Sculpture Jim Perry

May 3 - September 30

Graves Terrace | Jim Perry’s sculpture is “…animated by its contradictions …stability and movement within the same work.”

Jim Perry received a BA in sculpture from Bard College, where he studied with sculptor Jake Grossberg and painters Murray Reich and Jim Sullivan. He began his sculpture career in the early 1970s in New York City where he exhibited extensively, and in 1975 was included in the Whitney Biennial. In addition to his work as an artist, Jim had a 28-year career as a graphics editor at The New York Times. He left The Times in 2008 to return to making sculpture full-time.
 
Since then, Jim has had solo exhibits at Morpeth Contemporary, Hopewell, NJ (2010); and at Gremillion & Company Fine Arts, Houston, TX (2011, 2013). He has also been included in numerous juried and invitational exhibitions including those at Ellarslie City Museum in Trenton, NJ, Philips Mill Gallery in New Hope, PA, Noyes Museum of Art in Oceanville, NJ, Morris Museum in Morristown, NJ, and Dalet Gallery and the LG Tripp Gallery, both in Philadelphia. He is represented by Gremillion & Company Fine Arts.
 
About Jim Perry’s work, artist Steven Alexander wrote, “Embodied in the graceful curves, torqued tensions and sensuous materiality of Jim Perry’s sculpture is a fundamental process of transforming feeling into form, and a perpetuation of our ancient fascination with the very nature of being.” Curator Kate Somers observes that “Perry’s sculpture is animated by its contradictions,” stating that there is “a sense of stability and movement within the same work.
 
Jim’s work is held in many private and corporate collections including the Art for Healing Initiative at the University Medical Center of Princeton at Plainsboro, where his piece, “Allegro,” can be seen in the atrium of the David and Patricia Atkinson Pavilion. Jim is a member and former president of the Princeton Artists Alliance. He lives in Princeton with his wife, painter Hetty Baiz.

More Exhibitions

Interwoven Stories International

  Diana Weymar developed Interwoven Stories  as 2016 Artist-in-Residence at the Arts Council of Princeton and returns to curate over 250 pages from Princeton, The Peddie School, the Nantucket Stitching Gam, the Zen Hospice Project (San Francisco), Open Space Art (Damascus, Syria), Build Peace (Colombia), the University of Puget Sound (Tacoma), Yarns/NoDominion Theatre (Jersey City), and Trans Tipping Point Project (Victoria, BC). “This show will be a homecoming for the pages that were created in Princeton and a welcoming for pages from other places”, says

Photography by Larry Parsons

Often I am asked how long I have been doing photography. The quick answer is about 40 years. To start, my wife, Jean, encouraged me to pursue photography since I already liked it. For a Christmas present she gave me a photo / darkroom course offered by Bob Denby at Princeton Day School. The bug bit me and I have been doing it ever since. Working in the finance field for a career, I had little time to do as much photo work as I

Places by Sean Carney

On view on the second floor of the Princeton Public Library.

Donor Wheel

More than 2,000 donors are acknowledged in this one-of-a-kind sculpture by Joshua Kirsch

Neighborhood Portrait

The Neighborhood Portrait Quilt is part of a permanent exhibition that tells a story of important leaders and residents.