DTSTAMP:20260516T080815
CREATED:20240124T180146Z
LAST-MODIFIED:20260121T152226Z
UID:10001310-1816196400-1816203600@artscouncilofprinceton.org
SUMMARY:Jersey Art Meetup (JAM)
DESCRIPTION:Commit to Memory: The Precipice of ExtinctionBy Cheryl GrossOn view: June 5-July 3Opening: Fri\, June 5 | 5-7pmExhibition statement:Commit to Memory: The Precipice of Extinction is a multi-platform\, social commentary addressing the shifting and eventual disappearance of our culture using animals as metaphors with overall goal being socially relevant as well as visually compelling. Using animals on the endangered species list I have created a multi-media graphic audiovisual representation of society teetering on the verge of collapse. Artistic depictions of animal species as victims illustrate the decline of the American democratic system. Use of the word “extinction” throughout the narrative is the blueprint of this project. The Elephant alludes to the destruction of family and community. Scientists have long used footage of elephant rescues to measure humanities ability to feel empathy. This aspect of the project questions the impulse to kill animals that make us feel “love.” The Penguin explores the disappearance of societal structures. With the destruction of the artic certain penguins are left with nowhere to go except man-made exploitive habitats such as Sea World. What is life when our last option resembles a prison? The Frog alludes to complete extinction caused by disease through globalization. The African Bullfrog was brought to the Americas for one purpose—to be living pregnancy tests for humans. These creatures\, used to predict life\, eventually became the destruction of an entire species of frogs as they carried a fungus eradicating the indigenous golden frog. This is reminiscent of indigenous peoples succumbing to European diseases. The Tiger explores the emotional impact due to the fact of how home and territory is rapidly being diminished by development. By obliterating our environment\, we are left to somehow adjust to new social order and redefine the norm. The contributing factors such as war\, globalization\, gentrification and handouts\, continue to pave the way but it is not without consequence. A quote by Nicelle Davis explains my statement rather clearly: Death is a charmer; nothing makes us feel more alive than brushing shoulders with him at a bar\, in our cars\, or at 5\,000 feet in the air. Every time we risk and survive there is a thrill. We feel like we won more life because we are not the ones dying. There is something sexy about Death\, how when poachers take a machete to the face of an elephant\, how sex is always better once it’s gone\, or when whalers take a grenade harpoon to a whale—even more so when an entire species is gone\, how life looks for life even inside a zoo. But Death is a trickster. We can never win at his game. We might be living\, but our humanity is dying. Soon\, there will be nothing of our lives worth living for. About the artist:Brooklyn native Cheryl Gross is an illustrator\, painter\, writer and motion graphic artist living and working in the New York/ Jersey City area. She is a professor at Pratt Institute. Cheryl’s work has appeared in numerous films\, TV shows\, publications\, and graces the walls of many corporate and museum collections including: Zebra Poetry Film Festival\, Berlin\, New York Times\, Riverside Museum\, Riverside\, Ca.\, The Museum of The City of New York\, Mississippi Museum of Art\, Laforet Harajuku Museum\, Tokyo\, Japan\, Artist-In-Residency\, Kunstlerhaus\, Saarbruken\, Germany. Finalist Elizabeth Hulings Foundation\, 2014\, Artist-In-Residency Program\, Dilsberg\, Germany\, 2015\, four-time recipient Eileen Kaminsky Family Foundation Residency\, Jersey City\, 2018-2020\, Art fair 14c 2021-2023. 2023- Commit to Memory: The Precipice of Extinction\, Louis K. Redding Gallery\, Wilmington Delaware\, Curated by The Bridge Gallery\, 2023\, The Z Factor: The Hybrid Realms of Cheryl Gross\, MANA Contemporary\, Jersey City\, NJ\, Curated by Kristin DeAngelis\, Design: Kele McComsey\, 2025\, The Ethereal Realms of Mythology: Past & Present\, Art House Productions Gallery\, Jersey City\, NJ\, Curated & Design: Andrea Mckenna WebsiteInstagramFacebook
URL:https://artscouncilofprinceton.org/event/jam/2027-07-21/
LOCATION:Arts Council of Princeton\, Princeton\, NJ
CATEGORIES:Community,Free or Low Cost
ATTACH;FMTTYPE=image/webp:https://artscouncilofprinceton.org/wp-content/uploads/2024/01/COMICMAKERS_JAMBANNER-e1718819987740-copy.webp
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20270714T190000
DTEND;TZID=America/New_York:20270714T210000
DTSTAMP:20260516T080815
CREATED:20240124T180146Z
LAST-MODIFIED:20260121T152226Z
UID:10001309-1815591600-1815598800@artscouncilofprinceton.org
SUMMARY:Jersey Art Meetup (JAM)
DESCRIPTION:Commit to Memory: The Precipice of ExtinctionBy Cheryl GrossOn view: June 5-July 3Opening: Fri\, June 5 | 5-7pmExhibition statement:Commit to Memory: The Precipice of Extinction is a multi-platform\, social commentary addressing the shifting and eventual disappearance of our culture using animals as metaphors with overall goal being socially relevant as well as visually compelling. Using animals on the endangered species list I have created a multi-media graphic audiovisual representation of society teetering on the verge of collapse. Artistic depictions of animal species as victims illustrate the decline of the American democratic system. Use of the word “extinction” throughout the narrative is the blueprint of this project. The Elephant alludes to the destruction of family and community. Scientists have long used footage of elephant rescues to measure humanities ability to feel empathy. This aspect of the project questions the impulse to kill animals that make us feel “love.” The Penguin explores the disappearance of societal structures. With the destruction of the artic certain penguins are left with nowhere to go except man-made exploitive habitats such as Sea World. What is life when our last option resembles a prison? The Frog alludes to complete extinction caused by disease through globalization. The African Bullfrog was brought to the Americas for one purpose—to be living pregnancy tests for humans. These creatures\, used to predict life\, eventually became the destruction of an entire species of frogs as they carried a fungus eradicating the indigenous golden frog. This is reminiscent of indigenous peoples succumbing to European diseases. The Tiger explores the emotional impact due to the fact of how home and territory is rapidly being diminished by development. By obliterating our environment\, we are left to somehow adjust to new social order and redefine the norm. The contributing factors such as war\, globalization\, gentrification and handouts\, continue to pave the way but it is not without consequence. A quote by Nicelle Davis explains my statement rather clearly: Death is a charmer; nothing makes us feel more alive than brushing shoulders with him at a bar\, in our cars\, or at 5\,000 feet in the air. Every time we risk and survive there is a thrill. We feel like we won more life because we are not the ones dying. There is something sexy about Death\, how when poachers take a machete to the face of an elephant\, how sex is always better once it’s gone\, or when whalers take a grenade harpoon to a whale—even more so when an entire species is gone\, how life looks for life even inside a zoo. But Death is a trickster. We can never win at his game. We might be living\, but our humanity is dying. Soon\, there will be nothing of our lives worth living for. About the artist:Brooklyn native Cheryl Gross is an illustrator\, painter\, writer and motion graphic artist living and working in the New York/ Jersey City area. She is a professor at Pratt Institute. Cheryl’s work has appeared in numerous films\, TV shows\, publications\, and graces the walls of many corporate and museum collections including: Zebra Poetry Film Festival\, Berlin\, New York Times\, Riverside Museum\, Riverside\, Ca.\, The Museum of The City of New York\, Mississippi Museum of Art\, Laforet Harajuku Museum\, Tokyo\, Japan\, Artist-In-Residency\, Kunstlerhaus\, Saarbruken\, Germany. Finalist Elizabeth Hulings Foundation\, 2014\, Artist-In-Residency Program\, Dilsberg\, Germany\, 2015\, four-time recipient Eileen Kaminsky Family Foundation Residency\, Jersey City\, 2018-2020\, Art fair 14c 2021-2023. 2023- Commit to Memory: The Precipice of Extinction\, Louis K. Redding Gallery\, Wilmington Delaware\, Curated by The Bridge Gallery\, 2023\, The Z Factor: The Hybrid Realms of Cheryl Gross\, MANA Contemporary\, Jersey City\, NJ\, Curated by Kristin DeAngelis\, Design: Kele McComsey\, 2025\, The Ethereal Realms of Mythology: Past & Present\, Art House Productions Gallery\, Jersey City\, NJ\, Curated & Design: Andrea Mckenna WebsiteInstagramFacebook
URL:https://artscouncilofprinceton.org/event/jam/2027-07-14/
LOCATION:Arts Council of Princeton\, Princeton\, NJ
CATEGORIES:Community,Free or Low Cost
ATTACH;FMTTYPE=image/webp:https://artscouncilofprinceton.org/wp-content/uploads/2024/01/COMICMAKERS_JAMBANNER-e1718819987740-copy.webp
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20270707T190000
DTEND;TZID=America/New_York:20270707T210000
DTSTAMP:20260516T080815
CREATED:20240124T180146Z
LAST-MODIFIED:20260121T152226Z
UID:10001308-1814986800-1814994000@artscouncilofprinceton.org
SUMMARY:Jersey Art Meetup (JAM)
DESCRIPTION:Commit to Memory: The Precipice of ExtinctionBy Cheryl GrossOn view: June 5-July 3Opening: Fri\, June 5 | 5-7pmExhibition statement:Commit to Memory: The Precipice of Extinction is a multi-platform\, social commentary addressing the shifting and eventual disappearance of our culture using animals as metaphors with overall goal being socially relevant as well as visually compelling. Using animals on the endangered species list I have created a multi-media graphic audiovisual representation of society teetering on the verge of collapse. Artistic depictions of animal species as victims illustrate the decline of the American democratic system. Use of the word “extinction” throughout the narrative is the blueprint of this project. The Elephant alludes to the destruction of family and community. Scientists have long used footage of elephant rescues to measure humanities ability to feel empathy. This aspect of the project questions the impulse to kill animals that make us feel “love.” The Penguin explores the disappearance of societal structures. With the destruction of the artic certain penguins are left with nowhere to go except man-made exploitive habitats such as Sea World. What is life when our last option resembles a prison? The Frog alludes to complete extinction caused by disease through globalization. The African Bullfrog was brought to the Americas for one purpose—to be living pregnancy tests for humans. These creatures\, used to predict life\, eventually became the destruction of an entire species of frogs as they carried a fungus eradicating the indigenous golden frog. This is reminiscent of indigenous peoples succumbing to European diseases. The Tiger explores the emotional impact due to the fact of how home and territory is rapidly being diminished by development. By obliterating our environment\, we are left to somehow adjust to new social order and redefine the norm. The contributing factors such as war\, globalization\, gentrification and handouts\, continue to pave the way but it is not without consequence. A quote by Nicelle Davis explains my statement rather clearly: Death is a charmer; nothing makes us feel more alive than brushing shoulders with him at a bar\, in our cars\, or at 5\,000 feet in the air. Every time we risk and survive there is a thrill. We feel like we won more life because we are not the ones dying. There is something sexy about Death\, how when poachers take a machete to the face of an elephant\, how sex is always better once it’s gone\, or when whalers take a grenade harpoon to a whale—even more so when an entire species is gone\, how life looks for life even inside a zoo. But Death is a trickster. We can never win at his game. We might be living\, but our humanity is dying. Soon\, there will be nothing of our lives worth living for. About the artist:Brooklyn native Cheryl Gross is an illustrator\, painter\, writer and motion graphic artist living and working in the New York/ Jersey City area. She is a professor at Pratt Institute. Cheryl’s work has appeared in numerous films\, TV shows\, publications\, and graces the walls of many corporate and museum collections including: Zebra Poetry Film Festival\, Berlin\, New York Times\, Riverside Museum\, Riverside\, Ca.\, The Museum of The City of New York\, Mississippi Museum of Art\, Laforet Harajuku Museum\, Tokyo\, Japan\, Artist-In-Residency\, Kunstlerhaus\, Saarbruken\, Germany. Finalist Elizabeth Hulings Foundation\, 2014\, Artist-In-Residency Program\, Dilsberg\, Germany\, 2015\, four-time recipient Eileen Kaminsky Family Foundation Residency\, Jersey City\, 2018-2020\, Art fair 14c 2021-2023. 2023- Commit to Memory: The Precipice of Extinction\, Louis K. Redding Gallery\, Wilmington Delaware\, Curated by The Bridge Gallery\, 2023\, The Z Factor: The Hybrid Realms of Cheryl Gross\, MANA Contemporary\, Jersey City\, NJ\, Curated by Kristin DeAngelis\, Design: Kele McComsey\, 2025\, The Ethereal Realms of Mythology: Past & Present\, Art House Productions Gallery\, Jersey City\, NJ\, Curated & Design: Andrea Mckenna WebsiteInstagramFacebook
URL:https://artscouncilofprinceton.org/event/jam/2027-07-07/
LOCATION:Arts Council of Princeton\, Princeton\, NJ
CATEGORIES:Community,Free or Low Cost
ATTACH;FMTTYPE=image/webp:https://artscouncilofprinceton.org/wp-content/uploads/2024/01/COMICMAKERS_JAMBANNER-e1718819987740-copy.webp
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20270630T190000
DTEND;TZID=America/New_York:20270630T210000
DTSTAMP:20260516T080815
CREATED:20240124T180146Z
LAST-MODIFIED:20260121T152226Z
UID:10001307-1814382000-1814389200@artscouncilofprinceton.org
SUMMARY:Jersey Art Meetup (JAM)
DESCRIPTION:Commit to Memory: The Precipice of ExtinctionBy Cheryl GrossOn view: June 5-July 3Opening: Fri\, June 5 | 5-7pmExhibition statement:Commit to Memory: The Precipice of Extinction is a multi-platform\, social commentary addressing the shifting and eventual disappearance of our culture using animals as metaphors with overall goal being socially relevant as well as visually compelling. Using animals on the endangered species list I have created a multi-media graphic audiovisual representation of society teetering on the verge of collapse. Artistic depictions of animal species as victims illustrate the decline of the American democratic system. Use of the word “extinction” throughout the narrative is the blueprint of this project. The Elephant alludes to the destruction of family and community. Scientists have long used footage of elephant rescues to measure humanities ability to feel empathy. This aspect of the project questions the impulse to kill animals that make us feel “love.” The Penguin explores the disappearance of societal structures. With the destruction of the artic certain penguins are left with nowhere to go except man-made exploitive habitats such as Sea World. What is life when our last option resembles a prison? The Frog alludes to complete extinction caused by disease through globalization. The African Bullfrog was brought to the Americas for one purpose—to be living pregnancy tests for humans. These creatures\, used to predict life\, eventually became the destruction of an entire species of frogs as they carried a fungus eradicating the indigenous golden frog. This is reminiscent of indigenous peoples succumbing to European diseases. The Tiger explores the emotional impact due to the fact of how home and territory is rapidly being diminished by development. By obliterating our environment\, we are left to somehow adjust to new social order and redefine the norm. The contributing factors such as war\, globalization\, gentrification and handouts\, continue to pave the way but it is not without consequence. A quote by Nicelle Davis explains my statement rather clearly: Death is a charmer; nothing makes us feel more alive than brushing shoulders with him at a bar\, in our cars\, or at 5\,000 feet in the air. Every time we risk and survive there is a thrill. We feel like we won more life because we are not the ones dying. There is something sexy about Death\, how when poachers take a machete to the face of an elephant\, how sex is always better once it’s gone\, or when whalers take a grenade harpoon to a whale—even more so when an entire species is gone\, how life looks for life even inside a zoo. But Death is a trickster. We can never win at his game. We might be living\, but our humanity is dying. Soon\, there will be nothing of our lives worth living for. About the artist:Brooklyn native Cheryl Gross is an illustrator\, painter\, writer and motion graphic artist living and working in the New York/ Jersey City area. She is a professor at Pratt Institute. Cheryl’s work has appeared in numerous films\, TV shows\, publications\, and graces the walls of many corporate and museum collections including: Zebra Poetry Film Festival\, Berlin\, New York Times\, Riverside Museum\, Riverside\, Ca.\, The Museum of The City of New York\, Mississippi Museum of Art\, Laforet Harajuku Museum\, Tokyo\, Japan\, Artist-In-Residency\, Kunstlerhaus\, Saarbruken\, Germany. Finalist Elizabeth Hulings Foundation\, 2014\, Artist-In-Residency Program\, Dilsberg\, Germany\, 2015\, four-time recipient Eileen Kaminsky Family Foundation Residency\, Jersey City\, 2018-2020\, Art fair 14c 2021-2023. 2023- Commit to Memory: The Precipice of Extinction\, Louis K. Redding Gallery\, Wilmington Delaware\, Curated by The Bridge Gallery\, 2023\, The Z Factor: The Hybrid Realms of Cheryl Gross\, MANA Contemporary\, Jersey City\, NJ\, Curated by Kristin DeAngelis\, Design: Kele McComsey\, 2025\, The Ethereal Realms of Mythology: Past & Present\, Art House Productions Gallery\, Jersey City\, NJ\, Curated & Design: Andrea Mckenna WebsiteInstagramFacebook
URL:https://artscouncilofprinceton.org/event/jam/2027-06-30/
LOCATION:Arts Council of Princeton\, Princeton\, NJ
CATEGORIES:Community,Free or Low Cost
ATTACH;FMTTYPE=image/webp:https://artscouncilofprinceton.org/wp-content/uploads/2024/01/COMICMAKERS_JAMBANNER-e1718819987740-copy.webp
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20270626T190000
DTEND;TZID=America/New_York:20270626T220000
DTSTAMP:20260516T080815
CREATED:20250528T203820Z
LAST-MODIFIED:20250911T200912Z
UID:10002230-1814036400-1814047200@artscouncilofprinceton.org
SUMMARY:Café Improv
DESCRIPTION:Commit to Memory: The Precipice of ExtinctionBy Cheryl GrossOn view: June 5-July 3Opening: Fri\, June 5 | 5-7pmExhibition statement:Commit to Memory: The Precipice of Extinction is a multi-platform\, social commentary addressing the shifting and eventual disappearance of our culture using animals as metaphors with overall goal being socially relevant as well as visually compelling. Using animals on the endangered species list I have created a multi-media graphic audiovisual representation of society teetering on the verge of collapse. Artistic depictions of animal species as victims illustrate the decline of the American democratic system. Use of the word “extinction” throughout the narrative is the blueprint of this project. The Elephant alludes to the destruction of family and community. Scientists have long used footage of elephant rescues to measure humanities ability to feel empathy. This aspect of the project questions the impulse to kill animals that make us feel “love.” The Penguin explores the disappearance of societal structures. With the destruction of the artic certain penguins are left with nowhere to go except man-made exploitive habitats such as Sea World. What is life when our last option resembles a prison? The Frog alludes to complete extinction caused by disease through globalization. The African Bullfrog was brought to the Americas for one purpose—to be living pregnancy tests for humans. These creatures\, used to predict life\, eventually became the destruction of an entire species of frogs as they carried a fungus eradicating the indigenous golden frog. This is reminiscent of indigenous peoples succumbing to European diseases. The Tiger explores the emotional impact due to the fact of how home and territory is rapidly being diminished by development. By obliterating our environment\, we are left to somehow adjust to new social order and redefine the norm. The contributing factors such as war\, globalization\, gentrification and handouts\, continue to pave the way but it is not without consequence. A quote by Nicelle Davis explains my statement rather clearly: Death is a charmer; nothing makes us feel more alive than brushing shoulders with him at a bar\, in our cars\, or at 5\,000 feet in the air. Every time we risk and survive there is a thrill. We feel like we won more life because we are not the ones dying. There is something sexy about Death\, how when poachers take a machete to the face of an elephant\, how sex is always better once it’s gone\, or when whalers take a grenade harpoon to a whale—even more so when an entire species is gone\, how life looks for life even inside a zoo. But Death is a trickster. We can never win at his game. We might be living\, but our humanity is dying. Soon\, there will be nothing of our lives worth living for. About the artist:Brooklyn native Cheryl Gross is an illustrator\, painter\, writer and motion graphic artist living and working in the New York/ Jersey City area. She is a professor at Pratt Institute. Cheryl’s work has appeared in numerous films\, TV shows\, publications\, and graces the walls of many corporate and museum collections including: Zebra Poetry Film Festival\, Berlin\, New York Times\, Riverside Museum\, Riverside\, Ca.\, The Museum of The City of New York\, Mississippi Museum of Art\, Laforet Harajuku Museum\, Tokyo\, Japan\, Artist-In-Residency\, Kunstlerhaus\, Saarbruken\, Germany. Finalist Elizabeth Hulings Foundation\, 2014\, Artist-In-Residency Program\, Dilsberg\, Germany\, 2015\, four-time recipient Eileen Kaminsky Family Foundation Residency\, Jersey City\, 2018-2020\, Art fair 14c 2021-2023. 2023- Commit to Memory: The Precipice of Extinction\, Louis K. Redding Gallery\, Wilmington Delaware\, Curated by The Bridge Gallery\, 2023\, The Z Factor: The Hybrid Realms of Cheryl Gross\, MANA Contemporary\, Jersey City\, NJ\, Curated by Kristin DeAngelis\, Design: Kele McComsey\, 2025\, The Ethereal Realms of Mythology: Past & Present\, Art House Productions Gallery\, Jersey City\, NJ\, Curated & Design: Andrea Mckenna WebsiteInstagramFacebook
URL:https://artscouncilofprinceton.org/event/monthly-cafe-improv-open-mic/2027-06-26/
LOCATION:Solley Theater – Arts Council of Princeton\, Princeton\, NJ
CATEGORIES:Events & Performances,Free or Low Cost
ATTACH;FMTTYPE=image/jpeg:https://artscouncilofprinceton.org/wp-content/uploads/2025/05/9330769.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20270623T190000
DTEND;TZID=America/New_York:20270623T210000
DTSTAMP:20260516T080815
CREATED:20240124T180146Z
LAST-MODIFIED:20260121T152226Z
UID:10001306-1813777200-1813784400@artscouncilofprinceton.org
SUMMARY:Jersey Art Meetup (JAM)
DESCRIPTION:Commit to Memory: The Precipice of ExtinctionBy Cheryl GrossOn view: June 5-July 3Opening: Fri\, June 5 | 5-7pmExhibition statement:Commit to Memory: The Precipice of Extinction is a multi-platform\, social commentary addressing the shifting and eventual disappearance of our culture using animals as metaphors with overall goal being socially relevant as well as visually compelling. Using animals on the endangered species list I have created a multi-media graphic audiovisual representation of society teetering on the verge of collapse. Artistic depictions of animal species as victims illustrate the decline of the American democratic system. Use of the word “extinction” throughout the narrative is the blueprint of this project. The Elephant alludes to the destruction of family and community. Scientists have long used footage of elephant rescues to measure humanities ability to feel empathy. This aspect of the project questions the impulse to kill animals that make us feel “love.” The Penguin explores the disappearance of societal structures. With the destruction of the artic certain penguins are left with nowhere to go except man-made exploitive habitats such as Sea World. What is life when our last option resembles a prison? The Frog alludes to complete extinction caused by disease through globalization. The African Bullfrog was brought to the Americas for one purpose—to be living pregnancy tests for humans. These creatures\, used to predict life\, eventually became the destruction of an entire species of frogs as they carried a fungus eradicating the indigenous golden frog. This is reminiscent of indigenous peoples succumbing to European diseases. The Tiger explores the emotional impact due to the fact of how home and territory is rapidly being diminished by development. By obliterating our environment\, we are left to somehow adjust to new social order and redefine the norm. The contributing factors such as war\, globalization\, gentrification and handouts\, continue to pave the way but it is not without consequence. A quote by Nicelle Davis explains my statement rather clearly: Death is a charmer; nothing makes us feel more alive than brushing shoulders with him at a bar\, in our cars\, or at 5\,000 feet in the air. Every time we risk and survive there is a thrill. We feel like we won more life because we are not the ones dying. There is something sexy about Death\, how when poachers take a machete to the face of an elephant\, how sex is always better once it’s gone\, or when whalers take a grenade harpoon to a whale—even more so when an entire species is gone\, how life looks for life even inside a zoo. But Death is a trickster. We can never win at his game. We might be living\, but our humanity is dying. Soon\, there will be nothing of our lives worth living for. About the artist:Brooklyn native Cheryl Gross is an illustrator\, painter\, writer and motion graphic artist living and working in the New York/ Jersey City area. She is a professor at Pratt Institute. Cheryl’s work has appeared in numerous films\, TV shows\, publications\, and graces the walls of many corporate and museum collections including: Zebra Poetry Film Festival\, Berlin\, New York Times\, Riverside Museum\, Riverside\, Ca.\, The Museum of The City of New York\, Mississippi Museum of Art\, Laforet Harajuku Museum\, Tokyo\, Japan\, Artist-In-Residency\, Kunstlerhaus\, Saarbruken\, Germany. Finalist Elizabeth Hulings Foundation\, 2014\, Artist-In-Residency Program\, Dilsberg\, Germany\, 2015\, four-time recipient Eileen Kaminsky Family Foundation Residency\, Jersey City\, 2018-2020\, Art fair 14c 2021-2023. 2023- Commit to Memory: The Precipice of Extinction\, Louis K. Redding Gallery\, Wilmington Delaware\, Curated by The Bridge Gallery\, 2023\, The Z Factor: The Hybrid Realms of Cheryl Gross\, MANA Contemporary\, Jersey City\, NJ\, Curated by Kristin DeAngelis\, Design: Kele McComsey\, 2025\, The Ethereal Realms of Mythology: Past & Present\, Art House Productions Gallery\, Jersey City\, NJ\, Curated & Design: Andrea Mckenna WebsiteInstagramFacebook
URL:https://artscouncilofprinceton.org/event/jam/2027-06-23/
LOCATION:Arts Council of Princeton\, Princeton\, NJ
CATEGORIES:Community,Free or Low Cost
ATTACH;FMTTYPE=image/webp:https://artscouncilofprinceton.org/wp-content/uploads/2024/01/COMICMAKERS_JAMBANNER-e1718819987740-copy.webp
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20270616T190000
DTEND;TZID=America/New_York:20270616T210000
DTSTAMP:20260516T080815
CREATED:20240124T180146Z
LAST-MODIFIED:20260121T152226Z
UID:10001305-1813172400-1813179600@artscouncilofprinceton.org
SUMMARY:Jersey Art Meetup (JAM)
DESCRIPTION:Commit to Memory: The Precipice of ExtinctionBy Cheryl GrossOn view: June 5-July 3Opening: Fri\, June 5 | 5-7pmExhibition statement:Commit to Memory: The Precipice of Extinction is a multi-platform\, social commentary addressing the shifting and eventual disappearance of our culture using animals as metaphors with overall goal being socially relevant as well as visually compelling. Using animals on the endangered species list I have created a multi-media graphic audiovisual representation of society teetering on the verge of collapse. Artistic depictions of animal species as victims illustrate the decline of the American democratic system. Use of the word “extinction” throughout the narrative is the blueprint of this project. The Elephant alludes to the destruction of family and community. Scientists have long used footage of elephant rescues to measure humanities ability to feel empathy. This aspect of the project questions the impulse to kill animals that make us feel “love.” The Penguin explores the disappearance of societal structures. With the destruction of the artic certain penguins are left with nowhere to go except man-made exploitive habitats such as Sea World. What is life when our last option resembles a prison? The Frog alludes to complete extinction caused by disease through globalization. The African Bullfrog was brought to the Americas for one purpose—to be living pregnancy tests for humans. These creatures\, used to predict life\, eventually became the destruction of an entire species of frogs as they carried a fungus eradicating the indigenous golden frog. This is reminiscent of indigenous peoples succumbing to European diseases. The Tiger explores the emotional impact due to the fact of how home and territory is rapidly being diminished by development. By obliterating our environment\, we are left to somehow adjust to new social order and redefine the norm. The contributing factors such as war\, globalization\, gentrification and handouts\, continue to pave the way but it is not without consequence. A quote by Nicelle Davis explains my statement rather clearly: Death is a charmer; nothing makes us feel more alive than brushing shoulders with him at a bar\, in our cars\, or at 5\,000 feet in the air. Every time we risk and survive there is a thrill. We feel like we won more life because we are not the ones dying. There is something sexy about Death\, how when poachers take a machete to the face of an elephant\, how sex is always better once it’s gone\, or when whalers take a grenade harpoon to a whale—even more so when an entire species is gone\, how life looks for life even inside a zoo. But Death is a trickster. We can never win at his game. We might be living\, but our humanity is dying. Soon\, there will be nothing of our lives worth living for. About the artist:Brooklyn native Cheryl Gross is an illustrator\, painter\, writer and motion graphic artist living and working in the New York/ Jersey City area. She is a professor at Pratt Institute. Cheryl’s work has appeared in numerous films\, TV shows\, publications\, and graces the walls of many corporate and museum collections including: Zebra Poetry Film Festival\, Berlin\, New York Times\, Riverside Museum\, Riverside\, Ca.\, The Museum of The City of New York\, Mississippi Museum of Art\, Laforet Harajuku Museum\, Tokyo\, Japan\, Artist-In-Residency\, Kunstlerhaus\, Saarbruken\, Germany. Finalist Elizabeth Hulings Foundation\, 2014\, Artist-In-Residency Program\, Dilsberg\, Germany\, 2015\, four-time recipient Eileen Kaminsky Family Foundation Residency\, Jersey City\, 2018-2020\, Art fair 14c 2021-2023. 2023- Commit to Memory: The Precipice of Extinction\, Louis K. Redding Gallery\, Wilmington Delaware\, Curated by The Bridge Gallery\, 2023\, The Z Factor: The Hybrid Realms of Cheryl Gross\, MANA Contemporary\, Jersey City\, NJ\, Curated by Kristin DeAngelis\, Design: Kele McComsey\, 2025\, The Ethereal Realms of Mythology: Past & Present\, Art House Productions Gallery\, Jersey City\, NJ\, Curated & Design: Andrea Mckenna WebsiteInstagramFacebook
URL:https://artscouncilofprinceton.org/event/jam/2027-06-16/
LOCATION:Arts Council of Princeton\, Princeton\, NJ
CATEGORIES:Community,Free or Low Cost
ATTACH;FMTTYPE=image/webp:https://artscouncilofprinceton.org/wp-content/uploads/2024/01/COMICMAKERS_JAMBANNER-e1718819987740-copy.webp
END:VEVENT
END:VCALENDAR