Sculpture Jim Perry

May 3 - September 30

Graves Terrace | Jim Perry’s sculpture is “…animated by its contradictions …stability and movement within the same work.”

Jim Perry received a BA in sculpture from Bard College, where he studied with sculptor Jake Grossberg and painters Murray Reich and Jim Sullivan. He began his sculpture career in the early 1970s in New York City where he exhibited extensively, and in 1975 was included in the Whitney Biennial. In addition to his work as an artist, Jim had a 28-year career as a graphics editor at The New York Times. He left The Times in 2008 to return to making sculpture full-time.
 
Since then, Jim has had solo exhibits at Morpeth Contemporary, Hopewell, NJ (2010); and at Gremillion & Company Fine Arts, Houston, TX (2011, 2013). He has also been included in numerous juried and invitational exhibitions including those at Ellarslie City Museum in Trenton, NJ, Philips Mill Gallery in New Hope, PA, Noyes Museum of Art in Oceanville, NJ, Morris Museum in Morristown, NJ, and Dalet Gallery and the LG Tripp Gallery, both in Philadelphia. He is represented by Gremillion & Company Fine Arts.
 
About Jim Perry’s work, artist Steven Alexander wrote, “Embodied in the graceful curves, torqued tensions and sensuous materiality of Jim Perry’s sculpture is a fundamental process of transforming feeling into form, and a perpetuation of our ancient fascination with the very nature of being.” Curator Kate Somers observes that “Perry’s sculpture is animated by its contradictions,” stating that there is “a sense of stability and movement within the same work.
 
Jim’s work is held in many private and corporate collections including the Art for Healing Initiative at the University Medical Center of Princeton at Plainsboro, where his piece, “Allegro,” can be seen in the atrium of the David and Patricia Atkinson Pavilion. Jim is a member and former president of the Princeton Artists Alliance. He lives in Princeton with his wife, painter Hetty Baiz.

More Exhibitions

I am Innocent: The Migration Back to Freedom for the Innocent in Prison

For the thousands of wrongfully-convicted men and women in this country, their journey starts with a tremendous shock. They are arrested for a serious crime they had nothing to do with. They ultimately wind up in court and despite all evidence to the contrary, they believe it is only a matter of time before police, prosecutors and the judge will realize their mistake. But that never happens. They are locked away with little chance of ever seeing freedom again while living in the hell of

Earth, Fire, Water, Ice, Debris: Five Artists Comment on the Environment

Fire, Earth, Water, Ice, Debris features original work by Helena Bienstock, Diane Burko, Anita Glesta, Susan Hockaday, Martha Vaughn and is curated by Judith K. Brodsky. We are in a period of artmaking in which artists have moved out of the attic into the world. In this age of images, artists are using their powerful visual skills to make us aware of the issues in the world around us as well as the beauty. These five artists, each in her own way, have turned their

Local Women in their Crowns: A Portraits and Stories Community Project

  In conjunction with McCarter Theatre Center‘s production of Crowns, directed by Regina Taylor, the Arts Council of Princeton and McCarter have partnered to create Local Women in their Crowns: A Portraits and Stories Community Project. Inspired by the book of the same name from which Crowns was created, this visual storytelling project captures portraits and the shared stories of Black women of all ages and backgrounds in their church hats. The culminating exhibition serves as a celebration of African American culture and tradition on display at

Donor Wheel

More than 2,000 donors are acknowledged in this one-of-a-kind sculpture by Joshua Kirsch

Neighborhood Portrait

The Neighborhood Portrait Quilt is part of a permanent exhibition that tells a story of important leaders and residents.