• Events & Performances
  • Exhibitions
  • Workshops
  • Community
  • Community Stage

Thursday, August 15

Summer Courtyard Concert Series: Princeton School of Rock

- Free and Open to the Public!
[caption id="" align="aligncenter" width="335"] .[/caption]

Join the Arts Council of Princeton in the Princeton Shopping Center Courtyard for the annual Summer Concert Series, featuring the best in local and regional rock, funk, folk, world, blues, and more!

 

School of Rock is a performance-based school teaching kids music through live performance! Princeton House Band is the top 1% in the school and you will see why they are when they play. They will play a mix of classic rock, modern rock, funk, but mostly, you will be amazed that these are kids playing! Don’t miss out, you’ll be sorry
you did!

This concert is sponsored by Smith’s Ace Hardware. Enjoy a BBQ in the courtyard and a rock painting activity!

Join us every Thursday, 6–8 pm, from June 27–August 29, at the Princeton Shopping Center, 301 N. Harrison Street, Princeton, NJ. To view a full lineup of performances, click here!

Chip Fisher Memorial Exhibition

The Chip Fisher Memorial Exhibition is held in conjunction with the annual Joint Effort Safe Streets Program. On view in the Arts Council of Princeton’s second-level Solley Lobby Gallery, the exhibition features the paintings of Aaron Fisher and collages by Tracey Hill.

A reception will be held on Wednesday, August 7 at 5:30pm.

 

LUMINOUS MATTER

My work LUMINOUS MATTER channels the forces of fluid dynamics. I achieve this otherworldly look in my artwork by combining pigments, fluids, and additives to produce a physical reaction. Layering different densities of paint leads to the formation of cellular structures that echo natural processes. Some of my results are comparable to phenomena that can be observed in astronomy, such as the Rayleigh-Taylor instability seen in The Crab Nebula.

To create my paintings, I myself mimic the forces of nature by using multiple types of energy. I use the kinetic movement of my hands and body, generating the power needed to facilitate a chemical reaction in the paint and additives. This chemical reaction itself shapes the structure and design of my work, taking on a life of its own. Finally, I apply heat and fire to my paintings — additional forms of energy — to further induce movement and dynamic interest.

I experiment to discover new ways to generate surprising and exciting results. With this end in mind, my work uses multiple mixed media approaches. Some of the raw materials that I use include acrylic paint, alcohol inks, encaustic paint, pigments, and epoxy resin.

-Fran Eber

Our Universe - From Here to Infinity

“I became interested in astronomy and the nature and scope of our universe when I first started to learn about these things in elementary school. But then decades passed where I focused on other things in life.

In 1999, my interest in astronomy was rekindled by my friend/colleague Kirk Alexander who was at the time the Director of the Amateur Astronomers Association of Princeton (AAAP). I bought myself a telescope and a tracking mount and tried to have a visual look at things from the backyard at my home about 8 miles north of downtown Princeton. Our Moon and the planets in our Solar System were awesome but most other things were too faint to see without driving a few hours to a darker location. Even at these darker places, most of the faint nebulae did not look nearly as impressive as what I would see published in the various astronomy magazines I was reading on a regular basis.

So, in 2003 I bought myself a digital camera designed for taking long exposure astrophotographs and I began imaging the universe. The star clusters, nebulae, and galaxies that I’ve been able to image from my backyard are stunningly beautiful and it’s been extremely interesting to learn about these objects… what they are, how big and how far away they are, and how they came to be. It is all very interesting and truly humbling.”

-Robert Vanderbei

Friday, August 16

Chip Fisher Memorial Exhibition

The Chip Fisher Memorial Exhibition is held in conjunction with the annual Joint Effort Safe Streets Program. On view in the Arts Council of Princeton’s second-level Solley Lobby Gallery, the exhibition features the paintings of Aaron Fisher and collages by Tracey Hill.

A reception will be held on Wednesday, August 7 at 5:30pm.

 

LUMINOUS MATTER

My work LUMINOUS MATTER channels the forces of fluid dynamics. I achieve this otherworldly look in my artwork by combining pigments, fluids, and additives to produce a physical reaction. Layering different densities of paint leads to the formation of cellular structures that echo natural processes. Some of my results are comparable to phenomena that can be observed in astronomy, such as the Rayleigh-Taylor instability seen in The Crab Nebula.

To create my paintings, I myself mimic the forces of nature by using multiple types of energy. I use the kinetic movement of my hands and body, generating the power needed to facilitate a chemical reaction in the paint and additives. This chemical reaction itself shapes the structure and design of my work, taking on a life of its own. Finally, I apply heat and fire to my paintings — additional forms of energy — to further induce movement and dynamic interest.

I experiment to discover new ways to generate surprising and exciting results. With this end in mind, my work uses multiple mixed media approaches. Some of the raw materials that I use include acrylic paint, alcohol inks, encaustic paint, pigments, and epoxy resin.

-Fran Eber

Our Universe - From Here to Infinity

“I became interested in astronomy and the nature and scope of our universe when I first started to learn about these things in elementary school. But then decades passed where I focused on other things in life.

In 1999, my interest in astronomy was rekindled by my friend/colleague Kirk Alexander who was at the time the Director of the Amateur Astronomers Association of Princeton (AAAP). I bought myself a telescope and a tracking mount and tried to have a visual look at things from the backyard at my home about 8 miles north of downtown Princeton. Our Moon and the planets in our Solar System were awesome but most other things were too faint to see without driving a few hours to a darker location. Even at these darker places, most of the faint nebulae did not look nearly as impressive as what I would see published in the various astronomy magazines I was reading on a regular basis.

So, in 2003 I bought myself a digital camera designed for taking long exposure astrophotographs and I began imaging the universe. The star clusters, nebulae, and galaxies that I’ve been able to image from my backyard are stunningly beautiful and it’s been extremely interesting to learn about these objects… what they are, how big and how far away they are, and how they came to be. It is all very interesting and truly humbling.”

-Robert Vanderbei

Saturday, August 17

Chip Fisher Memorial Exhibition

The Chip Fisher Memorial Exhibition is held in conjunction with the annual Joint Effort Safe Streets Program. On view in the Arts Council of Princeton’s second-level Solley Lobby Gallery, the exhibition features the paintings of Aaron Fisher and collages by Tracey Hill.

A reception will be held on Wednesday, August 7 at 5:30pm.

 

LUMINOUS MATTER

My work LUMINOUS MATTER channels the forces of fluid dynamics. I achieve this otherworldly look in my artwork by combining pigments, fluids, and additives to produce a physical reaction. Layering different densities of paint leads to the formation of cellular structures that echo natural processes. Some of my results are comparable to phenomena that can be observed in astronomy, such as the Rayleigh-Taylor instability seen in The Crab Nebula.

To create my paintings, I myself mimic the forces of nature by using multiple types of energy. I use the kinetic movement of my hands and body, generating the power needed to facilitate a chemical reaction in the paint and additives. This chemical reaction itself shapes the structure and design of my work, taking on a life of its own. Finally, I apply heat and fire to my paintings — additional forms of energy — to further induce movement and dynamic interest.

I experiment to discover new ways to generate surprising and exciting results. With this end in mind, my work uses multiple mixed media approaches. Some of the raw materials that I use include acrylic paint, alcohol inks, encaustic paint, pigments, and epoxy resin.

-Fran Eber

Our Universe - From Here to Infinity

“I became interested in astronomy and the nature and scope of our universe when I first started to learn about these things in elementary school. But then decades passed where I focused on other things in life.

In 1999, my interest in astronomy was rekindled by my friend/colleague Kirk Alexander who was at the time the Director of the Amateur Astronomers Association of Princeton (AAAP). I bought myself a telescope and a tracking mount and tried to have a visual look at things from the backyard at my home about 8 miles north of downtown Princeton. Our Moon and the planets in our Solar System were awesome but most other things were too faint to see without driving a few hours to a darker location. Even at these darker places, most of the faint nebulae did not look nearly as impressive as what I would see published in the various astronomy magazines I was reading on a regular basis.

So, in 2003 I bought myself a digital camera designed for taking long exposure astrophotographs and I began imaging the universe. The star clusters, nebulae, and galaxies that I’ve been able to image from my backyard are stunningly beautiful and it’s been extremely interesting to learn about these objects… what they are, how big and how far away they are, and how they came to be. It is all very interesting and truly humbling.”

-Robert Vanderbei

Sunday, August 18

Chip Fisher Memorial Exhibition

The Chip Fisher Memorial Exhibition is held in conjunction with the annual Joint Effort Safe Streets Program. On view in the Arts Council of Princeton’s second-level Solley Lobby Gallery, the exhibition features the paintings of Aaron Fisher and collages by Tracey Hill.

A reception will be held on Wednesday, August 7 at 5:30pm.

 

LUMINOUS MATTER

My work LUMINOUS MATTER channels the forces of fluid dynamics. I achieve this otherworldly look in my artwork by combining pigments, fluids, and additives to produce a physical reaction. Layering different densities of paint leads to the formation of cellular structures that echo natural processes. Some of my results are comparable to phenomena that can be observed in astronomy, such as the Rayleigh-Taylor instability seen in The Crab Nebula.

To create my paintings, I myself mimic the forces of nature by using multiple types of energy. I use the kinetic movement of my hands and body, generating the power needed to facilitate a chemical reaction in the paint and additives. This chemical reaction itself shapes the structure and design of my work, taking on a life of its own. Finally, I apply heat and fire to my paintings — additional forms of energy — to further induce movement and dynamic interest.

I experiment to discover new ways to generate surprising and exciting results. With this end in mind, my work uses multiple mixed media approaches. Some of the raw materials that I use include acrylic paint, alcohol inks, encaustic paint, pigments, and epoxy resin.

-Fran Eber

Our Universe - From Here to Infinity

“I became interested in astronomy and the nature and scope of our universe when I first started to learn about these things in elementary school. But then decades passed where I focused on other things in life.

In 1999, my interest in astronomy was rekindled by my friend/colleague Kirk Alexander who was at the time the Director of the Amateur Astronomers Association of Princeton (AAAP). I bought myself a telescope and a tracking mount and tried to have a visual look at things from the backyard at my home about 8 miles north of downtown Princeton. Our Moon and the planets in our Solar System were awesome but most other things were too faint to see without driving a few hours to a darker location. Even at these darker places, most of the faint nebulae did not look nearly as impressive as what I would see published in the various astronomy magazines I was reading on a regular basis.

So, in 2003 I bought myself a digital camera designed for taking long exposure astrophotographs and I began imaging the universe. The star clusters, nebulae, and galaxies that I’ve been able to image from my backyard are stunningly beautiful and it’s been extremely interesting to learn about these objects… what they are, how big and how far away they are, and how they came to be. It is all very interesting and truly humbling.”

-Robert Vanderbei

Monday, August 19

Chip Fisher Memorial Exhibition

The Chip Fisher Memorial Exhibition is held in conjunction with the annual Joint Effort Safe Streets Program. On view in the Arts Council of Princeton’s second-level Solley Lobby Gallery, the exhibition features the paintings of Aaron Fisher and collages by Tracey Hill.

A reception will be held on Wednesday, August 7 at 5:30pm.

 

LUMINOUS MATTER

My work LUMINOUS MATTER channels the forces of fluid dynamics. I achieve this otherworldly look in my artwork by combining pigments, fluids, and additives to produce a physical reaction. Layering different densities of paint leads to the formation of cellular structures that echo natural processes. Some of my results are comparable to phenomena that can be observed in astronomy, such as the Rayleigh-Taylor instability seen in The Crab Nebula.

To create my paintings, I myself mimic the forces of nature by using multiple types of energy. I use the kinetic movement of my hands and body, generating the power needed to facilitate a chemical reaction in the paint and additives. This chemical reaction itself shapes the structure and design of my work, taking on a life of its own. Finally, I apply heat and fire to my paintings — additional forms of energy — to further induce movement and dynamic interest.

I experiment to discover new ways to generate surprising and exciting results. With this end in mind, my work uses multiple mixed media approaches. Some of the raw materials that I use include acrylic paint, alcohol inks, encaustic paint, pigments, and epoxy resin.

-Fran Eber

Our Universe - From Here to Infinity

“I became interested in astronomy and the nature and scope of our universe when I first started to learn about these things in elementary school. But then decades passed where I focused on other things in life.

In 1999, my interest in astronomy was rekindled by my friend/colleague Kirk Alexander who was at the time the Director of the Amateur Astronomers Association of Princeton (AAAP). I bought myself a telescope and a tracking mount and tried to have a visual look at things from the backyard at my home about 8 miles north of downtown Princeton. Our Moon and the planets in our Solar System were awesome but most other things were too faint to see without driving a few hours to a darker location. Even at these darker places, most of the faint nebulae did not look nearly as impressive as what I would see published in the various astronomy magazines I was reading on a regular basis.

So, in 2003 I bought myself a digital camera designed for taking long exposure astrophotographs and I began imaging the universe. The star clusters, nebulae, and galaxies that I’ve been able to image from my backyard are stunningly beautiful and it’s been extremely interesting to learn about these objects… what they are, how big and how far away they are, and how they came to be. It is all very interesting and truly humbling.”

-Robert Vanderbei

Tuesday, August 20

Chip Fisher Memorial Exhibition

The Chip Fisher Memorial Exhibition is held in conjunction with the annual Joint Effort Safe Streets Program. On view in the Arts Council of Princeton’s second-level Solley Lobby Gallery, the exhibition features the paintings of Aaron Fisher and collages by Tracey Hill.

A reception will be held on Wednesday, August 7 at 5:30pm.

 

LUMINOUS MATTER

My work LUMINOUS MATTER channels the forces of fluid dynamics. I achieve this otherworldly look in my artwork by combining pigments, fluids, and additives to produce a physical reaction. Layering different densities of paint leads to the formation of cellular structures that echo natural processes. Some of my results are comparable to phenomena that can be observed in astronomy, such as the Rayleigh-Taylor instability seen in The Crab Nebula.

To create my paintings, I myself mimic the forces of nature by using multiple types of energy. I use the kinetic movement of my hands and body, generating the power needed to facilitate a chemical reaction in the paint and additives. This chemical reaction itself shapes the structure and design of my work, taking on a life of its own. Finally, I apply heat and fire to my paintings — additional forms of energy — to further induce movement and dynamic interest.

I experiment to discover new ways to generate surprising and exciting results. With this end in mind, my work uses multiple mixed media approaches. Some of the raw materials that I use include acrylic paint, alcohol inks, encaustic paint, pigments, and epoxy resin.

-Fran Eber

Our Universe - From Here to Infinity

“I became interested in astronomy and the nature and scope of our universe when I first started to learn about these things in elementary school. But then decades passed where I focused on other things in life.

In 1999, my interest in astronomy was rekindled by my friend/colleague Kirk Alexander who was at the time the Director of the Amateur Astronomers Association of Princeton (AAAP). I bought myself a telescope and a tracking mount and tried to have a visual look at things from the backyard at my home about 8 miles north of downtown Princeton. Our Moon and the planets in our Solar System were awesome but most other things were too faint to see without driving a few hours to a darker location. Even at these darker places, most of the faint nebulae did not look nearly as impressive as what I would see published in the various astronomy magazines I was reading on a regular basis.

So, in 2003 I bought myself a digital camera designed for taking long exposure astrophotographs and I began imaging the universe. The star clusters, nebulae, and galaxies that I’ve been able to image from my backyard are stunningly beautiful and it’s been extremely interesting to learn about these objects… what they are, how big and how far away they are, and how they came to be. It is all very interesting and truly humbling.”

-Robert Vanderbei

Wednesday, August 21

Chip Fisher Memorial Exhibition

The Chip Fisher Memorial Exhibition is held in conjunction with the annual Joint Effort Safe Streets Program. On view in the Arts Council of Princeton’s second-level Solley Lobby Gallery, the exhibition features the paintings of Aaron Fisher and collages by Tracey Hill.

A reception will be held on Wednesday, August 7 at 5:30pm.

 

LUMINOUS MATTER

My work LUMINOUS MATTER channels the forces of fluid dynamics. I achieve this otherworldly look in my artwork by combining pigments, fluids, and additives to produce a physical reaction. Layering different densities of paint leads to the formation of cellular structures that echo natural processes. Some of my results are comparable to phenomena that can be observed in astronomy, such as the Rayleigh-Taylor instability seen in The Crab Nebula.

To create my paintings, I myself mimic the forces of nature by using multiple types of energy. I use the kinetic movement of my hands and body, generating the power needed to facilitate a chemical reaction in the paint and additives. This chemical reaction itself shapes the structure and design of my work, taking on a life of its own. Finally, I apply heat and fire to my paintings — additional forms of energy — to further induce movement and dynamic interest.

I experiment to discover new ways to generate surprising and exciting results. With this end in mind, my work uses multiple mixed media approaches. Some of the raw materials that I use include acrylic paint, alcohol inks, encaustic paint, pigments, and epoxy resin.

-Fran Eber

Our Universe - From Here to Infinity

“I became interested in astronomy and the nature and scope of our universe when I first started to learn about these things in elementary school. But then decades passed where I focused on other things in life.

In 1999, my interest in astronomy was rekindled by my friend/colleague Kirk Alexander who was at the time the Director of the Amateur Astronomers Association of Princeton (AAAP). I bought myself a telescope and a tracking mount and tried to have a visual look at things from the backyard at my home about 8 miles north of downtown Princeton. Our Moon and the planets in our Solar System were awesome but most other things were too faint to see without driving a few hours to a darker location. Even at these darker places, most of the faint nebulae did not look nearly as impressive as what I would see published in the various astronomy magazines I was reading on a regular basis.

So, in 2003 I bought myself a digital camera designed for taking long exposure astrophotographs and I began imaging the universe. The star clusters, nebulae, and galaxies that I’ve been able to image from my backyard are stunningly beautiful and it’s been extremely interesting to learn about these objects… what they are, how big and how far away they are, and how they came to be. It is all very interesting and truly humbling.”

-Robert Vanderbei