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DTSTAMP:20260505T155645
CREATED:20250528T203820Z
LAST-MODIFIED:20250911T200912Z
UID:10002249-1864234800-1864245600@artscouncilofprinceton.org
SUMMARY:Café Improv
DESCRIPTION:Tales from the Disenchanted ForestBy Artists: Elizabeth Jordan & Terri FraserOn view: May 2 – 30Opening: Sat\, May 9 | 3-5pmJoint Artist Statement: Artists Terri Fraser and Elizabeth Jordan create visually distinct sculptural work grounded in a shared commitment to process\, material\, and the layered narratives that emerge through making. Frasers work moves toward an ethereal\, immersive interpretation of the natural world\, shaped by a practice rooted in the woods\, while Jordans is informed by an urban environment and grounded in the presence of individual animal forms. Both practices are rich in detail and guided by an attention to how systems hold—and fail—within the environment. Responding to the ongoing degradation of the natural world\, their work reflects a deep awareness of the reciprocal relationship between flora and fauna\, offering an experience that is both attentive and quietly unsettling. Fraser constructs an immersive forest through layered materials drawn from the natural world and the remnants of human use. These elements are woven\, knotted\, and coiled into shifting forms that hold a restrained presence while remaining open\, skeletal\, and in flux. The installation unfolds through clusters\, clearings\, and suspended canopies\, creating shifting pathways that move around and through the work. Rather than replicating nature\, the forms register its strain—caught between growth and collapse\, structure and fragility—suggesting an ecosystem no longer in balance. Jordan’s creatures emerge through a layered and material-driven process\, inhabiting a space between beauty and unease that reflects the shifting relationship between humans and animals. At times strange and not fully identifiable\, they communicate through gesture\, posture\, and surface—where cuts\, seams\, and scars hold traces of their making. Their presence suggests both memory and displacement\, as if once of the forest yet now shaped by a human world. In their stillness and outward gaze\, they hold a tension between what has been altered and what endures. The juxtaposition of these two perspectives creates a space shaped by uncertainty\, beauty\, and quiet tension. Working from different relationships to the natural world\, Fraser and Jordan bring their practices into proximity\, where their differences generate a subtle but persistent dialogue. Within this exchange\, an intangible connection emerges—held in the vibration between past\, present\, and what might still be possible. The Disenchanted Forest does not resolve this tension\, but allows it to remain.
URL:https://artscouncilofprinceton.org/event/monthly-cafe-improv-open-mic/2029-01-27/
LOCATION:Solley Theater – Arts Council of Princeton\, Princeton\, NJ
CATEGORIES:Events & Performances,Free or Low Cost
ATTACH;FMTTYPE=image/jpeg:https://artscouncilofprinceton.org/wp-content/uploads/2025/05/9330769.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20290131T190000
DTEND;TZID=America/New_York:20290131T210000
DTSTAMP:20260505T155645
CREATED:20240124T180146Z
LAST-MODIFIED:20260121T152226Z
UID:10002047-1864580400-1864587600@artscouncilofprinceton.org
SUMMARY:Jersey Art Meetup (JAM)
DESCRIPTION:Tales from the Disenchanted ForestBy Artists: Elizabeth Jordan & Terri FraserOn view: May 2 – 30Opening: Sat\, May 9 | 3-5pmJoint Artist Statement: Artists Terri Fraser and Elizabeth Jordan create visually distinct sculptural work grounded in a shared commitment to process\, material\, and the layered narratives that emerge through making. Frasers work moves toward an ethereal\, immersive interpretation of the natural world\, shaped by a practice rooted in the woods\, while Jordans is informed by an urban environment and grounded in the presence of individual animal forms. Both practices are rich in detail and guided by an attention to how systems hold—and fail—within the environment. Responding to the ongoing degradation of the natural world\, their work reflects a deep awareness of the reciprocal relationship between flora and fauna\, offering an experience that is both attentive and quietly unsettling. Fraser constructs an immersive forest through layered materials drawn from the natural world and the remnants of human use. These elements are woven\, knotted\, and coiled into shifting forms that hold a restrained presence while remaining open\, skeletal\, and in flux. The installation unfolds through clusters\, clearings\, and suspended canopies\, creating shifting pathways that move around and through the work. Rather than replicating nature\, the forms register its strain—caught between growth and collapse\, structure and fragility—suggesting an ecosystem no longer in balance. Jordan’s creatures emerge through a layered and material-driven process\, inhabiting a space between beauty and unease that reflects the shifting relationship between humans and animals. At times strange and not fully identifiable\, they communicate through gesture\, posture\, and surface—where cuts\, seams\, and scars hold traces of their making. Their presence suggests both memory and displacement\, as if once of the forest yet now shaped by a human world. In their stillness and outward gaze\, they hold a tension between what has been altered and what endures. The juxtaposition of these two perspectives creates a space shaped by uncertainty\, beauty\, and quiet tension. Working from different relationships to the natural world\, Fraser and Jordan bring their practices into proximity\, where their differences generate a subtle but persistent dialogue. Within this exchange\, an intangible connection emerges—held in the vibration between past\, present\, and what might still be possible. The Disenchanted Forest does not resolve this tension\, but allows it to remain.
URL:https://artscouncilofprinceton.org/event/jam/2029-01-31/
LOCATION:Arts Council of Princeton\, Princeton\, NJ
CATEGORIES:Community,Free or Low Cost
ATTACH;FMTTYPE=image/webp:https://artscouncilofprinceton.org/wp-content/uploads/2024/01/COMICMAKERS_JAMBANNER-e1718819987740-copy.webp
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20290207T190000
DTEND;TZID=America/New_York:20290207T210000
DTSTAMP:20260505T155645
CREATED:20240124T180146Z
LAST-MODIFIED:20260121T152226Z
UID:10002048-1865185200-1865192400@artscouncilofprinceton.org
SUMMARY:Jersey Art Meetup (JAM)
DESCRIPTION:Tales from the Disenchanted ForestBy Artists: Elizabeth Jordan & Terri FraserOn view: May 2 – 30Opening: Sat\, May 9 | 3-5pmJoint Artist Statement: Artists Terri Fraser and Elizabeth Jordan create visually distinct sculptural work grounded in a shared commitment to process\, material\, and the layered narratives that emerge through making. Frasers work moves toward an ethereal\, immersive interpretation of the natural world\, shaped by a practice rooted in the woods\, while Jordans is informed by an urban environment and grounded in the presence of individual animal forms. Both practices are rich in detail and guided by an attention to how systems hold—and fail—within the environment. Responding to the ongoing degradation of the natural world\, their work reflects a deep awareness of the reciprocal relationship between flora and fauna\, offering an experience that is both attentive and quietly unsettling. Fraser constructs an immersive forest through layered materials drawn from the natural world and the remnants of human use. These elements are woven\, knotted\, and coiled into shifting forms that hold a restrained presence while remaining open\, skeletal\, and in flux. The installation unfolds through clusters\, clearings\, and suspended canopies\, creating shifting pathways that move around and through the work. Rather than replicating nature\, the forms register its strain—caught between growth and collapse\, structure and fragility—suggesting an ecosystem no longer in balance. Jordan’s creatures emerge through a layered and material-driven process\, inhabiting a space between beauty and unease that reflects the shifting relationship between humans and animals. At times strange and not fully identifiable\, they communicate through gesture\, posture\, and surface—where cuts\, seams\, and scars hold traces of their making. Their presence suggests both memory and displacement\, as if once of the forest yet now shaped by a human world. In their stillness and outward gaze\, they hold a tension between what has been altered and what endures. The juxtaposition of these two perspectives creates a space shaped by uncertainty\, beauty\, and quiet tension. Working from different relationships to the natural world\, Fraser and Jordan bring their practices into proximity\, where their differences generate a subtle but persistent dialogue. Within this exchange\, an intangible connection emerges—held in the vibration between past\, present\, and what might still be possible. The Disenchanted Forest does not resolve this tension\, but allows it to remain.
URL:https://artscouncilofprinceton.org/event/jam/2029-02-07/
LOCATION:Arts Council of Princeton\, Princeton\, NJ
CATEGORIES:Community,Free or Low Cost
ATTACH;FMTTYPE=image/webp:https://artscouncilofprinceton.org/wp-content/uploads/2024/01/COMICMAKERS_JAMBANNER-e1718819987740-copy.webp
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20290214T190000
DTEND;TZID=America/New_York:20290214T210000
DTSTAMP:20260505T155645
CREATED:20240124T180146Z
LAST-MODIFIED:20260121T152226Z
UID:10002049-1865790000-1865797200@artscouncilofprinceton.org
SUMMARY:Jersey Art Meetup (JAM)
DESCRIPTION:Tales from the Disenchanted ForestBy Artists: Elizabeth Jordan & Terri FraserOn view: May 2 – 30Opening: Sat\, May 9 | 3-5pmJoint Artist Statement: Artists Terri Fraser and Elizabeth Jordan create visually distinct sculptural work grounded in a shared commitment to process\, material\, and the layered narratives that emerge through making. Frasers work moves toward an ethereal\, immersive interpretation of the natural world\, shaped by a practice rooted in the woods\, while Jordans is informed by an urban environment and grounded in the presence of individual animal forms. Both practices are rich in detail and guided by an attention to how systems hold—and fail—within the environment. Responding to the ongoing degradation of the natural world\, their work reflects a deep awareness of the reciprocal relationship between flora and fauna\, offering an experience that is both attentive and quietly unsettling. Fraser constructs an immersive forest through layered materials drawn from the natural world and the remnants of human use. These elements are woven\, knotted\, and coiled into shifting forms that hold a restrained presence while remaining open\, skeletal\, and in flux. The installation unfolds through clusters\, clearings\, and suspended canopies\, creating shifting pathways that move around and through the work. Rather than replicating nature\, the forms register its strain—caught between growth and collapse\, structure and fragility—suggesting an ecosystem no longer in balance. Jordan’s creatures emerge through a layered and material-driven process\, inhabiting a space between beauty and unease that reflects the shifting relationship between humans and animals. At times strange and not fully identifiable\, they communicate through gesture\, posture\, and surface—where cuts\, seams\, and scars hold traces of their making. Their presence suggests both memory and displacement\, as if once of the forest yet now shaped by a human world. In their stillness and outward gaze\, they hold a tension between what has been altered and what endures. The juxtaposition of these two perspectives creates a space shaped by uncertainty\, beauty\, and quiet tension. Working from different relationships to the natural world\, Fraser and Jordan bring their practices into proximity\, where their differences generate a subtle but persistent dialogue. Within this exchange\, an intangible connection emerges—held in the vibration between past\, present\, and what might still be possible. The Disenchanted Forest does not resolve this tension\, but allows it to remain.
URL:https://artscouncilofprinceton.org/event/jam/2029-02-14/
LOCATION:Arts Council of Princeton\, Princeton\, NJ
CATEGORIES:Community,Free or Low Cost
ATTACH;FMTTYPE=image/webp:https://artscouncilofprinceton.org/wp-content/uploads/2024/01/COMICMAKERS_JAMBANNER-e1718819987740-copy.webp
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20290221T190000
DTEND;TZID=America/New_York:20290221T210000
DTSTAMP:20260505T155645
CREATED:20240124T180146Z
LAST-MODIFIED:20260121T152226Z
UID:10002050-1866394800-1866402000@artscouncilofprinceton.org
SUMMARY:Jersey Art Meetup (JAM)
DESCRIPTION:Tales from the Disenchanted ForestBy Artists: Elizabeth Jordan & Terri FraserOn view: May 2 – 30Opening: Sat\, May 9 | 3-5pmJoint Artist Statement: Artists Terri Fraser and Elizabeth Jordan create visually distinct sculptural work grounded in a shared commitment to process\, material\, and the layered narratives that emerge through making. Frasers work moves toward an ethereal\, immersive interpretation of the natural world\, shaped by a practice rooted in the woods\, while Jordans is informed by an urban environment and grounded in the presence of individual animal forms. Both practices are rich in detail and guided by an attention to how systems hold—and fail—within the environment. Responding to the ongoing degradation of the natural world\, their work reflects a deep awareness of the reciprocal relationship between flora and fauna\, offering an experience that is both attentive and quietly unsettling. Fraser constructs an immersive forest through layered materials drawn from the natural world and the remnants of human use. These elements are woven\, knotted\, and coiled into shifting forms that hold a restrained presence while remaining open\, skeletal\, and in flux. The installation unfolds through clusters\, clearings\, and suspended canopies\, creating shifting pathways that move around and through the work. Rather than replicating nature\, the forms register its strain—caught between growth and collapse\, structure and fragility—suggesting an ecosystem no longer in balance. Jordan’s creatures emerge through a layered and material-driven process\, inhabiting a space between beauty and unease that reflects the shifting relationship between humans and animals. At times strange and not fully identifiable\, they communicate through gesture\, posture\, and surface—where cuts\, seams\, and scars hold traces of their making. Their presence suggests both memory and displacement\, as if once of the forest yet now shaped by a human world. In their stillness and outward gaze\, they hold a tension between what has been altered and what endures. The juxtaposition of these two perspectives creates a space shaped by uncertainty\, beauty\, and quiet tension. Working from different relationships to the natural world\, Fraser and Jordan bring their practices into proximity\, where their differences generate a subtle but persistent dialogue. Within this exchange\, an intangible connection emerges—held in the vibration between past\, present\, and what might still be possible. The Disenchanted Forest does not resolve this tension\, but allows it to remain.
URL:https://artscouncilofprinceton.org/event/jam/2029-02-21/
LOCATION:Arts Council of Princeton\, Princeton\, NJ
CATEGORIES:Community,Free or Low Cost
ATTACH;FMTTYPE=image/webp:https://artscouncilofprinceton.org/wp-content/uploads/2024/01/COMICMAKERS_JAMBANNER-e1718819987740-copy.webp
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20290224T190000
DTEND;TZID=America/New_York:20290224T220000
DTSTAMP:20260505T155645
CREATED:20250528T203820Z
LAST-MODIFIED:20250911T200912Z
UID:10002250-1866654000-1866664800@artscouncilofprinceton.org
SUMMARY:Café Improv
DESCRIPTION:Tales from the Disenchanted ForestBy Artists: Elizabeth Jordan & Terri FraserOn view: May 2 – 30Opening: Sat\, May 9 | 3-5pmJoint Artist Statement: Artists Terri Fraser and Elizabeth Jordan create visually distinct sculptural work grounded in a shared commitment to process\, material\, and the layered narratives that emerge through making. Frasers work moves toward an ethereal\, immersive interpretation of the natural world\, shaped by a practice rooted in the woods\, while Jordans is informed by an urban environment and grounded in the presence of individual animal forms. Both practices are rich in detail and guided by an attention to how systems hold—and fail—within the environment. Responding to the ongoing degradation of the natural world\, their work reflects a deep awareness of the reciprocal relationship between flora and fauna\, offering an experience that is both attentive and quietly unsettling. Fraser constructs an immersive forest through layered materials drawn from the natural world and the remnants of human use. These elements are woven\, knotted\, and coiled into shifting forms that hold a restrained presence while remaining open\, skeletal\, and in flux. The installation unfolds through clusters\, clearings\, and suspended canopies\, creating shifting pathways that move around and through the work. Rather than replicating nature\, the forms register its strain—caught between growth and collapse\, structure and fragility—suggesting an ecosystem no longer in balance. Jordan’s creatures emerge through a layered and material-driven process\, inhabiting a space between beauty and unease that reflects the shifting relationship between humans and animals. At times strange and not fully identifiable\, they communicate through gesture\, posture\, and surface—where cuts\, seams\, and scars hold traces of their making. Their presence suggests both memory and displacement\, as if once of the forest yet now shaped by a human world. In their stillness and outward gaze\, they hold a tension between what has been altered and what endures. The juxtaposition of these two perspectives creates a space shaped by uncertainty\, beauty\, and quiet tension. Working from different relationships to the natural world\, Fraser and Jordan bring their practices into proximity\, where their differences generate a subtle but persistent dialogue. Within this exchange\, an intangible connection emerges—held in the vibration between past\, present\, and what might still be possible. The Disenchanted Forest does not resolve this tension\, but allows it to remain.
URL:https://artscouncilofprinceton.org/event/monthly-cafe-improv-open-mic/2029-02-24/
LOCATION:Solley Theater – Arts Council of Princeton\, Princeton\, NJ
CATEGORIES:Events & Performances,Free or Low Cost
ATTACH;FMTTYPE=image/jpeg:https://artscouncilofprinceton.org/wp-content/uploads/2025/05/9330769.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20290228T190000
DTEND;TZID=America/New_York:20290228T210000
DTSTAMP:20260505T155645
CREATED:20240124T180146Z
LAST-MODIFIED:20260121T152226Z
UID:10002051-1866999600-1867006800@artscouncilofprinceton.org
SUMMARY:Jersey Art Meetup (JAM)
DESCRIPTION:Tales from the Disenchanted ForestBy Artists: Elizabeth Jordan & Terri FraserOn view: May 2 – 30Opening: Sat\, May 9 | 3-5pmJoint Artist Statement: Artists Terri Fraser and Elizabeth Jordan create visually distinct sculptural work grounded in a shared commitment to process\, material\, and the layered narratives that emerge through making. Frasers work moves toward an ethereal\, immersive interpretation of the natural world\, shaped by a practice rooted in the woods\, while Jordans is informed by an urban environment and grounded in the presence of individual animal forms. Both practices are rich in detail and guided by an attention to how systems hold—and fail—within the environment. Responding to the ongoing degradation of the natural world\, their work reflects a deep awareness of the reciprocal relationship between flora and fauna\, offering an experience that is both attentive and quietly unsettling. Fraser constructs an immersive forest through layered materials drawn from the natural world and the remnants of human use. These elements are woven\, knotted\, and coiled into shifting forms that hold a restrained presence while remaining open\, skeletal\, and in flux. The installation unfolds through clusters\, clearings\, and suspended canopies\, creating shifting pathways that move around and through the work. Rather than replicating nature\, the forms register its strain—caught between growth and collapse\, structure and fragility—suggesting an ecosystem no longer in balance. Jordan’s creatures emerge through a layered and material-driven process\, inhabiting a space between beauty and unease that reflects the shifting relationship between humans and animals. At times strange and not fully identifiable\, they communicate through gesture\, posture\, and surface—where cuts\, seams\, and scars hold traces of their making. Their presence suggests both memory and displacement\, as if once of the forest yet now shaped by a human world. In their stillness and outward gaze\, they hold a tension between what has been altered and what endures. The juxtaposition of these two perspectives creates a space shaped by uncertainty\, beauty\, and quiet tension. Working from different relationships to the natural world\, Fraser and Jordan bring their practices into proximity\, where their differences generate a subtle but persistent dialogue. Within this exchange\, an intangible connection emerges—held in the vibration between past\, present\, and what might still be possible. The Disenchanted Forest does not resolve this tension\, but allows it to remain.
URL:https://artscouncilofprinceton.org/event/jam/2029-02-28/
LOCATION:Arts Council of Princeton\, Princeton\, NJ
CATEGORIES:Community,Free or Low Cost
ATTACH;FMTTYPE=image/webp:https://artscouncilofprinceton.org/wp-content/uploads/2024/01/COMICMAKERS_JAMBANNER-e1718819987740-copy.webp
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20290307T190000
DTEND;TZID=America/New_York:20290307T210000
DTSTAMP:20260505T155645
CREATED:20240124T180146Z
LAST-MODIFIED:20260121T152226Z
UID:10002052-1867604400-1867611600@artscouncilofprinceton.org
SUMMARY:Jersey Art Meetup (JAM)
DESCRIPTION:Tales from the Disenchanted ForestBy Artists: Elizabeth Jordan & Terri FraserOn view: May 2 – 30Opening: Sat\, May 9 | 3-5pmJoint Artist Statement: Artists Terri Fraser and Elizabeth Jordan create visually distinct sculptural work grounded in a shared commitment to process\, material\, and the layered narratives that emerge through making. Frasers work moves toward an ethereal\, immersive interpretation of the natural world\, shaped by a practice rooted in the woods\, while Jordans is informed by an urban environment and grounded in the presence of individual animal forms. Both practices are rich in detail and guided by an attention to how systems hold—and fail—within the environment. Responding to the ongoing degradation of the natural world\, their work reflects a deep awareness of the reciprocal relationship between flora and fauna\, offering an experience that is both attentive and quietly unsettling. Fraser constructs an immersive forest through layered materials drawn from the natural world and the remnants of human use. These elements are woven\, knotted\, and coiled into shifting forms that hold a restrained presence while remaining open\, skeletal\, and in flux. The installation unfolds through clusters\, clearings\, and suspended canopies\, creating shifting pathways that move around and through the work. Rather than replicating nature\, the forms register its strain—caught between growth and collapse\, structure and fragility—suggesting an ecosystem no longer in balance. Jordan’s creatures emerge through a layered and material-driven process\, inhabiting a space between beauty and unease that reflects the shifting relationship between humans and animals. At times strange and not fully identifiable\, they communicate through gesture\, posture\, and surface—where cuts\, seams\, and scars hold traces of their making. Their presence suggests both memory and displacement\, as if once of the forest yet now shaped by a human world. In their stillness and outward gaze\, they hold a tension between what has been altered and what endures. The juxtaposition of these two perspectives creates a space shaped by uncertainty\, beauty\, and quiet tension. Working from different relationships to the natural world\, Fraser and Jordan bring their practices into proximity\, where their differences generate a subtle but persistent dialogue. Within this exchange\, an intangible connection emerges—held in the vibration between past\, present\, and what might still be possible. The Disenchanted Forest does not resolve this tension\, but allows it to remain.
URL:https://artscouncilofprinceton.org/event/jam/2029-03-07/
LOCATION:Arts Council of Princeton\, Princeton\, NJ
CATEGORIES:Community,Free or Low Cost
ATTACH;FMTTYPE=image/webp:https://artscouncilofprinceton.org/wp-content/uploads/2024/01/COMICMAKERS_JAMBANNER-e1718819987740-copy.webp
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20290314T190000
DTEND;TZID=America/New_York:20290314T210000
DTSTAMP:20260505T155645
CREATED:20240124T180146Z
LAST-MODIFIED:20260121T152226Z
UID:10002053-1868209200-1868216400@artscouncilofprinceton.org
SUMMARY:Jersey Art Meetup (JAM)
DESCRIPTION:Tales from the Disenchanted ForestBy Artists: Elizabeth Jordan & Terri FraserOn view: May 2 – 30Opening: Sat\, May 9 | 3-5pmJoint Artist Statement: Artists Terri Fraser and Elizabeth Jordan create visually distinct sculptural work grounded in a shared commitment to process\, material\, and the layered narratives that emerge through making. Frasers work moves toward an ethereal\, immersive interpretation of the natural world\, shaped by a practice rooted in the woods\, while Jordans is informed by an urban environment and grounded in the presence of individual animal forms. Both practices are rich in detail and guided by an attention to how systems hold—and fail—within the environment. Responding to the ongoing degradation of the natural world\, their work reflects a deep awareness of the reciprocal relationship between flora and fauna\, offering an experience that is both attentive and quietly unsettling. Fraser constructs an immersive forest through layered materials drawn from the natural world and the remnants of human use. These elements are woven\, knotted\, and coiled into shifting forms that hold a restrained presence while remaining open\, skeletal\, and in flux. The installation unfolds through clusters\, clearings\, and suspended canopies\, creating shifting pathways that move around and through the work. Rather than replicating nature\, the forms register its strain—caught between growth and collapse\, structure and fragility—suggesting an ecosystem no longer in balance. Jordan’s creatures emerge through a layered and material-driven process\, inhabiting a space between beauty and unease that reflects the shifting relationship between humans and animals. At times strange and not fully identifiable\, they communicate through gesture\, posture\, and surface—where cuts\, seams\, and scars hold traces of their making. Their presence suggests both memory and displacement\, as if once of the forest yet now shaped by a human world. In their stillness and outward gaze\, they hold a tension between what has been altered and what endures. The juxtaposition of these two perspectives creates a space shaped by uncertainty\, beauty\, and quiet tension. Working from different relationships to the natural world\, Fraser and Jordan bring their practices into proximity\, where their differences generate a subtle but persistent dialogue. Within this exchange\, an intangible connection emerges—held in the vibration between past\, present\, and what might still be possible. The Disenchanted Forest does not resolve this tension\, but allows it to remain.
URL:https://artscouncilofprinceton.org/event/jam/2029-03-14/
LOCATION:Arts Council of Princeton\, Princeton\, NJ
CATEGORIES:Community,Free or Low Cost
ATTACH;FMTTYPE=image/webp:https://artscouncilofprinceton.org/wp-content/uploads/2024/01/COMICMAKERS_JAMBANNER-e1718819987740-copy.webp
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20290321T190000
DTEND;TZID=America/New_York:20290321T210000
DTSTAMP:20260505T155645
CREATED:20240124T180146Z
LAST-MODIFIED:20260121T152226Z
UID:10002054-1868814000-1868821200@artscouncilofprinceton.org
SUMMARY:Jersey Art Meetup (JAM)
DESCRIPTION:Tales from the Disenchanted ForestBy Artists: Elizabeth Jordan & Terri FraserOn view: May 2 – 30Opening: Sat\, May 9 | 3-5pmJoint Artist Statement: Artists Terri Fraser and Elizabeth Jordan create visually distinct sculptural work grounded in a shared commitment to process\, material\, and the layered narratives that emerge through making. Frasers work moves toward an ethereal\, immersive interpretation of the natural world\, shaped by a practice rooted in the woods\, while Jordans is informed by an urban environment and grounded in the presence of individual animal forms. Both practices are rich in detail and guided by an attention to how systems hold—and fail—within the environment. Responding to the ongoing degradation of the natural world\, their work reflects a deep awareness of the reciprocal relationship between flora and fauna\, offering an experience that is both attentive and quietly unsettling. Fraser constructs an immersive forest through layered materials drawn from the natural world and the remnants of human use. These elements are woven\, knotted\, and coiled into shifting forms that hold a restrained presence while remaining open\, skeletal\, and in flux. The installation unfolds through clusters\, clearings\, and suspended canopies\, creating shifting pathways that move around and through the work. Rather than replicating nature\, the forms register its strain—caught between growth and collapse\, structure and fragility—suggesting an ecosystem no longer in balance. Jordan’s creatures emerge through a layered and material-driven process\, inhabiting a space between beauty and unease that reflects the shifting relationship between humans and animals. At times strange and not fully identifiable\, they communicate through gesture\, posture\, and surface—where cuts\, seams\, and scars hold traces of their making. Their presence suggests both memory and displacement\, as if once of the forest yet now shaped by a human world. In their stillness and outward gaze\, they hold a tension between what has been altered and what endures. The juxtaposition of these two perspectives creates a space shaped by uncertainty\, beauty\, and quiet tension. Working from different relationships to the natural world\, Fraser and Jordan bring their practices into proximity\, where their differences generate a subtle but persistent dialogue. Within this exchange\, an intangible connection emerges—held in the vibration between past\, present\, and what might still be possible. The Disenchanted Forest does not resolve this tension\, but allows it to remain.
URL:https://artscouncilofprinceton.org/event/jam/2029-03-21/
LOCATION:Arts Council of Princeton\, Princeton\, NJ
CATEGORIES:Community,Free or Low Cost
ATTACH;FMTTYPE=image/webp:https://artscouncilofprinceton.org/wp-content/uploads/2024/01/COMICMAKERS_JAMBANNER-e1718819987740-copy.webp
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20290324T190000
DTEND;TZID=America/New_York:20290324T220000
DTSTAMP:20260505T155645
CREATED:20250528T203820Z
LAST-MODIFIED:20250911T200912Z
UID:10002251-1869073200-1869084000@artscouncilofprinceton.org
SUMMARY:Café Improv
DESCRIPTION:Tales from the Disenchanted ForestBy Artists: Elizabeth Jordan & Terri FraserOn view: May 2 – 30Opening: Sat\, May 9 | 3-5pmJoint Artist Statement: Artists Terri Fraser and Elizabeth Jordan create visually distinct sculptural work grounded in a shared commitment to process\, material\, and the layered narratives that emerge through making. Frasers work moves toward an ethereal\, immersive interpretation of the natural world\, shaped by a practice rooted in the woods\, while Jordans is informed by an urban environment and grounded in the presence of individual animal forms. Both practices are rich in detail and guided by an attention to how systems hold—and fail—within the environment. Responding to the ongoing degradation of the natural world\, their work reflects a deep awareness of the reciprocal relationship between flora and fauna\, offering an experience that is both attentive and quietly unsettling. Fraser constructs an immersive forest through layered materials drawn from the natural world and the remnants of human use. These elements are woven\, knotted\, and coiled into shifting forms that hold a restrained presence while remaining open\, skeletal\, and in flux. The installation unfolds through clusters\, clearings\, and suspended canopies\, creating shifting pathways that move around and through the work. Rather than replicating nature\, the forms register its strain—caught between growth and collapse\, structure and fragility—suggesting an ecosystem no longer in balance. Jordan’s creatures emerge through a layered and material-driven process\, inhabiting a space between beauty and unease that reflects the shifting relationship between humans and animals. At times strange and not fully identifiable\, they communicate through gesture\, posture\, and surface—where cuts\, seams\, and scars hold traces of their making. Their presence suggests both memory and displacement\, as if once of the forest yet now shaped by a human world. In their stillness and outward gaze\, they hold a tension between what has been altered and what endures. The juxtaposition of these two perspectives creates a space shaped by uncertainty\, beauty\, and quiet tension. Working from different relationships to the natural world\, Fraser and Jordan bring their practices into proximity\, where their differences generate a subtle but persistent dialogue. Within this exchange\, an intangible connection emerges—held in the vibration between past\, present\, and what might still be possible. The Disenchanted Forest does not resolve this tension\, but allows it to remain.
URL:https://artscouncilofprinceton.org/event/monthly-cafe-improv-open-mic/2029-03-24/
LOCATION:Solley Theater – Arts Council of Princeton\, Princeton\, NJ
CATEGORIES:Events & Performances,Free or Low Cost
ATTACH;FMTTYPE=image/jpeg:https://artscouncilofprinceton.org/wp-content/uploads/2025/05/9330769.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20290328T190000
DTEND;TZID=America/New_York:20290328T210000
DTSTAMP:20260505T155645
CREATED:20240124T180146Z
LAST-MODIFIED:20260121T152226Z
UID:10002055-1869418800-1869426000@artscouncilofprinceton.org
SUMMARY:Jersey Art Meetup (JAM)
DESCRIPTION:Tales from the Disenchanted ForestBy Artists: Elizabeth Jordan & Terri FraserOn view: May 2 – 30Opening: Sat\, May 9 | 3-5pmJoint Artist Statement: Artists Terri Fraser and Elizabeth Jordan create visually distinct sculptural work grounded in a shared commitment to process\, material\, and the layered narratives that emerge through making. Frasers work moves toward an ethereal\, immersive interpretation of the natural world\, shaped by a practice rooted in the woods\, while Jordans is informed by an urban environment and grounded in the presence of individual animal forms. Both practices are rich in detail and guided by an attention to how systems hold—and fail—within the environment. Responding to the ongoing degradation of the natural world\, their work reflects a deep awareness of the reciprocal relationship between flora and fauna\, offering an experience that is both attentive and quietly unsettling. Fraser constructs an immersive forest through layered materials drawn from the natural world and the remnants of human use. These elements are woven\, knotted\, and coiled into shifting forms that hold a restrained presence while remaining open\, skeletal\, and in flux. The installation unfolds through clusters\, clearings\, and suspended canopies\, creating shifting pathways that move around and through the work. Rather than replicating nature\, the forms register its strain—caught between growth and collapse\, structure and fragility—suggesting an ecosystem no longer in balance. Jordan’s creatures emerge through a layered and material-driven process\, inhabiting a space between beauty and unease that reflects the shifting relationship between humans and animals. At times strange and not fully identifiable\, they communicate through gesture\, posture\, and surface—where cuts\, seams\, and scars hold traces of their making. Their presence suggests both memory and displacement\, as if once of the forest yet now shaped by a human world. In their stillness and outward gaze\, they hold a tension between what has been altered and what endures. The juxtaposition of these two perspectives creates a space shaped by uncertainty\, beauty\, and quiet tension. Working from different relationships to the natural world\, Fraser and Jordan bring their practices into proximity\, where their differences generate a subtle but persistent dialogue. Within this exchange\, an intangible connection emerges—held in the vibration between past\, present\, and what might still be possible. The Disenchanted Forest does not resolve this tension\, but allows it to remain.
URL:https://artscouncilofprinceton.org/event/jam/2029-03-28/
LOCATION:Arts Council of Princeton\, Princeton\, NJ
CATEGORIES:Community,Free or Low Cost
ATTACH;FMTTYPE=image/webp:https://artscouncilofprinceton.org/wp-content/uploads/2024/01/COMICMAKERS_JAMBANNER-e1718819987740-copy.webp
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20290404T190000
DTEND;TZID=America/New_York:20290404T210000
DTSTAMP:20260505T155645
CREATED:20240124T180146Z
LAST-MODIFIED:20260121T152226Z
UID:10002056-1870023600-1870030800@artscouncilofprinceton.org
SUMMARY:Jersey Art Meetup (JAM)
DESCRIPTION:Tales from the Disenchanted ForestBy Artists: Elizabeth Jordan & Terri FraserOn view: May 2 – 30Opening: Sat\, May 9 | 3-5pmJoint Artist Statement: Artists Terri Fraser and Elizabeth Jordan create visually distinct sculptural work grounded in a shared commitment to process\, material\, and the layered narratives that emerge through making. Frasers work moves toward an ethereal\, immersive interpretation of the natural world\, shaped by a practice rooted in the woods\, while Jordans is informed by an urban environment and grounded in the presence of individual animal forms. Both practices are rich in detail and guided by an attention to how systems hold—and fail—within the environment. Responding to the ongoing degradation of the natural world\, their work reflects a deep awareness of the reciprocal relationship between flora and fauna\, offering an experience that is both attentive and quietly unsettling. Fraser constructs an immersive forest through layered materials drawn from the natural world and the remnants of human use. These elements are woven\, knotted\, and coiled into shifting forms that hold a restrained presence while remaining open\, skeletal\, and in flux. The installation unfolds through clusters\, clearings\, and suspended canopies\, creating shifting pathways that move around and through the work. Rather than replicating nature\, the forms register its strain—caught between growth and collapse\, structure and fragility—suggesting an ecosystem no longer in balance. Jordan’s creatures emerge through a layered and material-driven process\, inhabiting a space between beauty and unease that reflects the shifting relationship between humans and animals. At times strange and not fully identifiable\, they communicate through gesture\, posture\, and surface—where cuts\, seams\, and scars hold traces of their making. Their presence suggests both memory and displacement\, as if once of the forest yet now shaped by a human world. In their stillness and outward gaze\, they hold a tension between what has been altered and what endures. The juxtaposition of these two perspectives creates a space shaped by uncertainty\, beauty\, and quiet tension. Working from different relationships to the natural world\, Fraser and Jordan bring their practices into proximity\, where their differences generate a subtle but persistent dialogue. Within this exchange\, an intangible connection emerges—held in the vibration between past\, present\, and what might still be possible. The Disenchanted Forest does not resolve this tension\, but allows it to remain.
URL:https://artscouncilofprinceton.org/event/jam/2029-04-04/
LOCATION:Arts Council of Princeton\, Princeton\, NJ
CATEGORIES:Community,Free or Low Cost
ATTACH;FMTTYPE=image/webp:https://artscouncilofprinceton.org/wp-content/uploads/2024/01/COMICMAKERS_JAMBANNER-e1718819987740-copy.webp
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20290411T190000
DTEND;TZID=America/New_York:20290411T210000
DTSTAMP:20260505T155645
CREATED:20240124T180146Z
LAST-MODIFIED:20260121T152226Z
UID:10002057-1870628400-1870635600@artscouncilofprinceton.org
SUMMARY:Jersey Art Meetup (JAM)
DESCRIPTION:Tales from the Disenchanted ForestBy Artists: Elizabeth Jordan & Terri FraserOn view: May 2 – 30Opening: Sat\, May 9 | 3-5pmJoint Artist Statement: Artists Terri Fraser and Elizabeth Jordan create visually distinct sculptural work grounded in a shared commitment to process\, material\, and the layered narratives that emerge through making. Frasers work moves toward an ethereal\, immersive interpretation of the natural world\, shaped by a practice rooted in the woods\, while Jordans is informed by an urban environment and grounded in the presence of individual animal forms. Both practices are rich in detail and guided by an attention to how systems hold—and fail—within the environment. Responding to the ongoing degradation of the natural world\, their work reflects a deep awareness of the reciprocal relationship between flora and fauna\, offering an experience that is both attentive and quietly unsettling. Fraser constructs an immersive forest through layered materials drawn from the natural world and the remnants of human use. These elements are woven\, knotted\, and coiled into shifting forms that hold a restrained presence while remaining open\, skeletal\, and in flux. The installation unfolds through clusters\, clearings\, and suspended canopies\, creating shifting pathways that move around and through the work. Rather than replicating nature\, the forms register its strain—caught between growth and collapse\, structure and fragility—suggesting an ecosystem no longer in balance. Jordan’s creatures emerge through a layered and material-driven process\, inhabiting a space between beauty and unease that reflects the shifting relationship between humans and animals. At times strange and not fully identifiable\, they communicate through gesture\, posture\, and surface—where cuts\, seams\, and scars hold traces of their making. Their presence suggests both memory and displacement\, as if once of the forest yet now shaped by a human world. In their stillness and outward gaze\, they hold a tension between what has been altered and what endures. The juxtaposition of these two perspectives creates a space shaped by uncertainty\, beauty\, and quiet tension. Working from different relationships to the natural world\, Fraser and Jordan bring their practices into proximity\, where their differences generate a subtle but persistent dialogue. Within this exchange\, an intangible connection emerges—held in the vibration between past\, present\, and what might still be possible. The Disenchanted Forest does not resolve this tension\, but allows it to remain.
URL:https://artscouncilofprinceton.org/event/jam/2029-04-11/
LOCATION:Arts Council of Princeton\, Princeton\, NJ
CATEGORIES:Community,Free or Low Cost
ATTACH;FMTTYPE=image/webp:https://artscouncilofprinceton.org/wp-content/uploads/2024/01/COMICMAKERS_JAMBANNER-e1718819987740-copy.webp
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20290418T190000
DTEND;TZID=America/New_York:20290418T210000
DTSTAMP:20260505T155645
CREATED:20240124T180146Z
LAST-MODIFIED:20260121T152226Z
UID:10002058-1871233200-1871240400@artscouncilofprinceton.org
SUMMARY:Jersey Art Meetup (JAM)
DESCRIPTION:Tales from the Disenchanted ForestBy Artists: Elizabeth Jordan & Terri FraserOn view: May 2 – 30Opening: Sat\, May 9 | 3-5pmJoint Artist Statement: Artists Terri Fraser and Elizabeth Jordan create visually distinct sculptural work grounded in a shared commitment to process\, material\, and the layered narratives that emerge through making. Frasers work moves toward an ethereal\, immersive interpretation of the natural world\, shaped by a practice rooted in the woods\, while Jordans is informed by an urban environment and grounded in the presence of individual animal forms. Both practices are rich in detail and guided by an attention to how systems hold—and fail—within the environment. Responding to the ongoing degradation of the natural world\, their work reflects a deep awareness of the reciprocal relationship between flora and fauna\, offering an experience that is both attentive and quietly unsettling. Fraser constructs an immersive forest through layered materials drawn from the natural world and the remnants of human use. These elements are woven\, knotted\, and coiled into shifting forms that hold a restrained presence while remaining open\, skeletal\, and in flux. The installation unfolds through clusters\, clearings\, and suspended canopies\, creating shifting pathways that move around and through the work. Rather than replicating nature\, the forms register its strain—caught between growth and collapse\, structure and fragility—suggesting an ecosystem no longer in balance. Jordan’s creatures emerge through a layered and material-driven process\, inhabiting a space between beauty and unease that reflects the shifting relationship between humans and animals. At times strange and not fully identifiable\, they communicate through gesture\, posture\, and surface—where cuts\, seams\, and scars hold traces of their making. Their presence suggests both memory and displacement\, as if once of the forest yet now shaped by a human world. In their stillness and outward gaze\, they hold a tension between what has been altered and what endures. The juxtaposition of these two perspectives creates a space shaped by uncertainty\, beauty\, and quiet tension. Working from different relationships to the natural world\, Fraser and Jordan bring their practices into proximity\, where their differences generate a subtle but persistent dialogue. Within this exchange\, an intangible connection emerges—held in the vibration between past\, present\, and what might still be possible. The Disenchanted Forest does not resolve this tension\, but allows it to remain.
URL:https://artscouncilofprinceton.org/event/jam/2029-04-18/
LOCATION:Arts Council of Princeton\, Princeton\, NJ
CATEGORIES:Community,Free or Low Cost
ATTACH;FMTTYPE=image/webp:https://artscouncilofprinceton.org/wp-content/uploads/2024/01/COMICMAKERS_JAMBANNER-e1718819987740-copy.webp
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20290425T190000
DTEND;TZID=America/New_York:20290425T210000
DTSTAMP:20260505T155645
CREATED:20240124T180146Z
LAST-MODIFIED:20260121T152226Z
UID:10002059-1871838000-1871845200@artscouncilofprinceton.org
SUMMARY:Jersey Art Meetup (JAM)
DESCRIPTION:Tales from the Disenchanted ForestBy Artists: Elizabeth Jordan & Terri FraserOn view: May 2 – 30Opening: Sat\, May 9 | 3-5pmJoint Artist Statement: Artists Terri Fraser and Elizabeth Jordan create visually distinct sculptural work grounded in a shared commitment to process\, material\, and the layered narratives that emerge through making. Frasers work moves toward an ethereal\, immersive interpretation of the natural world\, shaped by a practice rooted in the woods\, while Jordans is informed by an urban environment and grounded in the presence of individual animal forms. Both practices are rich in detail and guided by an attention to how systems hold—and fail—within the environment. Responding to the ongoing degradation of the natural world\, their work reflects a deep awareness of the reciprocal relationship between flora and fauna\, offering an experience that is both attentive and quietly unsettling. Fraser constructs an immersive forest through layered materials drawn from the natural world and the remnants of human use. These elements are woven\, knotted\, and coiled into shifting forms that hold a restrained presence while remaining open\, skeletal\, and in flux. The installation unfolds through clusters\, clearings\, and suspended canopies\, creating shifting pathways that move around and through the work. Rather than replicating nature\, the forms register its strain—caught between growth and collapse\, structure and fragility—suggesting an ecosystem no longer in balance. Jordan’s creatures emerge through a layered and material-driven process\, inhabiting a space between beauty and unease that reflects the shifting relationship between humans and animals. At times strange and not fully identifiable\, they communicate through gesture\, posture\, and surface—where cuts\, seams\, and scars hold traces of their making. Their presence suggests both memory and displacement\, as if once of the forest yet now shaped by a human world. In their stillness and outward gaze\, they hold a tension between what has been altered and what endures. The juxtaposition of these two perspectives creates a space shaped by uncertainty\, beauty\, and quiet tension. Working from different relationships to the natural world\, Fraser and Jordan bring their practices into proximity\, where their differences generate a subtle but persistent dialogue. Within this exchange\, an intangible connection emerges—held in the vibration between past\, present\, and what might still be possible. The Disenchanted Forest does not resolve this tension\, but allows it to remain.
URL:https://artscouncilofprinceton.org/event/jam/2029-04-25/
LOCATION:Arts Council of Princeton\, Princeton\, NJ
CATEGORIES:Community,Free or Low Cost
ATTACH;FMTTYPE=image/webp:https://artscouncilofprinceton.org/wp-content/uploads/2024/01/COMICMAKERS_JAMBANNER-e1718819987740-copy.webp
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20290428T190000
DTEND;TZID=America/New_York:20290428T220000
DTSTAMP:20260505T155645
CREATED:20250528T203820Z
LAST-MODIFIED:20250911T200912Z
UID:10002252-1872097200-1872108000@artscouncilofprinceton.org
SUMMARY:Café Improv
DESCRIPTION:Tales from the Disenchanted ForestBy Artists: Elizabeth Jordan & Terri FraserOn view: May 2 – 30Opening: Sat\, May 9 | 3-5pmJoint Artist Statement: Artists Terri Fraser and Elizabeth Jordan create visually distinct sculptural work grounded in a shared commitment to process\, material\, and the layered narratives that emerge through making. Frasers work moves toward an ethereal\, immersive interpretation of the natural world\, shaped by a practice rooted in the woods\, while Jordans is informed by an urban environment and grounded in the presence of individual animal forms. Both practices are rich in detail and guided by an attention to how systems hold—and fail—within the environment. Responding to the ongoing degradation of the natural world\, their work reflects a deep awareness of the reciprocal relationship between flora and fauna\, offering an experience that is both attentive and quietly unsettling. Fraser constructs an immersive forest through layered materials drawn from the natural world and the remnants of human use. These elements are woven\, knotted\, and coiled into shifting forms that hold a restrained presence while remaining open\, skeletal\, and in flux. The installation unfolds through clusters\, clearings\, and suspended canopies\, creating shifting pathways that move around and through the work. Rather than replicating nature\, the forms register its strain—caught between growth and collapse\, structure and fragility—suggesting an ecosystem no longer in balance. Jordan’s creatures emerge through a layered and material-driven process\, inhabiting a space between beauty and unease that reflects the shifting relationship between humans and animals. At times strange and not fully identifiable\, they communicate through gesture\, posture\, and surface—where cuts\, seams\, and scars hold traces of their making. Their presence suggests both memory and displacement\, as if once of the forest yet now shaped by a human world. In their stillness and outward gaze\, they hold a tension between what has been altered and what endures. The juxtaposition of these two perspectives creates a space shaped by uncertainty\, beauty\, and quiet tension. Working from different relationships to the natural world\, Fraser and Jordan bring their practices into proximity\, where their differences generate a subtle but persistent dialogue. Within this exchange\, an intangible connection emerges—held in the vibration between past\, present\, and what might still be possible. The Disenchanted Forest does not resolve this tension\, but allows it to remain.
URL:https://artscouncilofprinceton.org/event/monthly-cafe-improv-open-mic/2029-04-28/
LOCATION:Solley Theater – Arts Council of Princeton\, Princeton\, NJ
CATEGORIES:Events & Performances,Free or Low Cost
ATTACH;FMTTYPE=image/jpeg:https://artscouncilofprinceton.org/wp-content/uploads/2025/05/9330769.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20290502T190000
DTEND;TZID=America/New_York:20290502T210000
DTSTAMP:20260505T155645
CREATED:20240124T180146Z
LAST-MODIFIED:20260121T152226Z
UID:10002060-1872442800-1872450000@artscouncilofprinceton.org
SUMMARY:Jersey Art Meetup (JAM)
DESCRIPTION:Tales from the Disenchanted ForestBy Artists: Elizabeth Jordan & Terri FraserOn view: May 2 – 30Opening: Sat\, May 9 | 3-5pmJoint Artist Statement: Artists Terri Fraser and Elizabeth Jordan create visually distinct sculptural work grounded in a shared commitment to process\, material\, and the layered narratives that emerge through making. Frasers work moves toward an ethereal\, immersive interpretation of the natural world\, shaped by a practice rooted in the woods\, while Jordans is informed by an urban environment and grounded in the presence of individual animal forms. Both practices are rich in detail and guided by an attention to how systems hold—and fail—within the environment. Responding to the ongoing degradation of the natural world\, their work reflects a deep awareness of the reciprocal relationship between flora and fauna\, offering an experience that is both attentive and quietly unsettling. Fraser constructs an immersive forest through layered materials drawn from the natural world and the remnants of human use. These elements are woven\, knotted\, and coiled into shifting forms that hold a restrained presence while remaining open\, skeletal\, and in flux. The installation unfolds through clusters\, clearings\, and suspended canopies\, creating shifting pathways that move around and through the work. Rather than replicating nature\, the forms register its strain—caught between growth and collapse\, structure and fragility—suggesting an ecosystem no longer in balance. Jordan’s creatures emerge through a layered and material-driven process\, inhabiting a space between beauty and unease that reflects the shifting relationship between humans and animals. At times strange and not fully identifiable\, they communicate through gesture\, posture\, and surface—where cuts\, seams\, and scars hold traces of their making. Their presence suggests both memory and displacement\, as if once of the forest yet now shaped by a human world. In their stillness and outward gaze\, they hold a tension between what has been altered and what endures. The juxtaposition of these two perspectives creates a space shaped by uncertainty\, beauty\, and quiet tension. Working from different relationships to the natural world\, Fraser and Jordan bring their practices into proximity\, where their differences generate a subtle but persistent dialogue. Within this exchange\, an intangible connection emerges—held in the vibration between past\, present\, and what might still be possible. The Disenchanted Forest does not resolve this tension\, but allows it to remain.
URL:https://artscouncilofprinceton.org/event/jam/2029-05-02/
LOCATION:Arts Council of Princeton\, Princeton\, NJ
CATEGORIES:Community,Free or Low Cost
ATTACH;FMTTYPE=image/webp:https://artscouncilofprinceton.org/wp-content/uploads/2024/01/COMICMAKERS_JAMBANNER-e1718819987740-copy.webp
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20290509T190000
DTEND;TZID=America/New_York:20290509T210000
DTSTAMP:20260505T155645
CREATED:20240124T180146Z
LAST-MODIFIED:20260121T152226Z
UID:10002061-1873047600-1873054800@artscouncilofprinceton.org
SUMMARY:Jersey Art Meetup (JAM)
DESCRIPTION:Tales from the Disenchanted ForestBy Artists: Elizabeth Jordan & Terri FraserOn view: May 2 – 30Opening: Sat\, May 9 | 3-5pmJoint Artist Statement: Artists Terri Fraser and Elizabeth Jordan create visually distinct sculptural work grounded in a shared commitment to process\, material\, and the layered narratives that emerge through making. Frasers work moves toward an ethereal\, immersive interpretation of the natural world\, shaped by a practice rooted in the woods\, while Jordans is informed by an urban environment and grounded in the presence of individual animal forms. Both practices are rich in detail and guided by an attention to how systems hold—and fail—within the environment. Responding to the ongoing degradation of the natural world\, their work reflects a deep awareness of the reciprocal relationship between flora and fauna\, offering an experience that is both attentive and quietly unsettling. Fraser constructs an immersive forest through layered materials drawn from the natural world and the remnants of human use. These elements are woven\, knotted\, and coiled into shifting forms that hold a restrained presence while remaining open\, skeletal\, and in flux. The installation unfolds through clusters\, clearings\, and suspended canopies\, creating shifting pathways that move around and through the work. Rather than replicating nature\, the forms register its strain—caught between growth and collapse\, structure and fragility—suggesting an ecosystem no longer in balance. Jordan’s creatures emerge through a layered and material-driven process\, inhabiting a space between beauty and unease that reflects the shifting relationship between humans and animals. At times strange and not fully identifiable\, they communicate through gesture\, posture\, and surface—where cuts\, seams\, and scars hold traces of their making. Their presence suggests both memory and displacement\, as if once of the forest yet now shaped by a human world. In their stillness and outward gaze\, they hold a tension between what has been altered and what endures. The juxtaposition of these two perspectives creates a space shaped by uncertainty\, beauty\, and quiet tension. Working from different relationships to the natural world\, Fraser and Jordan bring their practices into proximity\, where their differences generate a subtle but persistent dialogue. Within this exchange\, an intangible connection emerges—held in the vibration between past\, present\, and what might still be possible. The Disenchanted Forest does not resolve this tension\, but allows it to remain.
URL:https://artscouncilofprinceton.org/event/jam/2029-05-09/
LOCATION:Arts Council of Princeton\, Princeton\, NJ
CATEGORIES:Community,Free or Low Cost
ATTACH;FMTTYPE=image/webp:https://artscouncilofprinceton.org/wp-content/uploads/2024/01/COMICMAKERS_JAMBANNER-e1718819987740-copy.webp
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20290516T190000
DTEND;TZID=America/New_York:20290516T210000
DTSTAMP:20260505T155645
CREATED:20240124T180146Z
LAST-MODIFIED:20260121T152226Z
UID:10002062-1873652400-1873659600@artscouncilofprinceton.org
SUMMARY:Jersey Art Meetup (JAM)
DESCRIPTION:Tales from the Disenchanted ForestBy Artists: Elizabeth Jordan & Terri FraserOn view: May 2 – 30Opening: Sat\, May 9 | 3-5pmJoint Artist Statement: Artists Terri Fraser and Elizabeth Jordan create visually distinct sculptural work grounded in a shared commitment to process\, material\, and the layered narratives that emerge through making. Frasers work moves toward an ethereal\, immersive interpretation of the natural world\, shaped by a practice rooted in the woods\, while Jordans is informed by an urban environment and grounded in the presence of individual animal forms. Both practices are rich in detail and guided by an attention to how systems hold—and fail—within the environment. Responding to the ongoing degradation of the natural world\, their work reflects a deep awareness of the reciprocal relationship between flora and fauna\, offering an experience that is both attentive and quietly unsettling. Fraser constructs an immersive forest through layered materials drawn from the natural world and the remnants of human use. These elements are woven\, knotted\, and coiled into shifting forms that hold a restrained presence while remaining open\, skeletal\, and in flux. The installation unfolds through clusters\, clearings\, and suspended canopies\, creating shifting pathways that move around and through the work. Rather than replicating nature\, the forms register its strain—caught between growth and collapse\, structure and fragility—suggesting an ecosystem no longer in balance. Jordan’s creatures emerge through a layered and material-driven process\, inhabiting a space between beauty and unease that reflects the shifting relationship between humans and animals. At times strange and not fully identifiable\, they communicate through gesture\, posture\, and surface—where cuts\, seams\, and scars hold traces of their making. Their presence suggests both memory and displacement\, as if once of the forest yet now shaped by a human world. In their stillness and outward gaze\, they hold a tension between what has been altered and what endures. The juxtaposition of these two perspectives creates a space shaped by uncertainty\, beauty\, and quiet tension. Working from different relationships to the natural world\, Fraser and Jordan bring their practices into proximity\, where their differences generate a subtle but persistent dialogue. Within this exchange\, an intangible connection emerges—held in the vibration between past\, present\, and what might still be possible. The Disenchanted Forest does not resolve this tension\, but allows it to remain.
URL:https://artscouncilofprinceton.org/event/jam/2029-05-16/
LOCATION:Arts Council of Princeton\, Princeton\, NJ
CATEGORIES:Community,Free or Low Cost
ATTACH;FMTTYPE=image/webp:https://artscouncilofprinceton.org/wp-content/uploads/2024/01/COMICMAKERS_JAMBANNER-e1718819987740-copy.webp
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20290523T190000
DTEND;TZID=America/New_York:20290523T210000
DTSTAMP:20260505T155645
CREATED:20240124T180146Z
LAST-MODIFIED:20260121T152226Z
UID:10002063-1874257200-1874264400@artscouncilofprinceton.org
SUMMARY:Jersey Art Meetup (JAM)
DESCRIPTION:Tales from the Disenchanted ForestBy Artists: Elizabeth Jordan & Terri FraserOn view: May 2 – 30Opening: Sat\, May 9 | 3-5pmJoint Artist Statement: Artists Terri Fraser and Elizabeth Jordan create visually distinct sculptural work grounded in a shared commitment to process\, material\, and the layered narratives that emerge through making. Frasers work moves toward an ethereal\, immersive interpretation of the natural world\, shaped by a practice rooted in the woods\, while Jordans is informed by an urban environment and grounded in the presence of individual animal forms. Both practices are rich in detail and guided by an attention to how systems hold—and fail—within the environment. Responding to the ongoing degradation of the natural world\, their work reflects a deep awareness of the reciprocal relationship between flora and fauna\, offering an experience that is both attentive and quietly unsettling. Fraser constructs an immersive forest through layered materials drawn from the natural world and the remnants of human use. These elements are woven\, knotted\, and coiled into shifting forms that hold a restrained presence while remaining open\, skeletal\, and in flux. The installation unfolds through clusters\, clearings\, and suspended canopies\, creating shifting pathways that move around and through the work. Rather than replicating nature\, the forms register its strain—caught between growth and collapse\, structure and fragility—suggesting an ecosystem no longer in balance. Jordan’s creatures emerge through a layered and material-driven process\, inhabiting a space between beauty and unease that reflects the shifting relationship between humans and animals. At times strange and not fully identifiable\, they communicate through gesture\, posture\, and surface—where cuts\, seams\, and scars hold traces of their making. Their presence suggests both memory and displacement\, as if once of the forest yet now shaped by a human world. In their stillness and outward gaze\, they hold a tension between what has been altered and what endures. The juxtaposition of these two perspectives creates a space shaped by uncertainty\, beauty\, and quiet tension. Working from different relationships to the natural world\, Fraser and Jordan bring their practices into proximity\, where their differences generate a subtle but persistent dialogue. Within this exchange\, an intangible connection emerges—held in the vibration between past\, present\, and what might still be possible. The Disenchanted Forest does not resolve this tension\, but allows it to remain.
URL:https://artscouncilofprinceton.org/event/jam/2029-05-23/
LOCATION:Arts Council of Princeton\, Princeton\, NJ
CATEGORIES:Community,Free or Low Cost
ATTACH;FMTTYPE=image/webp:https://artscouncilofprinceton.org/wp-content/uploads/2024/01/COMICMAKERS_JAMBANNER-e1718819987740-copy.webp
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20290526T190000
DTEND;TZID=America/New_York:20290526T220000
DTSTAMP:20260505T155645
CREATED:20250528T203820Z
LAST-MODIFIED:20250911T200912Z
UID:10002253-1874516400-1874527200@artscouncilofprinceton.org
SUMMARY:Café Improv
DESCRIPTION:Tales from the Disenchanted ForestBy Artists: Elizabeth Jordan & Terri FraserOn view: May 2 – 30Opening: Sat\, May 9 | 3-5pmJoint Artist Statement: Artists Terri Fraser and Elizabeth Jordan create visually distinct sculptural work grounded in a shared commitment to process\, material\, and the layered narratives that emerge through making. Frasers work moves toward an ethereal\, immersive interpretation of the natural world\, shaped by a practice rooted in the woods\, while Jordans is informed by an urban environment and grounded in the presence of individual animal forms. Both practices are rich in detail and guided by an attention to how systems hold—and fail—within the environment. Responding to the ongoing degradation of the natural world\, their work reflects a deep awareness of the reciprocal relationship between flora and fauna\, offering an experience that is both attentive and quietly unsettling. Fraser constructs an immersive forest through layered materials drawn from the natural world and the remnants of human use. These elements are woven\, knotted\, and coiled into shifting forms that hold a restrained presence while remaining open\, skeletal\, and in flux. The installation unfolds through clusters\, clearings\, and suspended canopies\, creating shifting pathways that move around and through the work. Rather than replicating nature\, the forms register its strain—caught between growth and collapse\, structure and fragility—suggesting an ecosystem no longer in balance. Jordan’s creatures emerge through a layered and material-driven process\, inhabiting a space between beauty and unease that reflects the shifting relationship between humans and animals. At times strange and not fully identifiable\, they communicate through gesture\, posture\, and surface—where cuts\, seams\, and scars hold traces of their making. Their presence suggests both memory and displacement\, as if once of the forest yet now shaped by a human world. In their stillness and outward gaze\, they hold a tension between what has been altered and what endures. The juxtaposition of these two perspectives creates a space shaped by uncertainty\, beauty\, and quiet tension. Working from different relationships to the natural world\, Fraser and Jordan bring their practices into proximity\, where their differences generate a subtle but persistent dialogue. Within this exchange\, an intangible connection emerges—held in the vibration between past\, present\, and what might still be possible. The Disenchanted Forest does not resolve this tension\, but allows it to remain.
URL:https://artscouncilofprinceton.org/event/monthly-cafe-improv-open-mic/2029-05-26/
LOCATION:Solley Theater – Arts Council of Princeton\, Princeton\, NJ
CATEGORIES:Events & Performances,Free or Low Cost
ATTACH;FMTTYPE=image/jpeg:https://artscouncilofprinceton.org/wp-content/uploads/2025/05/9330769.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20290530T190000
DTEND;TZID=America/New_York:20290530T210000
DTSTAMP:20260505T155645
CREATED:20240124T180146Z
LAST-MODIFIED:20260121T152226Z
UID:10002064-1874862000-1874869200@artscouncilofprinceton.org
SUMMARY:Jersey Art Meetup (JAM)
DESCRIPTION:Tales from the Disenchanted ForestBy Artists: Elizabeth Jordan & Terri FraserOn view: May 2 – 30Opening: Sat\, May 9 | 3-5pmJoint Artist Statement: Artists Terri Fraser and Elizabeth Jordan create visually distinct sculptural work grounded in a shared commitment to process\, material\, and the layered narratives that emerge through making. Frasers work moves toward an ethereal\, immersive interpretation of the natural world\, shaped by a practice rooted in the woods\, while Jordans is informed by an urban environment and grounded in the presence of individual animal forms. Both practices are rich in detail and guided by an attention to how systems hold—and fail—within the environment. Responding to the ongoing degradation of the natural world\, their work reflects a deep awareness of the reciprocal relationship between flora and fauna\, offering an experience that is both attentive and quietly unsettling. Fraser constructs an immersive forest through layered materials drawn from the natural world and the remnants of human use. These elements are woven\, knotted\, and coiled into shifting forms that hold a restrained presence while remaining open\, skeletal\, and in flux. The installation unfolds through clusters\, clearings\, and suspended canopies\, creating shifting pathways that move around and through the work. Rather than replicating nature\, the forms register its strain—caught between growth and collapse\, structure and fragility—suggesting an ecosystem no longer in balance. Jordan’s creatures emerge through a layered and material-driven process\, inhabiting a space between beauty and unease that reflects the shifting relationship between humans and animals. At times strange and not fully identifiable\, they communicate through gesture\, posture\, and surface—where cuts\, seams\, and scars hold traces of their making. Their presence suggests both memory and displacement\, as if once of the forest yet now shaped by a human world. In their stillness and outward gaze\, they hold a tension between what has been altered and what endures. The juxtaposition of these two perspectives creates a space shaped by uncertainty\, beauty\, and quiet tension. Working from different relationships to the natural world\, Fraser and Jordan bring their practices into proximity\, where their differences generate a subtle but persistent dialogue. Within this exchange\, an intangible connection emerges—held in the vibration between past\, present\, and what might still be possible. The Disenchanted Forest does not resolve this tension\, but allows it to remain.
URL:https://artscouncilofprinceton.org/event/jam/2029-05-30/
LOCATION:Arts Council of Princeton\, Princeton\, NJ
CATEGORIES:Community,Free or Low Cost
ATTACH;FMTTYPE=image/webp:https://artscouncilofprinceton.org/wp-content/uploads/2024/01/COMICMAKERS_JAMBANNER-e1718819987740-copy.webp
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20290606T190000
DTEND;TZID=America/New_York:20290606T210000
DTSTAMP:20260505T155645
CREATED:20240124T180146Z
LAST-MODIFIED:20260121T152226Z
UID:10002065-1875466800-1875474000@artscouncilofprinceton.org
SUMMARY:Jersey Art Meetup (JAM)
DESCRIPTION:Tales from the Disenchanted ForestBy Artists: Elizabeth Jordan & Terri FraserOn view: May 2 – 30Opening: Sat\, May 9 | 3-5pmJoint Artist Statement: Artists Terri Fraser and Elizabeth Jordan create visually distinct sculptural work grounded in a shared commitment to process\, material\, and the layered narratives that emerge through making. Frasers work moves toward an ethereal\, immersive interpretation of the natural world\, shaped by a practice rooted in the woods\, while Jordans is informed by an urban environment and grounded in the presence of individual animal forms. Both practices are rich in detail and guided by an attention to how systems hold—and fail—within the environment. Responding to the ongoing degradation of the natural world\, their work reflects a deep awareness of the reciprocal relationship between flora and fauna\, offering an experience that is both attentive and quietly unsettling. Fraser constructs an immersive forest through layered materials drawn from the natural world and the remnants of human use. These elements are woven\, knotted\, and coiled into shifting forms that hold a restrained presence while remaining open\, skeletal\, and in flux. The installation unfolds through clusters\, clearings\, and suspended canopies\, creating shifting pathways that move around and through the work. Rather than replicating nature\, the forms register its strain—caught between growth and collapse\, structure and fragility—suggesting an ecosystem no longer in balance. Jordan’s creatures emerge through a layered and material-driven process\, inhabiting a space between beauty and unease that reflects the shifting relationship between humans and animals. At times strange and not fully identifiable\, they communicate through gesture\, posture\, and surface—where cuts\, seams\, and scars hold traces of their making. Their presence suggests both memory and displacement\, as if once of the forest yet now shaped by a human world. In their stillness and outward gaze\, they hold a tension between what has been altered and what endures. The juxtaposition of these two perspectives creates a space shaped by uncertainty\, beauty\, and quiet tension. Working from different relationships to the natural world\, Fraser and Jordan bring their practices into proximity\, where their differences generate a subtle but persistent dialogue. Within this exchange\, an intangible connection emerges—held in the vibration between past\, present\, and what might still be possible. The Disenchanted Forest does not resolve this tension\, but allows it to remain.
URL:https://artscouncilofprinceton.org/event/jam/2029-06-06/
LOCATION:Arts Council of Princeton\, Princeton\, NJ
CATEGORIES:Community,Free or Low Cost
ATTACH;FMTTYPE=image/webp:https://artscouncilofprinceton.org/wp-content/uploads/2024/01/COMICMAKERS_JAMBANNER-e1718819987740-copy.webp
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20290613T190000
DTEND;TZID=America/New_York:20290613T210000
DTSTAMP:20260505T155645
CREATED:20240124T180146Z
LAST-MODIFIED:20260121T152226Z
UID:10002066-1876071600-1876078800@artscouncilofprinceton.org
SUMMARY:Jersey Art Meetup (JAM)
DESCRIPTION:Tales from the Disenchanted ForestBy Artists: Elizabeth Jordan & Terri FraserOn view: May 2 – 30Opening: Sat\, May 9 | 3-5pmJoint Artist Statement: Artists Terri Fraser and Elizabeth Jordan create visually distinct sculptural work grounded in a shared commitment to process\, material\, and the layered narratives that emerge through making. Frasers work moves toward an ethereal\, immersive interpretation of the natural world\, shaped by a practice rooted in the woods\, while Jordans is informed by an urban environment and grounded in the presence of individual animal forms. Both practices are rich in detail and guided by an attention to how systems hold—and fail—within the environment. Responding to the ongoing degradation of the natural world\, their work reflects a deep awareness of the reciprocal relationship between flora and fauna\, offering an experience that is both attentive and quietly unsettling. Fraser constructs an immersive forest through layered materials drawn from the natural world and the remnants of human use. These elements are woven\, knotted\, and coiled into shifting forms that hold a restrained presence while remaining open\, skeletal\, and in flux. The installation unfolds through clusters\, clearings\, and suspended canopies\, creating shifting pathways that move around and through the work. Rather than replicating nature\, the forms register its strain—caught between growth and collapse\, structure and fragility—suggesting an ecosystem no longer in balance. Jordan’s creatures emerge through a layered and material-driven process\, inhabiting a space between beauty and unease that reflects the shifting relationship between humans and animals. At times strange and not fully identifiable\, they communicate through gesture\, posture\, and surface—where cuts\, seams\, and scars hold traces of their making. Their presence suggests both memory and displacement\, as if once of the forest yet now shaped by a human world. In their stillness and outward gaze\, they hold a tension between what has been altered and what endures. The juxtaposition of these two perspectives creates a space shaped by uncertainty\, beauty\, and quiet tension. Working from different relationships to the natural world\, Fraser and Jordan bring their practices into proximity\, where their differences generate a subtle but persistent dialogue. Within this exchange\, an intangible connection emerges—held in the vibration between past\, present\, and what might still be possible. The Disenchanted Forest does not resolve this tension\, but allows it to remain.
URL:https://artscouncilofprinceton.org/event/jam/2029-06-13/
LOCATION:Arts Council of Princeton\, Princeton\, NJ
CATEGORIES:Community,Free or Low Cost
ATTACH;FMTTYPE=image/webp:https://artscouncilofprinceton.org/wp-content/uploads/2024/01/COMICMAKERS_JAMBANNER-e1718819987740-copy.webp
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20290620T190000
DTEND;TZID=America/New_York:20290620T210000
DTSTAMP:20260505T155645
CREATED:20240124T180146Z
LAST-MODIFIED:20260121T152226Z
UID:10002067-1876676400-1876683600@artscouncilofprinceton.org
SUMMARY:Jersey Art Meetup (JAM)
DESCRIPTION:Tales from the Disenchanted ForestBy Artists: Elizabeth Jordan & Terri FraserOn view: May 2 – 30Opening: Sat\, May 9 | 3-5pmJoint Artist Statement: Artists Terri Fraser and Elizabeth Jordan create visually distinct sculptural work grounded in a shared commitment to process\, material\, and the layered narratives that emerge through making. Frasers work moves toward an ethereal\, immersive interpretation of the natural world\, shaped by a practice rooted in the woods\, while Jordans is informed by an urban environment and grounded in the presence of individual animal forms. Both practices are rich in detail and guided by an attention to how systems hold—and fail—within the environment. Responding to the ongoing degradation of the natural world\, their work reflects a deep awareness of the reciprocal relationship between flora and fauna\, offering an experience that is both attentive and quietly unsettling. Fraser constructs an immersive forest through layered materials drawn from the natural world and the remnants of human use. These elements are woven\, knotted\, and coiled into shifting forms that hold a restrained presence while remaining open\, skeletal\, and in flux. The installation unfolds through clusters\, clearings\, and suspended canopies\, creating shifting pathways that move around and through the work. Rather than replicating nature\, the forms register its strain—caught between growth and collapse\, structure and fragility—suggesting an ecosystem no longer in balance. Jordan’s creatures emerge through a layered and material-driven process\, inhabiting a space between beauty and unease that reflects the shifting relationship between humans and animals. At times strange and not fully identifiable\, they communicate through gesture\, posture\, and surface—where cuts\, seams\, and scars hold traces of their making. Their presence suggests both memory and displacement\, as if once of the forest yet now shaped by a human world. In their stillness and outward gaze\, they hold a tension between what has been altered and what endures. The juxtaposition of these two perspectives creates a space shaped by uncertainty\, beauty\, and quiet tension. Working from different relationships to the natural world\, Fraser and Jordan bring their practices into proximity\, where their differences generate a subtle but persistent dialogue. Within this exchange\, an intangible connection emerges—held in the vibration between past\, present\, and what might still be possible. The Disenchanted Forest does not resolve this tension\, but allows it to remain.
URL:https://artscouncilofprinceton.org/event/jam/2029-06-20/
LOCATION:Arts Council of Princeton\, Princeton\, NJ
CATEGORIES:Community,Free or Low Cost
ATTACH;FMTTYPE=image/webp:https://artscouncilofprinceton.org/wp-content/uploads/2024/01/COMICMAKERS_JAMBANNER-e1718819987740-copy.webp
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20290623T190000
DTEND;TZID=America/New_York:20290623T220000
DTSTAMP:20260505T155645
CREATED:20250528T203820Z
LAST-MODIFIED:20250911T200912Z
UID:10002254-1876935600-1876946400@artscouncilofprinceton.org
SUMMARY:Café Improv
DESCRIPTION:Tales from the Disenchanted ForestBy Artists: Elizabeth Jordan & Terri FraserOn view: May 2 – 30Opening: Sat\, May 9 | 3-5pmJoint Artist Statement: Artists Terri Fraser and Elizabeth Jordan create visually distinct sculptural work grounded in a shared commitment to process\, material\, and the layered narratives that emerge through making. Frasers work moves toward an ethereal\, immersive interpretation of the natural world\, shaped by a practice rooted in the woods\, while Jordans is informed by an urban environment and grounded in the presence of individual animal forms. Both practices are rich in detail and guided by an attention to how systems hold—and fail—within the environment. Responding to the ongoing degradation of the natural world\, their work reflects a deep awareness of the reciprocal relationship between flora and fauna\, offering an experience that is both attentive and quietly unsettling. Fraser constructs an immersive forest through layered materials drawn from the natural world and the remnants of human use. These elements are woven\, knotted\, and coiled into shifting forms that hold a restrained presence while remaining open\, skeletal\, and in flux. The installation unfolds through clusters\, clearings\, and suspended canopies\, creating shifting pathways that move around and through the work. Rather than replicating nature\, the forms register its strain—caught between growth and collapse\, structure and fragility—suggesting an ecosystem no longer in balance. Jordan’s creatures emerge through a layered and material-driven process\, inhabiting a space between beauty and unease that reflects the shifting relationship between humans and animals. At times strange and not fully identifiable\, they communicate through gesture\, posture\, and surface—where cuts\, seams\, and scars hold traces of their making. Their presence suggests both memory and displacement\, as if once of the forest yet now shaped by a human world. In their stillness and outward gaze\, they hold a tension between what has been altered and what endures. The juxtaposition of these two perspectives creates a space shaped by uncertainty\, beauty\, and quiet tension. Working from different relationships to the natural world\, Fraser and Jordan bring their practices into proximity\, where their differences generate a subtle but persistent dialogue. Within this exchange\, an intangible connection emerges—held in the vibration between past\, present\, and what might still be possible. The Disenchanted Forest does not resolve this tension\, but allows it to remain.
URL:https://artscouncilofprinceton.org/event/monthly-cafe-improv-open-mic/2029-06-23/
LOCATION:Solley Theater – Arts Council of Princeton\, Princeton\, NJ
CATEGORIES:Events & Performances,Free or Low Cost
ATTACH;FMTTYPE=image/jpeg:https://artscouncilofprinceton.org/wp-content/uploads/2025/05/9330769.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20290627T190000
DTEND;TZID=America/New_York:20290627T210000
DTSTAMP:20260505T155645
CREATED:20240124T180146Z
LAST-MODIFIED:20260121T152226Z
UID:10002068-1877281200-1877288400@artscouncilofprinceton.org
SUMMARY:Jersey Art Meetup (JAM)
DESCRIPTION:Tales from the Disenchanted ForestBy Artists: Elizabeth Jordan & Terri FraserOn view: May 2 – 30Opening: Sat\, May 9 | 3-5pmJoint Artist Statement: Artists Terri Fraser and Elizabeth Jordan create visually distinct sculptural work grounded in a shared commitment to process\, material\, and the layered narratives that emerge through making. Frasers work moves toward an ethereal\, immersive interpretation of the natural world\, shaped by a practice rooted in the woods\, while Jordans is informed by an urban environment and grounded in the presence of individual animal forms. Both practices are rich in detail and guided by an attention to how systems hold—and fail—within the environment. Responding to the ongoing degradation of the natural world\, their work reflects a deep awareness of the reciprocal relationship between flora and fauna\, offering an experience that is both attentive and quietly unsettling. Fraser constructs an immersive forest through layered materials drawn from the natural world and the remnants of human use. These elements are woven\, knotted\, and coiled into shifting forms that hold a restrained presence while remaining open\, skeletal\, and in flux. The installation unfolds through clusters\, clearings\, and suspended canopies\, creating shifting pathways that move around and through the work. Rather than replicating nature\, the forms register its strain—caught between growth and collapse\, structure and fragility—suggesting an ecosystem no longer in balance. Jordan’s creatures emerge through a layered and material-driven process\, inhabiting a space between beauty and unease that reflects the shifting relationship between humans and animals. At times strange and not fully identifiable\, they communicate through gesture\, posture\, and surface—where cuts\, seams\, and scars hold traces of their making. Their presence suggests both memory and displacement\, as if once of the forest yet now shaped by a human world. In their stillness and outward gaze\, they hold a tension between what has been altered and what endures. The juxtaposition of these two perspectives creates a space shaped by uncertainty\, beauty\, and quiet tension. Working from different relationships to the natural world\, Fraser and Jordan bring their practices into proximity\, where their differences generate a subtle but persistent dialogue. Within this exchange\, an intangible connection emerges—held in the vibration between past\, present\, and what might still be possible. The Disenchanted Forest does not resolve this tension\, but allows it to remain.
URL:https://artscouncilofprinceton.org/event/jam/2029-06-27/
LOCATION:Arts Council of Princeton\, Princeton\, NJ
CATEGORIES:Community,Free or Low Cost
ATTACH;FMTTYPE=image/webp:https://artscouncilofprinceton.org/wp-content/uploads/2024/01/COMICMAKERS_JAMBANNER-e1718819987740-copy.webp
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20290704T190000
DTEND;TZID=America/New_York:20290704T210000
DTSTAMP:20260505T155645
CREATED:20240124T180146Z
LAST-MODIFIED:20260121T152226Z
UID:10002069-1877886000-1877893200@artscouncilofprinceton.org
SUMMARY:Jersey Art Meetup (JAM)
DESCRIPTION:Tales from the Disenchanted ForestBy Artists: Elizabeth Jordan & Terri FraserOn view: May 2 – 30Opening: Sat\, May 9 | 3-5pmJoint Artist Statement: Artists Terri Fraser and Elizabeth Jordan create visually distinct sculptural work grounded in a shared commitment to process\, material\, and the layered narratives that emerge through making. Frasers work moves toward an ethereal\, immersive interpretation of the natural world\, shaped by a practice rooted in the woods\, while Jordans is informed by an urban environment and grounded in the presence of individual animal forms. Both practices are rich in detail and guided by an attention to how systems hold—and fail—within the environment. Responding to the ongoing degradation of the natural world\, their work reflects a deep awareness of the reciprocal relationship between flora and fauna\, offering an experience that is both attentive and quietly unsettling. Fraser constructs an immersive forest through layered materials drawn from the natural world and the remnants of human use. These elements are woven\, knotted\, and coiled into shifting forms that hold a restrained presence while remaining open\, skeletal\, and in flux. The installation unfolds through clusters\, clearings\, and suspended canopies\, creating shifting pathways that move around and through the work. Rather than replicating nature\, the forms register its strain—caught between growth and collapse\, structure and fragility—suggesting an ecosystem no longer in balance. Jordan’s creatures emerge through a layered and material-driven process\, inhabiting a space between beauty and unease that reflects the shifting relationship between humans and animals. At times strange and not fully identifiable\, they communicate through gesture\, posture\, and surface—where cuts\, seams\, and scars hold traces of their making. Their presence suggests both memory and displacement\, as if once of the forest yet now shaped by a human world. In their stillness and outward gaze\, they hold a tension between what has been altered and what endures. The juxtaposition of these two perspectives creates a space shaped by uncertainty\, beauty\, and quiet tension. Working from different relationships to the natural world\, Fraser and Jordan bring their practices into proximity\, where their differences generate a subtle but persistent dialogue. Within this exchange\, an intangible connection emerges—held in the vibration between past\, present\, and what might still be possible. The Disenchanted Forest does not resolve this tension\, but allows it to remain.
URL:https://artscouncilofprinceton.org/event/jam/2029-07-04/
LOCATION:Arts Council of Princeton\, Princeton\, NJ
CATEGORIES:Community,Free or Low Cost
ATTACH;FMTTYPE=image/webp:https://artscouncilofprinceton.org/wp-content/uploads/2024/01/COMICMAKERS_JAMBANNER-e1718819987740-copy.webp
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20290711T190000
DTEND;TZID=America/New_York:20290711T210000
DTSTAMP:20260505T155645
CREATED:20240124T180146Z
LAST-MODIFIED:20260121T152226Z
UID:10002070-1878490800-1878498000@artscouncilofprinceton.org
SUMMARY:Jersey Art Meetup (JAM)
DESCRIPTION:Tales from the Disenchanted ForestBy Artists: Elizabeth Jordan & Terri FraserOn view: May 2 – 30Opening: Sat\, May 9 | 3-5pmJoint Artist Statement: Artists Terri Fraser and Elizabeth Jordan create visually distinct sculptural work grounded in a shared commitment to process\, material\, and the layered narratives that emerge through making. Frasers work moves toward an ethereal\, immersive interpretation of the natural world\, shaped by a practice rooted in the woods\, while Jordans is informed by an urban environment and grounded in the presence of individual animal forms. Both practices are rich in detail and guided by an attention to how systems hold—and fail—within the environment. Responding to the ongoing degradation of the natural world\, their work reflects a deep awareness of the reciprocal relationship between flora and fauna\, offering an experience that is both attentive and quietly unsettling. Fraser constructs an immersive forest through layered materials drawn from the natural world and the remnants of human use. These elements are woven\, knotted\, and coiled into shifting forms that hold a restrained presence while remaining open\, skeletal\, and in flux. The installation unfolds through clusters\, clearings\, and suspended canopies\, creating shifting pathways that move around and through the work. Rather than replicating nature\, the forms register its strain—caught between growth and collapse\, structure and fragility—suggesting an ecosystem no longer in balance. Jordan’s creatures emerge through a layered and material-driven process\, inhabiting a space between beauty and unease that reflects the shifting relationship between humans and animals. At times strange and not fully identifiable\, they communicate through gesture\, posture\, and surface—where cuts\, seams\, and scars hold traces of their making. Their presence suggests both memory and displacement\, as if once of the forest yet now shaped by a human world. In their stillness and outward gaze\, they hold a tension between what has been altered and what endures. The juxtaposition of these two perspectives creates a space shaped by uncertainty\, beauty\, and quiet tension. Working from different relationships to the natural world\, Fraser and Jordan bring their practices into proximity\, where their differences generate a subtle but persistent dialogue. Within this exchange\, an intangible connection emerges—held in the vibration between past\, present\, and what might still be possible. The Disenchanted Forest does not resolve this tension\, but allows it to remain.
URL:https://artscouncilofprinceton.org/event/jam/2029-07-11/
LOCATION:Arts Council of Princeton\, Princeton\, NJ
CATEGORIES:Community,Free or Low Cost
ATTACH;FMTTYPE=image/webp:https://artscouncilofprinceton.org/wp-content/uploads/2024/01/COMICMAKERS_JAMBANNER-e1718819987740-copy.webp
END:VEVENT
END:VCALENDAR