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DTSTART;VALUE=DATE:20260502
DTEND;VALUE=DATE:20260531
DTSTAMP:20260524T200019
CREATED:20251208T213323Z
LAST-MODIFIED:20260414T162849Z
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SUMMARY:Color as Composition
DESCRIPTION:Color as Composition\nBy Phoebe Wiley\nOn view: May 2 – 30\nOpening: Sat\, May 9 | 3-5pm\n\nExhibition statement:\nStudies in how juxtaposed colors relate\, contrast to one another to come forward\, recede\, move around\, create rhythm emotion\, intensity\, and form. \nAbout the artist:\nI was overwhelmed this morning by the RED dahlias in my garden. The story of my life! Since childhood the observation of color in nature has overtaken my senses and compelled me to think\nabout it and recreate it. This intensity of feeling has led me to a very long life as a painter. For many years I worked as an impressionist painter observing the play of light and color in still lives and landscapes\, analyzing how to use gestural marks of color to describe objects in the picture. I recently learned to let go of all figuration to concentrate on the color itself to create the composition.\nWebsite
URL:https://artscouncilofprinceton.org/event/color-as-composition/
LOCATION:Lower Level Gallery
CATEGORIES:Exhibitions,Free or Low Cost,Opening Receptions
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BEGIN:VEVENT
DTSTART;VALUE=DATE:20260605
DTEND;VALUE=DATE:20260704
DTSTAMP:20260524T200019
CREATED:20260505T195631Z
LAST-MODIFIED:20260514T183945Z
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SUMMARY:Commit to Memory: The Precipice of Extinction
DESCRIPTION:Commit to Memory: The Precipice of ExtinctionBy Cheryl GrossOn view: June 5-July 3Opening: Fri\, June 5 | 5-7pm\nExhibition statement:Commit to Memory: The Precipice of Extinction is a multi-platform\, social commentary addressing the shifting and eventual disappearance of our culture using animals as metaphors with overall goal being socially relevant as well as visually compelling. \nUsing animals on the endangered species list I have created a multi-media graphic audiovisual representation of society teetering on the verge of collapse. Artistic depictions of animal species as victims illustrate the decline of the American democratic system. Use of the word “extinction” throughout the narrative is the blueprint of this project. \nThe Elephant alludes to the destruction of family and community. Scientists have long used footage of elephant rescues to measure humanities ability to feel empathy. This aspect of the project questions the impulse to kill animals that make us feel “love.” \nThe Penguin explores the disappearance of societal structures. With the destruction of the artic certain penguins are left with nowhere to go except man-made exploitive habitats such as Sea World. What is life when our last option resembles a prison? \nThe Frog alludes to complete extinction caused by disease through globalization. The African Bullfrog was brought to the Americas for one purpose—to be living pregnancy tests for humans. These creatures\, used to predict life\, eventually became the destruction of an entire species of frogs as they carried a fungus eradicating the indigenous golden frog. This is reminiscent of indigenous peoples succumbing to European diseases. \nThe Tiger explores the emotional impact due to the fact of how home and territory is rapidly being diminished by development. By obliterating our environment\, we are left to somehow adjust to new social order and redefine the norm. The contributing factors such as war\, globalization\, gentrification and handouts\, continue to pave the way but it is not without consequence. \nA quote by Nicelle Davis explains my statement rather clearly: \nDeath is a charmer; nothing makes us feel more alive than brushing shoulders with him at a bar\, in our cars\, or at 5\,000 feet in the air. Every time we risk and survive there is a thrill. We feel like we won more life because we are not the ones dying. \nThere is something sexy about Death\, how when poachers take a machete to the face of an elephant\, how sex is always better once it’s gone\, or when whalers take a grenade harpoon to a whale—even more so when an entire species is gone\, how life looks for life even inside a zoo. \nBut Death is a trickster. We can never win at his game. We might be living\, but our humanity is dying. Soon\, there will be nothing of our lives worth living for. \nAbout the artist:Brooklyn native Cheryl Gross is an illustrator\, painter\, writer and motion graphic artist living and working in the New York/ Jersey City area. She is a professor at Pratt Institute. \nCheryl’s work has appeared in numerous films\, TV shows\, publications\, and graces the walls of many corporate and museum collections including: Zebra Poetry Film Festival\, Berlin\, New York Times\, Riverside Museum\, Riverside\, Ca.\, The Museum of The City of New York\, Mississippi Museum of Art\, Laforet Harajuku Museum\, Tokyo\, Japan\, Artist-In-Residency\, Kunstlerhaus\, Saarbruken\, Germany. Finalist Elizabeth Hulings Foundation\, 2014\, Artist-In-Residency Program\, Dilsberg\, Germany\, 2015\, four-time recipient Eileen Kaminsky Family Foundation Residency\, Jersey City\, 2018-2020\, Art fair 14c 2021-2023. 2023- Commit to Memory: The Precipice of Extinction\, Louis K. Redding Gallery\, Wilmington Delaware\, Curated by The Bridge Gallery\, 2023\, The Z Factor: The Hybrid Realms of Cheryl Gross\, MANA Contemporary\, Jersey City\, NJ\, Curated by Kristin DeAngelis\, Design: Kele McComsey\, 2025\, The Ethereal Realms of Mythology: Past & Present\, Art House Productions Gallery\, Jersey City\, NJ\, Curated & Design: Andrea Mckenna \nWebsiteInstagramFacebook
URL:https://artscouncilofprinceton.org/event/commit-to-memory-the-precipice-of-extinction/
LOCATION:Lower Level Gallery
CATEGORIES:Exhibitions,Free or Low Cost
ATTACH;FMTTYPE=image/webp:https://artscouncilofprinceton.org/wp-content/uploads/2026/05/cherylgross_header.webp
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DTSTART;TZID=America/New_York:20260605T170000
DTEND;TZID=America/New_York:20260605T190000
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SUMMARY:Gallery Opening: Commit to Memory: The Precipice of Extinction
DESCRIPTION:Commit to Memory: The Precipice of Extinction\nBy Cheryl Gross\nOn view: June 5-July 3\nOpening: Fri\, June 5 | 5-7pm\n\nExhibition statement:\nCommit to Memory: The Precipice of Extinction is a multi-platform\, social commentary addressing the shifting and eventual disappearance of our culture using animals as metaphors with overall goal being socially relevant as well as visually compelling. \nUsing animals on the endangered species list I have created a multi-media graphic audiovisual representation of society teetering on the verge of collapse. Artistic depictions of animal species as victims illustrate the decline of the American democratic system. Use of the word “extinction” throughout the narrative is the blueprint of this project. \nThe Elephant alludes to the destruction of family and community. Scientists have long used footage of elephant rescues to measure humanities ability to feel empathy. This aspect of the project questions the impulse to kill animals that make us feel “love.” \nThe Penguin explores the disappearance of societal structures. With the destruction of the artic certain penguins are left with nowhere to go except man-made exploitive habitats such as Sea World. What is life when our last option resembles a prison? \nThe Frog alludes to complete extinction caused by disease through globalization. The African Bullfrog was brought to the Americas for one purpose—to be living pregnancy tests for humans. These creatures\, used to predict life\, eventually became the destruction of an entire species of frogs as they carried a fungus eradicating the indigenous golden frog. This is reminiscent of indigenous peoples succumbing to European diseases. \nThe Tiger explores the emotional impact due to the fact of how home and territory is rapidly being diminished by development. By obliterating our environment\, we are left to somehow adjust to new social order and redefine the norm. The contributing factors such as war\, globalization\, gentrification and handouts\, continue to pave the way but it is not without consequence. \nA quote by Nicelle Davis explains my statement rather clearly: \nDeath is a charmer; nothing makes us feel more alive than brushing shoulders with him at a bar\, in our cars\, or at 5\,000 feet in the air. Every time we risk and survive there is a thrill. We feel like we won more life because we are not the ones dying. \nThere is something sexy about Death\, how when poachers take a machete to the face of an elephant\, how sex is always better once it’s gone\, or when whalers take a grenade harpoon to a whale—even more so when an entire species is gone\, how life looks for life even inside a zoo. \nBut Death is a trickster. We can never win at his game. We might be living\, but our humanity is dying. Soon\, there will be nothing of our lives worth living for. \n\nAbout the artist:\nBrooklyn native Cheryl Gross is an illustrator\, painter\, writer and motion graphic artist living and working in the New York/ Jersey City area. She is a professor at Pratt Institute. \nCheryl’s work has appeared in numerous films\, TV shows\, publications\, and graces the walls of many corporate and museum collections including: Zebra Poetry Film Festival\, Berlin\, New York Times\, Riverside Museum\, Riverside\, Ca.\, The Museum of The City of New York\, Mississippi Museum of Art\, Laforet Harajuku Museum\, Tokyo\, Japan\, Artist-In-Residency\, Kunstlerhaus\, Saarbruken\, Germany. Finalist Elizabeth Hulings Foundation\, 2014\, Artist-In-Residency Program\, Dilsberg\, Germany\, 2015\, four-time recipient Eileen Kaminsky Family Foundation Residency\, Jersey City\, 2018-2020\, Art fair 14c 2021-2023. 2023- Commit to Memory: The Precipice of Extinction\, Louis K. Redding Gallery\, Wilmington Delaware\, Curated by The Bridge Gallery\, 2023\, The Z Factor: The Hybrid Realms of Cheryl Gross\, MANA Contemporary\, Jersey City\, NJ\, Curated by Kristin DeAngelis\, Design: Kele McComsey\, 2025\, The Ethereal Realms of Mythology: Past & Present\, Art House Productions Gallery\, Jersey City\, NJ\, Curated & Design: Andrea Mckenna \nWebsite\nInstagram\nFacebook
URL:https://artscouncilofprinceton.org/event/gallery-opening-commit-to-memory-the-precipice-of-extinction/
LOCATION:Lower Level Gallery
CATEGORIES:Exhibitions,Free or Low Cost,Opening Receptions
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